Woo hoo! Nostra from My Film Views is at it again. I crowned him King of Blog Series a couple of years ago and clearly he deserves that title 😉 Here’s the gist of the Blogathon Relay:
A list of 10 iconic movie characters has been made. That list will be assigned to another blogger who can then change it by removing one character (describing why they think it should not be on the list) and replace it with another one (also with motivation) and hand over the baton to another blogger. Once assigned that blogger will have to put his/her post up within a week. If this is not the case the blogger who assigned it has to reassign it to another blogger. After you have posted your update leave the link in the comments here and I will make sure it gets added to the overview post.
Now, the first baton went to my friend Keith, one of my favorite bloggers whom I admire and respect. If you haven’t visited his awesome blog before, well you’re missing out big time! He had the arduous task of being the first to remove and replace one iconic movie character from the original 10, and I think he made a great choice! Check out the reasoning behind his decision in this post. I love this brilliant blogathon idea, but like Keith said, it’s a REALLY tough one! I’m up for the challenge though, so let’s take a look at the current Top Ten as it stands now, with Keith’s pick at the very end, followed by MY subtraction and addition:
“Dirty” Harry Callahan
Who I’m removing: TONY MONTANA
Sorry Scarface fans, please don’t shoot me! Yes I know he’s got the highly-quotable ‘say hello to my little friend’ quip. At this point though, we’re arguing not whether he’s an iconic movie character, obviously he is but just how iconic is he compared to the other nine on this list.
When I think of ICONIC, I think of a character that needs no explanation, not only in the US but internationally. It’s the kind of character anyone from any continent in this world would instantly recognize, or at least which movie they’re from even if they don’t know that character’s name. I’m not sure that Al Pacino’s most famous role fits that category. Great and memorable yes, but I don’t know if he deserves to be in the Top 10 MOST iconic list. He might make my Top 20 though, but that’s not the assignment of this blogathon, folks. So after much deliberation, he’s the one I have to say goodbye to. …
My addition: Princess Leia
Now, I know there’s already a character from Star Wars but there’s no rule we can’t add more than one character from a given film or franchise. Given that Star Wars is THE biggest and most enduring franchise in Hollywood history, we could probably make up half of this list just from that franchise alone!
Princess Leia is not just one of the coolest female movie characters but she’s a film AND pop culture icon. I mean, if you just draw a silhouette with her hair buns on each side of her head, I think people young and old would instantly know who that is. From the baby boomers all the way to Millennials, it’s interesting to see fans still dressing up as Princess Leia at Comic-con and various other conventions. I remember at SDCC 2012 my hubby taking pictures with a bunch of girls in Leia’s equally iconic teeny bikini, with little regard whether they look like Carrie Fisher circa 1977 or more like she is now in her mid 50s. I’m actually not a huge Star Wars fan, but I do get the appeal and why it remains so popular to this day. I’m glad George Lucas wrote such a strong female character who’s beautiful, witty and spunky. She’s a fiery rebel who’s able to hold her own amongst the rest of the mostly-male cast. We need more strong female icons like her in Hollywood!
Passing the baton to:
I’ve been following Andrew‘s blog for some time now and I love his reviews and personal & passionate style in blogging. Do yourself a favor and check out A Fistful of Films Blog!
Well, what do you think of my decision? Agree/disagree, let’s hear it!
Just like his pal Sly Stallone, Arnold Schwarzegger is trying to reclaim his glory days as the box office king of the 80s and 90s by starring in action films again in the 21st century. So far though, both them have had more duds than hits and I’m afraid this trend will continue with Arnold’s latest action thriller.
The movie opens with a group of elite DEA agents being lead by John “Breacher” Wharton (Arnie) raiding on some drug dealers’ fancy mansion. They found at least $100mil cash stashed away in the lower level of the mansion and the team decided to steal $10mil of that money and burn the rest so no one at the DEA will know they took the cash. Of course things didn’t turn out as planned, when they tried to retrieve the cash later, it’s nowhere to be found. Things got worse when the DEA found out that the $10mil is missing and they accuse Breacher and his team of stealing the money. All of them were under investigation and Breacher lost his team. About six months later, the DEA couldn’t find enough evidence to build a case against Breacher and his team, so the case will be close.
