TCFF 2017 Reviews: Little Pink House + The Ballad of Lefty Brown

There aren’t enough days in TCFF to post all the reviews. In fact, I still have a few more TCFF reviews coming your way next week, which will be interspersed with new release reviews such as Only The Brave, The Foreigner and The Snowman.

Thanks to TCFF blog contributor Andy Ellis for these reviews. Definitely something to check out when it’s released near you.

The Ballad of Lefty Brown
review by Andy Ellis

If there is one thing that makes The Ballad of Lefty Brown stand out from other westerns it’s Bill Pullman‘s performance. The story itself is a different take on the revenge-type western, because the underdog takes center stage. Lefty Brown (Pullman) witnesses his partner get murdered in front of him, and vows to find the men responsible.

For a western it’s great. There’s plenty of gun fights and suspense to go around. And there are definitely scenes that allow the supporting cast to shine. Peter Fonda plays Edward Johnson, Brown’s partner, and does a great job with the limited screen time he has. Kathy Baker is great as his wife Laura playing a woman is suddenly dealing her husband’s death, keeping the farm going, and finding out who killed her husband. Tommy Flanagan shines as the hardened Federal Marshal Tom Harrah and a longtime friend of Johnson and Brown, who is still trying to overcome a tragedy from his past. Jim Caviezel and Diego Josef also have great supporting parts that make for very memorable scenes.

This, however, is Pullman’s film. If there ever was role that would should garner him some sort of acclaim from critics and awards voters, this would be it. He transforms into Brown, a sidekick with a who no one sees as someone who is capable of successfully avenging his partner’s death. He’s got a bad limp so he’s not always the smoothest at moving, may be mentally slow, and other peculiarties as well.

He overcomes all of that, with a few missteps along the way, with a determination to get justice for his friend. Even with everyone telling him someone else will take care of it, he’s going to get it done or die trying. Everyone can come along for the ride if they want.

Yes, the story is about revenege. But it’s also about one man with a really big heart. And despite all the obstacles in his way won’t even let the possibility of death get in the way of getting justice for his partner, a man who gave him everything.


Little Pink House
Review by Andy Ellis

Academy Award-nominated actress Catherine Keener (Get Out, 40-Year-Old-Virgin) may find herself in the running again with Little Pink House. Adapted from the book Little Pink House: A True Story of Defiance and Courage by Jeff Benedict, it’s centered around Susette Kelo (Keener) and the events that led up to the U.S. Supreme Court’s 5-4 decision in the Kelo vs. City of New London. The decision allowed the government to bulldoze neighborhood property for the benefit of a multibillion-dollar corporation.

The story consists of many characters, but there are two that stand out the most: Keener and Jeanne Tripplehorn who plays Charlotte Wells. She’s hired by the governor of Connecticut to convince the citizens of New London to let the government buy their homes. Tripplehorn delivers a great performance as Wells who is undeterred by any obstacles put in her way, but you still really hope she fails.

Keener, who resembles the real-life Kelo pretty well, delivers a great performance of a woman starting over. She just wants to be able to live in her home, but when Wells and the government try taking that away she’s determined, passionate, and rarely loses her composure.

These two women lead a talented supporting cast including Aaron Douglas, Miranda Frigon, and Callum Keith Rennie. They and many others all contribute special moments to the film.

The fact that this is a true story makes it that much more powerful. It’s a story about defiance, courage, and hope. Despite its outcome, this is a movie that have you cheering from your seat.


Have you seen these films? Well, what did you think?

 

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Twin Cities Film Fest 2017 has wrapped! Check out the list of winners!

It’s one for the books!

The 8th annual fun-filled cinematic marathon has officially wrapped last night with yet another festive closing night party.

Pardon the lack of post yesterday as it was literally an extremely jam-packed day and I’ve also been hit with a bit of a cold and cough. Every single TCFF staff and volunteers pretty much ran on adrenaline around the 11-day film fest, but hey, time still flew when you’re having a great time!

The best part of covering TCFF is discovering new films, filmmakers, and talents. And boy, just in the last two days of the fest, I saw three of my top 5 films…

The three films may seem very different on the outset in terms of setting and plot, but they actually have similar themes of letting go of the past, growing up and celebrating life for what it is. The female-led Instructions For Living, directed by Sarah Heinss based on a script by Heinss and Morgan Owens, deservedly won the Audience Award for narrative feature.

