Hans Zimmer is one of the most commercially successful composers working today. I’ve listed some of my favorite scores that he did on this post, though I should update that at some point as that list is over a decade old now. One of those on the list is INCEPTION, which was released exactly 11 years ago today in the US on July 16, 2010.
I remember being super excited for this movie, I even blogged about the promotional banners for it, and this scene spotlight of Tom Hardy‘s Ames saying ‘You musn’t be afraid to dream a little bigger, darling.’ Though the main star is Leonardo DiCaprio and it’s got a terrific ensemble cast, Hardy’s quite the scene stealer. Gosh I miss seeing that guy in movies, hope to see him in a big feature film again soon!
In any case, Zimmer’s music is definitely one of the best things about the Christopher Nolan‘s mind-bending thriller, it was nominated for an Oscar for Best Original Score in 2011, but lost out to The Social Network (Trent Reznor + Atticus Ross).
Per this article, apparently Zimmer wrote the score before any footage had been shot. Given Zimmer had collaborated with Nolan previously on Batman Begins & The Dark Knight, it’s likely he’s discussed the concept of dreams-within-a-dream prior to shooting the film, but still, it’s amazing how fitting the score is to the final film. I love the combination of synthesizer and orchestral with his signature low brass BRAAAAM! sound which just sounds mysterious, ominous and cool! No wonder it has since become so overused in trailers and even action movies, much to the German composer’s chagrin. In any case, here are some of my favorite tracks from INCEPTION:
Interesting trivia about the Édith Piaf song Non, je ne regrette rien that apparently was an inspiration for Zimmer in creating the score. If you remember, it’s the “kick” song to signal the characters of another reality Per NPR, “… he intentionally cribbed the two defining “da-da” notes from a slowed-down version of the Edith Piaf song Non, je ne Regrette Rien. Zimmer is quoted in his interview with The New York Times that “… all the music in the score is subdivisions and multiplications of the tempo of the Edith Piaf track. So I could slip into half-time; I could slip into a third of a time. Anything could go anywhere. At any moment I could drop into a different level of time.”
Some of you might have seen this already, but I just learned about this recently [mind-blown!]!
Per IMDb Trivia, Nolan stated that it’s a pure coincidence that Marion Cotillard had played Piaf in La Vie En Rose (2007). After Cotillard was cast, Nolan intended to change the song to eliminate speculation on the subject, but composer Zimmer persuaded him to keep it.
Hope you enjoyed this music break! Are you a fan of INCEPTION and its soundtrack?
Happy Friday, folks! I was going to post TENET trailer last night when it first arrived, but didn’t get a chance to do so. Then his morning, I received a trailer news release of a movie I didn’t even know was being made, DOWNHILL. Well, as I always like to mix the tone/genre/style when posting trailers, these two are perfect to highlight.
An action epic revolving around international espionage, time travel, and evolution.
Every single trailer of Christopher Nolan‘s movies always had me salivating and wish I could see it as soon as possible. Well, the same with TENET, which plot is still shrouded in mystery, but based on the deliberately-vague IMDb description and poster, it has an INCEPTION vibe all over it. I’m already sold when they said it’ll be a a time travel spy movie!!
I LOVE seeing John David Washington in the lead role, who was excellent in BlacKkKlansman. He sure has the screen presence like his thespian father Denzel, not to mention an enigmatic charisma. The movie itself teases something ominous, as Washington’s character and Clémence Poésy‘s talking about preventing world war III and dealing with something worse than a nuclear holocaust.
One thing is clear that there’ll be time traveling involved… it shows Washington’s character dying then coming back to life. When Martin Donovan‘s character said ‘welcome to the afterlife’ it literally gave me the chills!
As for the cast, I’m becoming more and more interested in seeing Robert Pattinson on screen, and though he doesn’t speak in the trailer, I think his role is an important one. Then of course there’s the Nolan’s regular, Michael Caine and Kenneth Branagh. Aaron Taylor-Johnson gets top billing on IMDb for some reason, not sure what role he’ll play. Also nice to see Elizabeth Debicki and Himesh Patel among the ensemble cast.
