Weekend Roundup + Quick thoughts on ‘The Nice Guys’ (2016)


Hello all! It’s been quite a whirlwind week for me, what with the TCFF gala on Thursday and also the MN filmmakers interviews on Saturday. But it was a good kind of busy and definitely excited for the 2016 TCFF lineup this year!

me_remyOne of the filmmakers I interviewed was Remy Auberjonois, whose film Blood Stripe, starring his wife Kate Nowlin who also co-wrote the film, will have its regional premiere at TCFF. The film won US Fiction Award at 2016 Los Angeles Film Festival this past June.

I’m excited to see the film, and it’s extra special for me to meet Remy because he’s also playing one of my fave characters of all time, Col. Brandon, in The Guthrie Theater’s 2016 adaptation of Sense & Sensibility! He’s still sporting the 18th century mustache for the role🙂

Well, I was so busy this past week I completely missed The Magnificent Seven‘s press screening last Monday, which I could’ve gone right after my dental appt. Oh well, my hubby & I will hopefully see it this Friday. I did finally watch this one…


Ted has already reviewed it here, and I think I’d agree with the 3/5 rating. I’m not going to review it again so this is just my It’s pretty entertaining but overall it’s not a wholly memorable movie despite the competent two leads. Shane Black is known for writing the Lethal Weapon movies and his directorial debut was Kiss Kiss Bang Bang, so he’s definitely got a knack for buddy action comedies. I have to admit though, this one isn’t as good as those movies.

Interestingly enough, this project was apparently proposed as a TV series but the pilot was going nowhere. I could see it working w/ the right script and cast, as buddy action comedies seems quite popular on TV at some point. Casting Russell Crowe and Ryan Gosling as a mismatched pair of private investigators is inspired casting, and this is perhaps the first comedic role I’ve seen Gosling do. I’d say he succeeded, though I still don’t see what the fuss is about him. I just don’t think he’s that special of an actor, both in terms of looks and talent. Crowe on the other hand, has always been a supremely talented and versatile actor, and I’d love to see him do more comedic roles!

Overall the movie wasn’t as funny as I had thought, perhaps because the funniest bits (like these below) are already in the trailer!

gosling_niceguys_bathroom niceguys-gun-throwing

The tone of the movie is very light with zippy dialog, though at times the scenarios are overly silly that it was like a spoof or something. There’s also a surreal scene involving a giant bug smoking and talking in the back seat of their car just seems weird and doesn’t work as well as it could. The shootout at the end is quite bombastic, featuring another interesting casting of Matt Bomer, sporting a giant mole and bowl haircut, as the hitman hired by Kim Basinger‘s character. Some of the scenes with him seems deliberately over-the-top. Speaking of Basinger, well it’s a rather thankless role and she barely made any impact in the movie.

That said, I’m glad I finally watched it. If you like this action comedy genre, it’s definitely worth a watch. Not a bad way to spend a Friday night!


Oh, I also rewatched one of my guilty pleasures, the 1997 action flick The Saint w/ Val Kilmer & Elisabeth Shue. It’s preposterous and corny but I still enjoyed it😉

So how was YOUR weekend? Seen anything good?


FlixChatter Review: THE NICE GUYS (2016)



Almost 30 years ago Shane Black made a name for himself when he wrote the buddy cop action comedy hit Lethal Weapon. He instantly became one of the most sought-after writers in Hollywood and one of the highest paid too. But when a couple of the big action films he wrote (The Last Action Hero and The Long Kiss Goodnight) tanked at the box office, his career stalled for a few years. After the big success of Iron Man 3, he’s now back on the good graces of Hollywood executives.


Set in 1977, a private eye named Jackson Healy (Russell Crowe) is hired by a young woman named Amelia (Margaret Qualley) to get some goons off her back. One of the goons happens to be another private eye named Holland March (Ryan Gosling). March is sort of a multi-tasking investigator, along with stalking on Amelia; he’s also investigating the death of a porn star. This porn star’s death led the two private eyes to believe it has something to do with Amelia but before they could talk to her, she disappeared.


With the help of March’s precocious young daughter Holly (Angourie Rice), the dual set out to find Amelia and got involved in deep conspiracy involving some powerful people. That includes Amelia’s mom Judith (Kim Basinger) and a ruthless hit man named John Boy (Matt Bomer). Those wondering about Crowe & Basinger’s reunion since L.A. Confidential, well Basinger has only got about 5 minutes of screen time here. Sadly she has become one of those actresses whose roles keep getting smaller as they get older, it’s unfortunate because she’s good actress.


I enjoyed the script by Black and co-writer Anthony Bagarozzi, the dialog is witty. Even though the plot were kind of predictable, it’s still fun seeing things unfold as I predicted. Fans of Black’s other films such as Lethal Weapon and The Last Boys Scout will be pleased with all the f-bombs and shootouts. Black kept the tone of the film very light, though people are getting shot, beat up and every character loves to drop the f-bombs. The film definitely has the feel of a 70s flick. I also enjoy the beautiful cinematography by Philippe Rousselot, he really captured the look and feel of L.A. in the 70s.


The performances by the two leads were quite good and their chemistry worked well together. Crowe gained some weight to play this out of shape but tough private eye. He beats and shoots people without hesitation. I wasn’t sure if Gosling can do comedy but he’s very funny as the bumbling and cowardly private eye. I’m glad they didn’t make his character into some kind of an action hero, he’s a weak man but very resourceful.

Despite my high praises, I still think it’s an average film. It’s an entertaining action comedy, just not a great one like I thought it’s going to be. If you’re fans of 70s flicks, buddy cop action comedy or the two lead actors, then I think you’ll enjoy this film.



Have you seen ‘The Nice Guys’? Well, what did you think?