After the good news, Breacher tracked down his old teammates and try to get them back to doing what they do best, kill lots of bad guys. Unfortunately things didn’t come back to normal for the team, three of them were killed and this lead to the involvement of a homicide detective Caroline (Olivia Williams). Caroline suspects the drug cartel is behind the killings but Breacher and his team aren’t willing to help her with the investigation. The trailers let us to believe that this was a non-stop action adventure but it’s really a procedural thriller with some shootouts and a car chase. Not the usual Arnold’s flicks from the past.
The script by Skip Woods and David Ayer was pretty good, nothing too deep or over the top. Instead of giving us one liners after another, some of the dialogs were quite witty and Arnold delivered them perfectly. The script might think it’s smarter than it’s actually is but I went along with the plot. Ayer made a name for himself by writing Training Day and the first Fast & Furious film, so don’t expect anything new or original from this movie. I’m not the biggest fan of his directing style though, he basically incorporated the look and feel of his last movie (End of Watch) into this one. I’m sort of getting annoyed by some directors who think that by shooting their movie digitally, they think it will look more “realistic”. I don’t get why they couldn’t add some effects in post production and make the movie look more cinematic, I can’t stand watching a movie that looks like it’s shot with a home camcorder. Despite the flat and uninspired cinematography, Ayer did shoot some good action scenes, particularly the climatic car chase and shootout.
Performance wise, I thought Arnold did a pretty good job, again it’s Arnold we’re talking about here so don’t expect an Oscar caliber acting. Olivia Williams pretty much played the second lead and I thought she’s good in the role, I couldn’t remember the last time I saw her in a movie. The rest of the cast including Sam Worthington (I guess he’s already lost his leading man status now), Mireille Enos, Terrence Howard, Joe Manganiello and Josh Holloway did a serviceable job in their respective roles.
For a movie like this, I think most people expect to see lots of shootouts and explosions, so it’s a nice surprise that it does have some sort of a plot and kept my attention without something blowing up every 10 minutes. I think I might give it a higher rating had Ayer and his team made the movie look more like a real movie instead of home video. But I’m glad they didn’t scale back the blood and violence, I think this is a good rental.
Hello everyone! As promised, here’s the second Everybody’s Chattin’ post to make up for the one I missed last month.
So here are 10 of my favorite post from fellow bloggers from the past week:
Now this is a post every movie blogger should read and undoubtedly can relate to … Dan wrote about this thought-provoking article on finding a voice in film criticism.
Ryan of The Matinee, the original founder of The Blindspot Series posted an intriguing Canadian-made film I’ve never heard of before: Jesus of Montreal. I’m definitely intrigued!
If you haven’t checked out Cindy’s blog, consider this your recommendation. She’s always got great film observations and commentaries, like this one about Musicians Who Become Actors. Surely you have your favorites?
And since I just posted my entry to Sati’s Spin-off Blogathon, check out which character Chris (Terry Malloy Pigeon Coop) and Mark (Marked Movies) wanted a spin-off on. Both are such cult favorites!
Now, speaking of blogathons, the reigning King of such blog event Nostra is at it again with his Blogathon Relay! This time the focus is on 10 Most Iconic Movie Characters. The first blogger he passed the baton to is my pal Keith of Keith & the Movies, drop everything now and see which one he’s taken out & add to the list!
Last but not least, Biblical films seem to be the genre du jour in Hollywood this year, Darren Aronofsky’s Noah opens this weekend and Ridley Scott’s Exodus w/ Christian Bale as Moses opens later in December. I haven’t seen it yet but A Fistful of Films’ Andrew has, check out what he has to say.
Now, before you’re off, check out these previews of my two crushes’ next film/TV show:
Richard Armitage‘s disaster thriller INTO THE STORM with The Walking Dead‘s Sarah Wayne Callies is released on October 8. Nice to see Richard in the lead role, yay! That last part with all those Boeing planes are too darn eerie given what’s happened with the Malaysian Airlines though, I’m quite surprised they didn’t take that out of the preview.
