The Flix List: List of Misfires from big-name stars/filmmakers that I enjoyed

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Many film fans get excited when a film with big named stars or director or both are attached to a project. We assume that the film will be great and studio executives thinks it will be a box office gold and/or Oscar contender during the awards season. Unfortunately, most films with an all-starred cast or famed directors tends to disappoint and forgotten once it hits theaters. Below are some of the misfire films that included big named stars and/or directors and I really enjoyed all of them. By no means that I think these are great films, I do think they’re above average that has potential to be great films.

1. The Counselor (2013)

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When this film was announced, it was met with excitement by many film fans (including yours truly) since it’s the first script written by famed author Cormac McCarthy and Ridley Scott quickly signed on to direct it. The news got even better when the all-star cast was announced. How can a film that stars Brad Pitt, Michael Fassbender, Cameron Diaz and Javier Bardem and a talented director like Ridley Scott fail? The studio thought this was going to be an Oscar contender, so they opened the film in the prime award season in the fall of 2013, but it was met with dismal reviews and failed at the box office.



So, what went wrong with this film? I think the script is the main problem here. McCarthy is a great novel writer but his screenplay for this film needed a lot of revisions. The dialogs were spoken like something from his novels and while it worked in the printed form, it needed some revisions to make it work as a screenplay. I’m quite surprised that Ridley Scott shot the film with this script. I don’t think it’s a bad movie but with a refined script, it could’ve been something special. I still enjoyed the heck out of this film though.

2. ALIEN 3 (1992)

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I was hesitant to include this one since David Fincher was still a young and upcoming director when he made this film. And because of this film’s failure, it almost destroys his career in Hollywood. But he bounced back a few years later with SE7EN and he’s been an A-list director ever since, so I think it’s fair to include it here. This film has a long development history, there were many versions of the scripts that were pitched, and a lot of directors were considered to take on the project.

Fox scheduled the film to open in the summer of 1992 and put a pressure on the film’s producers to get the film made or risk it being cancelled. The producers needed someone to come in and just make the approved script comes to life and decided to hire a young no-name director. Fincher at the time has been directing popular music videos for famous singers such as Madonna and George Michael. You can read more about behind the scenes making of this film here. While this film didn’t come close to the first two films, it’s still a visual feast that would’ve been great had Fincher was able to make it the way he envisioned it.

3. Meet Joe Black (1998)

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Brad Pitt became a super star in the 1990s thanks to hits like Se7en, The Legends of the Falls, Interview with the Vampire and 12 Monkeys. Hoping to cash in on his minted super star status, Universal Studios decided to cast him in a big budget romantic drama (reportedly this film cost around $90mil), alongside another big star at the time, Anthony Hopkins. The studio even believed it’s going to be an Oscar contender by opening it in the prime awards month of November. It was directed by Martin Brest, whose previous films including Beverly Hills Cop, Midnight Run and Scent of a Woman were box office hits and well received by critics.

Unfortunately, the film was met with terrible reviews, and it became one of the biggest bombs of that year. I took my then girlfriend to see it since she’s a big Brad Pitt fan, she fell asleep halfway through, but I totally dug the film. I still think it’s one of the best romantic dramas that I’ve ever seen. I do think that it’s way too long and the ending was kind of weak. But I enjoyed the performances by the actors, the score by Thomas Newman and the beautiful production design.

4. The Bonfire of Vanities (1990)

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Based on a popular book and starring 3 of the biggest movie stars at the time and a hot director behind the cameras. This film was supposed to be slam dunk hit for the studio. Tom Hanks was on a roll with hits like Big and Turner & Hooch. Bruce Willis just came off of the Die Hard hits and Melanie Griffith struck gold with Working Girl. I was too young to remember much about this film when it came out, but I do remember seeing tons and tons of commercials promoting it. Warner Bros. thought that it was going to be a box office gold and Oscar contender by opening it on Christmas week. Just like every other film on this list, it was met with terrible reviews and became one of the biggest box bombs of the 90s.

Because of its reputation, I didn’t see this film until I was in college and to my surprise, I really enjoyed it.