Writer/Director/Actress Sarah Heinss, Writer/Actress Morgan Owens, Actor Drew Paslay, and Producer Maggie Hart were at the red carpet, interviewed by our host Amanda Day, on the first screening of the film on Saturday 10/21.


Two of my fave films starred this year’s Indie Vision Breakthrough Award recipient Josh Wiggins, who’s absolutely phenomenal in both films, playing the teenage son of Matt Bomer in Walking Out and J.K. Simmons in The Bachelors. This 18-year-old young man certainly showed an incredible range as well as screen presence. I think people will hear more of him in the future and I’m glad to say I first saw Josh at TCFF and got to talk to him a bit at the after party.

Here he is being interviewed by one of our awesome hosts Rachel Weber before the Walking Out screening:

On the festival’s closing day, TCFF also honored actress, and Minnesota native, Rachael Leigh Cook (who’s the lead in the modern adaptation of A Midsummer Night’s Dream) with the festival’s coveted North Star Award.

 

On Saturday I started the day with learning from great filmmakers!

Two of those filmmakers’ films are one of the finalists for Best Feature Film award, Alex and Andrew Smith for Walking Out and Kurt Voelker for The Bachelors.

TCFF announced its 2017 award winners Saturday evening, recognizing films in ten top categories. The 11-day event showcased more than 140 titles — 60% of which were directed by women — and facilitated a broader conversation around the social cause of addiction (our theme for this year’s Changemaker Series)

The full list of 2017 award winners:

  • Best Feature Film: “Three Billboards Outside Ebbing, Missouri,” directed by Martin McDonagh.
  • Best Documentary: “Human Flow,” directed by Ai Weiwei
  • Best Short Film: “Cat Killer,” directed by Wes Jones.
  • Audience Award, Narrative: “Instructions For Living,” directed by Sarah Heinss (Runner-Up: “Aquarians,” directed by Michael M. McGuire)
  • Audience Award, Non-Fiction: “Coyote,” directed by Thomas Simmons (Runner-Up: “Victor’s Last Class,” directed by Brendan Brandt)
  • Audience Award, Short Film: “Hearts Want,” directed by Jason P. Schumacher (Runner-Up: “Wet Dreams: One Woman’s Chance at Touching Gold,” directed by Darren Coyle)
  • Indie Vision Breakthrough Award — Narrative: Madelyn Deutch (screenplay, “The Year of Spectacular Men”)
  • Indie Vision Breakthrough Award — Non-Fiction: “8 Borders, 8 Days,” directed by Amanda Bailly
  • Indie Vision Breakthrough Award – Best Performance: Josh Wiggins (“The Bachelors” and “Walking Out”)
  • Fun Is Good Bill Murray Comedic Shorts Award: “Lady Lillian,” directed by Amber Johnson
  • North Star Award for Excellence: Rachael Leigh Cook

TCFF 2017 Changemaker Award: Lexi Reed Holtum, executive director and lobbyist of the Steve Rummler Hope Network, for her work advocating on behalf of Steve’s Law and the 2015 state funding that enabled first responders to have the resources they need to implement the law.

Congrats to ALL of the TCFF 2017 winners!!

You can watch the video of the awards ceremony on FB by clicking the image below (the LIVE video cannot be embedded here)

Of course THIS was the biggest surprise of the night… at least for me!

Apparently the TCFF Award Finalists were announced on Friday 10/27 afternoon, but I didn’t check it until much later. To be a finalist amongst these great short films is just unbelievable… I’m still pinching myself!!

Best Short Film: “Afterword,” directed by Boris Seewald; “Cat Killer,” directed by Wes Jones; “Hearts Want,” directed by Jason P. Schumacher; “Resolutions,” directed by Tamara Fisch; and “Sundogs,” directed by Elizabeth Chatelain.

We didn’t win Best Short but as you can see in the picture above, we did win the Audience Award, woot woot!! That’s a second one for our director Jason P. Schumacher, his short film Sad Clown won the Audience Award in 2014.

Most of our cast/crew reunited on the TCFF red carpet on Thursday 10/26

I was a nervous wreck on the red carpet as you can see below… but hey I survived 😉 Check out Jason’s blue hair for Halloween, inspired by X-Men’s Mystique!