Updated: Here’s the final trailer
Everything about this trailer looks mysterious and thrilling. Ludwig Göransson‘s score sounds terrific too, but then again most of Nolan’s films have such fantastic soundtrack. Billed as Nolan’s most ambitious movie yet (boy that’s saying a lot!) comes with a reported budget of more than $220 million. It’s shot and will be released in the IMAX format, but unfortunately, we’ve got such a long wait as the movie isn’t released until July 17, 2020.
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Julia Louis-Dreyfus and Will Ferrell star in this biting comedy.
I’m sold on the two leading cast for this one, which is based on the Swedish film Force Majeure. I hadn’t got a chance to see that acclaimed film, which also took place in the French Alps. I haven’t seen Julia Louis-Dreyfus in any movie before, but the pairing with Will Ferrell as husband and wife sounds like a genius idea!
Comedic writing duo Nat Faxon and Jim Rash won an Oscar for Best Adapted Screenplay for The Descendants, a familial comedy during a vacation that deals with a rather difficult subject. Their co-writer Jesse Armstrong, is a British writer who did In the Loop and creator of the HBO show Succession. So plenty of acclaimed talents behind this one. This black comedy is released just in time for Valentine’s Day next year for those who prefer something darker than a rom-com.
After three super hero and two sci-fi films, Christopher Nolan is ready to tackle a war genre. Of the current well-known directors working in Hollywood today, Nolan might be the most popular among movie fans. He’s able to secure $150mil for his latest picture and he didn’t need to cast any big named stars to be appear in it.
In the summer of 1940, German forces successfully marched forward with their plan to take over Europe. Many British and French soldiers were forced to leave Dunkirk but help isn’t coming as fast they should. As the film begins, we see young British soldiers being ambushed by unseen enemies, one of them named Tommy (Fionn Whitehead) was able to escape. He ran into some of his fellow soldiers named Gibson (Aneurin Barnard) and Alex (Harry Styles). They want to leave Dunkirk and will do anything to get away and avoid their commander Bolton (Kenneth Branagh). We then see a civilian named Dawson (Mark Rylance) and his son make their way into Dunkirk to help rescue the soldiers. While in the air, pilots Farrier (Tom Hardy) and Collins (Jack Lowden) are trying to shoot down the German planes that have been dropping bombs on the soldiers and rescuing boats.
Nolan, who also wrote the film, decided to tell the story in a non-linear way. We saw three perspectives of the event, from land, air and sea. Personally, I thought the way he constructed the story is work of genius. There have been so many WWII films through the years and I’m glad to see Nolan decided to make something that really hasn’t been done before when it comes to this genre. Shooting the film in 65mm, including IMAX cameras, this is a film that needs to be seen on the biggest screen you can find. Nolan mentioned that he wants the audience to experience what those soldiers experienced and I thought he achieved that task. Since it’s based on a real event, I was worried that Nolan might glamorize the battle scenes, thankfully that didn’t happen. The action scenes were not something I would called “entertaining” but the aerial battle sequences were great to see on the big screen.
Performances were great all around. Whitehead, Barnard and Styles were believable as young soldiers and some would call them cowards. They didn’t have a lot of dialogues so their performances were mostly about body language and facial expressions. I’ve never been a soldier or seen any real battles in my life, so I don’t know how I would react if I was in their situation. Rylance, who’s always been great in the films I’ve seen him in, shines again in this one. There’s a scene where he showed raw emotion that I don’t think many actors can achieve. Hardy spent most of the film in the plane and technically he’s the “hero” of the story. Lastly, Branagh’s great as always. He conveyed a man who’s in total control even though he knew he might lose his men in any moment.
This isn’t the kind film where there are character developments and there’s no plot to speak of. Nolan wants the audience to experience the horror that happened during this event and to me he succeeded. Just like his previous film Interstellar, this one it’s being shown on various formats. Nolan’s preferred formats are 70mm IMAX or regular 70mm. If there’s a 70mm IMAX theater near where you live then I highly recommend you see it there.
