OCTOBER 2016 Viewing Recap + Movie(s) of the Month

Am I the only one still in disbelief it’s November already?? But I’m glad the temp hasn’t dipped that much yet, this week’s still gonna be in the mid 50s to 60 degrees, which is much warmer than usual, yay!

Well, it’s no surprise October is the busiest month for me, thanks to TCFF! I also managed to squeeze in a few new releases before the film fest started. Suffice to say I saw the most films in October than any other month!

Here are movies I saw in October:

New-to-me Movies

The Girl On A Train

accountant_imgThe Accountant

certainwomen_imgCertain Women

jackreacher2_imgJack Reacher: Never Go Back

TCFF Movies

bloodstripe_imgBlood Stripe

architect_imgThe Architect

funeralday_imgFuneral Day

pursuitsilence_imgIn Pursuit Of Silence

junefallingdown_imgJune Falling Down

milesbetweenus_imgMiles Between Us

scientologymovie_imgMy Scientology Movie

prisondogs_imgPrison Dogs

wordofhonour_imgWord of Honour: Reclaiming Mandela’s Promise


I haven’t reviewed these films below I saw at TCFF. Some because of a studio embargo until their local release date, and some because I simply haven’t got around to writing them. I shall try to do so in the coming weeks, but honestly, I need a bit of a blogging break.

Sweet LandThe Eagle HuntressIron Will
Burn Country | 
No Light and No Land AnywhereTrespass Against Us
Claire in Motion11:55Actors of Sound
Free CeceLion | Moonlight


The Last King (2003 TV miniseries)

Earlier this month I also got to see this miniseries, directed by Joe Wright and starring the immensely watchable Rufus Sewell. It’s the chronicle of Charles II’s time on the throne, his 10 year exile from Oliver Cromwell’s England, and his triumphant return. I haven’t finished it yet but hopefully later this month, as you know I have a penchant for period dramas starring gorgeous Brits 😉

,,,


MOVIE(S) OF THE MONTH

movieofthemonth

We’ve got a tie this month! It’s tough enough to pick just TWO favorites of the month, let alone one. But these two moved me more than others and the ones I keep thinking about days after. Not only do these two feature excellent storytelling and performances, they’re also groundbreaking in many ways. It’s so rare to see female soldiers being depicted on screen, it’s even more scarce to see a good depiction of them the way Blood Stripe did.

As for Moonlight, I honestly have never seen Black sexuality/masculinity depicted in this way and it struck me just how beautiful and nuanced the story was. I’m also impressed by the casting of the protagonist, utilizing three different actors in three main stages of his life. Lets just say this film is worth the hype.


Well that’s my viewing recap of OCTOBER. What’s YOUR favorite film(s) of the month?

Everybody’s Chattin + Question of the week: Supporting cast you wish got the leading role

EverybodysChattin_Movies

I can hardly believe half of the year’s already come and gone! It’s been a rather odd month for me, but in terms of movie watching, it’s rather uneventful. I sure hope the later part of 2015 have better films in store for us… and looking at Katy’s list of highly-anticipated movies for the rest of 2015, I think the chance of that is VERY promising! I’d add Southpaw to the list, which I’ll be seeing on the third week of July, and The Man from UNCLE which looks like fun!

Ok so about those links…

Since I’m currently embarking on my first screenplay project, this post on opening sentences in fiction from my pal Cindy, who happens to be a novelist herself, is definitely an inspiring read

I won’t have a Music Break post this week, so take a listen to Josh‘s pick of Movie Song of the Week

Khalid reviewed Terry Gilliam’s comedy Fear and Loathing in Las Vegas

Andrew is back with his Oscar series 4 Ways a Best Picture, and the year is 2009

Jay just reviewed a film I still haven’t got around to but will have to soon, Calvary

Though Summer’s just starting here in the States, Michael‘s veering into cold, dark horror territory with his book-film duo post on The Shining

And last but not least, Eddie‘s talking about Orphan Black season 3, a series I’ve been curious about for some time.


Time for question of the week!

So this week’s question is inspired by my recent viewing of Self/less. My review of it is done in my draft folder, but there’s one thing that’s stuck with me whilst I was watching it. In fact, I kept thinking about it as I was writing my review. Why isn’t a perfectly talented actor like Matthew Goode leading this movie? Now I’m not saying the movie would’ve automatically been stellar as no matter how good an actor can’t overcome a bad script, but at least Goode would’ve been more enjoyable to watch for two hours than Ryan Reynolds!