The film has some issues of course, mainly Willis. He’s total miscast here, and you can tell he’s way out of his elements in that role. Hanks and Griffith on the hand, I thought they were great in their respective roles. Hanks and Willis were able to recover their career after this film’s failure. Even director Brian De Palma bounced back a few years later with Mission: Impossible. The only career casualty here is Melanie Griffith. While she headlined a lot of films in the 90s, she never regains her box office star status after this film.

5. The Last Action Hero (1993)

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Arnold Schwarzenegger was on top of the world in the late 80s and early 90s. With four box office hits in a row, Twins, Total Recall, Kindergarten Cop and T2: Judgement Day, everyone predicted that his next film will be a massive hit. It was announced that his next big film will be called Last Action Hero and John McTiernan, director of Die Hard and The Hunt for Red October, has signed on to direct the picture. Since T2 was still in everyone’s mind, many of us were excited for this film and with McTiernan behind the cameras, what could go wrong right?

Well sadly, a lot of things went wrong with this film.

It was advertised as a straight up action/adventure but when people saw it, the film turned out to be an action/comedy. Worst was that McTiernan just don’t have the chops to do comedy. The action scenes were great but when it comes comedic tone, everything fell flat. I still enjoyed the film, but I was let down when I saw in theater. Apparently, the screenplay was written for Steven Spielberg, and he was interested in directing it. But then he read a script for another film that came out in same summer of 1993, Jurassic Park and took that job instead. Maybe the film would’ve worked better with Spielberg at the helms. Sadly, we will never know. Along with Waterworld, this film became one of the biggest box office disasters of the 1990s.

6. The Devil’s Own (1997)

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Brad Pitt has starred in a lot of misfires in his career, and I have three of them on my list here. This project started out as a mid-size budget production, but its budget ballooned up to over $100mil by the time the production wrapped. According to many reports, Pitt loved the script so much that he personally pitched it to the studio, and they agreed to put it into production. Then Harrison Ford got a hold of the script and wants to be in it. Apparently, his role in the script was a secondary character but the studio demanded a rewrite so Ford can be the lead. Of course, this made Brad Pitt very angry, he assumes he’s going to be the only big star in the film. 

Around this time, Ford was still a major box office draw, and his star power outshines the younger Pitt. Pitt apparently was so pissed that he wanted to leave the film during the shoot but was threatened with a lawsuit by the studio, so he stayed.

Originally the film was supposed to open in the awards season of 1996 but got push to spring of 1997. Once it finally opened, it was dead on arrival. The bad press surrounding the production of the film were all over the internet and the film itself wasn’t that great. The main problem with the film is that it couldn’t decide if it’s supposed to be drama or action and they tried to have it both ways. I still think it’s a decent thriller and I’ve enjoyed it even more when I watched it again in later years.

7. The Midnight Sky (2020)

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The most recent film on the list and my personal disappointment of last year. I reviewed the film back in the winter, you can read here. Based on an excellent novel called Good Morning, Midnight. When the film version was announced, I was very excited, although I was skeptical when George Clooney was going to direct it along with being the lead. But he did direct some good movies in the past so I thought it could work. Even Netflix put a lot of trust in Clooney but giving him over $100mil to make the film and scheduled it to come out during the awards season last year.

Unfortunately, they miss an opportunity on making a great space adventure with this one. I’ve said many times, a more well-seasoned and talented director should’ve been hired to helm this picture. There are enough ingredients for this one to be a special picture, but Clooney just couldn’t deliver.

– Post by Ted Saydalavong


Those are some of the misfires that I enjoyed; do you have any other films that you would add to this list? 

This Just In! Ridley Scott’s HOUSE OF GUCCI trailer

Dayum, Sir Ridley Scott is one busy filmmaker!! I feel like I’ve been posting his film just the other day, The Last Duel, and I’m feeling de-ja-vu as we’ve got Adam Driver in the lead role once again. Eccellente! I think Adam should be in EVERY MOVIE, ehm. 