I’m so thrilled to have my dear friend & Hearts Want‘s lead actress Sam Simmons in town for the main TCFF premiere! She flew in from L.A. just hours before the red carpet and looked stunning as ever. So fun seeing Sam reunited w/ her co-stars Peter Christian Hansen and Noah Gillet last Thursday. I gotta say our short film’s cast are VERY easy on the eyes aren’t they? And they’re all so darn talented and fun to work with, too!

 


Here are some of the pics from Hearts Want‘s red carpet on Thursday night. Thanks to Dallas Smith, TCFF’s lead photographer for some of the photos.

See the recap of TCFF festivities in images
(again thanks Dallas & team) in Smugmug.


Well the film fest may be over but I’ve still got a few more reviews I’ll be posting in the coming weeks (Ruin Me, Flora, Walking Out, The Bachelors, etc.) as well as my interviews with the filmmakers from Darcy, actor Adam Ambruso, and more!). For a daily recap with reviews/interviews, etc., check out the TCFF page.

We’ll be back for TCFF 2018 next October!

 

TCFF 2017 Reviews: Three Billboards Outside Ebbing, Missouri + Blue Balloons

It’s just two days left in TCFF and I’m playing catch-up with posting reviews! You might’ve noticed I’ve got to post a couple of things in a day at times… too many films too little time (both to watch and to review!)

Well, below are couple of reviews from Day 6 and 7.

Three Billboards Outside Ebbing, Missouri
review by Andy Ellis

It’s described as a dark comedy, but writer and director Martin McDonagh’s newest film, Three Billboards Outside Ebbing, Missouri, has a lot more to offer. The film, led by Frances McDormand who plays Mildred who causes some small town chaos by using three billboards to ask local officials why they haven’t found her daughter’s murderer and rapist yet.

A subject such as this must be treaded upon carefully, and it’s done very well here. The humor comes from the fact that none of the characters hold anything back. Mildred has has no problem telling the local priest how she really feels, or anyone else for that matter. Sam Rockwell shines as Dixon,  a small-minded Sheriff’s Deputy with a short temper ends up costing him dearly in one key scene. If there’s a character who keeps his calm the best in the story it’s Willoughby, played by Woody Harrelson, the main target of Mildred’s billboard messages.

It’s also a film with a lot of heart in it as well, and it helps round out the characters. One scene causes causes Mildred to switch moods so fast you’ll realize that beneath that pissed-off no-nonsense barrier is a mother that just wants her daughter back. And this role may even earn McDormond some awards recognition, and then same goes for Rockwell.

The rest of the cast rounds out the story pretty well, too, with each one getting their own chance to shine—and they do. Lucas Hodges plays Mildred’s son Robbie who isn’t all on board with his mom’s methods, and Abbie Cornish plays the Sheriff’s wife Anne. Caleb Landry Jones has great scenes as Red Welby the owner of the billboards, and Peter Dinklage has a very small but memorable role. John Hawkes plays Charlie, Mildred’s ex-husband, and Samara Weaving steals the show a couple times as Penelope, Charlie’s young girlfriend.

This film is a great mix of everything, and throws more than a few a surprises in there as well. The acting is superb and it’ll leave you wanting more. Now if only more films would grab a hold of you like this one did.


BLUE BALLOONS
Review by Ruth Maramis

This is one of the films with a Minnesota connection that I actually didn’t know much about. So I pretty much going in blindly about the story, other than the fact that the story deals with a terminal illness.

Right from the start, this film feels deeply personal. I’m not sure if that’s the case, but Blue Balloons is an honest, realistic story about a family gripping with the complexity of cancer. Written, directed and produced by Emily Troedson, who also acts as the eldest daughter Claire of the Kippson family, the story is told from her perspective. I like that it paints the day-to-day life of the family in a matter-of-fact, candid way… especially in the way Claire is questioning her faith and her existence in a devout Lutheran community.

Chari and Emily in Blue Balloons

The film’s pacing is a bit slow and really tries your patience at times. I have to say some of the acting by the supporting cast aren’t convincing (crying with no tears visible??), but overall it’s a well-crafted piece with genuinely poignant moments as well as interesting artistic choices. I wish there were more mother-daughter relationship being explored here, though I think the dynamic of the family is portrayed pretty well.