Thursday Movie Picks #62: Journalist/Reporters for Print/TV

ThursdayMoviePicksHappy Thursday everyone! This is another entry to the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog. Here’s the gist:

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… 

Movies featuring journalists/reporters for print/TV

I LOVE this month’s theme as I actually wanted to be a journalist growing up. I was thisclose to enrolling in Journalism major in college before I switched to Advertising. I like a lot of film that involve journalism, especially investigative journalism that continues to be an intriguing subject today. In fact one of the films I’m anticipating later this year that screened at TIFF is SPOTLIGHT, about the Boston Globe’s investigation into the child molestation scandal within the local Catholic Archdiocese. These three films also involve scandalous events that’s notable in their time.

So without further ado, here are my picks:

All The President’s Men (1976)


Reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Nixon’s resignation.

This was one of my Blindspot picks of last year and I’m glad I finally saw it. It’s as much a detective tale as it is about journalism. I like how the story stays focused on the investigative aspect of the scandal and how the Post finally got to publish it, there’s no unnecessary subplots about the personal lives of the leads or anything of the sort. What an intriguing slice of American history, and as someone who’s not born in the US, it’s especially fascinating to see. To this day, every political scandal is tagged with the “-gate” suffix because of this, which adds to the timeless aspect of this film. Thanks to Robert Redford for acquiring the rights to Bernstein’s and Woodward’s memoir and for Mr. Pakula for bringing this engrossing political history to life. The two leads Redford and Dustin Hoffman are in top form here, but it also feature fantastic supporting performances from Hal Holbrook who played Woodward’s extremely secretive source, “Deep Throat.”

The Insider (1999)


A research chemist comes under personal and professional attack when he decides to appear in a “60 Minutes” expose on Big Tobacco

This film (as well as HEAT) is why I will always admire Michael Mann. I was disappointed by Blackhat but I think he’s still a phenomenal filmmaker that can infuse such a compelling drama to an otherwise ho-hum story. Russell Crowe gave one of his best performances in his illustrious career, which I think deserved a Best Actor Oscar more than his role in Gladiator. I dedicated this post to highlight some of the scenes I love from this film. The relationship between Dr. Jeffrey Wigand (Crowe), the whistle blower of the mammoth tobacco company Brown & Williamson’s and Lowell Bergman, a senior producer on 60 Minutes (Al Pacino) is compelling to watch. It’s amazing how even just two people talking on the phone can be so riveting, but that’s the genius of Mann’s style. Lots of great supporting cast here too, most notably Christopher Plummer as the legendary CBS News reporter Mike Wallace, Bruce McGill as trial lawyer Ron Motley, and Michael Gambon as the top tobacco company exec.

Veronica Guerin (2003)


Based on a true story, this is about the Irish journalist Veronica Guerin, a reporter for The Sunday Independent, who exposed some of Dublin’s most powerful crime barons and drug lords in 1996.

One of my all time favorite Cate Blanchett performances, where she totally disappeared into   her role. Cate not only portrays the feisty reporter, she embodies the journalist’s incredible valor in investigating Dublin’s drug trafficking. You immediately believe her as the character and the Aussie thespian even nailed Guerin’s Irish accent convincingly. I know some of you might be put off by Joel Shumacher as director, but it’s a good film, so give it a shot if you haven’t already. It’s one of the great examples of the danger of investigative journalism and how some of them are truly unsung heroes for their bravery to expose things that are harmful to society.



Philomena (2013)


A world-weary political journalist picks up the story of a woman’s search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.

I already had the three above locked down but I still want to include this film as I haven’t reviewed it yet. I LOVE Dame Judi Dench and she’s simply phenomenal as Philomena (hey that rhymes :D) Steve Coogan (who also co-wrote the script) played the disgraced former journalist Martin Sixsmith who ended up coming alongside Philomena Lee in her journey to find her long lost son. A lot of his acting consist of bewildered reaction to Philomena, especially the part where she basically divulges the entire plot of a trashy book she’s reading that he couldn’t possibly be more disinterested in. It’s a bittersweet story that made me laugh and cry. Dame Judi is mesmerizing here and she’s as effortlessly adept in comedy as she is in dramatic roles. I find the story to be poignant, thought-provoking, and profoundly moving.


What do you think of my picks? Which movies involving journalism/reporting are your favorites?

Weekend Roundup: Ex Machina, more Daredevil, BORGIA (2011) & a new obsession

I thought I’d take a bit of a break from MSPIFF to give you a bit of a rundown of how last week’s been going so far, which is perhaps one of my favorite weeks so far in terms of movie-viewing.

In case you’re wondering what those three movies are… well, I’ve reviewed two of them: Clouds of Sils Maria, Girlhood and the third one is Ex Machina, which turned out to be even better than I expected.


It’s also cool to have Ex Machina‘s director Alex Garland actually answered my question hours before I saw the screening, thanks to IMDb’s Twitter Q@A using the hashtag #ExMachinaChat.

This is Garland’s directorial debut and it’s certainly one of the best sci-fis dealing with the ‘what does it mean to be human’ theme. Visually it looks cool and the story is genuinely thought-provoking. I’ll review that when MSPIFF is over, but if you haven’t seen it yet, l can’t recommend it enough!

I also saw more episodes of Netflix’s Daredevil, we only have two more episodes to go and the waiting for second season will be agonizing! Man, episode 10 and 11 were especially phenomenal. I love the Nelson vs Murdock one as it showed the back story of how they’ve become friends since becoming room mates in law school. It’s an emotionally-gratifying and revelatory episode whilst the action scene continues to be as phenomenal as ever.

Daredevil_ep10_11The spirituality aspect of Matt Murdock’s story is intriguing as it’s perhaps the first superhero who’s faith is integral in his role and the show doesn’t shy away from it. I find the dialog between Matt and his priest/personal confidant and their discussion about whether the devil truly walks amongst earth fascinating and insightful in terms of the protagonist’s motivations. Nice to see Claire (Rosario Dawson) making an appearance again in episode 11: The Path of the Righteous. I’ve always found Charlie Cox to be a gorgeous Brit but he looks REALLY good on this show, and he’s clearly worked out a lot for this role, ehm. I LOVE Claire’s comment about seeing Matt shirtless again. Amen to that, sista😉

Speaking of REALLY gorgeous man… I have a new obsession… some of you on Twitter might’ve noticed it😉 It happened almost instantly when I saw Not Another Happy Ending precisely two weeks ago and ever since then I have watched that Scottish rom-com over a dozen times, I think that’s a record!