Full synopsis:

Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

Woo wee!! That’s one heck of a stylish trailer, it even starts out like a flashy Gucci commercial. I love Blondie’s Heart Of Glass song and now it’s stuck in my brain all over again. These fashion houses sure have real-life drama as intricate and juicy as their haute couture creations. The story is based on a book of the same name by Sara Gay Forden, she has covered the Italian fashion industry from Milan for more than 15 years. Her book centers on the brutal 1995 murder of Maurizio Gucci (Driver), the grandson of the Gucci company founder, by his ex-wife.

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Truth is stranger than fiction. I was actually just reading about what happened to Maurizio Gucci not too long ago, and his former wife Patrizia Reggiani (Lady Gaga) who served in jail for 18 years for hiring the hitman to kill him. Can’t say I have much sympathy for Maurizio though, as reportedly he left Patricia for a much younger woman, Paola Franchi (Camille Cottin) and lied that he was going on a business trip. Interesting to see Driver being cast as a narcissistic, cheating husband once again as he seems like a real nice bloke in real life. Clearly acting as someone opposite from you is far more fun.

I’ve been doing an Adam Driver marathon lately (which I’ll blog about in a couple of days!) so I’m super excited to see more of him in two highly-anticipated movies later this year! I love how he continually switch things up, this role can’t be more different from the one he’s doing in The Last Duel.

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I almost didn’t recognize Jared Leto and Jeremy Irons if it weren’t for the character posters, wow! Gaga is chewing the scenery as Patrizia, that last part of the trailer… ‘Father, Son and House of Gucci’ is a hoot! Per IMDb trivia, a slew of actresses the likes of Angelina Jolie, Anne Hathaway, Marion Cotillard, Penélope Cruz, Margot Robbie and Natalie Portman were considered for the role before Gaga was cast. I was really impressed with her in A Star Is Born, and this looks like a role she’s born to play. 

The star-studded cast also includes Al Pacino as the patriarch of the fashion empire, as well as Salma Hayek as Pina Auriemma, the clairvoyant friend of Patrizia who helped organized the hit on Maurizio. It’s inspired casting given Hayek is the wife of François-Henri Pinault, the billionaire Kering CEO who now owns the the Gucci brand.

I think since the on-set photos were circulating on social media back in Spring, practically everyone just became obsessed w/ this movie. I tried not to look at too many set photos and keep my enthusiasm in check until we actually see a trailer. Well now I am officially intrigued, I’ve seen this trailer a bazillion times in under two hours, ahah! 

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But apparently not everyone is enthused about this movie, according to AP News, the Gucci family isn’t keen on the movie, one of Maurizio’s cousins was quoted as saying that it was “… stealing the identity of a family to make a profit, to increase the income of the Hollywood system.” It’s always tricky to portray such a larger-than-life story based on a real family, though given the notoriety surrounding Maurizio’s murder, this is certainly the kind of twisted, glittering tale made for Tinseltown. Surely we can expect glamorous European locations, glitzy parties, fabulous fashion in this movie to go along with the wild and dark side of life in excess.

House of Gucci will be released on November 24.


What do you think of the trailer? 

This Just In! Ridley Scott’s THE LAST DUEL trailer

Oohhh, what have we here? It’s been a while since I heard news about this medieval drama directed by Ridley Scott. Production was delayed in the Spring of 2020 due to what else, the Coronavirus pandemic. What’s most notable about it is that it features the reunion of Oscar-winning BFFs Ben Affleck and Matt Damon, both as screenwriters AND co-stars.

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Nicole Holofcener is also credited for writing the script, she’s too was Oscar-nominated for her screenplay Can You Ever Forgive Me? in 2019. Billed as a historical drama, the story is based on The Last Duel: A True Story of Trial by Combat in Medieval France, a 2004 book by American author Eric Jager which chronicles the last officially recognized judicial duel fought in France.

Full synopsis:

In 14th-century France, Marguerite de Thibouville claims she’s been raped by her husband’s best friend Jacques Le Gris. Her husband, knight Jean de Carrouges challenges his friend and squire, to trial by combat. It is the last legally sanctioned duel in France’s history.

It’s surely tough being a woman in the Middle Ages where as one female character puts it ‘The truth does not matter, there’s only the power of men.’ So for Marguerite to come forward with such a despicable accusation, she is also risking her own life as if her husband lost the duel, she would have been burned at the stake as punishment for her false accusation.

