It’s been a while since I actually curated recent movie/casting news that I’m excited about. I was reading one after another involving filmmaker/actors I love so I thought I’d include them here.
Sam Mendes, Olivia Colman Team for Love Story Empire of Light
Per THR, the Oscar-winning director Sam Mendes will be directing his own script (his first solo outing as a screenwriter), with Olivia Colman set to star in what sounds like a romantic drama. Mendes will once again be teaming up Roger Deakins in this feature project, the acclaimed cinematographer he worked with on 1917, Skyfall and Revolutionary Road.
The premise is described as a love story, “set in and around a beautiful old cinema, on the South Coast of England in the 1980s.”
Aawwww…. I absolutely LOVE the sound of Empire of Light… even the title sounds enchanting. With Deakins as the DP, surely the film would look absolutely beautiful. Nice that they’re making love, not war, this time around.
I also love seeing love stories involving women in the prime time of their lives (not gonna say older woman, as she’s only a year older than I am, and women in mid 40s are NOT old). I wonder who they’ll cast opposite Colman. I actually like the pairing of her with Rufus Sewell in The Father, though they barely shared a scene together.
Searchlight Pictures is the studio behind this and the movie is set for a Fall 2022 release. Can’t wait!!
Helen Mirren to Play Israeli Prime Minister Golda Meir in ‘Golda’
Another intriguing biopic starring one of my favorite leading ladies!! Per The Wrap, Dame Helen Mirren will play another iconic historical figure, this time it’s as Israel’s only female Prime Minister, Golda Meir.
Guy Nattiv, an Israeli director (Oscar winner for the short film Skin) will direct the film from a screenplay by Florence Foster Jenkins‘ writer Nicholas Martin. The film is called Golda and focuses on the intensely dramatic and high-stake responsibilities and decisions she faced during the Yom Kippur War.
Here’s the full synopsis:
On October 6th, 1973, under cover of darkness, on Israel’s holiest day and during the month of Ramadan, the combined forces of Egypt, Syria, and Jordan began a surprise attack on the Sinai Peninsula and the Golan Heights. Outnumbered and outgunned, Golda Meir confronts the immediate, clear and present danger of a ticking time bomb that she hoped never to face. Surrounded, isolated, and frustrated by the infighting of her all-male cabinet, with little hope of rescue, one woman is in a race against time to save millions of lives on both sides of the conflict.
Per the article, Nattiv was born during the Yom Kippur War, so naturally this is a personal story for him. Apparently during the final chapter of Meir’s life where this deadly surprise attack occurred, she was undergoing secret treatments for her illness. I personally am not familiar with the legendary leader, known as the Iron Lady of Israel, so I’m looking forward to seeing her story brought to life!
George Clooney & Julia Roberts re-teaming in rom-com Ticket To Paradise
Two of my favorite rom-coms are Notting Hill and One Fine Day, starring Julia Roberts and George Clooney, respectively. The two had only done the Ocean Eleven movies and a thriller called Money Monster (which I haven’t seen), so I like the idea of seeing them together in a romantic comedy!
Per Variety, director Ol Parker (the Mamma Mia movies) will direct this from a script he co-wrote with Daniel Pipski. Here’s the premise:
Clooney and Roberts will play a divorced couple that teams up and travels to Bali to stop their daughter from making the same mistake they think they made 25 years ago.
I was wondering if the film will be shot on location in Bali (an island in my home country Indonesia), but apparently it will in Queensland, Australia. Obviously they have good tax incentives there from the Australian federal government and from Screen Queensland’s Production Attraction Strategy. In any case, this sounds like a fun movie!
Now, as a film as well as theatre lover, THIS is something I cannot wait to watch!! National Theatre Live brings the best of British theatre to cinema screens all over the UK and beyond and this time they’re adapting another Shakespeare classic.
The National Theatre’s Romeo & Juliet
This stylized film of Shakespeare’s masterpiece from the National Theatre celebrates the theatrical imagination. In this contemporary retelling, a company of actors in a shuttered theater bring to life the tale of two young lovers who strive to transcend a world of violence and hate. Josh O’Connor and Jessie Buckley star as Shakespeare’s immortal star-crossed lovers. Check out the trailer below:
Another actor from The Crown continues to be making waves I’ve been enchanted by Josh since he played Prince Charles in The Crown. I’ve only seen Jessie in a couple of movies and she’s pretty memorable, so this is quite an intriguing pairing. I notice British actor Adrian Lester in the cast as well, love his work. Per PBS’ website, Great Performances Executive Producer David Horn is quoted as saying “During the ongoing performance shutdown in London and New York, we’re delighted to participate in this compelling hybrid of theater and film that brings an exciting contemporary perspective to one of Shakespeare’s most iconic plays.”