So have you seen DUNKIRK? Well, what did you think?
Happy Wednesday! It feels like a sluggish past few weeks… especially when I got barely ANY vacation left through the end of the year. My European friends, you guys are lucky you get at least a month worth of vacation, I mean I’ve worked in the same company for a decade and only got three weeks of vacation But hey, I’m seeing Rogue One tonight, so at least that adds an extra spring in my step in these cold, frigid Winter days!!
It’s been ages since I did some community links… so let’s get to it!
Jordan reviewed the music documentary of Nick Cave and The Bad Seeds, One More Time With Feeling
Margaret reviewed the last episode of Westworld (can’t wait to binge on this later this month)
I love it when a fellow blogger reviewed a little-seen indie gem I happen to enjoy. Steven reviewed the Welsh comedy Hunky Dory
Glad someone else thinks this film deserves to be seen. Brittani reviewed Loving
Vinnie reviewed one of my Blind Spot picks (that I haven’t yet to see), The Big Sleep
Well, it’s that time of the year! Chris asked fellow bloggers ‘What’s their favorite Christmas movies?’
Last but not least… Courtney reviewed critical darling of the year La La Land (and from her headline I think you know full well how she feels)
Well it seems that every movie out of Christopher Nolan is a big event… and DUNKIRK is no different. I’ve been excited for this for a while. I posted the teaser trailer here back in August, but now we finally got the full first trailer. Behold…
Woof, this gives me goosebumps! I don’t think I’ve ever seen a film dedicated to the brutal event in Dunkirk, France. The only one I remember vividly was this scene in Joe Wright’s Atonement, with its stunning tracking shot. But it’s such a pivotal moment in WWII history, and if there’s a director who could do it justice on the big screen, it’d be Chris Nolan!
As always, Nolan’s always assembled top notch cast for his epic films…
I love all of those actors, including my recent discovery (read: crush), Welsh actor Aneurin Barnard! Sorry I don’t care for that kid from the famous boy band, but surely it’ll bring a ton of teenyboppers to see this. So Tom Hardy plays a fighter pilot, but I hope he gets to talk in this movie? Yes it seems to be another male-dominated Nolan film, which made me think perhaps Nolan’s next movie should be a female ensemble cast? 😉
Visually this movie just looks epiiiiic! It’s shot in IMAX 65 mm and 65 mm large format film stock by cinematographer Hoyte van Hoytema who also worked with Nolan in Interstellar (though my fave work of his is the visually-stunning Her). Does that mean he’s done working with his longtime cinematographer Wally Pfister?? But looks like Nolan regular Hans Zimmer is back scoring this film.
It’d be amazing to behold how Nolan recreated the harrowing chaos of Allied forces who are surrounded by German army. It’s more than just staging a spectacle of aerial bombardments wreaking havoc on the beach and the ocean, destroying troops and sinking Allied ships. It’s also a tale of hope… as the evacuation is also known as the Miracle of Dunkirk. Per Wiki, on the first day of the evacuation, only 7,669 men were evacuated, but by the end of the eighth day, a total of 338,226 soldiers had been rescued by a hastily assembled fleet of over 800 boats.
I’m not usually a huge war movie fan just because I can’t handle the brutality, but yet I’m looking forward to this.
What do you think of the the first DUNKIRK trailer? …
Hi everyone! My blogging break has been longer than expected, but for some reason I haven’t got the energy to write reviews. I actually tried to write my review of Doctor Strange and Jack Reacher yesterday but never finished it. I guess my heart just wasn’t in it lately… I’ve been focusing on other things [read: my screenplay and the dream of turning it into a feature film]
Thinking about dreaming big… somehow Tom Hardy‘s Eames quote from Inception is one that keeps coming to mind. Hardy is the absolute scene stealer here, his charisma eclipse everyone here including Leo DiCaprio himself. It’s a memorable little scene that’s said in a tongue-in-cheek way, it really has nothing to do with anything philosophical at all. Yet that line, and the way Hardy’s gorgeous voice saying it, resonated with me and in a strange way, inspires me. It’d look good as a framed quote too!