Goode_Selfless

I had the same feeling when I watched Tristan + Isolde a few years ago. I kept wondering why they cast James Franco being all sullen and morose as Tristan whilst the much hunkier Henry Cavill was stuck playing third banana. Now I’m not saying Franco is a terrible actor, I just think Cavill would’ve suited the role better. Heck, even Rufus Sewell who’s another supporting actor in the film left a more lasting impression to me than Franco did. I even dedicated a post here.

Cavill_Tristan_Isolde

The New World is another one that came to mind as I think Christian Bale would’ve been great in the lead role instead of Colin Farrell. The last 20 minutes of the film with Bale is the highlight of the film for me and I actually bought the DVD because of it.

Interesting that both Cavill and Bale have ended up becoming Superman and Batman, respectively, I didn’t purposely select them because of it, but clearly both have leading-man qualities.

Bale_NewWorld

I’m sure there are others but let’s just start there. I bet you’ve also felt the same when you watch certain films.


So tell me, which films have you seen where you wish one of the supporting cast got the lead role?

FlixChatter [Guest] Review: HERCULES (2014) & Spotlight on Rufus Sewell as Autolycus

PrairieGirlBanner

I love going to a movie when I’m really not going there to see the movie. This can only mean one thing – Rufus Sewell is once more on the big screen. He played one of Hercules’ band of mercenaries, Autolyclus, and wow, did he ever buff up for this role. He also got to shed his typecast “bad guy” role that he’s keen to be rid of. You gotta love men’s Grecian/Roman wardrobe, Ruf wears them well. Too bad I missed out on bidding for his costume on ebay. The winning bid only $1,090? I would have easily coughed up more than that  ;-D.

Rufus himself on his character, Autolycus

I promised Flixy this review would be short, but when I found this excerpt from the film’s production notes on The Rooftop where Rufus talks more about his role, that promise just went out the window:

Autolycus might lack for Hercules’ astonishing strength, but he has more than made up for it with the sharp blade of his wit, ultimately becoming Hercules’ master strategist. Rufus Sewell, the English actor recently seen in “Abraham Lincoln: Vampire Hunter,” takes on the role of Hercules’ wisecracking friend.

“Autolycus and Hercules go way back, and they’ve got each other’s backs,” Sewell explains. “They have a kind of communication that goes beyond words. They’ve always worked together, and that’s a source of great pride to Autolycus, that he knows Hercules better than anyone else.” At the same time,

Autolycus has a cheeky side Sewell found a lot of fun. “He’s a bit of a wheeler dealer,” Sewell confesses. “He’s got a sarcastic tongue and a real sense of humor with Hercules. He not only is the brains of the operation but he’s also the one who is always thinking about the gold coinage. He does have a good heart, but he often keeps it hidden.”

HerculesMovie_Rufus1

In battle, Autolycus utilizes a series of blades to his advantage – which for Sewell, meant he knew he had to start training the minute he accepted the role. “You know there’s going to be a lot of training when you have to stand next to Dwayne Johnson, and be even remotely believable as the same species,” jokes Sewell. “I did fight training, weight training and weapons training. Since we’re mercenaries, the fighting in the film is very much to the point. There isn’t a lot of fancy footwork. At the same time, what I love about the film is that it has so much humor and humanity.”
“Every set was like something out of Cecil B. DeMille, with that kind of scope,” recalls Rufus. “It makes a big difference to actors because you’re reacting to a real environment.”

More on Autolycus

Oh, and what about his acting, you say? His character is not a cliche, but one with strong emotions: sincerity to rage, matter-of-fact to tongue-in-cheek. He likes playing well-rounded characters, so I imagine this one fit the bill for him perfectly. Rufus, along with Ian McShane, provide comic relief. He does love his gold, which causes him to almost abandon the cause, but in the end he stays loyal. Favorite line from Autolyclus: “Don’t just stand there… kill someone!”

HerculesMovie_Rufus2

On the Movie

And just in case you think I’m writing this only to talk up Rufus, you’re almost correct, but here’s what I actually thought about it. Since I didn’t go in with ANY expectations, I was pleasantly surprised. The plot is perfectly uncomplicated but never boring, the battle scenes weren’t “shaky” and included battle strategies that were quite unique to me, and the wide-shot aerial cinematography was sweeping and scenic and CGI didn’t seem to be overused. Hercules’ superhuman strength is illustrated by a horse and rider being tossed into the air, not by any mythical creatures.