The production of this modern Shakespeare adaptation looks positively mesmerizing!
Romeo & Juliet Premieres Friday, April 23 at 9/8c on PBS.
The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… Oscar Winners Edition: Best Actor and Best Actress
Ok since there’s no rules as to which time period to pick from, I selected one classic and one contemporary actor and actress who I think are worthy winners. For the fun of it, I also picked one actor + actress who I don’t think deserve to win on the year they’re nominated.
In any case, here are my picks:
FAVE BEST ACTRESS WINNERS
Vivien Leigh – Gone With the Wind (1939)
Scarlett O’Hara is not exactly an easy woman to love, she’s practically an anti-heroine which in and of itself is quite revolutionary. Vivien Leigh was primarily a stage actress and was in a few plays with her second husband Laurence Olivier. She’s perhaps one of the first classic actress I’ve seen growing up… I must have been in my pre-teen when I first saw Gone With the Wind, and I’m still in awe of her performance to this day. To think that she almost didn’t get the role as producer David O. Selznick considered her to be ‘too British’ at one time. I can’t imagine another actress in the role.
Helen Mirren – The Queen (2006)
Ok so I pick another British actress, I didn’t exactly plan for that. I wanted to include someone from the 2000s and the one I thought of right away is the Dame’s performance as Queen Elizabeth I. Of course by now there have been another great memorable performance of the Queen in her later years (Olivia Colman in The Crown), but I think Helen Mirren’s portrayal is still an iconic one. Her physical transformation with the wig and glasses, complete with her facial expression and slightly downturned mouth, voice delivery, everything is just spot on. Even the Queen’s OCD behavior was accounted for based on Mirren’s research. Per IMDb trivia, Mirren was so convincing that by the end of production, crew members who had been accustomed to slouching or relaxing when they addressed her were standing straight up and respectfully folding their hands behind their backs.
Least Fave Best Actress Winner
Gwyneth Paltrow – Shakespeare In Love (1998)
I still think it’s practically scandalous that Paltrow won over Cate Blanchett in Elizabeth. I mean, generally speaking Blanchett can run circles around Paltrow all day long, but I’ve seen both films and in no universe did Paltrow gave a better performance in their respective films.
FAVE BEST ACTOR WINNERS
Gregory Peck – To Kill A Mockingbird (1962)
Is it a surprise I picked this gentleman? If you’ve been reading this blog for a while then you’d know I was obsessed with Mr. Peck a few years ago and have blogged about him repeatedly. This was actually his fourth Oscar nominations following The Keys of the Kingdom (1945), The Yearling (1946), Gentleman’s Agreement (1947), and Twelve O’Clock High (1949). I’ve seen them all and they’re all terrific Oscar-worthy performances, but I think Atticus Finch so tailor-made for him that he practically become the character and be forever be known for that role. It’s no surprise The American Film Institute named Atticus Finch the greatest movie hero of the 20th century and Peck’s performance certainly helped cement that in history.
Jamie Foxx – Ray (2004)
When I first saw this film years ago, I was so blown away by Foxx’s performance. I think this was the first time I saw him in a lead role and man, did he kill it. He was so dedicated to the role that he attended classes at the Braille Institute, and he also had to wear eye prosthetics to make him look authentically blind for the entire shoot. I can’t imagine having to endure something like that, AND have to act at the same time. Plus the musically-gifted actor also played the piano himself, though it was Ray Charles’ voice that was heard in the film. His win marked the first actor to win Best Actor in a music/musical movie since Rex Harrison in My Fair Lady (1964)
Least Fave Best Actor Winner
Roberto Benigni – Life Is Beautiful (1997)
I loved the film but honestly I didn’t think Benigni’s performance was Oscar-worthy. Especially given he was nominated alongside Tom Hanks in Saving Private Ryan and Edward Norton in American History X. His Oscar speech was a hoot though irritating at the same time. In any case, his win marked only the second time that an actor had directed himself in an Oscar-winning performance, the first was Laurence Olivier for Hamlet (1948).