NotAnotherHappyEnding_CafeNotAnotherHappyEnding_finaleI will have to do a Stanley Weber appreciation post at some point, he’s the first French actor I’ve ever had a massive crush on … as you know I almost always go for the Brits. But the second I beheld his c’est magnifique physique (and THAT irresistible wavy hair!) and heard him speak, I was a goner [le sigh] My penchant for the criminally-underrated AND the unjustifiably-obscure actors continues… why hasn’t Hollywood discover him yet? Come on!!!

Ehm, now that I got that out of the way …. inspired by Margaret’s awesome list post of cinematic/TV gems she saw because of her actor’s crushes, I just might have to do one of my own. One of those gems is definitely this Canal+ production of BORGIA, not to be confused with Showtime’s The Borgias that’s also about the notorious Italian family in the 15th and 16th century. This is the one created by Tom Fontana (Homicide, HBO’s Oz) with John Doman as Rodrigo Borgia.

BORGIA_Canal+BORGIA_JuanBorgiaStanley plays one of Rodrigo’s son, Juan. I’ve only seen four episodes so far and oh boy, Juan Borgia is one naughty, naughty boy. Basically his character is a psychopath and a sexual predator, which is completely different role from what I’ve seen him in Not Another Happy Ending. The entire BORGIA clan is morally bankrupt all around, and the actors portray them VERY well. The most infamous chapter of the history of the Catholic church certainly made for some fascinating historical drama.

What I’m looking forward to this week:

WaterDivinerScreeningBeen waiting to see Russell Crowe’s directorial debut for ages.
I first posted the trailer here over a year ago!

So that’s what I’ve been watching & obsessing about. What about you?


Birthday List Update: Favorite Films from Each Decade I Live Through


Today I’m moving up the age bracket. I’m taking the day off because well, it’s my ME DAY and sleeping in is one of life’s greatest joys😉 Well, four years ago I did this list of favorite movies from the past three [full] decades I’ve lived through, so basically from the 1980s to 2000s. Looking at the list, not much has changed from the 80s and 90s, but I did update my 2000s list, swapping out about 5 or so movies from my list as I’ve seen more films since 2011.

Again these are a personal FAVORITE list, not a Best Of list necessarily though I’d argue that some of these are excellent classics.

1980s (in order of release)


  1. The Gods Must Be Crazy (1980)
  2. Somewhere in Time (1980)
  3. Superman II (1981)
  4. Raiders of the Lost Ark (1981)
  5. Some Kind of Wonderful (1987)
  6. The Living Daylights (1987)
  7. The Untouchables (1987)
  8. Cinema Paradiso (1988)
  9. Licence To Kill (1989)
  10. The Little Mermaid (1989)


1990s (in order of release)

  1. Beauty and The Beast (1991)
  2. Jurassic Park (1993)
  3. The Age of Innocence (1993)
  4. Four Weddings and a Funeral (1994)
  5. Speed (1994)
  6. Heat (1995)
  7. Sense & Sensibility (1995)
  8. L.A. Confidential (1997)
  9. Toy Story 2 (1999)
  10. The Matrix (1999)


2000s (in order of release) 

This decade is when I REALLY started watching more and more movies and saw them with different eyes, even though I didn’t start blogging until 2009. It’s agonizing to narrow them down to 25, let alone just 10, so I decided to just make it a Top 25. It’s interesting how my love for animated movies is quite persistent, as well as my taste in actors. There are three films starring Russell Crowe and Christian Bale (including one with both of them together) and hey, two Gerard Butler movies still made my favorite list ;) We’ll see if he’d ever do a worthy film to be included in my future list. I own 15 out of the 25 films listed below, most of them have been re-watched repeatedly.

Here they are in order of release:

  1. Chicken Run (2000)
  2. Gladiator (2000)
  3. Moulin Rouge (2001)
  4. Minority Report (2002)
  5. Finding Nemo (2003)
  6. The Lord of the Rings: The Return of the King (2003)
  7. Love, Actually (2003)
  8. Master & Commander (2003)
  9. X-2: X-Men United (2003)
  10. Hotel Rwanda (2004)
  11. Phantom of the Opera (2004)
  12. Unbreakable (2004)
  13. Batman Begins (2005)
  14. Dear Frankie (2005)
  15. Casino Royale (2006)
  16. Children of Men (2006)
  17. The Painted Veil (2006)
  18. The Prestige (2006)
  19. Stranger than Fiction (2006)
  20. Atonement (2007)
  21. Bourne Ultimatum (2007)
  22. 3:10 to Yuma (2007)
  23. The Dark Knight (2008)
  24. Wall•E (2008)
  25. District 9 (2009)

2010 and beyond…

Now, we’re only about halfway through the decade, so I’m only comprising half of my top 20. I’m curious which of these will make my final 2010s list five years from now😀

  1. How to Train Your Dragon (2010)
  2. Inception (2010)
  3. X-Men: First Class (2011)
  4. Midnight in Paris (2011)
  5. Brave (2012)
  6. Skyfall (2012)
  7. The Dark Knight Rises (2012)
  8. Gravity (2013)
  9. Her (2013)
  10. Birdman (2014)
  11. Belle (2014)
  12. Captain America: The Winter Soldier (2014)
  13. Dawn of the Planet of the Apes (2014)


So folks, what do you think of my picks? What are some of your favorite movies in the past four decades?

10 Brilliant Acting Performances Defined by One Look

I LOVE LOVE this idea from Brittani that I came across earlier this week that I had to take part.