Chari Eckmann as Joanne

I connected most with Emily’s character and she did an amazing job juggling so many roles in the film. Being a daughter who dealt with an ill mother at a young age, there are parts that was hard to watch for me. I also have to commend Chari Eckmann‘s performance (as the cancer-stricken Joanne), her emotional transformation and deterioration throughout the film is believable.

Glad to see so many talented writer/director like Emily having their films at TCFF! I sure hope she continues to make films in the future.


There’s more films and festivities to be had at TCFF!

 

TCFF 2017 Interviews: TWIN CITIES’ writer/director David Ash and RUIN ME’s actor Alex Galick


It’s already Day 9 of the film fest! Whew, time sure flies when you’re having fun! Science, Relationship, Horror … definitely there’s something for everyone in today’s lineup!

We had the privilege of getting the insights from the people involved with two of the feature films playing today, Twin Cities and Ruin Me. So check ’em out below:

“Salvaging a marriage takes time and trust, two things that John and Emily no longer have. Emily is a writer with a career threatening case of writer’s block and deadlines approaching. The pressure to finish her novel grows when John sinks into depression and quits his job … right before their first baby is due.

As they head toward a mutual meltdown, John is given a terminal diagnosis that forces him to reassess his life and attempt to save his marriage—before it’s too late. However, inner peace proves elusive, the marriage might be too far gone, and John’s life may not be what it seems.”

At a glance, a film dealing with a troubled marriage, wife suffering from writer’s block, depressed husband haunted by his past, it sounds like a downer. But Twin Cities is actually a pretty entertaining film with plenty of humorous moments. It’s actually a lot funnier than you think, but also has a lot of poignant moments and spiritual matters that would make you ponder about your own life. Plus there’s also an interesting twist you won’t see coming. 

David Ash on set

Twin Cities is actually a sequel to David Ash‘s feature film debut 2021 (which premiered at TCFF a couple of years ago). Clarence Wethern and Bethany Ford were both in 2021, and they’re both excellent in the lead roles in this one as well. They both balance the dramatic and humorous moments wonderfully, Clarence has such a natural comic timing that’s fun to watch.

Clarence and Bethany in a still from TWIN CITIES

The leading man of my short film Heart’s Want, Peter Christian Hansen, also have a supporting role in this film. I can’t say too much about his character without giving too much away of the plot though, but he’s a terrific addition to the cast. Hearts Want‘s director Jason P. Schumacher also produced this film and did the extras casting as well.

Q: What would you say are the main themes of the film?

Q: When you finished ‘2021’ did you already have a plan/concept to make a follow-up to that?

Q: Did you have a lot of prep work with your two lead actors despite having done a film together before?

Q: Tell me a bit about your decision to cast Peter Hansen in the role of David?


THANK YOU David Ash for chatting with me about TWIN CITIES!

There is a TCFF screening tonight at 8:45 that’s sold out, but there’s a RUSH LINE so if you get there in time you just might be able to see this film on the big screen.


Thanks Laura Schaubschlager for this interview article with actor ALEX GALICK from Ruin Me:

Horror movies can be polarizing. It seems like there are either hardcore fans of the genre, or people who are too scared to watch even the cheesiest of slasher films, with very little middle ground. However, independent film Ruin Me (written by Trysta A. Bissett and Preston DeFrancis) has the potential to appeal to both sides. Since its premiere in August, the movie has received overwhelmingly positive responses from audiences at nearly twenty film festivals (including London’s FrightFest and Los Angeles’s Screamfest-the longest running horror film festival in the U.S.), several nominations and awards, and a current IMDB rating of 7.8 (an exceptional score for a horror movie).

I had the opportunity to chat with Alex Galick, Ruin Me cast member and local actor, to discuss the film, his involvement in it, and the horror genre as a whole.

While on the surface, Ruin Me is a traditional horror film with familiar tropes, there’s more to (what Alex and others involved in the film call) this “sophisticated slasher” than meets the eye. “It definitely pays homage to the genre,” Alex explains. “But the focus is less on the jump scares and gore and more on mystery and character.” Despite the story taking place at an extreme event that is essentially a horror movie-themed camping trip, the movie itself is more of a psychological thriller. The main character, Alexandra (Marcienne Dwyer), is not just the stereotypical “final girl,” but a multifaceted character with a complex background. “[She] has a checkered past that may or may not be involved with what’s happening,” Alex hints.