So which Best Actor and/or Actress winners are your favorite?
Directed by: Bill Condon
Written by: Jeffrey Hatcher Starring: Ian McKellen, Helen Mirren, Russell Tovey
Advertised as the first ever pairing of Dame Helen Mirren and Sir Ian McKellen, The Good Liar boasts perhaps two of film’s all-time greatest. Based on the best-selling book by Nicholas Searle (a former British Intelligence officer) and adapted to screen by (MN native) Jeffrey Hatcher, McKellen plays Roy Courtnay, an octogenarian career swindler who preys on greedy businessmen by day and conning rich, lonely widows of their retirement by night. Via online dating, he meets Betty McLeish (Mirren), a former Oxford professor and widower. She is immediately swept off her feet by Roy’s charming ways, to the chagrin of her grandson Steven (Russell Tovey) who grows suspicious of his nebulous history and character. Is he there to steal her money? Of course. But will this be an easy con, or are there twists and turns up ahead?
As expected, the two leads give a solid performance. McKellen is smooth, easy to watch and almost fun. The same can be said of Mirren, who exudes an airy, determined cool that seems so effortless. The first two thirds of the film is a slow burn of calculated intensity. The thriller unfolds with the taut directness of a Graham Greene novel. Propelled by the actors fine execution, The Good Liar engaged me throughout the first and second act.
Craftily directed by Condon (Gods and Monsters), the film, while predictable, stays focused and lets the two leads carry the weight for the most part. But it all falls apart in the third and final act. While we anticipated the oncoming twists just around the bend, some aspects of the story bordered on the preposterous and came dangerously close to being camp. The final third of the film unintentionally gave off the scent of being an exploitation film. Revenge movies of the late 60s and early seventies come to mind as well as pulp novels they were based on.
Because of Mirren and McKellen, we can forgive the unconvincing story in exchange for their screen presence. And they do give off an entertaining and unique chemistry. But I left the theatre feeling a bit swindled myself. Conned out of an ending that wouldn’t leave me feeling hollow and ambivalent. As good as they were in the film, it seems an opportunity was lost here for something that could have been really special.
The Good Liar is a slick, almost elegant (thanks to Carter Burwell’s score) but uneven film. The genius of the two lead actors mask the inadequacies of the story and screenplay, but not enough to save it from its own predictability and obviousness. It should be said that it was well-intentioned – addressing important issues regarding gender and portraying the redemption of one of its characters. But in truth, The Good Liar is so-so and just missed being great.
So did you get to see THE GOOD LIAR? Let us know what you think!
Can’t believe award season is officially in full swing! Honestly I didn’t even realize Golden Globes was this weekend until I heard something in the car as I was driving around. Fortunately I did have time to actually sit down and watch (and live tweeted) the event, though I tuned in late as I usually avoid the red carpet stuff.
Well this year’s ceremony is different than in recent memory… what with the #TimesUp movement and everyone banding together to support women who’ve been sexually-harassed/abused by wearing all-black at the red carpet.
More on that later… as I do want to introduce a friend of mine, Shivani Yadav, blogger extraordinaire of Critic-Corner which offers reviews and fun celeb fashion, as we tag team on Golden Globes commentary this year! I thought that since the Golden Globes was all about women supporting each other, it’s the perfect time to collaborate. Shivani – it’s an honor to have you guest blog on FlixChatter!
Now, to start things off, here’s the video of Seth Meyers’ opening montage in case you missed it…
Glad he captured the #TimesUp movement in his monologue and rightly blasting the biggest sexual harassment perpetrators Harvey Weinstein, Kevin Spacey and Woody Allen. I think overall Seth did a good job as host. He didn’t irk me like some previous hosts and he certainly wasn’t as mean-spirited as Ricky Gervais.
This was probably the best Golden Globes ceremony, in recent memory. So many amazing moments took place and great speeches were made. My day could not have started in a better way (it was 4:30 AM when it started here in India).
On the fashion front, with the #TimesUp and #MeToo movement going on, celebs opted for black ensembles and I was all up for it. I know the point here was of solidarity and trying to get a message out but at the end of the day, it was through fashion. And a person who writes fashion reviews daily, at first I was a bit skeptical about to decision but after tonight, I can confidently say that this was one of the best red carpets I have seen since I started writing. With the help of one color, the message came out much more clearly – of equality, sisterhood and not taking anybody’s sh*t!