“Sometimes a simple look an actor gives is nothing short of brilliant,”

I totally agree with her sentiment. Sometimes the quietest, most subtle look or gesture has the power to generate the most emotional response, no words necessary.

It made me think of some of those scenes and really, there are SO many examples that it’s tough to narrow it down to just 10. The fact that I remember these scenes despite the length of time that’s passed since I’ve seen it means they definitely left a big impression on me. In fact, from time to time I still look on youtube to watch that particular scene again. Ok so technically there are 11 here, as I paired up one of them, but I think it still count as one as it happens in the exact same scene where the two actors interact with each other. Anyway, here goes:

Christian Bale in Equilibrium


I always have a fondness for this dystopian sci-fi thriller despite its flaws. Bale’s Preston came too late to save the woman he loves from being incinerated… and he had to watch her die right in front of him. Bale’s expression of utter despair just breaks my heart. It’s one of my favorite Bale performances from all the amazing work he’s done, even if the film itself is far from perfect.

Emily Blunt – Jane Austen Book Club


I LOVE miss Blunt and she adds so much gravitas and emotional complexity to her character of a French teacher going through an unhappy marriage. She’s just about to have a rendezvous at a motel with a hot, young student but something precludes her from taking another step. I don’t remember much about the entire film but I always remember this scene.

Toby Stephens – Jane Eyre (BBC – 2006)
Toby_JaneEyreI have to include at least one out of a plethora of Toby’s masterful scenes as Rochester. The no-wedding scene is definitely one of the most emotionally-charged. Rochester’s anguish is so palpable here when ‘bride in the attic’ secret’s been revealed. He was so close to finally be with the woman he loves, but in a single moment, that elusive happiness is snatched away again. As cheesy as it sounds, there’s such mesmerizing beauty in his look of pain and agony. It takes a real craftsmanship to bring such tortured soul persona so beautifully and Toby does it with aplomb.

Angela Bassett in Waiting To Exhale


Fireman: Ma’am, were you aware that your car was on fire?
[Bernadine nods her head while smoking a cigarette]

Fireman: Ma’am, did you start this fire?
[she puffs smoke and plainly looks at him]

Fireman: You know, it’s against the law to burn anything except trash in your yard.

Bernadine: [flicks off ashes from her cigarette] It is trash.

Miss Bassett is simply awesome, period. It’s been over a decade since I saw this film but I never forget Bernadine’s rage and heartache when her husband leaves her. She’s crestfallen, but yet she never loses that bad-ass sensibility. Her look says it all, ‘Don’t mess with Bernadine.’

Russell Crowe in The Insider

Crowe_TheInsiderI’ve always believed that Crowe got robbed of his Oscar in this film. As fantastic as his portrayal of Maximus was, the way he completely disappeared into Jeffrey Wigand is nothing short of astounding. This scene at the hotel room is mesmerizing, powerful and heart-wrenching and Crowe only communicates with his body language. There’s a bit of a dream sequence here that was crafted masterfully by Michael Mann, but it’s Crowe’s stillness and inner tumult that you won’t soon forget.

Chiwetel Ejiofor in 12 Years A Slave

Chiwetel_12YearsASlaveThis scene is one of the most haunting, which is saying something given how many heart-wrenching scenes there are in this film. At first Solomon didn’t join the other slaves singing Roll Jordan Roll, but somehow, halfway through the song, he started singing. His facial expression stirs up so much expression as I watched it. It’s as if he’d reached the lowest point of his life, losing all hope of ever escaping his fate as a slave… all the grief, desperation, anger and sense of helplessness is all there. Yet there is a glimmer of defiance in him, a flicker of hope still left in him that gets him through another day. Ejiofor deserved an Oscar win just for this scene alone.

Gregory Peck in Roman Holiday

Peck_TheHolidayThe finale remains one of the most beautiful and poignant film endings ever. And I think Peck’s facial expression conveys so much. The restrained tears in his eyes, the rigid way he’s standing, it takes so much out of Joe not to say how he feels about Ann. Yet his expression speaks louder than words could ever do.

Kate Winslet in Titanic

Winslet_TitanicIt’s been ages since I saw Titanic but for some reason, this subtle scene of Rose during dinner with her family and Cal still stands out to me. There’s this glazed look on her face, like she finally stops caring about her privileged life that feels more and more like a prison. “That fire is gonna burn out,” Jack tells her at one point and it’s as if it finally sinks in that he is right and she wants out.

Joaquin Phoenix in Gladiator

Joaquin_GladiatorThis is truly one of the greatest scenes in film history IMHO. There’s just so much going on in this scene on psychological and emotional level. Of course Crowe is simply astounding in his ‘Maximus Decimus Meridius’ monologue but one thing that always struck me is Commodus’ stunned reaction. His lips quiver, eyes wide open with shock and his whole body trembles with a combination of rage and fright. It’s like ‘WTF! How could you still be alive?’ He knew at that moment, everything he’s planned so carefully is in shambles. As Lucilla said, at that moment, a slave did become more powerful than the Emperor of Rome, and it’s all written in Commodus’ face.

James Cromwell & Kevin Spacey in L.A. Confidential



There are certain phrases in movies that will forever be stuck in my head. “Rolo Tomasi” is one of them, and thanks to both Cromwell and Spacey for creating such an iconic and chilling scene. That’s the name Exley (Guy Pearce) gives the unknown murderer of his father just to give him a personality. “Have you a valediction, boyo?” Capt. Dudley Smith asked the dying Sgt. Jack Vincennes. It’s a powerful and totally unexpected response, and one he never thought would eventually lead to his own demise. Even nearing death, Jack still manages to deliver quite a blow to Dudley.

Well, what do you think of my picks? Please share your own picks of great acting defined by one look.