As for Alex’s character (listed only as “The Skinny Kid” on IMDB), you’ll have to see the movie to find out more, as going into detail might give away some spoilers. “What is it Jeff Sessions says? ‘I plead the fifth,'” Alex laughs. “I can’t give you the skinny on The Skinny Kid.” It sounds like his portrayal of this mystery character will be quite the performance, though; while the filmmakers were originally thinking of casting someone from Muskegon, Michigan (where Ruin Me was filmed), they were so impressed with Alex’s reel that they decided to go with him instead, even though it meant having him regularly make the nearly 9-hour drive for filming.

Ruin Me isn’t Alex’s first venture into horror. His first professional film role was in the 2013 thriller Fractured (starring Vinnie Jones and Callum Blue), and more recently, he wrapped on the upcoming horror comedy Ahockalypse, which was filmed here in Minnesota. While he isn’t necessarily a horror fan himself, he’s developed an appreciation for the genre through his work in it. “I think horror has an amazing fanbase,” he says. “The people who love to watch horror love it in a way I don’t think other genres enjoy…I have a great respect for the roller coasters these films take us on. They create visceral experiences, and that’s translatable, I think, across cultural boundaries.”

Based on initial responses, it sounds like Ruin Me will be a similar cinematic roller coaster experience. While the film may subvert some tropes, the writers were still very loyal to the horror genre, spending nearly five years researching and putting serious effort into making this something die-hard horror fans will appreciate.

Those of you in or near the Twin Cities have two chances to catch Ruin Me during TCFF at the Showplace ICON in St. Louis Park:

Thursday, October 26th at 10:15 PM and
Saturday, October 28th at 11:00 PM.

Get your tickets here


What’s in store for Day 10!

There are still a slew of great films playing in the last two days of TCFF! Some are starring Oscar winners (J.K. Simmons in The Bachelors) and Oscar-worthy films such as Darkest Hour (starring Gary Oldman as Winston Churchill).

Stay tuned for even more daily TCFF coverage!


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TCFF Reviews – ‘Legends of the Road’ doc + various short films in Comedy, Thriller, Global Perspective & Documentary short blocks

We have passed the halfway mark! What a hectic, whirlwind week it has been. I spoke to TCFF Managing Director Bill Cooper the other day and he said something about all the staff having ‘festival brain’ and that’s definitely how I feel. I’ve watched so many films it’s kind of a blur!

Thankfully I have awesome guest bloggers to help me out… such as Sarah Johnson who’s helped me with reviews of the short films, as well as the Legends of the Road documentary. Being a huge baseball fan, that’s the one Sarah couldn’t wait to see!

So here are her reviews:

Full disclosure: I am a big baseball fan and love the game’s history so am not the most unbiased person to review “Legends of the Road” and therefore I will not be giving it a rating. However, as soon as I saw this movie on the schedule I knew I wanted to see it. As a reviewer often has to see and objectively review movies that may not be appealing to them personally, I felt the opposite could also be true.

The film itself is well done, directed and edited by award-winning documentarian Gary Thomsen, who also happens to be a former Seattle teacher. It tells the extraordinary story of Thomsen’s students from Chief Sealth High School in Washington and their classroom project: to uncover the history of barnstorming, a baseball phenomenon from the early 20th century where all black teams traveled throughout the country playing in money tournaments against local white town teams for a cut of the gate. The project then culminated in a summer long re-creation of this era with a 5,100 mile, 71 day trip done on bicycle while playing 33 games along the way.

These ballplayers (some may have heard of the most famous ones including Satchel Paige and Josh Gibson because they also played in the more well known Negro Leagues) helped dispel the notion of white supremacy, not just on the field, but in society, leading Martin Luther King to say that “they laid down the first plank in the civil rights movement.” This is where the film really shines – the story is about much more than baseball. Former Negro Leaguer Buck O’Neil, who came to national prominence with his vivid descriptions of black baseball in Ken Burns’s PBS documentary “Baseball,” is also one of the stars of this film. “This is about the history of our country,” O’Neil says at one point.

