Five for the Fifth: OCTOBER 2016 Edition


Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Well, it’s October and a lot of bloggers are dedicating their sites to horror films for the entire month. If you’ve been on this blog often enough you’ll know that isn’t going to happen here on FlixChatter. I have such feeble nerves that I almost always avoid horror films, even though I have appreciated some horror films in the past, i.e. The Sixth Sense, Silence of the Lambs, Devil’s Advocate, etc.


A scene from Byzantium

I actually quite like vampire films, i.e. Interviews With the Vampire, Byzantium, Daybreakers, etc. But seeing The Exorcist back in college still terrified me to this day so I generally avoid anything dealing with people being possessed. But I might be persuaded to see something once in a while if it isn’t overly gory or extremely disturbing.

So my first question to you is… what horror/scary thriller would you recommend to someone like me who aren’t into the genre? 

2. As for the trailers I’m highlighting in this edition, let’s start with the Kristen Stewart‘s movie that was booed at Cannes: Personal Shopper. Interesting because just the year before, she became the first American actress to win a Cesar [for Best Supporting Performance] for Clouds of Sils Maria which was also directed by Olivier Assayas. It’s been five months since Cannes and now we finally got the trailer:

I have to admit I wasn’t Kirsten’s biggest fan, but I thought she’s terrific in Clouds of Sils Maria, so I might check this one out. I know I just said I’m not into horror films, but this one felt more like a mysterious ghost story involving her dead twin brother than a bloody/gory horror flick.

Woo hoo!! Clive Owen is back as The Driver in BMW short film The Escape trailer!

The short film is presented as an homage to the 15th anniversary of the original BMW Film series, and it also stars Dakota Fanning, Jon Bernthal, and Vera Farmiga. It’s directed by Neill Blomkamp (District 9, Elysium). I’ve highlighted some of my fave BMW films here. The Escape will premiere on Sunday, October 23, 2016 at 6:00 p.m. EST on

Thoughts about either one of these trailers?

3. It’s gotta be good to be Christopher Nolan. Per THR, the British auteur is said to be getting $20 million upfront and 20 percent of the gross for his upcoming World War II epic Dunkirk. Considering that the average director salary for a studio film is in the $750,000 to $1.5 million range, depending on the number of past credits, the $20 mil payday is astounding.


But hey, I think Nolan deserved it, though he’s already one of the wealthiest filmmakers working today thanks to the over $1 billion gross of his Batman trilogy alone.

I’ve posted the Dunkirk teaser trailer here and it looks epic! I guess we’ll find out on July 2017 just how epic it will be.

Thoughts on Christopher Nolan huge payday?

4. This edition’s casting news feature a double from Emma Thompson and having just finished my review of Bridget Jones’ Baby this weekend (it’s still in my draft folder), we definitely need more of her in movies!


Let’s start with the first project which will have Emma teaming up with Mindy Kaling. What a duo it’ll be! Though I actually haven’t seen her show The Mindy Project, I really like her and I’m glad she’s making her foray into films!

The story follows a venerated late-night talk show host, played by Thompson, who’s in danger of losing her long-running show right when she hires her first female writer, played by Kaling. Sources describe the film as The Devil Wears Prada meets Broadcast News. I’m so there!

Source: Variety

The second project is an adaptation of author Ian McEwan’s novel.

Thompson plays Fiona Maye, an eminent judge in London presiding with wisdom and compassion over ethically complex cases of family law. But she has paid a heavy personal price for her workload, and her marriage to American professor Jack (Stanley Tucci) is at breaking point.

Filming will take place on location in London from mid-October. Also starring is newcomer Fionn Whitehead, who appears in Christopher Nolan’s upcoming Dunkirk. I love Stanley Tucci too, he’s a terrific character actor, so this is another screen match up I look forward to seeing.

Source: Variety

Thoughts on these possible new projects for Emma Thompson?

5. This month Five for the Fifth‘s guest is Jay from the awesome blog Assholes Watching Movies!


I saw Miss Peregrine’s Home for Peculiar Children this weekend and wasn’t overly impressed. It pairs well enough with Tim Burton’s visual style of story-telling, big on surrealism and whimsy but a little lacking in actual story. Overshadowing the film, however, are Burton’s recent comments about diversity in film, and in his films in particular. As wildly inventive as some of Burton’s creations are, his films remain peopled by white characters. Casting non-whites is where his imagination draws a line in the sand, apparently. Dude with scissors for hands? Sure. Talking caterpillar? Demon barber? Obsessive candy man? All okay. Black guy playing any of those? Don’t be crazy. Or as Burton put it himself “Things either call for things, or they don’t” – meaning, if a script says “African American”, he’ll cast an African American. But if a script says “person”, Burton reads it as “white person.” And that’s exactly the kind of inherent bias we most especially have to watch for. There’s no reason why all the peculiar children were white, no reason at all. Perhaps the script did not demand it, but society does. Audiences are as diverse as they come and deserve to see themselves represented on screen. Lazy racism like Burton’s is no excuse; it’s 2016 and it’s time to stop casting like movies are segregated. Samuel L. Jackson has a sizable role in Miss Peregrine’s Home for Peculiar Children – Jackson being the first person of colour to take on a lead role in any of Burton’s films. I’d celebrate that more if he wasn’t playing a villain.

As if Burton’s all-white IMDB listing isn’t damning enough, he’s nailed himself into his own coffin with these words:

I remember back when I was a child watching “The Brady Bunch” and they started to get all politically correct, like, OK, let’s have an Asian child and a black — I used to get more offended by that than just — I grew up watching blaxploitation movies, right? And I said, that’s great. I didn’t go like, OK, there should be more white people in these movies.

Never mind that Blaxploitation movies were born in response to systemic racism and preached empowerment. Let’s just take his statement for what it is: white privilege, white ignorance, and an embarrassing amount of #alllivesmatter racist thinking. Tim Burton needs to pull his white head out of his white ass, and we all need to hold him accountable.

Have you seen ‘Miss Peregrine’? What do you think about Tim Burton’s racist remarks?


Well, that’s it for the OCTOBER edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all! 

Five for the Fifth: AUGUST 2016 Edition

Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. I’ve been excited about Christopher Nolan’s DUNKIRK for some time and the teaser couldn’t have arrived at a better time… that is as I’m prepping my FFTF post🙂


I think most of you already knows what this is about. Now, I’m not always into war movies, mostly because it tends to be way too violent. But man, this looks so darn epic and with Nolan at the helm filming this on 70mm, I’m SO THERE!