HerculesMovieStill

I don’t really go out of my way to see Dwayne Johnson flicks, but he really was perfect for this role. And boy, do I ever like his look when he’s got beard and hair. The rest of the cast fill their roles well. To hear more about the them, check out this video feature with director Brett Ratner and Dwayne:

http://www.dailymotion.com/video/x22dlvr_hercules-featurette-uk-talent-2014-rufus-sewell-john-hurt-ian-mcshane-action-movie-hd_shortfilms

Bottom Line

I don’t go to many summer PG13 action adventure films so Hercules may be lacking for some more jaded and sophisticated movie goers (Yes, Ted S., I know who you are… you’re at the very top of this list!), but Hercules gets a solid 3.5 reels from me. And even though Flixchatter ratings only go up to five, Rufus, of course, as usual, gets a perfect 10.

3.5 reels

PostByBeckyK


Now, what do you think of Hercules?

Question of the Week: Which films with great ensemble cast that fail to deliver?

It really pains me that the movie that *inspired* me for this edition of Question of the Week is one I’ve actually been looking forward to for some time. When I first blogged about it in January 2013, I was super duper excited about the cast. The movie is called The Deadly Game in the UK, complete with an even cheesier poster. I much prefer the Paul Shipper version on below right, if only the film itself is even half as intriguing.

AllThingsToAllMen_TheDeadlyGame

I never thought a British thriller starring Gabriel Byrne, Rufus Sewell AND Toby Stephens be so insufferably dreary. Even the actors look bored here, only Rufus seems to be having a bit more fun than the rest. My hubby actually fell asleep halfway through and I didn’t bother waking him up. If it weren’t for these three of my favorite Brits, well four if you count London which is practically a character in itself, I would’ve turned it off within 10 minutes. I don’t really feel like reviewing it, but I agree with these reviewers:

All Things to All Men is the latest attempt to make a British Michael Mann-style crime epic based on a fundamental misunderstanding of what Michael Mann actually does as a filmmaker. – The Scotsman

“Despite Sewell’s laconic ruthlessness, Stephens’s steely taciturnity and Byrne’s world-weary arrogance, there’s an all-round lack of conviction.”Radio Times

AllThingsToAllMen_stills

Now this one sums my feelings exactly:

“[George Isaac’s] dizzying array of double-dealing gangsters, cops, hoodlums and hit men seem to be weirdly obsessed with taking in the sights. Issac describes his film as “a love letter to London”. Seriously, they should just get a room.”

So the only *character* that’s not wasted is London, but even so, the setting seems has no purpose. There’s a great shot of Stephens inside the London Eye but all he does is take a phone call! There is really no reason to have that scene shot there other than for pure visual spectacle. It’s a shame really, this could’ve been so much better and more gripping when you’ve got THIS kind of talents involved. It made me think of other movies that didn’t deliver despite the great cast, in fact you could say the cast is completely wasted. And I’m talking terrible films here, not just middling. Just from the past couple of years alone, we’ve got Gangster Squad, Now You See Me, The Monuments Men. Fortunately I skipped some of those Love, Actually copycats like Valentine’s Day or New York, I Love You (which I turned off after about 5 minutes). Oh and I avoided Movie 43 like the plague, I mean I don’t think ANY actor could’ve possibly saved such a movie.


So now your turn… what’s the worst movie(s) you saw with a great ensemble cast?

Weekend Roundup & MSPIFF14 double reviews starring Juliette Binoche

Happy Monday everyone! Hope you all had a lovely Easter weekend.

I took a bit of a break from blogging this weekend, but this week has been pretty busy in terms of movie watching. It’s the last week of the MSPIFF 2014 and I saw three more films, one short of what I intended to see but fortunately there’ll be a press screening of Locke next Monday. As the film fest continues with Best of Fest screenings all week, there’ll be more reviews coming from both me and Josh 😉

Here are the three new movies I saw over the weekend:

WeekendViewingApril20

I’ve blogged about All Things To All Men quite a while ago and finally it’s available on Netflix streaming. Remember how I always say some movies are well worth seeing just for the cast. Well, in this case, the ONLY thing worth seeing is the three actors: Toby Stephens, Rufus Sewell and Gabriel Byrne in that order [I’m having a serious crush on Toby, didn’t you notice?] Alas, the film itself left so much to be desired, and leaves me scratching my head why these actors signed on to do such a project. Did they lose a bet or something? I’m not sure I could even review it, but let me just say that unless you’re absolutely in love with any of the cast, I can’t exactly recommend it.