And for you horror lovers out there, this SHOWTIME series Penny Dreadful should be right up your alley. I blogged about this one a while back when Timothy Dalton was cast. I don’t have cable but once it’s out on iTunes or Netflix I’ll watch it for Dalton who plays Sir Malcolm, a hardened African explorer on a deeply personal quest. I’m glad he’s not playing one of the demons, ahah. He still looks sooo good and it’s interesting to see him alongside my favorite Bond girl Eva Green here.
Created by John Logan (screenwriter of Gladiator, The Aviator, Skyfall) and produced by Sam Mendes, seems like the Bond connection is quite strong here, ahah. Check out the hair-raising trailer:
Thanks to Margaret aka Lady Sati over at Cinematic Corner for this awesome blogathon idea. Here’s the gist:
Choose a [supporting] character (Movie or TV) that you love and would like to see as a leading character in the movie and write why you chose this character and what that movie would be like. Don’t choose leading characters or supporting characters with lots of screen time, the goal is to focus on minor characters who have between 1-5 scenes. However if you really loved a character who is on screen for more than that, go for it.
Now, there are a bunch of memorable minor movie characters that I can list here, but not all of them I want to see an entire movie on. But these five minor/supporting characters are so fascinating, in some cases even more so than the hero, that I’d be willing to pay a movie solely focused on them! I originally had only three characters in mind but I just couldn’t resist adding the last two (plus a BONUS TV character). So without further ado, here they are:
Tom Bertram (James Purefoy) in Mansfield Park
Tom is the elder son and heir of the wealthy landowner Sir Thomas Bertram who took in the story’s protagonist Fanny Price to live in Mansfield Park. He’s shown in his brief scene as a drunken and careless man who has no regard for Fanny nor to his father. He’s often away in Antigua on his family’s estate and he obviously despises his father’s business that involves slavery, but the strain seems to be deeper than that. The way Purefoy plays him is so intriguing that every time I saw this Austen adaptation, I wanted to know more about Tom and why he behaves the way he does. He’s dark, mysterious, with a seething rage that could explode at any moment. Certainly he’s a sexier and more riveting persona than the principled but dull brother Edmund.
I’d love to see a movie, or even a TV miniseries that focuses on his character. It’d be an extension (with some artistic liberties taken) of what’s written about him in the book, recounting his younger days being taken to Antigua by his father, and his days of living an extravagant life amusing himself. In the book, it’s described that Mary Crawford, who with his brother lives in the Bertram’s parsonage was initially interested in Tom but he does not response, so I’d like to see that being explored in the film as to why he refuses her. The risque Lovers’ Vow play would definitely be one of the movie’s highlights.
It’s too bad that in Mansfield Park, Tom’s spent half his already brief screen time bedridden from his illness. He does recover eventually and later on, Fanny’s younger sister Susan comes to live with the Bertram family also. Though it’s not in the book, it’d be nice to see that perhaps Tom would finally find love with Susan.
Peggy Carter (Hayley Atwell) in Captain America: The First Avenger
There are barely any cinematic super-heroine in Hollywood, and I don’t mean the bad ass but cheesy warrior variety like Elektra (no offense Jennifer Gardner!). From the first time I saw Captain America, I’ve got a girl crush on Peggy Carter. She is by far my favorite Marvel female character, yes she even beats Black Widow and Lady Sif! Atwell’s performance is one of the major reasons I LOVE LOVE Captain America: The First Avenger as she’s just as fun to watch as the Captain himself. She’s beautiful, witty, and spunky. She’s no damsel in distress, no siree. She’s a trained fighter who’s more than capable to hold her own. She’s a damn good shot too, as evident in the action scene with the villain Heinz Kruger (Richard Armitage, who gets another mention below) 😉
There’s a Marvel One Shot of Agent Carter which I have yet to see except for a couple of clips. Apparently the short film takes place a year after the events of The First Avenger, and features Carter as a member of the Strategic Scientific Reserve and dealing with the sexism of that era. Now I’d even pay to see a film version of Agent Carter. It could include with some flashback scenes of her younger years as in the comics she apparently joined the French Resistance as a teen, which was how she became a skilled gun-woman.