Behold its epicness…

The cast is pretty amazing, some of which have been in Nolan’s previous movies… Tom Hardy, Cillian Murphy, Mark Rylance, Kenneth Branagh… AND my new Welsh crush Aneurin Barnard!! One thing I wish Nolan hadn’t done is hire that kid from One Direction as I guarantee there’s gonna be a bunch of teenybopers swarming this just to get a glimpse of him. I mean I can’t even google this movie without seeing his face! In any case, we still have a year to wait for this as Dunkirk isn’t released until July 2017!


Now, this one apparently has been released for some time but I had just seen it for the first time thanks to my daily lunch-hour reading of BBC news, I found it in the culture section. It’s the world’s first feature-length painted animation!

Per its official site, Loving Vincent features over one hundred and twenty of Vincent Van Gogh’s greatest paintings. The plot, drawn from the 800 letters written by the painter himself, lead us to the significant people and events in the time leading up to his unexpected death. Every frame in the Loving Vincent movie is an oil painting on canvas, using the very same technique in which Vincent himself painted. Check out the amazing trailer, I sure hope it’ll get a decent release worldwide.

Thoughts on either one of these projects? 

2. This week we also got a first look at romance war drama ALLIED. I didn’t even know is in the works but hey, anything with miss Cottilard gets my attention!
The synopsis per IMDb:

Allied takes place in 1942. Max Vatan (Brad Pitt) and Marianne Beausejour (Marion Cotillard) are undercover allies who begin to fall for each other. Max is a British intelligence officer sent to Casablanca to plan an assassination attempt. He works with Marianne, a French Resistance fighter who goes undercover as his wife.

I kind of like the pairing of Cotillard and Pitt, and Pitt actually looks decent without all the weird facial hair he’s been supporting for a while. This film seems so under the radar despite the cast though, I mean I haven’t heard a peep and no trailer yet even though the release date is November of this year.

The rest of the cast include Matthew Goode (yay!), Lizzy Caplan, and Jared Harris. The director is Robert Zemeckis whose last two features, Flight and The Walk, I haven’t seen yet.

Are you excited for this one?

3. Speaking of trailers… ahhh what we’d do for our movie crushes [sigh] I followed this twitter account for trailer updates and it says there’s supposed to be a trailer for Ben Wheatley’s FREE FIRE attached to Star Trek Beyond. So naturally I was super excited and while initially I was fine waiting a week or two to see it, I immediately booked Friday night showing. As you know, my dahling Sam Riley is in Free Fire, though he’s probably only gonna be in the trailer for all but 5 seconds. But no matter, that’s enough to persuade me to actually see a movie on the big screen. Alas, the trailer was NOT shown at STB :( There were more than a half dozen trailers in front of it but none of it was Free Fire! Suffice to say I’m no longer following that trailer account. Heh, I wish I lived in London!!!

I’m curious, have you ever been compelled to see a movie on the big screen because a certain trailer is attached to it? 

4. Ok this question is inspired by this weekend’s release of Suicide Squad. I’ll be writing the review this weekend but for now I can say that I enjoyed it, definitely not as bad as what the critics made it out to be.

It’s no surprise DC fans are up in arms about the negative reviews. Heh, every day there’s always news about people getting angry about the most trivial things. This time the subject of DC fans’ wrath is the Rotten Tomatoes site:

Actually, last time I checked the petition‘s got 18,495 supporters. The guy who started the petition wrote: “We need this site to be shut down because critics always give The DC Extended Universe movies unjust, bad reviews. And that affects people’s opinion even if it’s a really great movie,”


RT score as of 10pm US Central Time

Now, I don’t really trust these critics aggregator sites anyway, because their algorithm is just baffling to me. Sometimes I’d click a rotten review that actually gives a movie 3/5, now I wouldn’t exactly categorize that as rotten. I’d think 3/5 is average and even 2.5/5 is below average, so not exactly in the horrible category. But to think that they’re biased against a certain film company is just absurd. Ok so I was left scratching my head that Age of Ultron got 75% fresh rating. I think that bloated movie is a big fat meh, not to mention the cringe-inducing Hulk/Black Widow *romance.* But I think it was still better than Batman V Superman, which got 27%, the exact RT score of Suicide Squad right now. If that’s the final score I think people are gonna think it’s a giant conspiracy, ahah.

What do you think about this supposed Marvel vs. DC *bias* and/or your thoughts about film critics site in general?

5. This month Five for the Fifth’s guest is Ian from Ian the Cool Blog! He actually left a comment on my review of The Secret Life of Pets and it’s a great question that I asked him if it’s ok that I included it here. Here it is in his own words:

You confirm a lot of what I’m hearing, that [the movie] is really unoriginal and we’ve seen it all before. I guess the question is, does that matter for a kids movie? Kids won’t know its being unoriginal, because they don’t have the same film background we do. They will care about having funny characters they care about. Then again, should family movies have the bar set lower? When there are movies like Inside Out raising that bar, is the family argument an excuse anymore?

Well, what do you think? Should kids movies have the bar set lower compared to movies for adults?

Well, that’s it for the AUGUST edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all! 

Throwback Tuesday: Reminiscing on great scenes from my fave Batman & Superman films of all time


Well, it’s been over a month since my last Throwback Tuesday post and today is just the perfect March edition. Later today is the press screening of Batman V Superman: Dawn of Justice, and though I actually had been rather blasé about the movie the past year, now that the day is almost here for me to see it, I can’t help feeling slightly more excited for it. After all, I have always been a fan of both DC characters, especially Superman.

I was actually planning on seeing Superman: The Movie or Superman II this past weekend, but of course it’s sidelined by Marvel’s Daredevil season 2. Yes, the irony isn’t lost on me😉 In any case, I did watch clips of some of my favorite scenes from the definitive Superman AND Batman movies. For me, the BEST Superman films are still the Christopher Reeve versions, most specifically the first two movies.

So allow me to walk down memory lane with me in anticipation of yet another cinematic adaptation of two of the biggest superheroes…

Superman I

This chopper rescue scene could very well be the scene I’ve seen the most time in my life, given my undying love for the movie since I was a wee girl. That John Williams‘ theme song never fails to make me tear up, perfectly timed when Supes catches the chopper midair.


“You’ve got me? Who’s got you?”

No matter how many superhero movies have been made since, nothing can touch this one. Not a single thing.

I simply had to include a flying sequence. The song once again is just lovely, and though it’s a romantic scene, it doesn’t feel at all corny, at least not to me. I don’t think any actor could ever top what Christopher Reeve did with the role of Superman. And Margot Kidder is still an iconic Lois Lane in her own right.

Superman II

“General, would you care to step outside?” That line is still awesome, which of course followed by Zod’s famous line “Kneel before Zod!” The flying sequences are still pretty cool, I mean yes the SFX has obviously improved since then but I still love the Metropolis scenery from above as Supes fight Zod & his two minions.