… It’s been ages sinceI watched Inception, I should rewatch it again soon as I’ve got the Bluray. Now if only I could enlist Dom Cobb & co. to help plant an idea on some studio executives that my script is worth investing on, ha! Interesting too that Christopher Nolan based the roles of the Inception team similar to those used in filmmaking – Cobb is the director, Arthur is the producer, Ariadne is the production designer, Eames is the actor, Saito is the studio, and Fischer is the audience. What a troupe of actors to portray a perfect team for the perfect heist. The grand scale of idea for this film is mind-boggling… it’s just a phenomenally-written script that’s executed so well.
Thoughts on this Inception scene? Feel free to share a scene that’s inspired you recently. …
Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth postshere.
1. Well, it’s October and a lot of bloggers are dedicating their sites to horror films for the entire month. If you’ve been on this blog often enough you’ll know that isn’t going to happen here on FlixChatter. I have such feeble nerves that I almost always avoid horror films, even though I have appreciated some horror films in the past, i.e. The Sixth Sense, Silence of the Lambs, Devil’s Advocate, etc.
I actually quite like vampire films, i.e. Interviews With the Vampire, Byzantium,Daybreakers, etc. But seeing The Exorcist back in college still terrified me to this day so I generally avoid anything dealing with people being possessed. But I might be persuaded to see something once in a while if it isn’t overly gory or extremely disturbing.
So my first question to you is… what horror/scary thriller would you recommend to someone like me who aren’t into the genre?
…. 2.As for the trailers I’m highlighting in this edition, let’s start with the Kristen Stewart‘s movie that was booed at Cannes: Personal Shopper. Interesting because just the year before, she became the first American actress to win a Cesar [for Best Supporting Performance] for Clouds of Sils Mariawhich was also directed by Olivier Assayas. It’s been five months since Cannes and now we finally got the trailer:
I have to admit I wasn’t Kirsten’s biggest fan, but I thought she’s terrific in Clouds of Sils Maria, so I might check this one out. I know I just said I’m not into horror films, but this one felt more like a mysterious ghost story involving her dead twin brother than a bloody/gory horror flick. …
Woo hoo!! Clive Owen is back as The Driver in BMW short film The Escape trailer!
The short film is presented as an homage to the 15th anniversary of the original BMW Film series, and it also stars Dakota Fanning, Jon Bernthal, and Vera Farmiga. It’s directed by Neill Blomkamp (District 9, Elysium). I’ve highlighted some of my fave BMW films here.The Escape will premiere on Sunday, October 23, 2016 at 6:00 p.m. EST on BMWFilms.com.
Thoughts about either one of these trailers? …
3. It’s gotta be good to be Christopher Nolan. Per THR, the British auteur is said to be getting $20 million upfront and 20 percent of the gross for his upcoming World War II epic Dunkirk. Considering that the average director salary for a studio film is in the $750,000 to $1.5 million range, depending on the number of past credits, the $20 mil payday is astounding.
But hey, I think Nolan deserved it, though he’s already one of the wealthiest filmmakers working today thanks to the over $1 billion gross of his Batman trilogy alone.
I’ve posted the Dunkirkteaser trailer here and it looks epic! I guess we’ll find out on July 2017 just how epic it will be.
Thoughts on Christopher Nolan huge payday? ….
4.This edition’s casting news feature a double from Emma Thompson and having just finished my review of Bridget Jones’ Baby this weekend (it’s still in my draft folder), we definitely need more of her in movies!
Let’s start with the first project which will have Emma teaming up with Mindy Kaling. What a duo it’ll be! Though I actually haven’t seen her show The Mindy Project, I really like her and I’m glad she’s making her foray into films!
The story follows a venerated late-night talk show host, played by Thompson, who’s in danger of losing her long-running show right when she hires her first female writer, played by Kaling. Sources describe the film as The Devil Wears Prada meets Broadcast News. I’m so there!
The second project is an adaptation of author Ian McEwan’s novel.