Col. Brandon (Alan Rickman) in Sense & Sensibility
This should come as no surprise to anyone given how much I adore Alan Rickman‘s portrayal of Colonel Brandon. He’s one my picks of Favorite Period Drama Heroes and he’s easily my favorite male character in Jane Austen’s adaptations, yes he even beats every woman’s favorite Mr. Darcy any day. He’s a far more interesting character because he has been through a lot before we’ve come to know him as a wealthy officer at 35. He’s a sensitive man, a tortured soul perhaps (oh how I love these types of characters), who’s lost his love when he returned from the army and found that the woman he loves was with child and living in a poorhouse.
His entrance in Sense & Sensibility is one of the most memorable and emotionally-charged for me… Brandon’s expression as he was transfixed by Marianne is palpable. It’s got to make you wonder, is it simply just love at first sight? It can’t just be Marianne’s beauty and beautiful voice that captured him so, there’s gotta be something deeper than that. Later on we learned that Marianne reminded him of his lost love of his youth, his father’s ward whom he was prevented from marrying. Every time I watched this film, I’d so want to see more of Brandon’s early life.
I’ve been wanting to pick up Amanda Grange’s book Colonel Brandon’s Diary which is part of her Jane Austen retelling adaptations. I did read the Captain Wentworth’s Diary one, now I’d pay to see that one too, but I think Colonel Brandon’s dark past would make an even more riveting period drama. Now the challenge is to cast an actor even half as charismatic as Rickman, but perhaps Tom Hiddleston or Richard Armitage would be more than up for the task? The latter has never done an Austen adaptation, that is a travesty!
Vesper Lynd (Eva Green) in Casino Royale
As a massive Bond fan ever since I was a wee girl, never have I been so fascinated by the Bond girl until I saw Vesper in Casino Royale. Like Agent Carter, Vesper is no damsel in distress, and she has quite a mysterious past that rivals our favorite super spy. She’s obviously an intelligent woman, having been trusted by MI6 to oversee Bond in his high-stake gamble with Le Chiffre. “I’m the money,” she says, and the banter between her & Bond is no doubt one of the most riveting scenes in the movie, one I still love to watch over and over.
I’d love to see a movie on her where we get to see how she became a double agent for the Russian Ministry of Internal Affairs and her former lover who gave her that Algerian love knot necklace that Bond tracked down in Quantum of Solace. I think the film would only work with Eva Green in the role though. She’s obviously extremely sexy and can make an entrance like no other (that purple dress is an utter knockout), but I think her sensuality and mystique is what made the character so beguiling. There’s something so unpredictable behind those piercing green eyes, and an icy quality about them. The scene where she professes her love for Bond is beautiful but with a tinge of mystery and even suspense as we’re not sure what she’s capable of.
According to Wiki, in the Casino Royale novel, she was born on a “dark and stormy” night, and her parents named her “Vesper” after the Latin word meaning evening to commemorate the night. Fleming created a cocktail recipe in the novel that Bond names after her. The “Vesper martini” became very popular after the novel’s publication, and gave rise to the famous “shaken, not stirred” catchphrase immortalized in the Bond films.
It’d be cool to see Eva Green reprising her role in a prequel spin-off of Vesper, I think she’s the only Bond girl deserving of her own movie!
John Rolfe (Christian Bale) in The New World
I’ve mentioned Christian Bale‘s role as John Rolfe many times in my blog already, most recently in this Breaking Emotion post. Bale only appeared in the last 25 min or so of the 2.5 hours Terrence Malick’s retelling of the Pocahontas story, yet he’s far more fascinating than Colin Farrell in the lead role John Smith. In fact, I’d buy this film just to see him here. His chemistry with Q’orianka Kilcher is so sweet, it’s perhaps one of the most romantic roles Bale’s done, which is already so rare to begin with.
Now, the story of John Rolfe, an early English settlers of North America might not be as passionate or intriguing as John Smith’s, but Bale portrayal made me want to see more of Rolfe character. Perhaps the film can show his days as a tobacco businessman in Jamestown, Virginia and more details on his meeting and romance with Pocahontas, as well as his life after her death.
Special TV Dream Spin-Off
Guy of Gisborne (Richard Armitage) in BBC Robin Hood
What’s more riveting than a great hero? A great antihero. And every time I saw BBC Robin Hood, I always think ‘with villains like this, who needs a hero?!’ No offense to Jonas Armstrong as the titular hero but really he’s just meh next to Richard’s undeniable charisma and sex appeal. The guy just oozes virile masculinity and pent-up passion [wowza!] Clad in form-fitting black leather from head to toe, he’s the epitome of tall, dark and dangerous, even his hair is jet black to match his dark past and personality.