I remember people were all upset when Supes broke Zod’s neck in Man of Steel. Ok so it wasn’t quite as brutal, but Supes did kill Zod in Richard Donner‘s version too, and he didn’t seem all that remorseful. In any case, Terrence Stamp‘s expression as Supes crushes his hand is just priceless!


As for Batman, it’s got to be the Christopher Nolan‘s Dark Knight trilogy. Even if I end up liking what Ben Affleck brings to the role of Batman, but I think in terms of the cinematic adaptation itself, Nolan’s versions is really tough to beat.

Batman Begins

Just like that chopper rescue scene in Superman, it’s the right combination of visuals and score that makes for an absolutely perfect and unforgettable scene. This is the first time Bruce Wayne discovers the ‘symbol’ he later chooses to become, and the scene always gives me goosebumps! So beautifully shot and “It’s time my enemy shares my dread.”

Now, I know this scene doesn’t exactly show the heroics of the caped crusader, but that’s just it. It’s a lighthearted moment that gives us a bit of rest from all the dark stuff our hero is going through. And who doesn’t love that practically orgasmic look on Bruce Wayne’s face as he quipped, ‘does it come in black?’

The Dark Knight

I have dedicated a post for this interrogation scene, as it showcased such tremendous acting from both Christian Bale and Heath Ledger. It’s one of those rare superhero film that can be considered a masterpiece but I don’t think it’d be a hyperbole to consider The Dark Knight as one, and Ledger’s post-humous Oscar is absolutely well-deserved.

There are many many great action scenes in the Dark Knight trilogy but I think THIS one is the best and most feverishly entertaining sequence. Batman’s got such awesome rides and he sure knows how to use it! I get so giddy watching his cape billowing in the air as he rides that bat-pod and that spectacular wall flip after he er, flipped Joker’s truck, it’s nothing short of epic!! It was quite a feat to pull off technically but my gosh was it well worth it as we can appreciate it for years to come!

The Dark Knight Rises

Just like James Bond, Bruce Wayne’s got some awesome gadgets and in this Batman vs Gotham Police scene, he’s certainly got the upper hand. The moment the BatPlane came out of that alley was pure geekgasm stuff! I also love that the whole time Blake (Joseph Gordon-Levitt) was in the car w/ Deputy commissioner Foley, he’s defending Batman.

The first mano a mano between Batman and Bane is definitely a highlight. It sent me chills down my spine when Bane said, ” I was wondering what would break first: Your spirit, or your body.” It was tough to hear Tom Hardy‘s mumbling at times but when you can make out what he’s saying, it’s pretty darn scary.

I wonder which scene(s) I’d include from Batman V Superman: Dawn of Justice months down the line, but I’m guessing it’d involve Wonder Woman😉

Hope you enjoy a bit of walk down memory lane with the two DC superheroes. Which Batman & Superman scenes from past movies are YOUR favorites?

My entry to the Movie Roulette Blogathon

movie-roulette-posterWhen I saw this blogathon that Getter over at Mettel Ray Blog is hosting, I simply had to participate! What an awesome idea, and original one at that. It must’ve taken her ages to made five of those gifs.

Here are the rules:
1. There are 25 facts, you have to pick 5 or more and for each, you drag out a movie as an answer! *Click on the gif, hold it and drag out a single movie*
2. You can only drag out one movie for each statement, no do overs,
3. Write down your answers and feel free to comment whether they make sense or not.
4. Link back to this announcement, and link to the Movie Roulette Ultimate Gif Set as well!
5. Last but not least, have fun!

This proves to be quite fun to do, though I have to admit sometimes I pick the movie first then look at the facts [hope that’s ok Getter!]😀 Ok, here goes:

1. This movie describes my mood in the mornings the best


You’ve Got Mail

Every morning, first thing I check is my iPad for email/twitter/tumblr, etc. In a way, my online connection is what fuels my day😛

2. I hate the main [male] characters of this movie, but I think they [are] still very hot


This Means War

I abhor the daft idea of this movie but I still watched it [on the plane] for these two guys. I mean Tom Hardy AND Chris Pine looking every bit as gorgeous in every scene? Heck yeah!

3. I would make love to this movie’s plot, it’s amazing



Glad I saw this on the big screen, thanks to TCM Rerelease! One of the best stories about unrequited love… beautifully done all around.

4. Sometimes I can’t sleep at night thinking about this movie… it’s so good!


The Dark Knight

As I just happened to see this interrogation scene during Christopher Nolan’s lecture earlier this month, I remember thinking about how good this scene is. It’s so well-constructed and the two actors are absolutely perfect. It was mesmerizing and it really riled me up.

5. When I think of my childhood, I think of this movie


Superman: The Movie

Well naturally. I saw this when I was a wee girl, probably 4-5, and even at that age, I immediately fell for Christopher Reeve. Yep, he set the bar VERY high for my future crushes.

6. Every time this movie is on TV, I turn it off and sit in complete silence instead


Friends with Benefits

This movie actually never came on TV as I barely watch any TV. But if it were, I’d rather sit in silence or watch paint dry than watch this.

7. This movie makes me so emotional I even cried while watching it



I saw this in a nearly empty cinema and I’m glad there was nobody sitting near me as I was bailing my eyes out in some scenes. It struck me hard emotionally… it was a beautiful experience.

8. If I ever made a movie, it would be something similar to this movie


Notting Hill

I’m referring to the basic idea of this film, and I’ve been toying w/ the idea for some time. In fact, this inspires me to resurrect the Fantasy Movie Pitch blogathon that a now-defunct blog used to do a few years ago.

10. I always wanted to punch this movie’s main character(s) in the face



I don’t usually get such a violent reaction whilst seeing a movie but can you blame me? I actually watched some clips of this as it’s now on Netflix Streaming [not sure why since I hated it the first time]. I had such a strong reaction wanting to punch these two silly that I simply turned it off.

10. I’m going to recommend this movie to the next person who asks me to recommend them a movie! (Challenge accepted!)



I’ve actually been recommending this to people who haven’t seen it, and will continue to do so!

Well that’s been tricky but fun! What do you think of my picks?

Everybody’s Chattin’ + Quick thoughts on ‘Far From the Madding Crowd’ + Bloggin’ Break


Happy Thursday everyone! What a week it’s been. I went to the Christopher Nolan lecture at the Walker Art Museum on Tuesday and last night was the Far for the Madding Crowd screening. My post on both of those would have to wait until I’m back from vacation. But I have to share my first reaction about the latest Thomas Hardy’s cinematic adaptation:

In the novel, Troy is described as “handsome, vain, young, and irresponsible,” he is to be Bathsheba’s sexual awakening, but from the second Troy’s introduced on screen (played by Tom Sturridge), he just did NOT fit my idea of such a character. SPOILER ALERT [if you don’t want to know the plot, don’t read below the photo]

He looks more like someone from some boy band like One Direction with his full head of hair and effeminate-looking face and body. The swordsmanship scene is well-directed but Troy himself didn’t leave me breathless… and naturally the sex scene lacks passion. My girlfriend asked me as we walked out the theater if Troy is supposed to be some soldier wanna-be or something as he just doesn’t have that strapping look of a military man. Heh, I haven’t seen the 1967 version but Terence Stamp looked far more convincing as Troy. It’s a pity because I have no problem with other two male actors (Matthias Schoenaerts and Michael Sheen), and I adore Carey Mulligan as the heroine Bathsheba.