Question of the week: Actors whose famous role you can’t shake


I just reviewed The Judge this weekend and I mentioned how RDJ is playing yet another variety of Tony Stark. He’s always the smartest guy in the room, and always have an arsenal of snarky remarks he can just throw at you at the best opportunity. I’m not just talking about the recent roles he does after Iron Man, but even when I saw Zodiac I still can’t get past his Stark persona. There’s always a hint of that self-assured swagger that’s borderline cocky but somehow still lovable, which is something an actor either has or doesn’t, it’s not something they can teach even at Juilliard or RADA. You know what though, I’m tired of his schtick. As Sati said in her astute comment, his cockiness seems to translate off-screen now that it’s getting on my nerves. No matter how lovable a character, an actor’s job is to be able to pull off a variety of roles convincingly, to make a conscious effort to *disappear* into whatever role they do. I think the bigger/more famous the character is, the more responsibility said actor has to shake that off.

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Source: Eccentric Billionaire Tumblr

Now obviously RDJ isn’t the only actor with this kind of predicament, where somehow they can’t escape their most famous role. I think Johnny Depp can’t seem to shake off his Jack Sparrow image either. I’m not saying RDJ or Depp aren’t capable actors because they are, but perhaps their schtick just sticks in the mind longer than others. On the contrary, someone like like say, Christian Bale doesn’t always remind me of Bruce Wayne when he’s playing other roles post-Batman and I don’t get hang up on Maximus in Gladiator whenever I see Russell Crowe on screen.

I guess I’m just curious if anybody else feel the same, whether it’s RDJ or another actor.

So which actor(s) whose famous role you can’t shake? Or perhaps the question should be, actors who can’t shake their most famous role🙂

Blogathon: 10 Actors I Would See In Just About Anything


Thank you to Lady Sati, whom I’ve been commiserating with in the agony & ecstasy of crushing over an underrated Brit, kindly passed the baton to me to join this awesome blogathon! This idea originated with Abbi at Where the Wild Things Are, and to be honest with you, it wasn’t as easy as I thought. Partly it’s because I’ve been nuts about Toby Stephens lately [haven’t you noticed?] that he’s sort of ruined it for other actors for me. So apart from Toby [who I’d watch in literally ANYTHING], the title of the post is hyperbolic of course. For the other actors, it’s not that I’d watch them in anything because there are tons of movies with them in it I haven’t seen and probably never will. But having their name in a certain film would certainly make me more inclined in watching them.

Ok now I know this is a list for LIVING actors, but if we could include deceased actors, no doubt Gregory Peck would be on the list as I’ve seen practically everything he’s in by now. Heck, I even made a tumblr because of him though now it’s dedicated to Toby [natch!]

Here they are ranked from bottom to top so #1 is my MOST favorite:

10. Tom Hardy


First saw the hunky and versatile actor in Rocknrolla, along with two other actors here on my top 10 list (Elba & Butler) where he played Handsome Bob. Incidentally, his character was a closeted gay man who’s been secretly in love with Butler’s character. One thing I noticed right away is Hardy’s gorgeous voice to go with his handsome face, and he’s got such swagger. Then I saw him in Inception where he stole practically every scene he’s in, and it’s interesting that he played a forger consider the actor’s quite a shape-shifter himself. He’s entirely unrecognizable as Bane in The Dark Knight and also in Warrior, where he bulked up considerably that he looked like he’s twice the size of his character in Rocknrolla! Hardy’s proven to be a capable actor even when all he’s got to work with is his face, as proven in the one-man-show Locke. Heck, he’s even watchable in abominable rom-com like This Means War which I saw on the plane just for him.

Favorite Role: Ivan Locke in Locke
Least Favorite Role: Tuck in This Means War

9. Idris Elba


I also first noticed the hunky former D.J. in American Gangster where I didn’t realize he was British. But I really took notice when he was in Rocknrolla as Gerry Butler’s BFF Mumbles. Like Hardy, he not only looks good but sounds good as well sporting his native Cockney accent. The next few years I saw him in The Losers, Thor, Prometheus, Pacific Rim and Mandela: Long Walk to Freedom. Elba’s got such a magnetic persona and devilish charm, in fact I felt rather guilty drooling over him when he was playing Mandela. If only the Bond producers were daring enough to cast him as Bond, oh man he’d be a killer 007.  I still need to catch The Wire soon, but he’s definitely an actor whose career I watch closely.

Favorite Role: Stacker Pentecost in Pacific Rim
Least Favorite Role: Roque in The Losers

8. Clive Owen



There’s something mysterious to Clive that adds so much to his allure. He smolders without even trying and he’s inherently cool because he doesn’t seem to have anything to prove. The first time I saw him was in those BMW films, which instantly wished he had been in the running as Bond. I know Clive is known for his dark, brooding roles like Children of Men and Closer, as well as in action hero roles like King Arthur, Shoot ’em Up, Sin City, The International, etc. but I also love him in dramatic roles, i.e. Elizabeth: The Golden Age, The Boys Are Back and Shadow Dancer. He even shines in slightly comedic roles like the recent dramedy Words & Pictures with Juliette Bincohe.

Favorite Role: Theo in Children of Men
Least Favorite Role: Smith in Shoot ‘Em Up

7. Alan Rickman


I actually first saw Rickman in Truly, Madly, Deeply in my ESL class before I started college. Then later on I learned that he was the same actor playing Hans Gruber in Die Hard. Since then he’s become one of my all time favorite villains, but also one of my most cherished period drama hero as Colonel Brandon in Sense and Sensibility. Later on I’ve loved Rickman in a variety of roles: Galaxy Quest, Love Actually, Bottle Shock, and I even rented Gambit because he’s in it. Rickman’s line delivery is just one of the things I love about him, as evident in his role as Severus Snape in the Harry Potter films. He’s perhaps one of the most impersonated actors out there, young British talents like Benedict Cumberbatch & Tom Hiddleston have done impressions of him. His voice is so golden that even when he voiced Marvin in The Hitchhiker’s Guide to the Galaxy, the android is my fave character in the movie.