But instead of making him a straight-out villain, what’s more intriguing about Guy is the complexity of his character, he’s not just evil for the sake of it, but there’s a vulnerability to him, especially in regards to his unrequited love for Marian, once the hope to his redemption. Again there’s that tortured soul quality that I can’t resist!
I love how Richard explains his character in this behind-the-scene clip. “If he can’t be good and be popular, be bad…” YES please 😉
If they were to do a Guy-centric series or even a miniseries on, I’d have a different girl than Lucy Griffiths though, I’m not terribly fond of her. Holliday Grainger in Season 3 is quite good however, I’d love to see more of their relationship being explored in Guy’s life. But of course I’d ONLY see a Guy of Gisborne movie/series IF Richard Armitage plays him. Frankly, I can’t imagine anyone else in the role who could top his portrayal.
What do you think of my picks, folks? Would you watch a movie dedicated to these characters?
Andy over at Fandango Groovers’ Blog was inspired by the latest Captain America: The Winter Soldier trailer in which we see Steve Rogers make a note in a pocket note book. It’s a list of things he missed out on in the time he was frozen that people have recommended he should catch up on.
So the idea is to list ten movies we’d recommend to a person who had been frozen between 1943 and 2011. We modified it to 15 as Ted and I teamed up to make up this list.
Here’s what Ted recommends, broken down by decades:
Lawrence of Arabia For someone who’s never seen an epic story, this would be a great film to show him. The huge scope of this film done years before CGI could never be replicate again in today’s modern day filmmaking.
2001: A Space Odyssey Another film that push the limit of visual spectacle several years before the use of CGI were introduced to filmmakers. This film have influence other memorable films such Star Wars and the recent space adventure hit Gravity. For someone who have never seen it, they would marvel at the visual of this classic sci-fi adventure.
Star Wars: A New Hope Just for visual spectacle, this would be a great film to show it someone from the 1940s or earlier.
Apocalypse Now Since Steve Rogers fought in war, he might appreciate a film that shows the horror of fighting in a war.
Blade Runner Another great sci-fi film that would marvel anyone who’d never seen such a huge visual spectacle.
Pulp Fiction Might be too harsh for someone who grew up in the 1930-40s but I think he/she would appreciate the unconventional story telling of this film.
Batman Begins & The Dark Knight The two films that basically changed how super hero films are made today. Films about good vs. evil, anyone can enjoy that. Heck if he/she can see The Dark Knight at an IMAX theater, I have no doubt they would love it. …
Now, to complete the 15 movies, here are seven movies I’d recommend. Now, my list is more tailored for Steve Rogers himself, or someone with a similar military background and dedication to serve his/her country.
All the President’s Men
Since this one is still fresh in my mind, I just think someone in Captain’s position would find the whole Watergate scandal fascinating. As someone who’s so patriotic who’s currently dealing with government conspiracy in his mission post-frozen existence, this film might be a riveting as well as sobering experience to see a commander in chief behaving badly.
As someone who’ve fought the Nazis, Cap would no doubt have an interesting perspectives on the Holocaust. Spielberg’s masterpiece shows the *face* of the enemy and the victim, as well as an unlikely hero who fought with his heart and kindness as his weapons against evil.
One of the best films about the ultimate personal betrayal and a hero who manages to rise above it. Maximus’ journey is inspiring for virtually everyone, but given that he is also a military man, Cap can certainly connect with him in that sense. There’s also a bit of unrequited love story here that he can also relate to.
The Social Network
Now one of the things in Cap’s list that we glimpsed in the trailer is Steve Jobs. Now I was going to recommend the Jobs biopic w/ Noah Wyle (as the Jobs movie was crap), but this David Fincher’s film about the *birth* of Facebook is far more fascinating. It might make him less inclined to join social media though, ahah
Cap might be very familiar with the Stock Market Crash of 1929, and perhaps even heard personal stories from his parents or family members. The world of finance and its power to corrupt the human soul should be an intriguing subject for anyone, and this Oliver Stone film remains one of the best on that subject IMO. I doubt Wall Street lifestyle would be appealing to Cap, and he’d be glad he didn’t have to endure 80s fashion!