Bathsheba_Troy_MaddingCrowdYou may accuse me of being biased given how I feel about Stanley Weber these days, but seriously, if only I had been a casting agent for the film, I’d cast him as Troy in a heartbeat. He’s played a charming, sexy bad boy with aplomb as Juan Borgia, someone SO devilishly bad but oh-so-irresistible. I’m sure he can work on perfecting a British accent, but charisma, especially of a sexual nature, is not something an actor can train for.

Now that I got that out of the way… let’s get to those great links, shall we?

Josh did his May Oscar predictions whilst Andrew posted his 4 Ways a Best Picture roundtable. Never too early to talk about awards I guess.

Tom and Mark are hosting the Decades Blogathon. Spots are filling up fast!

Andina just posted her top 10 fave movies of 2014, glad we agree on the #1 pick!

Speaking of top 10, Chris got me all nostalgic in this post of top 10 Janet Jackson songs

To celebrate her 5th blogaversarry, Mettel Ray have been posting a bunch of top 5 lists, the latest one being Top 5 Trios

Over at Dan’s Top 10 Films blog, Rodney posted his top 10 Films of cinematographer Andrew Lesnie who just passed away

On to reviews…

Margaret, Sidekick Reviews and Melissa did a recap of the latest Game of Thrones episodes

Lots of foreign movie reviews that have been popping up this week, which is interesting as I’ve been watching a ton of French movies and videos😉

Jordan reviewed this Spanish/Danish film Jauja

Steven reviewed Au Revoir Les Enfants (Goodbye Children)

Keith reviewed L’avventura

And last but not least, Jay posted some mini reviews including some terrible movies you should avoid!

Time for a Blog Break!

Well my hubby and I be going on a week-long vacation to celebrate our wedding anniversary. We’re going to Tampa for a few days and then Orlando to visit…

WizardingWorldHPWizardingWorldHP2I’ve been wanting to check out the Harry Potter theme park for some time. I always enjoy going to these type of stuff, makes me feel young again😉 But I’m also looking forward for some r&r at some of the best beaches in the area, like Clearwater Beach, visit Greek town Tarpon Springs and maybe head south to Sanibel Island!

So see you in about a week, folks! If you have any travel tips for the Orlando/Tampa area, please do let me know.

Five for the Fifth: MAY 2015 Edition


Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Since tonight I will be attending a Christopher Nolan‘s Conversation with Scott Foundas, chief film critic for Variety, I thought I’d dedicate my first question in Nolan’s honor.


Nolan is actually the first filmmaker whose complete works I have seen, though not in order as I’ve just caught up with his first film The Following (1998) a few years ago. I made a birthday tribute to him in 2012 by ranking his movies. Even though I wasn’t wowed by Interstellar, a so-so Chris Nolan film is still a darn good one. Foundas posted an article on Walker Art website on Nolan, calling him A Practical Magician of Modern Movies, which I think is an apt description.

So if you can ask one question to Nolan, what would it be? 


2. I always like to include some kind of FIRST LOOK in FFTF, and this one just arrived yesterday courtesy of EW. It’s Martin Scorsese‘s upcoming drama SILENCE starring Andrew Garfield. It also stars Liam Neeson and Adam Driver due out in 2016.


Based on Shusako Endo’s 1966 novel, ‘Silence’ tells the story of a Portuguese Jesuit missionary who is persecuted along with other Christians in 17th-century Japan. Garfield portrays Father Rodrigues, pictured in an exclusive image with Shinya Tsukamoto, who plays a villager named Mokichi.

Per EW, Scorsese told reporters in a press conference in Taiwan that he’d been trying to find a way to adapt this novel since he first read it more than 25 years ago, and that its themes resonated with him deeply. “The subject matter presented by Shusaku Endo was in my life since I was very, very young, … I was very much involved in religion, I was raised in a strong Catholic family. … Further reflection is how [we] want to lead our life in the Christian faith … so ultimately this book drew my attention when it was given to me in 1988.”

The spiritual element certainly piqued my interest. Sounds  like a meaty role for Garfield and I’m happy for him. I saw him in this British indie Boy A prior to his stint as Spiderman and he’s certainly a capable actor.

What’s your initial thoughts of Silence?

3. Now, since today is Cinco De Mayo, I usually highlight Mexican filmmakers and/or actors but this time around why not talk about Mexican cinema in general. I actually haven’t seen any film about the Battle of Puebla, which is what the Fifth of May commemorates. There’s one called Cinco de May: La Batalla that’s just released in 2013. This still below is from that film, has anyone seen it?

CincoDeMayoMovieLately Mexican filmmakers have dominated the award seasons, culminating with two Mexican directors and winning Best Picture Oscars back to back (Alfonso Cuarón for Gravity and Alejandro González Iñárritu for Birdman). But there are many others that have made a name in Hollywood and not just limited to directors, Emmanuel Lubezki is no doubt the hottest cinematographer working today.

So in celebration of Mexican cinema, what’s your favorite Mexican film?

4. I’ve been watching a ton of foreign films lately, thanks to MSPIFF AND my new crush Stanley Weber who’s so far have been mostly in French films (Violette, Thérèse Desqueyroux).

One of my top 3 picks from MSPIFF is definitely Girlhood (Bande de Files), a French coming-of-age drama that really spoke to me and featured one of my favorite scenes ever. I LOVE Karidja Touré‘s performance in that film, and it made me think how I wish more people would discover her. She’s still only 21 years old and based on this article, she is bilingual which helps… “Better practise my English so I can be a star in the States.” I’d love to see her get noticed the way Lupita Nyong’O practically took Hollywood by storm.

KaridjaToure_GirlhoodAs for Stanley Weber, well he’s been my obsession in the past month or so. I’m not gonna lie, of course I was initially transfixed by his ridiculous good looks. He’s like a taller, sexier, more virile version of Chris Pine, with a hint of Richard Madden. But looks alone won’t get me all worked up about. Actors I love have to have the chops AND screen presence and Stanley’s got both in spades.