Number of movies seen: 18
Favorite Role: Col. Brandon in Sense and Sensibility
Least Favorite Role: Lionel Shahbandar in Gambit

6. Gerard Butler


Ok for those who’ve followed my blog from the beginning already know I’ve had a huge crush on the Scottish lad ever since I saw him in Phantom of the Opera. I definitely prefer his leaner look before he got so buff in 300, though all that crazy training shows his dedication for a role. Well, lately I was dismayed by his role choices, mostly those atrocious rom-coms he kept signing up for like The Ugly Truth and Playing for Keeps. The latter was so horrible I actually swore off Butler for a while in my open letter. But Butler’s the only one of my crushes whom I’ve actually met in real life so perhaps that’s why it’s not easy to just forget about him. To be fair though, it’s not like Butler didn’t bother to act the past few years. In fact, it’s a shame that his compelling work in Machine Gun Preacher was overlooked, and even his surfing role in Chasing Mavericks was decent even if the film wasn’t exactly great. So he still makes my list despite his terrible role choices because well, for some reason I still care for the guy and still have hopes for him, futile though it may be as his next projects are Gods of Egypt and London Has Fallen [sigh]. But then I remember him in his earlier roles in Phantom, Dear Frankie and BBC miniseries The Jury, and y’know what, I’m not quite ready to think he’s a lost cause yet.

Numbers of movies seen: 31
Favorite Role: Erik/Phantom in The Phantom of the Opera
Least Favorite Role: Mike in The Bounty Hunter

5. Keanu Reeves


Ok here’s another actor who perhaps would never win an Oscar, but one can’t refute Keanu’s unusual charm. Believe it or not I think I first saw Keanu in Paula Abdul’s Rush Rush music video, ha! I wouldn’t hold it against him though, I mean he’s probably a young struggling actor making ends meet. Of course the role that made me swoon was Speed, followed by The Matrix (though I’ve only cared to see the first one). Keanu is actually more versatile than people think and despite not being the most expressive actor, he’s just so effortlessly likable. People often forget he’s quite good in My Own Private Idaho with River Phoenix, and able to hold his own against Al Pacino in The Devil’s Advocate. I absolutely love him in the romantic drama A Walk in the Clouds, yes even more so than in his other romantic roles like The Lake House. Even sporting laughable British accent in Much Ado About Nothing and Dracula I still find Keanu amusing to watch, and I’ve even enjoyed watching him in the little-seen movies like Street Kings and Henry’s Crime. I also admire Keanu on a personal level, as he’s well-known for being super generous with his wealth and shunning the lavish Hollywood lifestyle. I don’t care what people say about him, I’ll always be a fan of Keanu and I don’t think there’s an actor quite like him in Hollywood.

Number of Movies Seen: 15
Favorite Roles: Jack in Speed & Neo in The Matrix
Least Favorite Role: Alex Wyler in The Lake House

4. Russell Crowe


Thanks to his tremendous performance as Maximus Decimus Meridius, I was quite obsessed with Mr. Crowe following Gladiator. I remember trying to find all his previous roles, even as obscure as his early Aussie movies in Proof, Heaven’s Burning, Rough Magic, Breaking Up, etc. Every time I saw Crowe’s name attached to something, I’m more inclined to give it a shot even if it’s for a rental. A recent re-watch of Gladiator confirmed how much I admire his acting style. He’s not only charismatic but he’s got such a certain astute way in displaying emotion with even the most subtle gesture. I think his performance as Jeffrey Wigand in The Insider is his best role to date, yes it even beats Gladiator and he should’ve won his Oscar for that role. Crowe makes a compelling hero to be sure, but his villainous turn in 3:10 to Yuma is just as intriguing to watch. Oh and regardless what critics have you believe, he’s quite good in Ridley Scott’s rare rom-com A Good Year which displays his lighthearted side.

Number of Movies Seen: 22
Favorite Roles: Maximus in Gladiator & Jack Aubrey in Master & Commander
Least Favorite Role: Alex Wyler in The Lake House

3. Christian Bale


Before Bale landed the role of Batman, Bale had made an impression of me as Bateman, Patrick Bateman in American Psycho. It was such a dark and violent movie as I saw the unrated version by accident, but Bale was nothing short of electrifying. I think before that role, I had already seen Bale in Reign of Fire alongside Gerry Butler AND Matthew McConaughey, an apocalyptic sci-fi movie with fire-breathing dragons [yep, you heard it right, but it’s quite worth a look just for the cast]. Of course I LOVE Bale as Nolan’s Batman, especially in the origin story in Batman Begins where we see his transformation from a naive rich kid to a bad ass caped crusader. I also loved him in his more understated roles such as John Rolfe in The New World. Despite being there for only 20 minutes, he’s my favorite character and I bought the dvd because of him. Even in so-so movies, the Welsh thespian is often the best thing in it and makes the movie worth a watch. He’s also awesome in Equilibrium which I probably wouldn’t even bother to watch if Bale weren’t in it. His incredible dedication to his craft is incredible, talk about suffering for his art by losing/gaining ridiculous amount of weight for a role. He may not be as versatile as people think though, as I don’t think he could do full on comedy, but he seems to know how to choose roles that suits him.