These two from MSPIFF, on the other hand, is well worth a look.

MSPIFF_Reviews

A Thousand Times Good Night

Rebecca is one of the world’s top war photographers. She must weather a major emotional storm when her husband refuses to put up with her dangerous life any longer. 

This is one of those dramas that at times play out like a thriller. Even from the first moments when the protagonist is witnessing a ceremonial custom of an Afghan suicide bomber being prepped for self sacrifice, it’s quite an emotional roller coaster all the way to the very last scene.

For Rebecca (Juliette Binoche), covering the war is not just a job, it’s her way of life. When she comes home injured from Afghanistan, it’s apparent that it’s just as tough for her family to deal with her dangerous job. It’s apparent that her husband Marcus is constantly worried sick for Rebecca and this incident puts him over the edge which compels him to give her an ultimatum. It’s her family or her job. At first I felt that it’s not fair of him to do so, but as the film progresses, we’re shown how her two young daughters are dealing with her absence whilst she’s away in a war zone. It’s a tricky dilemma that I find myself grappling with as I watched this film. I read that this film is semi-autobiographical as Norwegian director Erik Poppe was a war photographer himself. No doubt this story is quite a personal one for him.

AThousandTimesGoodNight_Stills

The main quibble I have with the film is the slow pace. I don’t mind quiet moments on film, but at times it felt a bit too indulgent that it threatens to grind the film to a halt. The metaphor of Rebecca drowning/suffocating by her life dilemma also grows repetitive. But the cinematography is simply stunning, nearly every shot is like a work of art. It’s also very atmospheric and the conflict felt genuine. The sense of authenticity comes from a committed performance from the always-reliable Binoche, as well as Nikolaj Coster-Waldau who plays her sensitive & caring husband. I’ve always been a big fan of Nikolaj from his short TV stint in New Amsterdam, long before he played Jamie Lannister in Game of Thrones, and he proves himself once again to be a capable and versatile actor. Lauryn Canny as Rebecca’s eldest daughter Steph is also quite good. When they’re in Africa, something happened that was quite traumatic for Steph. Some of the most emotional scenes in the film feature the two of them.

The heart of the film is no doubt Binoche. She conveys so much even in scenes where no words are spoken. This is the first of two films I saw her in and she’s absolutely excellent in both of these. There’s a certain aura of mystique about her that seems unreachable, and she’s very convincing as an fiercely idealistic woman. There is a fine line between bravery and recklessness and I think this film often blurs that line. There is a hint at the finale where Rebecca is back in Afghanistan that perhaps she’s a changed person after what happened between her and Steph, but the film lets us interpret that for ourselves.

threeandahalfreels


Words and Pictures

An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.

Romance that’s sparked out of rivalry has been done many times before, but with the right cast, it can still feel fresh. The pairing of Clive Owen and Juliette Binoche is what intrigues me about this film and they’re still the reason to watch to movie.

Owen is Jack ‘Mr Mark’ Marcus, a gifted English teacher at an upscale prep school. His best days as a published author seems to be behind him and he’s got a drinking problem. Perhaps that’s a result of his disillusionment with his life, as he seems to have lost his mojo, as well as in danger of losing his job. Meanwhile, a renowned painter Dina Delsanto (Binoche) has just been hired at the school. Her nickname is icicle for obvious reasons, but her coldness seems to also stem from her disappointment that she can no longer paint as much as she did due to her server Rheumatoid arthritis.

WordsAndPicturesStills

The two couldn’t be more different from each other, but as they say, opposites attracts. It’s fun to watch Owen in a softer role like this where he’s not firing a gun every two seconds, but his intensity is still there as he bud heads with the school principal and board members. He’s a deeply flawed character and in the most vulnerable moments, especially between him and his estranged son, is where I enjoyed his performance most. I wish the film would focus more on these two characters, as all the drama with the students are not as intriguing to me, and they don’t really add much to the story. The whole school competition of Words vs Pictures is more of a personal *war* for Marcus and Delsanto, and though it’s predictable that they’d end up together, it’s still fun to watch their banters. I personally like the pairing of Owen and Binoche more than him and Julia Roberts in Duplicity, which I find rather contrived. The only other actor I like in this movie is Bruce Davison as one of the more sympathetic faculty members.