Stanley putting on the charm on Audrey Tautou in Thérèse Desqueyroux

Stanley putting on the charm on Audrey Tautou in Thérèse Desqueyroux

Classically trained at Cours Florent, French National Academy of Dramatic Arts and the London counterpart LAMDA, his background is theater but he’s done quite a few TV and film works in the past decade. Even in smaller supporting roles alongside big names of French cinema, Isabelle Adjani, Emmanuelle Devos, Audrey Tautou, etc. he more than held his own. He’s only 28 but seems much older than he looks, I kind of think of him like an old soul. As with ANY successful actor, versatility is key and I’ve seen him display his comedic chops in a British rom-com (Not Another Happy Ending) as well as portray a devilishly charming psychopath (BORGIA: Faith & Fear) convincingly. So yeah, I’m dying for him to get more leading roles, and soon!!

Which foreign actor/actress you noticed lately that you wish would get their big break in Hollywood?


5. This month’s Five for the Fifth’s guest is Tom from Digital Shortbread!

Seeing that Avengers: Age of Ultron has just rolled on through, I thought it’d be interesting to gauge what people think of highly anticipated movie events.

Is hype generally a good thing or generally a bad thing, in your view, when it comes to movies?

Well, that’s it for the May 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all!😀

APRIL Viewing Recap, Movie of the Month + Looking forward to 2015 Wizard World Minneapolis!

Monthly2015RecapAprilWhoah, April’s been a freakishly busy month thanks to MSPIFF! Check out the banner below to check out our reviews from the Minneapolis/St Paul Film Festival, I have this image widget on my blog sidebar for easy access as well. I’ll have my MSPIFF recap next week as well as my and Josh’s picks top three movie picks.


Posts You Might’ve Missed

MSPIFF 2015 Film Spotlight: The Center
Interview with filmmaker Charlie Griak & lead actor Matt Cici

The Longest Ride interview with cast member
Scott Eastwood & Britt Robertson

Wordless Wednesday:
the unrequited love of The Age of Innocence


20 Perfect Cinematic Moments – A Fistful of Moments

The Five Senses Blogathon

Thursday Movie Picks #42: Father-Daughter Movies

April Blind Spot Pick:

A Space Odyssey (1968)

New-to-me Movies (non-MSPIFF related):

Avengers: The Age of Ultron

Furious 7 (2015)

Ex Machina (2015)

Not Another Happy Ending (2013)

Thérèse (2012)

Documentary – The Rise & Fall of Versailles: Louis XV

I think if I were to sum up the month of April, you could say it’s basically a split between MSPIFF and my new obsession Stanley Weber.


Yes I’m officially afflicted by the #StanleyWeber bug. Watched #NotAnotherHappyEnding a dozen times in just under 2 weeks!! #madcrush

— FlixChatter (@FlixChatter) April 21, 2015

Needless to say, there’s barely time for any other rewatches😛

TV Series:

Netflix’s Daredevil (season 1)

BORGIA: Faith & Fear (season 1)

Movie of the Month

ExMachinaPosterI’m excluding MSPIFF films here as I’m going to do a separate recap. So this was an easy choice, Ex Machina is simply an excellent sci-fi… well, an excellent film in general.

Avengers: Age of Ultron was the last film I saw in April, and though there are some fun moments like the attempt to lift Mjölnir scene, overall it’s pretty forgettable. I don’t know when I’ll have time to review this movie but let’s just say I agree with Kenneth Turan I heard on NPR’s Morning Edition this morning: “Age of Ultron is made for the ‘instant gratification’ culture… It disappears without a trace as soon as it’s consumed.” Yep, that pretty much sums up my sentiment.

What I look forward to in May

WizardWorld2015MplsIt’ll be a fun weekend at Mpls Comic-Con starting tomorrow! Full programming all day Saturday, these are some of the panels I’ll definitely take part in:

11:30-12:15 – WETA workshop: character creation through prosthetics, hair & make up

2:00-2:45 – No “bones” about it: Karl Urban

4:00–4:45 – The truth is out there: Gillian Anderson


WalkerArt_NolanLectureMy hubby and I got tickets to attend this quickly sold-out lecture at Walker Art Center with Christopher Nolan! I sure hope there’ll be a Q&A segment at the end!

In celebration of 25 years of Walker Dialogues, the Walker presents acclaimed filmmaker Christopher Nolan, one of the most innovative directors working today, in discussion with Variety chief film critic Scott Foundas. The lecture is followed by a nine-film retrospective May 7–24, 2015.

Whew, so that’s my April recap. What’s YOUR fave movie(s) you saw in April?

Interstellar on IMAX 70mm VS. Standard 70mm



Christopher Nolan’s sci-fi epic Interstellar is now in theaters and it might be the most divisive film that I could remember in a long time. Some loved it (including yours truly), some didn’t care for it and others just thought it’s way too long and/or boring. That’s what great about films, we all have different opinions about them and if we all like the same thing then the world will be quite boring.

Since Nolan is a huge proponent of film, Paramount and Warner Bros. decided to release the film in 6 different technical formats, it maybe the first time in history that Hollywood studios had released a film in so many formats. Here are the different formats the film was released in:

  • IMAX 70mm with aspect ratio switching between 2.39:1 and 1.44:1
  • IMAX Digital with aspect ratio switching between 2.39:1 and 1.90:1
  • Standard 70mm with constant aspect ratio at 2.20:1 (my favorite aspect ratio and I use it for my mini home theater)
  • Standard 35mm with constant aspect ratio at 2.39:1
  • 4k and 2k Digital with constant aspect ratio at 2.39:1

As you can see the studios spare no expense when it comes to pleasing Nolan and of course us the paying customers. Since I saw the film on IMAX 70mm and standard 70mm, my review will only cover the two formats and which I think is the better viewing experience.


I first saw the film on IMAX 70mm, Nolan shot over an hour of footage with IMAX cameras and I think this might be the best IMAX presentation I’ve seen yet. Although I have to admit that some early scenes bothered me with the quick switching back and forth of the different aspect ratios, thankfully that problem went away as the film progresses. To me digital presentation cannot match 70mm’s bright and vibrant color, the contrast and black levels were so much better too. I forgot how much I miss seeing film’s texture since so many movies today were shot and presented in digital form. Two sequences in the film that just blew me away were the tidal wave in the water planet and when they tried to dock the space ship to the main one, I don’t want to spoil it for anyone who have yet to see the film but for those who saw it, you know which scenes I’m referring to.

[Ruth’s note: I found this photo posted on a tweet that seems appropriate to include on this post]

Seeing those sequences on the tall 7-story screen and bright color of 70mm, I felt like I was in the movie with the actors. With so many scenes ripped right out of Kubrick’s 2001: A Space Odyssey, I now know what it must’ve have been like seeing Kubrick’s masterpiece for the first time on the big screen back in those days.