One of the other large aspects to the film is another thing that is not new: adults underestimating what kids can accomplish and bureaucrats not in classrooms dictating how students should be taught. “This is not part of the curriculum, nor is it part of anything I’ve seen in vocational education. I don’t understand why you want to do this,” June Rimmer, the chief academic officer for Seattle Public Schools, said. I’d like to check back with the students involved in this project in 20 years and hear their memories on their breadth of work that was “not part of the curriculum.”

For this project, students conducted all of the research, honed public speaking skills to make presentations to companies in the hopes of securing sponsors for the trip, managed logistics of food, lodging and game preparation…as well as shot footage to be used in the documentary. There were two distinct groups of students involved with the trip – those on the logistics and production side and the baseball players who rode bicycles from town to town (often covering more than 100 miles per day) and then played in games throughout the trip. “It was incredibly challenging logistically,” Thomsen says at one point. Gee, you think? At one point I began to wonder if young people could have been the only ones to pull this off – the movie doesn’t mention anything about how (if at all) the bike riders went about training for this adventure. Perhaps that’s something you don’t need to worry about when you’re in high school – oh, to be young again.

The film is very comprehensive in covering all aspects of the project, from the origination of the idea to the celebration at the Negro Leagues Museum in Kansas City at the end of the trip. Just because I’m a fan of baseball history, the one thing that left me wanting more was the end product of all of the research – where did all of that information end up? I’m assuming it was sent to the Baseball Hall of Fame but even a mention of this at the end of the film would have helped. Baseball fans will certainly appreciate “Legends of the Road” but other audiences should also enjoy this addition to our nation’s ongoing conversation on race and education.

Bob Kendrick, the president of the Negro Leagues Museum in Kansas City, being interviewed by TCFF host Amanda Day

SHORT FILMS reviews

Humbug

“Humbug,” the short film highlighting those with no holiday spirit, will appeal to those who greet that time of the year with dread. As I am one of those people, I appreciated the premise of this seven minute piece. When Scarlet (Jessee Foudray) crushes a gingerbread cookie offered by her peppy neighbor Betty (Milly Sanders, also the writer), Betty decides to embark on a series of steps worthy of a horror film to change her mind. “We’ll have to do this the hard way,” Betty calmly tells Scarlet.

The scenario is well played by both actresses and the mix of over-the-top Christmas imagery and ghastly bodily functions will satisfy those who have had enough December cheer to last a lifetime. The ending was a little too convenient for me but overall this short film is an entertaining one.

Girl Meets Roach

I have reviewed full length and short films for the Twin Cities Film Fest for several years and sometimes I come across a piece of work that I’m not sure if it was meant to be reviewed. Such is the case with “Girl Meets Roach,” the 17 minute short film by brother and sister team Alison Zatta (Writer and Lead Actress) and Christopher Zatta (Director). In his bio, Christopher writes that he formed King Fish Productions as a platform to write and direct independent material.

I can only hope that they are using “Girl Meets Roach” as practice to hone their skills. The premise and execution of this story are entirely cliché – girl gets dumped by her boyfriend, we cut to obligatory scenes of her listening to old messages while moping around her house, the best friend comes over, the jilted girlfriend plans revenge…it just goes on. I appreciate the role of film festivals to support new work by independent artists and hope “Girl Meets Roach” was merely a practice turn to get experience in this field.

Afterword

Describing “Afterword,” Director and Co-Writer Boris Seewald explains it as “A film about loneliness, self-discovery and one person’s pursuit of glory. It examines not only the wider journey of appreciation, but also the need to be heard by those who love and loved you, and the need to be heard by yourself.” Lofty goals for a ten minute short film.

What follows is a woman (Marama Corlett) bringing you into her world of philosophical ramblings on…well, pretty much anything. (One line in this film is “if you are a bird, watch where you poop.” I am not making this up.) The only highlight is the performance by Corlett – with her pageboy haircut, red beret and piercing stare she admirably draws you into her stream of consciousness. The rest of it still has me baffled.

Tagati

“Tagati” Director Bill Haley is upfront about his short film being a sort of trailer for a feature film based on the concept presented at the Twin Cities Film Fest. “The Sopranos” in a roadside diner is how I thought of the opening scene, as Aja (LaTonya Grant) meets with a hitman named only as Badass (Mark Simms) to do away with her husband.