I wanted to include an animated feature to recommend, even if it’s just for Cap to marvel at the visuals and animation technology. Can’t go wrong with Pixar but this one in particular is a must-see. Entertaining, imaginative and thought provoking with its social commentary, but it’s also got so much heart with an unlikely romantic pairing.
Ok now this one is purely for comic relief of the guilty pleasure variety. In case you haven’t seen this 90s goofy comedy, Brendan Fraser played a cave man who’s found frozen in a backyard of a couple of high school outcasts. Just like Cap, the hero of the story is also trying to grasp the basic concept of modern life. Just something for him to laugh himself silly, a brief respite from all that exhilarating business of saving the world 😀
What do you think of Ted’s and my recommendations?
This month’s Blind Spot is a ‘hit two birds with one stone’ type of a thing in that it’s part of the conspiracy movies I’ve been bingeing on in anticipation of Captain America: The Winter Soldier. It’s something I’ve been wanting to see for ages, glad I finally got around to it.
I wasn’t even born yet when the scandal happened in 1972, starting with a break-in at the Democratic National Committee (DNC) headquarters at the Watergate office complex in D.C. I’ve seen Bob Woodward and Carl Bernstein on TV over the years and I think I may have known they’re the journalists who first uncovered the scandal that led to President Nixon’s resignation, but I never realized just how they got there.
It’s a testament to Alan J. Pakula‘s shrewd direction and Robert Redford & Dustin Hoffman‘s excellent performances that this film remains as gripping as ever, even watched for the first time 38 years after its release. It’s the quintessential political conspiracy drama that earns its ‘true classic’ label, it currently sits at #77 on AFI’s 100 Greatest Films list. I actually watched this film just a day after Pakula’s other conspiracy movie made just two years earlier, The Parallax View, but I enjoyed this one a whole lot more. Obviously I already know that Woodward and Bernstein survived the whole ordeal, but that fact in no way lessens the suspense of the film. It’s perhaps the best film about investigative journalism, and no doubt it’s the film shown in every journalism class in America. Believe it or not, I actually wanted to be a journalist when I first came to the States, so I might’ve seen some clips of this in my Broadcast Journalism class in college.
I was completely engrossed in the story, but not only in terms of the scandal itself, but in the realistic depiction of how the journalists work on their story, as a lot of the film take place within The Washington Post. There’s a scene where the veteran Bernstein started making revisions of Woodward’s drafts without first consulting him. “I don’t mind that you did it,” Woodward said, “I just mind how you did it.” Clearly they didn’t get off on the right foot, but they soon bonded over their tenacity to get to the bottom of this story. There’s a nice rapport between the two actors that worked well here. Clearly the two reporters are such workaholics and became so consumed with the story. I’d think that real journalists have a bit of that obsessive streak in them when they’re following the trail of a story, especially something as important as this one. Little did they know where the story would lead, as the trail just kept getting higher up the chain of the Republican Party and eventually all the way to the White House!
All the dialog between Woodward & Bernstein and the editors, played by Jack Warden and Jason Robards are quite fascinating, as it shows how risky it was to break a story like this. Amongst the supporting cast, Robards was particularly memorable as Benjamin Bradlee, the then executive editor at the Post. He’s very convincing as a seasoned journalist and has the gravitas required for the role. The scenes in a parking garage where Woodward held his secret meet-up with Deep Throat (a pseudonym the journalists give to the secret informant) is rife with tension, handled brilliantly in an eerie, atmospheric way. Hal Holbrook is perfectly effective in his brief appearance, adding so much to his character and making it practically iconic. “Follow the money,” he says, in one of the most memorable quotes in William Goldman‘s Oscar-winning screenplay.
The scenes where Bernstein coerced his sources to talk are particularly intriguing, especially the one with the book keeper of Committee to Re-elect the President (with an appropriate acronym of CREEP). Jane Alexander was nominated for Best Actress in a Supporting Role and I agree that’s quite a fantastic performance. She only had about 8-minute screen time in the entire film, about the same number of minutes Dame Judi Dench appeared in her Oscar-nominated turn in Shakespeare in Love. Truly, there’s really not a boring moment here even during the most seemingly mundane stuff like typing or people talking on the phone. There’s a six-minute continuous tracking shot of Redford being on the phone, according to IMDb trivia, DP Gordon Willis did that in one take!