I just wish more men were speaking out about the issue. Red carpet hosts could have done a better job in making them a part of the conversation by asking them how things can be better and in general, voicing out their opinions. Hopefully, we’ll see improvement on that side in the more coming award shows.
As for my fashion favorites, this is probably the first time I don’t have any. Sure, I have opinions about every look (and for that you can read my blog), but generally as a whole, I’m so pleased and overwhelmed with everyone, fashion-wise, that my conscience is not allowing me to pick favorites.
The #TimesUp and #MeeToo movement was quite unprecedented. As a woman of color, the message of solidarity in the spirit of equality and representation is one that’s dear to my heart. Of course it remains to be seen if this movement will actually make a real lasting impact in Hollywood and beyond… I sure hope women don’t just get heard because it’s part of a zeitgeist… that it’s more than just a ‘trend’ but something that would bring out real change.
I skipped the red carpet stuff, but I did read some comments how the hosts didn’t seem to be grasping the movement seriously and still make it all about the fashion instead of having meaningful conversations. If that’s the case, it’s truly a missed opportunity, especially since many celebs brought activists with them to the event.
Now, out of a sea of all-black ensembles, there are still truly stunning outfits. I think limiting the color made designers more creative with the style. For me though, the queen who slayed them all has got to be Viola Davis… #ibowtothee
The first highlight for me was obviously Oprah‘s speech. I’m not even kidding, tears were literally pouring down my eyes by the sheer power of it. Breathtaking!
Love the fact that Natalie Portman and Barbra Streisand pointed out the all-made director’s category. Somebody had to do it and HFPA wasn’t exactly listening so doing it to their faces was kind of important!
And seeing Kirk Douglas with his daughter-in-law Catherine Zeta Jones was quite a delight too.
I so agreed that Oprah‘s speech is definitely a highlight. It was such powerful, definitive, empowering and inspiring. Now, I’m not one of those who worships on the altar of Oprah, but y’know what, it’s undeniable she is a powerful self-made woman and last night she used her power for good like nobody’s business.
I feel for anyone who had to follow THAT speech to deliver the Best Director award, and that ‘honor’ went to Natalie Portman and Ron Howard. But y’know what, Portman seized the moment by cheekily quipping ‘and here are the ALL MALE nominees!’
I know some people have issues with the timing of that comment that seemed to undermine the accomplishments of the nominated filmmakers. But I don’t think she meant it that way, and y’know what, she too was caught up in the moment after Oprah’s speech and she seized it. It was a spot-on comment and I felt that it needed to be said. I thought Howard’s expression was priceless, and at least he was a big enough man to realize it wasn’t a slap against male directors, but the male-dominated filmmaking club that wasn’t conducive for women to be a part of.
There are many powerful speeches last night by women, but the one I was really taken by was Laura Dern‘s. I love how sincere her delivery was, empowering but delivered with a dose of humility and grace.
I LOVE the spirit of female solidarity displayed all night, especially by the female-led show Big Little Lies that won big last night, including Best Miniseries or TV Film.
Well, since I live-tweeted the event, I might as well just post some of my tweets here…
Gaaah!!! Serves me right for not tuning in sooner!! I missed two of these phenomenal ladies @ViolaDavis (who slayed in that outfit, WOW!) & Dame #HelenMirren Can someone cast them in a film/show together pleeeeeease? https://t.co/pqsmUAKYNA
Neither Shivani and I barely watch any TV shows this year, so we only post comments on the film winners. Ironically, the year I became a filmmaker last year also meant I had little time to watch films so there are a ton of films nominated here that I had missed.
In any case, here’s our comments on the the nominees and winners (listed in bold)
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Judi Dench, Victoria & Abdul
Margot Robbie, I, Tonya Saoirse Ronan, Lady Bird
Emma Stone, Battle of the Sexes
Helen Mirren, The Leisure Seeker
Shivani: I’m sure most people expected [Ronan] to win. Not a surprise! I like how her mom was on face-time. That was cute!
Ruth: I’ve been such a huge fan of Ronan that despite not having seen Lady Bird yet (I know, I know, hopefully soon!), I’m thrilled she won. I think she’s deserved awards for so many of her past performances (Atonement, Hanna, Brooklyn, etc.)