Thompson plays Fiona Maye, an eminent judge in London presiding with wisdom and compassion over ethically complex cases of family law. But she has paid a heavy personal price for her workload, and her marriage to American professor Jack (Stanley Tucci) is at breaking point.
Filming will take place on location in London from mid-October. Also starring is newcomer Fionn Whitehead, who appears in Christopher Nolan’s upcoming Dunkirk. I love Stanley Tucci too, he’s a terrific character actor, so this is another screen match up I look forward to seeing.
I saw Miss Peregrine’s Home for Peculiar Childrenthis weekend and wasn’t overly impressed. It pairs well enough with Tim Burton’s visual style of story-telling, big on surrealism and whimsy but a little lacking in actual story. Overshadowing the film, however, are Burton’s recent comments about diversity in film, and in his films in particular. As wildly inventive as some of Burton’s creations are, his films remain peopled by white characters. Casting non-whites is where his imagination draws a line in the sand, apparently. Dude with scissors for hands? Sure. Talking caterpillar? Demon barber? Obsessive candy man? All okay. Black guy playing any of those? Don’t be crazy. Or as Burton put it himself “Things either call for things, or they don’t” – meaning, if a script says “African American”, he’ll cast an African American. But if a script says “person”, Burton reads it as “white person.” And that’s exactly the kind of inherent bias we most especially have to watch for. There’s no reason why all the peculiar children were white, no reason at all. Perhaps the script did not demand it, but society does. Audiences are as diverse as they come and deserve to see themselves represented on screen. Lazy racism like Burton’s is no excuse; it’s 2016 and it’s time to stop casting like movies are segregated. Samuel L. Jackson has a sizable role in Miss Peregrine’s Home for Peculiar Children – Jackson being the first person of colour to take on a lead role in any of Burton’s films. I’d celebrate that more if he wasn’t playing a villain.
As if Burton’s all-white IMDB listing isn’t damning enough, he’s nailed himself into his own coffin with these words:
I remember back when I was a child watching “The Brady Bunch” and they started to get all politically correct, like, OK, let’s have an Asian child and a black — I used to get more offended by that than just — I grew up watching blaxploitation movies, right? And I said, that’s great. I didn’t go like, OK, there should be more white people in these movies.
Never mind that Blaxploitation movies were born in response to systemic racism and preached empowerment. Let’s just take his statement for what it is: white privilege, white ignorance, and an embarrassing amount of #alllivesmatter racist thinking. Tim Burton needs to pull his white head out of his white ass, and we all need to hold him accountable.
Have you seen ‘Miss Peregrine’? What do you think about Tim Burton’s racist remarks?
Well, that’s it for the OCTOBER edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all!
Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth postshere.
1.I’ve been excited about Christopher Nolan’s DUNKIRK for some time and the teaser couldn’t have arrived at a better time… that is as I’m prepping my FFTF post 🙂
I think most of you already knows what this is about. Now, I’m not always into war movies, mostly because it tends to be way too violent. But man, this looks so darn epic and with Nolan at the helm filming this on 70mm, I’m SO THERE!
Behold its epicness…
The cast is pretty amazing, some of which have been in Nolan’s previous movies… Tom Hardy, Cillian Murphy, Mark Rylance, Kenneth Branagh… AND my new Welsh crush Aneurin Barnard!! One thing I wish Nolan hadn’t done is hire that kid from One Direction as I guarantee there’s gonna be a bunch of teenybopers swarming this just to get a glimpse of him. I mean I can’t even google this movie without seeing his face! In any case, we still have a year to wait for this as Dunkirk isn’t released until July 2017!
Now, this one apparently has been released for some time but I had just seen it for the first time thanks to my daily lunch-hour reading of BBC news, I found it in the culture section. It’s the world’s first feature-length painted animation!
Per its official site, Loving Vincentfeatures over one hundred and twenty of Vincent Van Gogh’s greatest paintings. The plot, drawn from the 800 letters written by the painter himself, lead us to the significant people and events in the time leading up to his unexpected death. Every frame in the Loving Vincent movie is an oil painting on canvas, using the very same technique in which Vincent himself painted. Check out the amazing trailer, I sure hope it’ll get a decent release worldwide.