Another reason why I love seeing this film on IMAX is the loss-less surround sound. Nolan mentioned that he really want the audience to be part of the movie so he and his sound designer created the most immersive surround sound I’ve heard since Gravity, it’s really too bad that he didn’t use Dolby Atmos for this film. I’m planning to see this film again on IMAX 70mm because it’s truly was an experience.

So a couple of days later, I’ve decided to go see the film again, this time on a standard 70mm screen. For anyone who wants to know more about 70mm, you can go here. Alas, their website is horrendous looking, but I got in touch with the site’s owners and told them I’m willing to redesign it for free, so once I have some downtime from my full time job, I’m going to redesign that site and it will look much better! Anyway, back to 70mm, the format was quite popular back in the 50s and 60s, some of the epic films from those eras were filmed in this format including Lawrence of Arabia, 2001: A Space Odyssey, Ben-Hur, West Side Story, Patton, Cleopatra and much more. Heck even Quentin Tarantino will shoot his new flick The Hateful Eight in 70mm, so I can’t wait to see that.

The local theater here in MN is one of the only 9 in the whole country that’s currently projecting Nolan’s picture in 70mm so it’s definitely a treat to have experienced it. Also, I haven’t been back to this theater in over 20 years because they stopped showing films in 70mm. Unfortunately though, the viewing experience wasn’t as immersive as it was on IMAX. The smaller 2.20:1 screen didn’t really give the visual grandeur like on an IMAX screen but I still love the rich color and brightness of 70mm. Also, this 70mm theater uses an old DTS surround sound and it just couldn’t hold a candle to IMAX’s lossless surround sound.

InterstellarIMAXSo my recommendation is if you want to see Interstellar like it’s meant to be seen, please see it on a true 70mm IMAX and if there’s a standard 70mm theater near you, you might want to check it out too. Of course I understand not many people are able to see it on these formats since there aren’t a lot of IMAX and 70mm theaters around. Nolan said in an interview that if the audience felt like they were part of an experience in his film then he succeeded, that I totally agree with. Sure the film has its flaws and some of the scientific mumble jumble didn’t really make a lick of sense to me but it’s still one heck of a ride.

Final Scores:
IMAX 70mm 5 stars out of 5
Standard 70mm 4 stars out of 5


So which format did you see Interstellar in? Are you a fan of seeing films on IMAX?

Musings on Christopher Nolan’s INTERSTELLAR

InterstellarBannerI’ve been a big fan of Christopher Nolan‘s work, in fact I’ve seen all of his work and they’ve pretty much range from great to fantastic. I’ve been looking forward to Interstellar like most movie fans, but to be honest with you, for whatever reason, a couple of weeks before the film opened and as the hype reaches its tipping point, I started to feel… indifferent. In any case, I went to see it Saturday night anyway and instead of a straight review, this is more of my reaction to the movie… what I like and don’t like about it, so pardon if I’m rambling a bit…

The film is essentially about a small group of people going on a space travel adventure to save mankind. Well that’s the elevator pitch version anyway, but at the heart of it is a father/daughter relationship that transcend through space and time. I don’t remember seeing a specific year mention but the story is set in the future when the earth as we know it is dying, food is scarce as dust bowls continually wipe out farm crops. Matthew McConaughey plays Cooper, a widower & former NASA test pilot who’s now taking up farming with his father in-law and his two kids, Tom & Murphy. Cooper hasn’t quite given up his space aspiration as when he and his kids spotted a drone flying close by, Cooper gets all giddy and drives through those supposedly precious corn fields to chase after it.

InterstellarStill1[SPOILER ALERT]
I discussed some crucial plot points here, so beware if you haven’t seen the movie

It’s perhaps one of the only truly joyful moment in the film, and it’s obvious that his 10-year-old daughter Murphy (Mackenzie Foy) shares his enthusiasm for science and space. Soon Cooper is reunited again with NASA in its secret hideaway. How did he get there? Well apparently a dust storm through an open window spells out the coordinates of its location in morse code. Say what? Well, that’s just one of the mind-boggling things about this movie and we’re just getting started. When Cooper gets to NASA, the elder professor Brand (played by Michael Caine, natch) tells him of a possible solution to humanity’s crisis and that is they’ve got to find a sustainable planet on the other side and Cooper is the only man for the job. Hmmm, wouldn’t you think that if he’s truly the only person for this crucial mission, NASA would’ve sought him out instead of waiting for him to somehow stumbles into their base? I mean, Cooper lives pretty much just down the road and they know he has the skills to pilot their ship.

Following the NASA encounter, the film doesn’t waste any time to shoot Cooper into space. Discussions about this movie would likely involve wormholes and black holes which frankly go way over my head, but there are a plethora of plot holes as well to contend with. The one I mentioned in the above paragraph is just one example. Apparently famed astrophysicist Neil deGrasse Tyson have been tweeting about the ‘Mysteries of #Interstellar’ which you can find here. I kept nodding as I read each tweet, especially the one where Cooper cracks his helmet on one of the planet’s he visits and he’s even able to remove his gloves during a fight. Wouldn’t you think the Planet’s air is toxic to the human body??



Now, plot holes in sci-fi movies are common, in fact, it’s kind of inevitable… I mean it’s ‘fi’ for fiction after all. Interstellar does have the appearance of being grounded in realism however, in fact, Nolan hires a real astrophysicist Kip Thorne in building the Black Hole for the movie and to ensure the depictions of wormholes and relativity are as accurate as possible. But yet, one doesn’t need to be a scientist that a close proximity to the black hole would’ve killed those astronauts instantly and thus that planet being so close to such black hole, which Cooper’s team dub Gargantua, simply cannot exist. I have to admit though, it’s been fun reading about all the stuff that don’t make sense in Interstellar. It seems that with a lot of Nolan’s movies, analyzing it is as fun as watching his movies.

That said, I was more than willing to suspend my disbelief and go along for the ride. And what a ride it was. The imagery and visual effects is nothing short of tremendous. It’s something that I’ve come to expect from Nolan’s team, and they did not disappoint on that front. Everything is so meticulously-crafted. Though I’ve seen a lot of spaceships in other sci-fi films, I’m still in awe looking at all the details of the Endurance ship and all the other set pieces. Instead of his usual collaboration with Wally Pfister (who was busy making his first film Transcendence), we’ve got Hoyte van Hoytema in charge of cinematography. The Dutch-Swedish cinematographer impressed me greatly with his work in HER, but he’s outdone himself here with his astounding work. The earth landscape rivals the beauty of Terrence Malick’s Days of Heaven, but it’s the visuals of the outer space and the barren alien planets that’s really breathtaking. But whilst the film’s scenery is truly a feast for my eyes, my ears aren’t so lucky. Hans Zimmer‘s score is often so loud to the point of irritation and it drowns out all the dialog, especially during the NASA visit where Brand is giving Cooper a tour. Perhaps it’s intentional, as this article points out, but really, I wouldn’t care about the thematic significance when my ears are hurting, y’know. I listened to the soundtrack later on and really enjoyed it, though I still love his work on Nolan’s Batman films more.