It’s a peek into a stylish film noir thriller complete with pulsating music and expert direction. Trailers are supposed to get audiences interested and excited to see the full length movie – this piece certainly succeeded.

Marieke

“It’s not just a piece of cheese.” While there have been negative consequences about the advent of the internet and social media, one of the fun things has been the ability for people skilled in a particular niche to connect with others who share their passion. Such is the case in “Marieke,” the seven minute short film by Director/Editor Thomas Johnson, who profiles acclaimed Dutch gouda cheesemaker Marieke Penterman from Thorp, Wisconsin.

I am not a cheese connoisseur but I can relate to one’s appreciation for the finer aspects of a certain hobby or profession. (I am a big baseball fan and could spend all day talking about it.) Penterman cheerfully takes you into her cheese adventures, explaining how her cows have personality and the process that goes into hand painting a skin around the yellowish rounds to preserve it but still let it breathe. “Marieke” was a refreshing look into her world.

Science Olympiad

High school was a long time ago for me so watching films like “Science Olympiad” give me hope for the next generation. It not only features teenage students, it was also made by a teenage student, 17 year old Elise Tsai from the Twin Cities. She focuses on an extra curricular activity in which teams of 15 students compete in 23 events involving science, technology and engineering. The film focuses on Mounds View High School (a suburb of Minneapolis) and their incredibly successful team – winner of 11 state championships and five consecutive top ten finishes in the nation.

“You have to spend a lot of time looking up parts, trying them out and if it doesn’t work you have to try it again,” one student says. Seems like the work you need to put into anything in life to succeed. (Indeed, at the end of the film it notes that one of the participants is going to be studying Chemical and Biomolecular Engineering at Johns Hopkins University.) Although their creations are fascinating, the kids are really the stars of the show and their positive energy and enthusiasm is infectious. As one student says, “at its core, it’s just fun.”

Double talk

What a delight this film was on a familiar but rarely highlighted craft! In “Double Talk,” director Jessica Bernstein-Wax features the work of Spanish actor Joan Pera, who has worked as an onscreen dubber for famous actors, most notably Woody Allen. Often denigrated as the ugly stepchild in the film industry, it’s clear Pera takes pride in his craft, especially in the scenes with his son who also works in the same line of work.

He and his son enjoy a friendly rivalry when the father is called in to dub some of his son’s work. “There’s always room for improvement,” the son says, critiquing the job his father did. “In my case it’s hard,” the father replies. I don’t speak Spanish (or Catalan, the regional dialect also featured) but, having seen many Woody Allen films, it’s amazing how Pera replicates Allen’s voice intonation and mannerisms. Bernstein-Wax’s first film has been well received, garnering the Jury Award for Best Short Documentary at the Sonoma International Film Festival earlier this year. I can see why.

The Courtesy of Angels

Created by a French filmmaker, Valerie Theodore, “The Courtesy of Angels” has taken a universal story around the world. It tells the story of Louise (Delphine Theodore), a young caretaking assistant, and her interactions with an amnesic old man, Mr. Vadim (Andre Oumansky). This short film is in French with English subtitles.

The theme of interconnectedness among generations is global and I found myself drawn to one of the movie’s main lines – “well being is the courtesy of angels.” Theodore ably highlights the fragility of life and good health, something that translates in any language.

Tourvall II: Into the darkness

I’ve said before in doing reviews on short films that sometimes I’m amazed how filmmakers are able to create a fully developed plot in under ten minutes. At only seven minutes, at first I felt that Writer/Director Sean Skinner’s “Tourvall II: Into the Darkness” was taking too long to get to the point. After watching the entire piece, I came to the conclusion that there isn’t a point. But to the film’s credit, that didn’t make it any less entertaining.

We see Sven Skarnestad (Mick Karch) visiting former pro wrestler Tourvall “The Terrible” Johannsen (Joe Berglove) on his deathbed and reliving some of his past glory. The film aptly spoofs the crazy world of professional wrestling and the interjection of Jorge Gundersen (Edward Linder), an eager convalescent home employee, was an unexpected and amusing touch. (As Sven is sitting bedside, Jorge hands him a brochure and says, “Please take a moment to fill out the survey. We would love to your Yelp review. We’re also on the Twitter: #notjustaplacetodie.”) Silliness for sure, but what’s wrong with that?