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Steve Carell, Battle of the Sexes
Ansel Elgort, Baby Driver James Franco, The Disaster Artist
Hugh Jackman, The Greatest Showman
Daniel Kaluuya, Get Out
Shivani: Same here. No surprise!
Ruth: Again, haven’t seen Franco’s performance but I was kinda rooting for Kaluuya’s just based on what I’ve read on Get Out. I like the brotherly love Franco displayed when he won though the whole thing w/ Tommy Wiseau was just so odd. Plus I think it’s rude to shove him away like that, even if they were good friends now.
Best Performance by an Actor in a Motion Picture — Drama
Timothee Chalamet, Call Me By Your Name
Daniel Day Lewis, Phantom Thread
Tom Hanks, The Post Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.
Shivani:I was rooting for him so much. I know Timothée is awesome and everything, but Gary literally never gets his due. It’s his time!
Glad that Oldman gave props to his co-stars. I thought Kristin Scott Thomas and Ben Mendelsohn were both absolutely terrific in the film. Good enough even for a Best Supporting nod!
Best Performance by an Actress in a Motion Picture – Drama
Jessica Chastain, Molly’s Game
Sally Hawkins, The Shape of Water Frances McDormand, Three Billboards Outside Ebbing, Missouri
Meryl Streep, The Post
Michelle Williams, All the Money in the World
Shivani:God this lady is fierce. There’s literally no match for her!
Ruth:I love how effortless and no-nonsense McDormand was. I love that she doesn’t seem like someone who loves to schmooze (unlike most in Hollywood) and doesn’t take any bullsh*t from anyone either. Three Billboards is yet another film I’ve missed but hope to see that soon!
Best Performance by an Actress in a Supporting Role in a Motion Picture
Mary J. Blige, Mudbound
Hong Chau, Downsizing Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water
Shivani:In my opinion, the actual competition here was between Allison and Laurie. I’m happy either way, I love all of the nominees!
Ruth:I loooove Octavia Spencer and The Shape of Water, so naturally I was rooting for her. But that’s not fair as I haven’t seen the other performances. Janney is a force so I have no problem w/ her winning. Plus, I love the diversity on this category.
Best Performance by an Actor in a Supporting Role in a Motion Picture
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World Sam Rockwell, Three Billboards Outside Ebbing, Missouri
Shivani: No one could really tell here who would win, so I would have been happy for anyone. But yeah, Sam is extremely underrated and I’m happy he got some recognition.
Best Motion Picture — Musical or Comedy The Disaster Artist The Greatest Showman Get Out I, Tonya Lady Bird
Shivani: I’m just happy for the crew. Greta Gerwig is so adorable!
Ruth: I probably am in the minority here the fact that I have not seen Lady Bird nor have I seen any of Greta Gerwig‘s films, either. Not sure why, just haven’t gotten around to it. But hey, always happy to see a female filmmaker getting accolades, so yay!
Best Motion Picture — Drama Call Me By Your Name Dunkirk The Post The Shape of Water Three Billboards Outside Ebbing, Missouri
Shivani: This was quite a surprise. I thought The Shape of Water would have won, but nevertheless, I’m happy that they recognized the film!
Ruth:Having only seen Dunkirk and The Shape of Water, I have no idea which one would win in this category but I thought Call Me By Your Name would win.
Best Animated Film The Boss Baby The Breadwinner Ferdinand Coco Loving Vincent
Shivani:I don’t think anybody was surprised with this win!
Ruth:Yep, not surprised at all though this is the first year where I hadn’t seen any of the animated features! I did blog about Loving Vincent a while ago, that looks absolutely astounding.
Best Screenplay – Motion Picture The Shape of Water Lady Bird The Post Three Billboards Outside Ebbing, Missouri Molly’s Game
Shivani:I was quite positive that Lady Bird would win, and was surprised once again. It’s just that Three Billboards isn’t a type of movie that would normally get recognized by award shows. I’m happy that it is!
Ruth:Can’t really comment here as I have only seenThe Shape of Water, but sounds like a really strong category here with solid picks. I wanna see every single one of these I’ve missed!
Best Director – Motion Picture Guillermo del Toro, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk
Ridley Scott, All The Money in the World
Steven Spielberg, The Post
Shivani: Another underrated director (by the voters)! I loved it when he asked them to lower the music. “It’s taken 25 years. Give me a minute” Awesome!