Thoughts on either one of these projects?
…. 2.This week we also got a first look at romance war drama ALLIED. I didn’t even know is in the works but hey, anything with miss Cottilard gets my attention!
Allied takes place in 1942. Max Vatan (Brad Pitt) and Marianne Beausejour (Marion Cotillard) are undercover allies who begin to fall for each other. Max is a British intelligence officer sent to Casablanca to plan an assassination attempt. He works with Marianne, a French Resistance fighter who goes undercover as his wife.
I kind of like the pairing of Cotillard and Pitt, and Pitt actually looks decent without all the weird facial hair he’s been supporting for a while. This film seems so under the radar despite the cast though, I mean I haven’t heard a peep and no trailer yet even though the release date is November of this year.
The rest of the cast include Matthew Goode (yay!), Lizzy Caplan, and Jared Harris. The director is Robert Zemeckis whose last two features, Flight and The Walk, I haven’t seen yet.
Are you excited for this one? …
3. Speaking of trailers… ahhh what we’d do for our movie crushes [sigh] I followed this twitter account for trailer updates and it says there’s supposed to be a trailer for Ben Wheatley’s FREE FIRE attached to Star Trek Beyond. So naturally I was super excited and while initially I was fine waiting a week or two to see it, I immediately booked Friday night showing. As you know, my dahling Sam Rileyis in Free Fire, though he’s probably only gonna be in the trailer for all but 5 seconds. But no matter, that’s enough to persuade me to actually see a movie on the big screen. Alas, the trailer was NOT shown at STB 😦 There were more than a half dozen trailers in front of it but none of it was Free Fire! Suffice to say I’m no longer following that trailer account. Heh, I wish I lived in London!!!
I’m curious, have you ever been compelled to see a movie on the big screen because a certain trailer is attached to it? ….
4.Ok this question is inspired by this weekend’s release of Suicide Squad. I’ll be writing the review this weekend but for now I can say that I enjoyed it, definitely not as bad as what the critics made it out to be.
It’s no surprise DC fans are up in arms about the negative reviews. Heh, every day there’s always news about people getting angry about the most trivial things. This time the subject of DC fans’ wrath is the Rotten Tomatoes site:
Actually, last time I checked the petition‘s got 18,495 supporters. The guy who started the Change.org petition wrote: “We need this site to be shut down because critics always give The DC Extended Universe movies unjust, bad reviews. And that affects people’s opinion even if it’s a really great movie,”
Now, I don’t really trust these critics aggregator sites anyway, because their algorithm is just baffling to me. Sometimes I’d click a rotten review that actually gives a movie 3/5, now I wouldn’t exactly categorize that as rotten. I’d think 3/5 is average and even 2.5/5 is below average, so not exactly in the horrible category. But to think that they’re biased against a certain film company is just absurd. Ok so I was left scratching my head that Age of Ultron got 75% fresh rating. I think that bloated movie is a big fat meh, not to mention the cringe-inducing Hulk/Black Widow *romance.* But I think it was still better than Batman V Superman, which got 27%, the exact RT score of Suicide Squad right now. If that’s the final score I think people are gonna think it’s a giant conspiracy, ahah.
What do you think about this supposed Marvel vs. DC *bias* and/or your thoughts about film critics site in general? …
5. This month Five for the Fifth’s guest is Ian from Ian the Cool Blog! He actually left a comment on my review of The Secret Life of Pets and it’s a great question that I asked him if it’s ok that I included it here. Here it is in his own words:
You confirm a lot of what I’m hearing, that [the movie] is really unoriginal and we’ve seen it all before. I guess the question is, does that matter for a kids movie? Kids won’t know its being unoriginal, because they don’t have the same film background we do. They will care about having funny characters they care about. Then again, should family movies have the bar set lower? When there are movies like Inside Out raising that bar, is the family argument an excuse anymore?
Well, what do you think? Should kids movies have the bar set lower compared to movies for adults?
Well, that’s it for the AUGUST edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all!