Number of Movies Seen: 22
Favorite Roles: Bruce Wayne in Nolan’s Batman Trilogy
Least Favorite Role: Melvin Purvis in Public Enemies


2. Timothy Dalton


Whaddayaknow, two Welsh actors back to back in my top 5. Most of you likely know I’m a card-carrying member of the Dalton-is-best-Bond brigade. I LOVE his only two roles as 007 which made me a fan for life. But on top of that, he’s also massively awesome as Prince Barin in the sci-fi cult classic Flash Gordon and the Errol Flynn-channeling villain in The Rocketeer. Until Toby Stephens entered the picture, Dalton was my favorite Rochester amongst the ubiquitous Jane Eyre adaptations and he also made a marvelous Julius Caesar in the 1999 Cleopatra TV Movie. He also has a surprisingly great comic timing too as displayed in Hot Fuzz and the silly-but-fun Beautician and the Beast. There’s a certain intensity and passion in Dalton’s eyes that I find riveting and he’s one of the best looking 70-year-old actors out there. In fact, from the clips of the Penny Dreadful series, it’s clear Dalton seems to only get better with age. I don’t normally watch horror, but I would be willing to give it a shot when it’s available to rent. I wish he had been more prolific in his career. I’d think that Dalton could’ve done a number of roles offered to his peers like Anthony Hopkins, Michael Caine and Patrick Stewart. In fact, I’d have loved to have seen him as Alfred in the inevitable Batman reboots or even better, he’d rock a role of an older Bruce Wayne if they were to adapt Batman Beyond to the big screen.

Number of Movies Seen: 22
Favorite Roles: James Bond in The Living DaylightsLicence to Kill
Least Favorite Role: Michael Barrington in Sextette

1. Toby Stephens


Ahhhh… finally we get to the top of the list. The man who gets me all giddy like a school girl every time I watch him on screen. My Tumblr is now dedicated to this fine British thespian and I literally squeal every time his exquisite face come across my dash. There are few actors in life who generates such an extreme reaction from me, in fact so far there’s only been five of them, starting with Christopher Reeve when I was a wee girl, and he’s the first redhead I’ve ever been head over heels in love with.

As I said in my Toby Appreciation post, the reason Toby’s bewitched me so much is more than just his devastating good looks, but it’s his chameleon-like ability and incredibly expressive face that conveys so much emotion. He’s blessed with greenish-blue piercing eyes and he sure knows how to use them well in each and every role, such as below as Captain Flint in Black Sails.


Sati said about her crush Stephen Dillane that ‘…one look in his eyes is enough to tell you so much about the character he is playing’ I feel the exact same way about Toby and that’s why it’s been such a joy catching up to his work. Toby seems to fit any genre, from period dramas to sci-fi to something like a pirate which one wouldn’t normally associate such a posh, refined and cultured English gent with. Yet Toby effortlessly tackles the role whilst juggling a high-society comedic play in Noël Coward’s Private Lives at the same time.


Toby with Anna Chancelor in ‘Private Lives’

Clearly looks + talent runs in the family as I’ve been a huge fan of Toby’s mum Maggie Smith, but I really respect Toby that he doesn’t owe his career to her. But of course having been exposed to the acting craft early on made an impact on him and made him such a multifaceted performer, excelling in every acting medium from stage, TV, film and even radio where he acts just using his voice alone. He’s also one of those actors who can master any accent, which he’s used in various roles from playing Jay Gatsby in The Great Gatsby TV Movie to a CIA operative in BBC’s Strike Back. Heck, he even spoke Hindi in the Bollywood historical epic The Rising: Ballad of Mangal Pandey, right after he played Bond villain in Die Another Day no less. About half of the dialog was in Hindi whilst he had to speak with a Scottish accent the rest of the time as Captain William Gordon.

Role that made me a fangirl – Vincent in The Machine (2013)
Role that officially ruined all other men for me: Mr. Rochester in BBC Jane Eyre (2006)
Number of movies/TV shows I saw with him in them: 19 (so far)
Favorite Roles: Rochester in BBC Jane Eyre + Captain Flint in Black Sails
Least Favorite Role: Victorin in Cousin Bette (1998)
 The Many Faces of Toby Stephens
(clockwise from top left: The Tenant of Wildfell Hall, The Queen’s Sister, Wired, Jane Eyre, The Rising, Die Another Day, Cambridge Spies, Robin Hood, Black Sails, The Machine, Vexed, Possession, The Great Gatsby)


Ok I’m not ranking these, this list is in alphabetical order as it was tough enough ranking my top 10! A couple of these actors might’ve made my main list a few months ago but upon looking at some of my old favorites, only three of them made the cut. I’m still a big fan of all of them though, or they wouldn’t even get a mention. Sam Reid is the newbie here as I have only seen him in Belle so far but he really impressed me that I’d love to see more of his work! So here they are and photo shows the role that made me a fan:

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  1. Richard Armitage
  2. Eric Bana
  3. Henry Cavill
  4. Benedict Cumberbatch
  5. Chris Evans
  6. Tom Hiddleston
  7. James McAvoy
  8. Ewan McGregor
  9. Sam Reid
  10. Rufus Sewell


Bloggers who have previously shared their almost anything actors/actresses:

  1. Abbi at Where the Wild Things are
  2. Fernando at Committed to Celluloid
  3. Kristin at All Eyes On Screen
  4. Jaina at Time Well Spent
  5. Nostra at My Film Views
  6. KaramelK at Karamel Kinema
  7. Getter at MettelRay

Now I’m passing the torch to my pal Melissa [aka Queen Mel] over at Snap Crackle Watch who shares my taste for cute British boys😉

So that’s my list folks! Feel free to name your own picks of actors you’d watch in practically anything🙂

Wordless Wednesday: 7 Favorite Scenes of the Roman Epic GLADIATOR (2000)


This past weekend, I rewatched an old favorite. Well it’s not just an oldie-but-goodie, it’s perhaps one of my top 10 favorite of all time: GLADIATOR. It’s the one cinematic masterpiece Ridley Scott’s been trying to replicate ever since, to no avail. After seeing the trailer for Exodus: Gods and King, well it seems that Mr Scott’s glory days is behind him. Ah well, we’ll always have Gladiator. Amazing that even fourteen years later, this film still holds up extremely well, everything about it is perfect, absolutely perfect.

I’ve written an extensive appreciation post on it a few years back, as part of a ‘Movies that made going to the movies suck‘ blogathon. Yes I think that blogathon name is a hoot, but once you read people’s posts on it, it totally make sense. Anyhoo, it’s supposed to be a wordless post so I’ve said enough already. Here are some of my favorite scenes from the Roman epic:

First Battle in Germania

My name is Maximus Decimus Meridius

“The time for honoring yourself will soon be at an end…”

Commodus Enters Rome

“Are you not entertained?!”