Ruth:Happy for del Toro’s win, too! The Shape of Water was a singular and extremely creative original film. I love filmmakers who truly gave his all for his creation and del Toro spent a lot of his own money and considerable time even just to design the sea creature! Still, I was flabbergasted and saddened that Greta Gerwig and Patty Jenkins were snubbed, esp. Gerwig considering the critical rave Lady Bird received.
Best Original Score Three Billboards Outside Ebbing, Missouri The Shape of Water Phantom Thread The Post Dunkirk
Ruth:I adore Desplat’s score for The Shape of Water. It’s as magical, ethereal, romantic and mysterious as the film. Absolutely beautiful stuff that sweeps me off my feet.
Best Original Song
“Home,” Ferdinand — Nick Jonas, Justin Tranter, Nick Monson
“Mighty River,” Mudbound — Mary J. Blige, Raphael Saadiq, Taura Stinson
“Remember Me,” Coco — Kristen Anderson-Lopez and Robert Lopez
“The Star,” The Star — Mariah Carey, Marc Shaiman “This Is Me,” The Greatest Showman — Benj Pasek, Justin Paul
Shivani:I was really disappointed with the fact that they did not nominate Mystery of Love and Visions of Gideon from Call Me By Your Name so I’m kinda mad at them for that. This Is Me is a good enough song, but if it were up to me, it would not have gotten my vote.
Ruth: I had to look up the two songs that Shivani mentioned. Both of those songs are lovely, I totally understand why she loved them. I think This Is Me is a rousing song though, definitely more of a crowd pleaser.
Let me end the post with this article that offers an astute observation of the night… it’s as if the #TimesUp movement weren’t really a thing for most of the men, aside from what Seth Meyers said in his opening monologue “Good Evening, Ladies & Remaining Gentlemen.” The silence is deafening and frankly, disheartening.
The first Fast and Furious film came out 18 years ago and no one would have predicted that it would became one of the most successful franchises in Hollywood. Heck, when I saw the third sequel The Fast and The Furious: Tokyo Drift, the worst in the series, I thought for sure we won’t be seeing anymore Fast and Furious films. Boy was I wrong, the later sequels somehow became more financially successful than the previous ones.
The eighth film in the series begins with Dom (Vin Diesel) and his now wife Letty (Michelle Rodriguez) honeymooning in Cuba. While there Dom ran into a mysterious woman who turns out to be a super cyber terrorist named Cipher (Charlize Theron). Cipher wants Dom to help her steal some super powerful weapons from the US, Russian and German government so she can start World War 3. Of course Dom being Dom, he refused but Cipher is holding someone closes to him hostage and if he won’t do as she says, that person will be killed. That’s pretty much the basic storyline for this entry, Dom has to betray his team/family and throughout the film, there are tons of car chases, explosions, shoot outs and of course good looking people running around in skimpy clothes.
The script by franchise’s regular Chris Morgan is pretty simple, he knows his audience and fans of the series won’t be disappointed. I do have some issues with the script, I won’t spoil it here but he tried to wrap everything up from the last two films that kind of made the previous pictures irrelevant. Apparently, they’re planning to make two more films after this one. Stepping into the director’s chair this time is F. Gary Gray. I’ve enjoyed some of his previous work and it’s obvious he was chosen because he’d worked with most of the actors in this film in the past. With a reported budget of $250mil, Gray staged some pretty crazy action sequences, including a pretty fun big car chase through the streets of NYC. But compare to the previous films, especially the ones directed by Justin Lin, his action sequences lacked energy and kind of boring. A climatic chase that involves a submarine could’ve been a lot of fun but he decided to inter cut it with some silly flashback sequence that explained a “twist” that most viewers could’ve seen miles away. I think he and his editor should’ve done a better job with what I assume was the most expensive sequence to shoot for the film.
As for performances, Diesel is again took his role way too seriously and he even shed tears in one scene! I think he needs to simmer down with his performance in the next one and have a good time. On the other hand, Dwayne ‘The Rock’ Johnson and Jason Statham knows the kind of film they’re in and having a great time with it. Their bantering gets the most laughs and of course they look good kicking butts. I don’t remember when The Rock’s character Hobbs became superhuman but he’s somehow fights like Superman in this film. Theron is moving to more action related films in this phase of her career and she’s great as the Bondish supervillain. Heck I think the Bond producers should cast her as the main villain in the next Bond film. The rest of cast were fine as usual and they even introduced a new pretty boy to replace Paul Walker. Clint Eastwood’s son Scott is now the new team member and I’m sure we’ll see more of him in the future films. Also returning is Kurt Russell as a super secret government agent who provides Hobbs and his team with everything they need to stop WW3 from happening. Last but certainly not least is Helen Mirren who seemed to have a great time in her small a cameo role.