Binoche is lovely here and it’s a testament to her versatility that she is also very convincing as a painter. I didn’t know that she’s an artist herself but in the credits I noticed that the Delsanto’s work is by Binoche, wow! I think out of the two films I saw last week, her dramatic chops perhaps suits something like A Thousand Times Good Night better. I like the idea of two broken people finding each other and to see a romantic film between people over the age of 40. Alas, I think the ending is almost as rough as Owen’s unkempt stubbles. Even the finale of the competition just didn’t have the oomph needed to make the story soar. Overall it’s an enjoyable dramedy though, eons better than a lot of the rom-coms are churning out these days. If you’re a fan of these two actors, this one is definitely worth a look.

threeandahalfreels


So what did you see this Easter weekend? Anything good?

Music Break: Philip Glass’ The Illusionist score

As tonight I’ll be seeing Now You See Me tonight, a crime thriller about a team of illusionists pulling off bank heists during their performances, I thought this week’s music break would have a similar theme of magic. The Illusionist is essentially a love story based on Steven Millhauser’s short story, “Eisenheim the Illusionist.

TheIllusionistScore

The film tells the story of Eisenheim, the the son of a cabinetmaker in Vienna, who uses his abilities to secure the love of a woman far above his social standing.

Before I get to the music, I’m quite fond of this period drama. The cast is wonderful, especially Ed Norton who carried the film with his affecting performance. I also love Paul Giammatti and Rufus Sewell here, both are terrific character actors who rarely disappoint. Even Jessica Biel, who’s not typically a strong actress, seems to acquit herself well here as Norton’s long lost love, though at times she did seem to be out of her elements amongst other more experienced actors. Visually it’s quite beautiful as well, shot by cinematographer Dick Pope who deservedly nabbed an Oscar nomination for his work.

Now, I think Philip Glass should’ve been nominated for his work here as well, as his score is no doubt one of the strongest artistic elements of the film.


I love Philip Glass‘ musical style, he’s actually my dream composer for my romantic thriller movie pitch Hearts Want. I first heard his beautiful score for The Hours a few years ago, and I also love his work in The Truman Show. Glass was nominated for three Oscars for his work in The Hours, Notes on a Scandal and Kundun. The Baltimore-born composer utilizes the repetitive structures that some critics would label ‘minimalist style.’ Now, I’m no musical critic, so for me, I’m a fan of his work as his music have a distinct sound unlike any other, and they’re pleasing to the ear.

In this one, he wonderfully captures the romantic sensibility as well as the mysticism and magical tone of the story. According to PhilipGlass.com, Michael Riesman is the conductor and producer of nearly every Philip Glass soundtrack recordings. And here he conducted the Czech Film Orchestra to bring the score to life beautifully.

Another one of my favorites from the score is the Orange Tree track, and the scene in the movie is also one of the major highlights.



Hope you’ve enjoyed today’s music break. What do you think of Philip Glass and/or The Illusionist’ score?

Traveling Through Cinema: London

TravelingThruCinema_London It should not be a surprise that I’m an Anglophile, seeing how many British-related stuff I put on this blog 😀 Well, since my good friend Becky (aka Prairegirl) is visiting London in a few weeks, I thought I’d feature one of my all time favorite cities for my Traveling Through Cinema series. Yes, I kind of drop the ball with this series as my first one set in Bruges was back in January, but I’m going to try to do this once a month. OldTimesPlayOne of the reasons for Becky’s visit is to go see Harold Pinter’s theatrical play Old Times at the Harold Pinter Theater starring Kristin Scott Thomas, Rufus Sewell and Lia Williams. Yes I know, lucky girl!! I mean she’ll get to see Rufus LIVE in person on stage! I wish I could go along with her to London, but for now I’d have to live vicariously through her.


By the way, I’m excluding the London tube scenes as I’ve already made a post specifically on that in London Tube and the Movies post.


So with that in mind, here are some of my favorite London scenery from contemporary films (90s and beyond):

28 Days Later (2002)

28DaysLater

I found a great blog post describing the scene above so perfectly…

The setting of the film is … 28 days after a devastating plague swept through England. Jim (Cillian Murphy) is a London courier who was previously struck by a car on his route and plunged into a deep coma before the world came crumbling down around him. The world he awakens to is vacant madness, as the hospital he finds himself in is trashed and abandoned. He cries out for anyone still around. He’s weak and disoriented and hasn’t eaten for quite a while. Some sugary sodas give him some strength as he leaves the hospital, only to find more emptiness. London has been abandoned completely, with not a soul in sight. His cries go unanswered as debris gives him a hint as to what has happened. Missing people. Vigils for those departed. Old newspapers telling of a mysterious infestation.