InterstellarStill5Sometimes I feel that perhaps I’m not smart enough to get Nolan’s movies… let alone TWO Nolans working together. Christopher and his brother Jonathan ‘Jonah’ Nolan collaborated on the script as Jonah originally developed it for Steven Spielberg who later passed on the project. To say that Interstellar is discombobulating is quite an understatement. I LOVE using that word whenever I get the chance to, but I don’t necessarily enjoy being in a constant state of bewilderment. The entire sequence involving Matt Damon is completely lost on me, not only did Damon’s casting completely take me out of the movie – “What’s Jason Bourne doing here?” “Wait, is this Elysium 2.o?” – the whole storyline of Dr. Mann wanting to kill Cooper felt preposterous to me. So he goes space crazy, okay… but I really didn’t expect the sudden villain-y scenario here and it’s a subplot I could do without.

I haven’t quite recovered from Mann’s um, riddle and Nolan’s already hit me with another as the film seemingly raced towards the finale once the film passed its two hour mark. I was totally baffled by the sequence of Cooper and the robot TARS inside some kind of a tesseract portal, supposedly built by ‘future us’ [as Cooper said during his frantic mumbling] which implies there’s advanced humans in existence by then who could build such a thing. Suddenly Cooper discovers it’s him who’s actually the *ghost* that haunts Murphy’s and knocks stuff off her bookshelf. There’s too much to digest here that my mind wander a bit, admiring the gorgeous scenery of that fifth dimension portal or whatever the heck that is. The whole time I kept thinking ‘how did they do that?‘ Then suddenly Cooper is floating again in outer space and before you know it, he gets rescued and wakes up in a whole new earth. O-kay…

When I wasn’t scratching my head pretty much the entire time, there were moments that I winced at the constant sobbing scenes that reminds me of Spielberg’s schmaltz-fest War Horse. Now, I’m not saying there isn’t a genuinely emotional moments. I was quite moved by the father/daughter relationship in various points of time, the tearful goodbye and the reunion come to mind, but at times, I felt like I was deluged by over-sentimentality. I don’t know, maybe Nolan felt he’s got a reputation of being a cold or emotionally-detached that he went a bit overboard trying to refute that?


[End of spoiler section]

Fortunately, the actors are more than up for the task to bring the humanity aspect of this space drama. McConaughey is a convincing everyman here, that I’m willing to overlook his Southern accent playing a character supposedly being from the Midwest. He has an effortless chemistry with Foy who plays his young daughter. My second favorite performance is Jessica Chastain as the older Murphy, not only she resembles Foy but she carries the same sensibilities and stubbornness displayed in her younger self. I’ve never been a big fan of Anne Hathaway but I think she acquits herself well, even delivering such a such a mawkish speech as “Love is the one thing that we’re capable of perceiving that transcends dimensions of time and space” referring to her long lost love Dr. Edmund who went on a previous NASA mission. I’ve mentioned how I feel about Matt Damon above, I really wish they’d cast someone less famous & less ubiquitous than him. Michael Caine is always reliable, though they totally botched the aging process of his character [aka he basically doesn’t age at all in 23 years!]. John Lithgow and Ellen Burstyn both delivered a memorable performance despite their brief screen time.


The longer I mull over it, the more I feel that Interstellar is a film I appreciate but not love. It’s not because it’s too confusing because I have loved other films I don’t completely understand, Nolan’s own Inception being one of them. It’s just that in the end, I just don’t feel as much connection with any of the characters and their journey. Despite all that crying in the film, overall the film didn’t tug my heartstrings as much as I had hoped. Heck I was more affected by the relationship of the robot Baymax and its protagonist Hiro in Big Hero 6, that movie was so joyful and emotional all at the same time. Speaking of robots, I thought TARS is a hoot and perhaps as memorable as any of the human characters. And hey, for once the robots are actually loyal to the humans whilst the main enemy of man is ‘Mann’, get it?😉

The film has been called overly-ambitious and that its intellectual reach exceeds its grasp. I can’t refute either of those points, but I still have to give props to Nolan for making something bold and audaciously cerebral. I’m not just talking about dazzling us with jaw-dropping visuals but in the way he challenges viewers with stupendous and imaginative ideas. I appreciate that Nolan never asks us to ‘check our brain at the door’ or dumb stuff down to make things more digestible. But at the same time, there is also such a thing as having too many ideas and themes to process in a single film. There’s perhaps enough substance here to warrant say, a miniseries. The movie is nearly 3 hours long but it’s still not enough time to focus on one of those ideas, the result is sensory overload that threatens to suck the joy out of what’s supposed to be a piece of entertainment. I might revisit this film again later when it’s out for rental and perhaps I’d have a different opinion then.

Interstellar_TARSThis is one of the longest musings I’ve done in a movie, which is funny as I originally wanted to do a mini review of it but it proved to be impossible as there’s so much to say. Despite my gripes and what a lot of reviewers have said that it’s a beautiful-but-flawed film, I still urge you to see it. It’s the kind of film that’s meant to be seen in as big a screen as possible, as some of the sequences shot using IMAX camera are simply stunning. However you feel after you see it, Interstellar is still a worthwhile experience and it also makes for a fun discussion/reading afterwards. The Nolan brothers are certainly one of the most powerful siblings working in Hollywood today. Even if this one isn’t quite a masterpiece, they’re still a force to be reckoned with and I still look forward to what Chris Nolan will come up with next.


So, that’s my thoughts on Interstellar. Do you agree/disagree? I’d love to hear what you think!