I’m surprised Willis was not nominated for an Oscar for his work here, though later on he received an Honorary Academy Award in 2010. I love how he used a variety of creative shots, such as the one where the two reporters were doing meticulous research at the Library of Congress. The camera shot them from above, starting with a close up of their hands sifting through a mountain of library slips and it slowly pulls away, accompanied by the sound of rustling paper and very subtle background music. No words are spoken but it’s a powerful scene. I found this wonderful Mise-en-scène article on this exact scene where the author astutely observed that … “The scene symbolically represents the story of the film, that of two men against an entire administration. It expresses the immensity of the task that lay ahead for the reporters, not just in searching through library cards, but in revealing the truth behind the misdeeds of the administration.”
I love the attention to details of this film, the clothes, the sets, and all the details within The Post headquarter. Apparently the design department of the film even made a replica of the out of date phone books to make it even more authentic! I’m sure there are countless details that I failed to catch. This is definitely the kind of film that warrants subsequent viewings in order to get the details I’ve missed on initial viewing.
I’ll end this review with one last observation. I like how the story stays focused on the journalism aspect of the scandal and how the Post finally got to publish it, there’s no unnecessary subplots about the personal lives of the leads or anything of the sort. What an intriguing slice of American history, and as someone who’s not born in the US, it’s especially fascinating to see. To this day, every political scandal is tagged with the “-gate” suffix because of this, which adds to the timeless aspect of this film. Thanks to Redford for acquiring the rights to Bernstein’s and Woodward’s memoir and for Mr. Pakula for bringing this engrossing political history to life.
WHOAH!! I haven’t posted a trailer spotlight in ages but I just HAD to post this one today folks, this is one of my most anticipated movies of the year and despite this awful poster, the trailer definitely gets me super excited!
Patrick Stewart’s voice over alone gets me all hypnotized… this is the kind of trailer where the narration works so well in setting the tone for the film.
Professor X: “You need to go into the past … “ Magneto: “… to end this war before it ever begins”
This film is supposed to act as a sequel to both 2006’s X-Men: The Last Stand and 2011’s X-Men: First Class, as well as a follow-up to 2013’s The Wolverine (per Wiki) I think this time travel premise is the first of its kind in ANY franchise (as far I can remember anyway), as the characters from the original movie join forces with their younger selves from First Class to change the past and save their future. Seems like a hugely ambitious project in which I’m glad Bryan Singer is back at the helm. He’s the one filmmaker that gave us the first X-Men film in 2000 that pretty much launched the superhero franchise. Before Christopher Nolan’s Batman trilogy even entered the picture, X-Men was the first comic-book-based film that is more than just a standard action-adventure, as it metaphorically deals with deeper issues of racism, anti-semitism and outcasts of society. This one is poised to be a mindf*ck that promises to discombobulate as well as enthrall us at the same time.
Hugh Jackman, Halle Berry, Anna Paquin, Ellen Page, Shawn Ashmore, Ian McKellen, and Patrick Stewart from the first X-Men movie are back, joining First Class cast of James McAvoy, Michael Fassbender, Jennifer Lawrence and Nicholas Hoult. Peter Dinklage is one of the new cast member here as Bolivar Trask, a military scientist and the head of Trask Industries who created a range of robots called Sentinels whose purpose is to hunt and destroy mutants. The Intouchables’Omar Sy also played one of the mutants from the future with the ability to absorb energy to redirect it in kinetic blasts Seriously, this is the kind of movie to watch even just for the cast!!
I have to admit I get chills and a bit teary eyed watching this. I LOVE Henry Jackman’s music in the first film, and I was bummed that he’s not back to score this… but now I’m loving John Ottman’s ominous yet thrilling music he’s doing here. It hits the emotional high notes of this epic mutant saga and battle against extinction. That last scene of the two Xaviers facing off each other, oh man, that moment of the younger Xavier shedding a tear always gets me. I’ve been sold on this movie from day one, now I’m officially in agony waiting for this film to open in the US on May 23!