An Education (2009)

AnEducation
A coming-of-age tale set in 1960s London

Batman Begins (2005)

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Alfred Pennyworth: Took quite a fall, didn’t we, Master Bruce? Thomas Wayne: And why do we fall, Bruce? So we can learn to pick ourselves up.

Bridget Jones Diary (2001)

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Bridget: I’m so sorry. I didn’t mean it. Well, I meant it, but I was so stupid that I didn’t mean what I meant… After all, it’s only a diary. Everyone knows diaries are just… full of crap. Mark Darcy: Yes, I know that. I was just buying you a new one. BridgetJonesDiaryKissFinale Bridget: Wait a minute… nice boys don’t kiss like that. Mark Darcy: Oh, yes, they f***ing do.

Children of Men (2006)

ChildrenOfMenLondon

The explosion scene as the film’s protagonist Theo (Clive Owen) exits a cafe is one of the most harrowing and memorable opening sequence I’ve ever seen. I could even hear the ringing sound after the explosion happen on screen, which I heard is a deliberate effect the filmmaker did to give the effect of what a loud explosion may do to your ears.

Finding Neverland (2004)

FindingNeverland
Beautiful scenes of J.M. Barrie & Sylvia Llewelyn Davies’ family in Kensington Gardens

Harry Potter

There are too many great London scenes in this franchise that I have to break them down to several collages.

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Harry through the years… at the train station

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In Harry Potter and the Deathly Hallows, Hermione Granger, Ron Weasley and Harry fled a wedding after learning that the Death Eaters were coming for them, and ended up in Piccadilly Circus.

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Death Eaters attack the Millennium Bridge

The police are continuing with the investigation into the cause of the Millennium Bridge disaster. River traffic has been halted as police search for survivors. The surrounding area remains closed. The Mayor has urged Londoners to remain calm…

— A Muggle radio broadcast

Love, Actually (2003)

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Notting Hill (1999)

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Nowhere Boy (2009)

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Retro London – John Lennon’s early years from the mid 40s and 50s

John: Why couldn’t God make me Elvis? Julia: ‘Cause he was saving you for John Lennon!

Rocknrolla (2008)

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A beautifully-shot, memorable scene in a fabulous London museum

..

Sherlock Holmes (2009)

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I love the art direction of Guy Ritchie’s Sherlock Holmes. The Oscar nomination for this category is absolutely well deserved. I love how the CGI somehow still look and feel organic, and it captured the gritty atmosphere of the time and place. The incomplete Tower Bridge looked spectacular in the finale battle between Holmes and his nemesis Lord Henry Blackwood. This article by setdecorators.org says Ritchie brought a new, energetic perspective to the enduring adventures of Sherlock Holmes, “While our story is rooted in London of the 1890s, we have tried to make it as contemporary as we possibly can,” Ritchie said.

Skyfall (2012)

Skyfall_London
A reflective scene of Bond on a rooftop overlooking his beloved city

The King’s Speech (2010)

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Lionel Logue: What was your earliest memory? King George VI: I’m not… -here to discuss… -personal matters. Lionel Logue: Why are you here then? King George VI: Because I bloody well stammer!

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Shaun of the Dead (2004)

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Zombies attacked London! Thank goodness for Shaun and co!

Tinker Tailor Soldier Spy (2011)

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A frill-free spy thriller in 1960s London

Control: All I want from you is one codename: Tinker, Tailor, Soldier… George Smiley: …Spy.

X-Men First Class (2011)

FirstClassXavierHouse

Erik Lehnsherr: After tomorrow, they are gonna turn on us. But you are blinded because you believe they are all like Moira. Charles Xavier: And you believe they are all like Shaw. Listen to me very carefully, my friend: killing Shaw will not bring you peace. Erik Lehnsherr: Peace was never an option.

V for Vendetta (2005)

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The Parliament goes ka-boom!

Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot… – Evey

The Young Victoria (2009)

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Love rules all. Queen Victoria & Prince Albert.

Now, this movie has not been released yet but based on the trailer, looks like All Things To All Men would have a TON of great London scenes (and gorgeous Brits), especially the ones in the London Eye! I’m a bit obsessed with that Ferris Wheel, if I lived in London I probably would go on there every weekend, ahah.

AllThingsToAllMenLondonEye
Toby Stephens in a scene at the London Eye


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Well, hope you enjoy my favorite London scenery in the movies. Certainly it’s not a comprehensive list by any means, so please feel free to add YOUR own favorite in the comments.