Top 10 Favorite Irish Actors working in Hollywood today

Happy St Patrick’s Day everybody! According to this Guinness Store House sign, everyone’s Irish today😀


I hope you don’t mind me resurrecting this oldie-but-goodie list I did a while back, but I’ve been meaning to update ’em for some time. This list is limited to performers born and bred in Ireland (at least for most of their childhood), so not those of Irish-descent as it’d take this entire blog to list them all. For the most part, my list stay the same, but you can check out the original list and see who’ve been taken out of the list😉

Here they are in random order:

  1. Colin Farrell
    ColinFarrellOf all the vile things Joel Schumacher is known for as a director, you could say that he has an eye for talent. He cast Farrell in Tigerland which got the Dublin native noticed. I first saw him in the sci-fi action Minority Report alongside Tom Cruise, and then the Terrence Malick’s The New World. His foray into historical action hero in Alexander was ridiculed panned by critics, and he nearly became a Hollywood cliche with his womanizing ways and drug/alcohol abuse, but he manage to maneuver a career comeback with his Golden-Globe-winning turn in the Irish black comedy In Bruges (2008). His career choices haven’t always been solid (Total Recall remake, Winter’s Tale), but he’s certainly a talented actor. I think he’s wonderful in Saving Mr. Banks.
  2. Liam Neeson
    LiamNeesonProbably the most famous Irish actors of the bunch, Neeson is one of the hardest working actors right now. His diverse resume is impressive by any thespian standard. From historical figures (Michael Collins, Rob Roy, Schindler’s List), comic-book villain (Batman Begins), to playing bad-ass action star hell-bent on revenge (Taken), Neeson adds gravitas to any role he’s in. Can’t wait to see him as Zeus bellowing ‘Release the Kraken!!!’ in Clash of the Titans. The 61-year-old still looks amazing and obviously has the um, special skills to kick ass. Hollywood offered him to be the next action hero with Taken and he hasn’t looked back since. He probably will be doing action fares like Taken 254 & counting, or a variation of that genre, just like he did with Non-Stop. He’s definitely more watchable than a lot of younger action stars these days anyway, so why not?
  3. Saoirse Ronan
    SaoirseRonanShe may be only nineteen, but Ronan’s got that wise-beyond-her-years thing going for her, plus enormous talent to boot. She was phenomenal in Atonement as the little girl who couldn’t quite figure out how to channel her attraction to the opposite sex that led to disastrous consequences. She pretty much comes out unscathed even when The Lovely Bones bombed artistically and financially. Since Atonement, Ronan has worked for director Joe Wright again in Hanna as a 14-year old assassin. Boy, talk about range. She’s more than able to hold her own against the likes of Cate Blanchett. Since then, she continues to impress me in The Way Back, How I Live Now, as well as in the small role in The Grand Budapest Hotel. I wish there were more Irish ladies working in Hollywood today so miss Ronan isn’t alone on this list, but she’s the only one so far whose work I really admire.
  4. Cillian Murphy
    CillianMurphyMost people recognize him as Scarecrow in Batman Begins, but his memorable role is perhaps in the zombie flick 28 Days Later. His impossibly chiseled cheekbones and dramatic eyes somehow make him the perfectly creepy yet sophisticated villain, as he displayed in the horror/thriller Red Eye. Renowned directors such as Christopher Nolan and Danny Boyle obviously like working with him, as he’s done two movies for Boyle (Sunshine & 28 Days Later) and Nolan also cast him in his Batman trilogy and Inception. Even in a mediocre movie like In Time, Murphy is usually the best thing in it.
  5. Michael Fassbender
    MichaelFassbender(Ed note: Though he’s born in Germany, Fassbender is half-Irish and was raised in southwest Ireland)
    I’ve mentioned this guy A LOT on my blog lately and for good reason, he’s definitely eye-candy material but with acting chops to boot. Thanks to Zach Snyder for casting such great actors in 300 even in smaller roles, as I definitely noticed Fassbender as the loyal and valiant Stelios. He’s then proved his amazing range in transformational role in Hunger, and another indie darling Fish Tank which won him several nods from various European Film Festivals. He’s in yet another swords-n-sandals movie Centurion, but he definitely made an impression in Tarantino’s Inglourious Basterds. He’s come a looong way since I put him on the original list 3 years ago. His versatility is always on display, whether in costume drama Jane Eyre (as the Byronic hero Rochester) or as a superhero villain Magneto in X-Men: First Class. He even garnered an Oscar nomination for his work in 12 Years A Slave.
  6. Gabriel Byrne
    GabrielByrneI first noticed Byrne in The Point of No Return as Bridget Fonda’s sympathetic mentor. He may not always get the lead roles, but you always remember him (The Man in the Iron Mask, Little Women, The Usual Suspect, and Miller’s Crossing) The charismatic 63-year-old actor definitely still got the looks to go with all that talent, he won a Golden Globe last year for his performance as a psychotherapist in the HBO drama In Treatment. I cast him in one of my movie pitches, I think he’d be great in a crime noir like this one, wouldn’t you think?
  7. Ciarán Hinds
    You may not know his name, but you certainly recognize this tall, dark and handsome Belfast native. His dark look makes him suitable to play people from different nationalities: English (Phantom of the Opera, Amazing Grace), (Israeli (Munich), Roman (as Julius Caesar in HBO’s Rome), Russian (The Sum of All Fears), and that’s just a sampling. His new indie flick set in his native homeland The Eclipse (NOT Twilight 3) is to be released this weekend. Glad to see him get the lead role for a change, hope he’d get another one in the future.
  8. Kenneth Branagh
    KenBranaghFor all the Shakespearean work he’s done (Henry V, Much Ado About Nothing, Hamlet), I initially thought Branagh was an Englishman. The RADA-educated actor had his start in theater when he joined The Royal Shakespeare Company at 23. Soon after he formed his own performance art company called The Renaissance Theatre Company, which counts Prince Charles as one of its royal patrons. He surely brought some of that artsy and sophisticated sensibilities into the comic book adaptation Thor. He’s more than capable doing double duties as actor and director, which he did in the recent reboot of the Jack Ryan movie Shadow Recruit.
  9. Brendan Gleeson
    BrendanGleesonThis character actor is always fun to watch even in a small role, i.e. as Alastor ‘Mad-­Eye’ Moody in Harry Potter series. But my favorite performance of his would have to be In Bruges with Colin Farrell. I’ve been meaning to see The Guard for ages but it’s not available to rent on iTunes, so I might have to bug my friend who has the Netflix dvd subscription to rent it for me. I’ve been dying to see what happens to At Swim-Two-Birds, which was supposed to be his directorial debut. I blogged about it 2 years ago and still no new news on that one😦 Just check out the amazing Irish cast on that one, who wouldn’t want to see that come to life.
  10. Michael Gambon
    MichaelGambonI first noticed the 74-year-old thespian as the evil tobacco executive in Michael Mann’s The Insider. He’s one of those actors who makes an impact even in a brief appearance. Some of his memorable supporting roles are The Wings of the Dove, Charlotte Gray, The King’s Speech and the latest one I saw was in Dustin Hoffman’s directorial debut Quartet. He’s probably most well-known to mass audiences as Albus Dumbledore, when he replaced fellow Irishman the late Richard Harris in the Harry Potter series.


HONORABLE MENTIONS: Chris O’Dowd, Richard Harris, Ray Stevenson, Stephen Rea, Aidan Quinn, and Pierce Brosnan.

So, in the spirit of St. Patrick’s Day (or just the love for the Irish), who are YOUR favorite Irish actors?

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