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I’m a big fan of period pieces, so this is SO right up my alley. Of course given the huge-budget for Hollywood epics, star power matter more than historical accuracy, hence not a single French actor (or even French-speaking ones) in the main cast. Apparently Damon and Affleck were supposed to play the duelist Jean and Jacques, but Adam Driver ended up being cast in Affleck’s role because of scheduling conflict with his commitment to Adrian Lyne‘s Deep Water. That would’ve been a boon for the marketing department as the two lead characters were former best-friends-turned-enemies. They also have matching bad-movie-hairstyle here, complete with bleached blond hair and… Medieval mullets? New hair memes beckons!

I LOVE Jodie Comer since Killing Eve and I also loved her in The White Princess as Elizabeth of York, so this is certainly isn’t her first foray into historical dramas. ’tis also the year for long-haired Adam Driver and I’m SO here for it!! I’m seeing ANNETTE next week (wahoo!!) and for sure I’ll be seeing this on the big screen later this Fall! In fact, he’ll have TWO films coming out this Fall that’s both directed by Ridley-Scott, the other one is the highly-anticipated House Of Gucci

The unstoppable 84-year-old British filmmaker is no stranger to historical epics, apparently his directorial debut The Duellists (1977) is also a duel between two people that’s also set in France. His longtime collaborator Dariusz Wolsk (Prometheus, The Counselor, The Martian) is back as cinematographer. The visuals look appropriately dirty, gritty and dark, a la Gladiator and Robin Hood, with filming locations include France and Ireland.

The Last Duel opens in theaters nationwide on October 15.


What do you think of the trailer? 

FlixChatter Review – ALIEN: Covenant (2017)

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When Ridley Scott announced that he’s going back to the Alien franchise again 5 years ago, many fans were very excited. Even though he didn’t say it at the time, 2012’s Prometheus was a prequel to his original Alien film. There were quite a lot of excitement for Scott’s first sci-fi picture in many years but when Prometheus finally opened, it was met with mixed reviews, modest box office results and divided many fans of the franchise. Now instead of trying to say the new film isn’t related to the Alien world, Scott decided to go full Alien mode in this new sequel.

It’s a decade after the events of the previous film, a new crew in a spaceship full of colonists are heading to a distant planet to find a new home for humans and preserve our race. While all the human crew members were in hyper sleep, a cyborg named Walter (Michael Fassbender) had to wake them all up because the ship ran into some troubles. Unfortunately, the ship’s captain was killed during the commotion and his second in command named Oram (Billy Crudup) must man up and be the leader of the crew.

We get the sense that the crew don’t have much respect for Oram and he certainly doesn’t have respect of the captain’s wife named Daniels (Katherine Waterston). While trying to fix the ship, the crew received a signal from near by planet and Oram decided to investigate. Daniels opposed his decision, she believes they should head to their original destination but Oram believes this new planet could be their new home because it has the same atmosphere as earth. Of course when the crew landed on this new planet, they were met with menace and many won’t survive.

As far as story goes, this sequel didn’t really offer anything new. I thought the script by John Logan and Dante Harper didn’t really do a good job of creating these new characters, with exception of Fassbender’s David/Walter, we didn’t really know much about any of the characters. Oram and Daniels are very interesting individuals but they weren’t given much to do. When Daniels was thrust into the hero mode, to me it just felt off because she really didn’t have much to do in the first half of the film. Maybe an earlier draft of the script may have fleshed out these characters much better, but the shooting script didn’t do a good job of it.

Since he got top billing, Fassbender was the main star of the film and he excels here in a duo role. Walter is new cyborg who wants to protect the crew while David has evolved into something more menacing. Waterston’s Daniels is supposed to be the new Ripley but her character was so underwritten that I don’t really care for her. The same could be said for other characters in the film. In fact, I thought it’s kind of weird seeing Danny McBride in a non-comedic role. Not sure what the casting director was thinking when they cast him.