I have some issues with the script, mostly of the “twist” towards the end but otherwise, I had a fun time with this latest sequel. Fans of the series should be pleased with it since it delivered what they wanted to see. Big car chases, shoot outs and of course explosions. So if you’re planning to see it, go to the biggest screen you can find and hopefully it’s equipped with Dolby Atmos.
Have you seenThe Fate of the Furious? Well, what did you think?
Directed By: David Frankel Written By: Allan Loeb Runtime: 94 minutes
After reviewing a couple unimpressive comedies last week (Office Christmas Party and Why Him?), I was ready for seeing something a little weightier, so I was excited to get the opportunity to see Collateral Beauty. I was a little nervous it would be overly-sentimental, and while I did find some problems with it, I still thought it was very well-done.
In Collateral Beauty, advertising mogul Howard (Will Smith) writes letters to Love (Aimee, played by Keira Knightley), Time (Raffi, played by Jacob Latimore), and Death (Brigitte, played by Helen Mirren) following a family tragedy. At the same time, three of his friends and work colleagues- Whit (Edward Norton), Claire (Kate Winslet), and Simon (Michael Peña) – worry that Howard’s mental state may cost them their jobs and devise a desperate plan to prevent it from happening, all while simultaneously fighting their own personal battles. I realize this is a vague synopsis, but saying more would spoil a lot of the plot.
While I don’t think this movie will go down as a classic, it was a solid film. It was creative and handled the subjects of loss and grief well, without being too heavy-handed. The acting was, of course, phenomenal; how could it not be with such a strong cast? The stand-outs for me were Helen Mirren, who gave a both humorous and poignant performance, and, naturally, Will Smith; he barely has any dialogue in the first half of the movie, but his facial expressions and body language alone is striking, and if he doesn’t make you cry (or get a little choked up, at the very least), you are made of stronger stuff than I am. Naomie Harris as Madeline, the leader of a support group for parents who have lost their children, was excellent as well; she was able to bring both strength to the character as well as an underlying sense of grief without being too obvious.
I did have a couple issues with this movie. One of the twists seemed way too obvious-there were too many pregnant pauses and significant glances hinting toward it- so when it was finally revealed, it felt a little underwhelming. I also thought the plan Howard’s friends come up with to prevent them from losing their jobs was really convoluted; admittedly, it was needed to get the plot moving, but suspension of disbelief can be stretched only so far.
Overall, though, Collateral Beauty was an enjoyable movie, thanks mainly to the fantastic acting. If you’re looking for a light, heartwarming film with some tearjerker moments, check it out.
Have you seen ‘Collateral Beauty’? Well, what did you think?
How’s your weekend everyone? Well, it’s another warm weekend so I spent most of Saturday outside w/ hubby. I had one press screening this week, Eye in the Sky, and thankfully it’s not another bomb like London Has Fallen.
It turns out to be a double Helen Mirren week with her latest film and one of the last three Sam Riley films I haven’t seen yet, Brighton Rock (2010). She had a pretty big part in the film and she’s wonderful as always. It’s gratifying to see him as the lead AND held his own against such a screen icon like Dame Mirren (review upcoming).
So here’s my reviews of the two I saw last week:
Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.
This is the kind of film I’d watch just for the cast. The main cast is chock full of British thespians I love: Helen Mirren, Alan Rickman, Jeremy Northam and Iain Glen.
My first thought when I saw the trailer: Oh Col Brandon & Mr Knightley in the same movie! Clearly I’m an #AustenAddict 😁
It turns out there’s more Austen connection as Colin ‘Mr Darcy’ Firth is listed as one of the producers! In any case, the film couldn’t be more different from a romantic period drama as it gets.
The film promos likens this to the nuclear war satire Dr Strangelove. Now, I wouldn’t say this has quite the impact of that masterpiece black comedy, but it certainly made us think about the cost of war in our times. With drone attacks becoming more prominent in recent years, and the fact that we can’t turn on the news and not hear about it, this topic is as timely as ever.