Ending scene – w/ Now We Are Free score

Gracchus on the Gladiatorial Games

I couldn’t find the exact scene for this but I LOVE Derek Jacobi‘s scene here. His lines is one of my favorite movie quote ever, but most importantly, it’s how he delivered it.


[SCENE: Gaius and Gracchus at a restaurant, discussing the games which Commodus revived to lure the mob. Outside can be seen a juggler, merchants calling out their wares (wine), and the crowd visiting and moving about.]

GAIUS: Games! 150 days of games!
GRACCHUS: He’s cleverer than I thought.
GAIUS: Clever. The whole of Rome would be laughing at him if they weren’t in fear of his Praetorian.
GRACCHUS: Fear and wonder. A powerful combination.
GAIUS: Will the people really be seduced by that?
GRACCHUS: I think he knows what Rome is. Rome is the mob. He will conjure magic for them and they will be distracted. He will take away their freedom, and still they will roar. The beating heart of Rome is not the marble floor of the Senate, it is the sand of the Colosseum. He will give them death, and they will love him for it.

These are just a sampling of my favorite scenes from GLADIATOR. What do you think? Feel free to share yours.

FlixChatter Review: Winter’s Tale


Let me preface this review by saying that Akiva Goldsman should stick to writing screenplays or producing films instead of working behind the camera. In his debut feature, Goldsman’s wearing multiple hat as producer, writer AND director. The film takes place at the turn of the century New York City, where the protagonist, Peter Lake, has a Moses-like beginning. His immigrant parents [Russian?] were denied admission at Ellis Island and his dad set baby Peter adrift in NY harbor in a miniature model ship called City of Justice. Fast forward to about 30-some years and we find Peter (Colin Farrell, sporting an odd looking haircut) being on the run by some Irish gangster led by Pearly Soames (Russell Crowe, trying his best to mimic Farrell’s Irish accent). Miraculously he’s saved by a winged white horse who later doubles as his guardian angel plus transportation. All of this sounds quite enchanting on paper but the plodding pace of this film didn’t exactly stimulate me, but I was hoping the story would pick up soon enough.

The horse then somehow leads Peter to a house where he’d inevitably meets the love of his life. As Peter is a burglar, he’s about about to rob her mansion when the chance encounter happens. It turns out that the beautiful but frail Beverly is dying, but that of course doesn’t get in the way of the two falling in love. Now I don’t know if her disease causes her to speak in some kind of poetic language because that is how she talks in this movie. I quite like Jessica Brown Findlay (Lady Sibyl from Downton Abbey) but the script made it tough to relate to her character and the schmaltzy-ness of it all is starting to get on my nerves. To top it off, I still have no clue what’s the deal with Pearly’s vengeance against Peter, and suddenly he now wants Beverly dead. It’s never fully explained why, but it’s quite obvious that this mission is a personal one for Pearly. He’s even more upset as Peter then snatches Beverly away from his grasp, thanks once again to the winged horse.


The supernatural elements of the story just gets weirder, not to mention incomprehensible, as we meet Pearly’s boss named Lucifer. Yep, you read that right, the fallen archangel/devil himself, played by Will Smith. It’s quite an odd casting choice but really that’s the least of this film’s problem. So the the lord of ALL evil beings in the universe lives in a dingy tower with only a twin bed and lit by a single lightbulb?? [shrugs] Neither Pearly nor Lucifer are the least bit menacing nor sinister enough to make any real impact, and the whole conversation is so cringe-worthy that my mind kept wandering just how much Crowe and Smith got paid to star in this stinker. Both actors (as well as Jennifer Connelly) have worked with Goldsman before so I wonder if this is some kind of favor they’re doing for him or something. I read somewhere that Goldsman wrote the role of Pearly with Crowe in mind, hmmm not sure that’s a compliment for the Aussie thespian after seeing the film.

Farrell and Findlay did their best to sell their romance and I have to admit there are some touching moments but overall it just wasn’t as gripping than it could’ve been. By the time the film takes place in present day, I’m still barely invested in any of the characters and the story remains a huge mystery to me, and not in a good way. Apparently Peter is immortal as he doesn’t age a day in his life and here he meets a couple of new people, as well as someone from the past, played by Jennifer Connelly and Eva Marie Saint. Despite the A-list ensemble’s (especially Farrell at his most earnest) best efforts to win us over, they’re all wasted here by the cloying and over-sentimental script that drags early and repetitively. The behind-the-scene talents are equally first rate but none of them can really save this film. Hans Zimmer‘s score is pleasant to the ear but it also heighten the lovey-dovey mood of the whole thing. Caleb Deschanel‘s gorgeous cinematography of New York City is quite a feast for the eyes, but it makes my brain desperately ache for something meaty to feast on as well.


The agony is complete with an ending that is utterly predictable and so gratingly mawkish that would make any of Nicholas Sparks’ adaptation seems gritty. There are themes of good versus evil, love, life, loss and redemption here, but the narrative is neither cohesive or compelling. Plus it’s chock full of trite dialog with dreary lines about *destiny* and *everything is connected* mumbo jumbo. It leaves me scratching my head as this comes from the writer of A Beautiful Mind and Cinderella Man, but this mishmash script is perhaps more akin to Batman & Robin which Goldsman also wrote. 

Final Thoughts: All the talks about miracles, stars and magical moments amounts to a film that is totally devoid of magic. It’s really a shame as reading the premise of the novel later on (which was altered quite a bit for the film) makes me think that Mark Helprin‘s mythical story deserves so much better. We don’t get enough romance fantasy so I was really hoping this would be a decent enough movie even if it’d probably fall short of Goldsman’s grandiose ambition. Well, I really wasn’t expecting to see one of the worst films I’ve seen in a long time.


What did you think of Winter’s Tale?