This is Scott’s third time doing an Alien picture so from technical stand point, it’s flawless. Although, some of the CGI aliens looked way too fake. I thought some of the alien creatures from the original film looked much scarier than in this film. Scott staged some cool frantic action sequences and didn’t backdown on the gore. He said he wanted to scare people in this new film, I don’t think he achieved that but I appreciated his effort. Scott also wanted to give some sort of shout outs to the previous films in the franchise, fans will recognize similar sequences from Cameron’s Aliens and Fincher’s Alien 3.

Despite its underdeveloped characters, I still thought it’s an entertaining picture. I wanted to see something new for a sixth film in the franchise but what we got here is just another summer spectacle that feels like it’s been there done that. It looks great and I’m sure fans of the franchise will be entertained by it.

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So have you seen Alien: Covenant? Well, what did you think?

Five for the Fifth: JANUARY 2017 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Well HAPPY NEW YEAR everyone! (I think you can still say this for at least another week 😉 ) Hope you had a great Christmas break. I barely had any vacation left but I did take the last Friday of the year off, and since Monday was a company holiday it was nice to get four days off. It ended up being a pretty productive time as we were able to binge on Westworld! So yeah we’re done with all of season 1 and boy that season finale is phenomenal!!


We got a free trial month subscription on HBO, but since we already got Netflix and Amazon Prime, we’re not gonna pay another $15 bucks to continue. But since we still have 3 weeks left, we’re hoping to catch up on season 1 of True Detective. We’re 2 episodes in so far and we loved it.

So did you binge on any TV show(s) this holiday season?  

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2. It seems easy to poke fun at the superhero genre. Veteran filmmaker Ridley Scott’s recently quoted as saying “Superhero movies are not my kind of thing — that’s why I’ve never really done one… [I’ve been asked] several times, but I can’t believe in the thin, gossamer tightrope of the non-reality of the situation of the superhero.” [per The Wrap] He went on to say, “I’ve done that kind of movie: ‘Blade Runner’ really is a comic strip when you think about it. It’s a dark story told in an unreal world. You could almost put Batman or Superman in that world, that atmosphere, except I’d have a f—ing good story, as opposed to no story!”

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No story. Ouch! Though it made me laugh when he said about the non-reality bit, I mean Alien and Prometheus aren’t exactly steeped in realism now are they? I agree BVS is shiat but he clearly hasn’t seen the Captain America trilogy.

Another slam to DC superhero universe comes from the Batman himself. It seems Ben Affleck isn’t too sure about directing the Batman films for DC. Asked by The Guardian about directing The Batman, he replied “That’s the idea. But it’s not a set thing and there’s no script. If it doesn’t come together in a way I think is really great I’m not going to do it.” Heh, he certainly doesn’t sound like he’s clamoring to save the DC universe, does he?

Thoughts on Scott’s and Affleck’s comments?

3. After seeing Knight Of Cups, I felt inclined to just give up on Terence Malick altogether. I mean, a visual poetry should not be confused with feature films, and I bet even poetry has more to say than a film with no script. But dayum, does the guy knows how to get actors to star in his films, even despite not knowing if they’d actually end up in the final cut!

So apparently his latest film Song To Song (previously titled Weightless) is scheduled to be released in mid March. Here’s a first look image courtesy of Collider:

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“In this modern love story set against the Austin, Texas music scene, two entangled couples — struggling songwriters Faye (Rooney Mara) and BV (Ryan Gosling), and music mogul Cook (Michael Fassbender) and the waitress whom he ensnares (Natalie Portman) — chase success through a rock ‘n’ roll landscape of seduction and betrayal.”

I also found this image from IMDb … is Bale wearing the same black shirt from Knight of Cups??

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The film also stars Val Kilmer, Christian Bale, Benicio Del Toro, Cate Blanchett, Haley Bennett, and a slew of music artists: Patti Smith, Iggy Pop, Florence Welch of Florence And The Machine, and all of the Red Hot Chili Peppers.

Are you a Malick fan? Whether or not you are, thoughts on Song To Song?
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4. It’s just my luck that I always fall for actors whose work aren’t readily available in the US :\ I’ve been waiting for this BBC series for over a year now, and there’s barely any news on it! Well finally I got a glimpse of my darling Sam Riley on this BBC trailer…

RadioTimes also posted this article 17 TV dramas everyone will be talking about in 2017. Thrilled to see SS-GB on there. I’ve read the book, as I’ve mentioned about it here, and I knew Sam would be perfect in the role!