There are some genuinely tense moments in this cerebral thriller, and to use a military term, the ensemble cast fired on all cylinders and delivered a powerful performance. Dame Mirren is convincing as a conflicted military officer who had to navigate through such maddening protocols and bureaucracy in times of war. As the drone pilot, Aaron Paul perfectly conveyed his torment to balance his military duty and doing what is right. Glad to see Oscar nominee from Captain PhilipsBarkhad Abdi working again and though he didn’t have much lines here, the Somalian actor has quite a presence on screen.
The film is far from perfect though. The way the CDE (collateral damage estimate) factor is handled, involving a 9-year-old girl selling bread just outside the gate of the terrorist compound being targeted, feels repetitive. I feel like director Gavin Hood hits us over the head with it, as if the audience were to slow to get the moral/political implication of the drone attack if the girl became a casualty.
I’m not sure that Hood also nails the tonal shift between drama, action and humor as smoothly as he could, either. The biting satire he tried to emulate from Kubrick’s antiwar film seems lost and the film seemed to descend into a farce. Thankfully he had assembled a phenomenal cast who still made the film work.
Despite the flaws though, I still think Eye in the Sky is a provocative film that lingers long after the end credits. It’s worth a watch just for Mirren and Rickman alone. It was still tough to watch Mr. Rickman on screen in his last film role he’s completed. He certainly had the most memorable line in the end, the only way he could… “Never tell a soldier he did not know the cost of war.” The way he delivered that line sent shivers down my spine.
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Still mourning the death of Li Mu Bai, Yu Shu Lien returns to safeguard his sword, the Green Legend. Hades Dai, an underground warlord, sends his lieutenants to steal the sword , with plans to dominate the martial world. A young mysterious swords-woman and the hero with a past, Silent Wolf , comes to Shu Lien’s aid, together with a disparate band of warriors who still believe in the iron way of honor.
This is the second movie to be released on Netflix at the same time as in theaters, just like Beast of No Nation. It premiered on Netflix two weeks ago but I hadn’t even seen its trailer. I also barely remember much about the first film, as this sequel is made 16 years after its release in 2001. I did remember that Michelle Yeoh‘s character Yu Shu Lien was in love with Chow Yun Fat‘s Li Mu Bai who died in the first film.
The legendary sword adorned with Jade gemstone once again is central in the story. Yu Shu Lien is tasked to guard it and it nearly cost her life when her carriage is attacked in the beginning of the film. The cinematography is absolutely striking from start to finish, just like The Assassin was from last year, but thankfully director Wo-Ping Yuen is not so indulgent in making the film more style over substance. Whereas that one seems too self-aware of its own beautiful imagery that it overpowers the story, this one actually serves the narrative well.
I like how progressive this film is in terms of its treatment of women. Not only is Michelle Yeoh‘s character is a powerful woman and fighter, Natasha Liu Bordizzo‘s Snow Vase also has an intriguing character arc that’s pretty gratifying all the way to the end. Yes perhaps some of the acting, by Bordizzo in her debut role, and Harry Shum Jr. as Wei Fang, seem a bit stiff at times, but overall I think they fit their characters pretty well. The hint of romance also didn’t make me cringe, which is always a plus. Jason Scott Lee as the villain overacted a bit, though the hammy acting style plague most of the supporting cast as well.
Unlike the first film that’s shot in Mandarin, the fact that this is an American-Chinese production, the film’s shot in English and later dubbed in Mandarin. So it’s a bit jarring to hear Chinese-looking actors (some look obviously of mixed-heritage) speaking in various English accent, some American, some British. So I think that sacrifices authenticity and is also a bit distracting. I don’t know if that might explain the low rating (18% on Rotten Tomatoes) compared to the first one (97% RT score), which benefited from Ang Lee’s superior direction.
It’s interesting to mention the Bruce Lee connection of the two main cast, as Jason Scott Lee played Bruce Lee in Dragon: The Bruce Lee Story (1993) and Donnie Yen played Bruce Lee’s master in the IP Man franchise. I wouldn’t let the low RT score discouraged you from seeing this though. Fans of martial arts films should be pleased with the Kung Fu action sequences. I ended up quite liking this, more so than The Assassin, even if it’s not perfect.
So did you see anything good this weekend? If you’ve seen any of these movies, I’m curious to hear what YOU think.