Based on the 1978 novel by Len Deighton, SS-GB is a dystopian thriller set in an alternative 1940s London, where the Germans have won the Battle of Britain, and the capital is under Nazi occupation. Sam Riley stars as Douglas Archer, a Scotland Yard detective who’s torn between co-operating with the SS or joining the resistance. He becomes embroiled in a sinister underworld while investigating what appears to be a simple black-market murder.

Joining Riley is Kate Bosworth, as American journalist Barbara Barga, who finds herself linked to the case Archer is working on. SS-GB is written by James Bond movie writers Robert Wade and Neal Purvis, and other cast members include Jason Flemyng, James Cosmo, Aneurin Barnard and Maeve Dermody.

What do you think of SS-GB? What new/returning show(s) are you most looking forward to in 2017?

5. This month Five for the Fifth’s guest is Jordan from Epileptic Moondancer Blog! Well, given US/Russia relations seem to harken back to the Cold War era, his question is ever so timely.

I love cold-war era films, with that paranoia always in the background. Some of my favorite cold war era paranoia/thrillers are ‘The Conversation’, ‘Seconds’, and to a more obvious extent, stuff like ‘The Spy Who Came In From the Cold.’

Richard Burton in 'The Spy Who Came In From The Cold'
Richard Burton in ‘The Spy Who Came In From The Cold’

So what do you think is the best cold-war film that was made during the cold-war?


Well, that’s it for the JANUARY edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all! 

FlixChatter Review: The Martian (2015)

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It’s a testament of a truly good film when two weeks after I saw it I’m still thinking about it fondly and can’t wait to see it again. I mentioned in this post that I had been anticipating this film for a couple of reasons, but deep down I still wished it’d be good as I like Ridley Scott. Well, glad to report that the 77-year-old British thespian certainly still got it.

If the plot makes you think of Saving Private Ryan because it involves saving Matt Damon, well you wouldn’t be wrong, but the similarities pretty much end there. The film doesn’t waste much time to get to the part when Mark Watney is left alone in Mars following an accident that made his teammates presumed he’s killed. It turns out he survives the accident but that’s only the beginning of his journey being stranded in a desolate planet. The first act pretty much contains scenes of Watney dealing with the concept of surviving on whatever resources is left on the space station, as the next Mars mission would take at least four years.

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There are similarities to Gravity and Interstellar, but I think The Martian is a heck of a lot more entertaining than both. It’s an intelligent crowd pleaser that doesn’t dumb down the audience, but it also doesn’t bog us down with scientific mumbo jumbo or bludgeon us with over-sentimentality. Even the scenes in NASA with a terrific ensemble cast doesn’t feel at all boring or obligatory and has its share of amusing and fun moments. The emotional moments throughout the film feels natural and not at all manipulative, a testament to the shrewd script by Drew Goddard and Scott’s direction.

The whole concept of an astronaut growing potatoes inside a space station certainly make for some amusing and highly entertaining scenes. Whether it’s actually possible or not doesn’t really matter, and that’s what I find about this film. I find that I don’t pick apart the science as much as I did with say Interstellar, as I was completely invested in Watney’s journey from start to finish. It helps too that the script is really focused about the ‘bring him home’ storyline and keep it frill-free from unneccessary subplots.

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As for that ensemble cast, I’ll mention those who impressed me most, starting with Jeff Daniels as NASA chief Teddy Sanders. He made him memorable even though he’s not the most interesting characters. The same could be said with Chiwetel Ejiofor and Benedict Wong as two lead scientists tasked to help bring Watney home. Sean Bean is always great to watch but there is one particularly memorable scene involving a very famous fantasy trilogy that made his casting even more perfect. They actually have more to do in the film than Watney’s fellow team mates including Jessica Chastain, Michael Peña, Kate Mara, Sebastian Stan and Aksel Hennie, though they are all pretty good in their roles. Donald Glover also has a brief but memorable role as a young genius astronomer who provides a key theory for the recovery mission. But the real star here is obviously Damon, who has the most screen time and most of his scenes are basically a one-man-show of him talking to the camera.

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The Martian looks phenomenal and has some breathtaking *aerial shots* by Dariusz Wolski of the red planet, shot in Wadi Rum, Jordan, which has a red-colored desert. That said, it’s not a style-over-substance film, in fact, it’s a story and character-driven piece, which is what every film should be. It must have been hellish for Watney to be stuck up there on his own, but thankfully, watching him being stuck there isn’t. The survival story is more akin to Tom Hanks’ Castaway, given the humorous tone and amazing survival skills of the protagonist. This is perhaps one of my favorite roles of Matt Damon, and he’s as likable and funny as he ever as astronaut Mark Watney.

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As with any survival story, there is an element of inspiration that make you appreciate what you have on earth, from profound things like spending time with your family to seemingly-trivial things like duct tape. But the film does it in such a droll and fun way, which seems to be faithful in terms to tone to Andy Weir‘s sci-fi novel, described by one book critic as “…sharp, funny and thrilling, with just the right amount of geekery” (per Wiki). I also love that The Martian is not dark and brooding despite the rather grim subject matter of a man being trapped alone in space. It’s also not nearly as violent as Scott’s other sci-fi film, apart from an earlier scene that definitely made me avert my eyes. This could very well be the most enjoyable theatrical experience from Ridley Scott since Gladiator, so yeah sir, we’re definitely entertained. And thanks for making another epic film that I can watch and appreciate for years to come.

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Have you seen The Martian? What did you think?

Fall Movie Spotlight: Ridley Scott’s The Martian

You’re probably wondering why I’m suddenly blogging about this film, with just two weeks before its US release (October 2). UK folks actually will get this two days sooner on Sept. 30. In all honesty, up until fairly recently, I had been mostly blasé about this film, given my disappointments with Sir Ridley Scott‘s movies lately. I even skipped The Counselor but I somehow got around to seeing Exodus despite my dread, and though I didn’t hate it as much as I thought I would, it still was such a letdown.

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But y’know what, the relentless campaign somehow succeeded in getting me more intrigued about this one and it seems that the reviews suggest that this could be a return to form for the 77-year-old prolific filmmaker. The Rotten Tomatoes summary said the film is “Smart, thrilling, and surprisingly funny…” hmmm, I’m most intrigued by the surprisingly funny part, esp. given the 141-min running time, a bit of humor goes a long way.

During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

As for the casting, well I have to admit I was rather meh about Matt Damon casting, but perhaps because I was one of those who don’t care for his casting in Interstellar and he’s playing an astronaut yet again here. But yes I realize it’s a totally different character and I am intrigued by the MacGyver style survival story in space.

I do love the supporting cast! Jessica Chastain, Kristen Wiig, Kate Mara … nice to see a trio of actresses in prominent roles. I’ve always liked Michael Peña, Jeff Daniels, Sebastian Stan and Chiwetel Ejiofor, so that’s very cool too. Interesting to see Ejiofor playing an Indian character, but apparently Irrfan Khan was originally cast but had scheduling conflict. Hey, even Norwegian actor Aksel Hennie whom I like in Headhunters is here, too!

Martian_cast

Another piece of trivia per IMDb, Drew Goddard, who wrote the screenplay for the film, was also at one point set to direct, but left that role to go direct the Sinister Six film. After that, Scott read the script and jumped into the project, rather than making a Prometheus sequel (I think that’s wise). I also didn’t realize that the writer of the novel Andy Weir first published his book for free on his own site as a blog for fun. Then people asked him to put it in a downloadable form, then people asked him to put it on Amazon for Kindle download which he did at the then min price of $0.99.

So apparently this movie had the coolest premiere ever… in the International Space Station! I guess that made sense as NASA was consulted while making the film in order to get aspects of space and space travel, specifically in relation to Mars, with the most accuracy.

FEATURETTES

Well I’m seeing the film later tonight, and I thought I’d post three featurettes from the film. The marketing budget for this film is pretty massive, so we’ll see if it pays off.


So are you looking forward to seeing The Martian?