Hearts Want’s premiere

Hearts Want‘s main TCFF premiere is today, Thursday 10/26 at 5pm (with red carpet interview at 4:30). There are a few tickets left for tonight, but act fast before they’re gone. Click on the banner below to get tickets.


Coming up tomorrow…

Two Minnesota-connected films are playing back-to-back tomorrow night… Twin Cities is actually produced by the director of Hearts Want, Jason P. Schumacher!

Stay tuned for interviews with writer/director of Twin Cities David Ash and one of the main actors of Ruin Me, Alex Galick.


The daily TCFF coverage continues… 


TCFF 2017 Day 4 – Two great film panels + Reviews of ‘Beauty Mark’ and MN-made drama ‘Cold November’

Saturday was a jam-packed day for me. I’m bummed that I missed the early Filmmaker Brunch as I wasn’t feeling well so I overslept (hey bloggers are humans too!), but my morning started with two great film panels, part of TCFF’s free Educational Programs!

The first panel was on Making, Distributing, Marketing & Watching: What’s the Impact of Digital? at 11:00am

Like many industries, the business of TV and Film distribution is certainly changing due to digital – whether you’re watching on your phone or tablet, dropping the cable package, making a web series or seeing a film online at the same time it’s in theaters…the landscape is shifting quickly.

I learned quite a few things from this very insightful panel… these are just small sampling:

  • Don’t create films in a vacuum
  • Make a beautiful film you believe in and passionate about, but also marketable
  • Marketing/PR is critical for film distribution even if your film is already on iTunes or some other platform, simply because most people don’t even know it’s there


The second panel is one I’ve been looking forward to as I’ve become a filmmaker myself this year…

Film Fatales in the Twin Cities

Members from the newest chapter of this global collective of female feature film directors discuss the power of collaboration in the fight for gender equality within the film industry. 

It’s so inspiring to learn from Lisa Blackstone, Melissa Butts, Norah Shapiro,Missy Whiteman, and moderator Melody Gilbert. Thank you for sharing your stories and experiences making films, and for inspiring aspiring filmmakers like me to keep on keeping on and not to give up on my dream of making my feature film one day!


Here’s my quick thoughts on the two films I saw on Day 4…

This is the kind of heart-wrenching films that’s hard to watch at times, but you’re glad you did. Inspired by true events, it’s a story of a poverty-stricken young mother forced to move out of her condemned house. Anchored by a harrowing, bravura performance by Auden Thornton, the film transports you into her painful reality of a life and forces you to wake up from your comfortable confines of your own.

The protagonist single mother Angie can’t seem to catch a break… taking care of her toddler son and alcoholic, overbearing mother with only sixty five dollars to her name. Slowly it’s revealed she has been abused as a child. As if that wasn’t tough enough, she realized he’s the only person with money she felt she could turn to.

Writer/director Harris Doran made you truly empathize with Angie despite some of her questionable decisions. It’s a truly gritty, upsetting and even haunting film that made you want to scream for the injustices the character suffers.

Spoiler alert (highlight to read) One thing I wish I didn’t see was the topless scene towards the end, given the topic against abuse and sexual objectification of women. Yes perhaps it’s a deliberate choice of the filmmaker, but I feel that there are SO many ways to show what the character does/show without actually showing it to the audience. It’d still be just as impactful IMHO because the character (and likely the actress playing her) has gone through so much in the film. That’s just my honest personal opinion anyways, others might feel differently about this.

In any case, it’s a well-made, phenomenally-acted piece that should be seen. I sure hope to see Aiden in more films as she’s definitely one of the best actresses I’ve seen in my years of covering TCFF.


It’s October, so Winter is definitely coming soon. No, I’m not looking forward to snow at all, especially during my commute. But watching this film makes me appreciate just how beautiful is the Minnesota Wintry landscape. The film centers on a midwestern matriarchy guiding 12-year-old Florence through the rite-of-passage of her first deer hunt.

Bijou Abas plays the young protagonist and this is her feature film debut. I learned that she was in an episode of In An Instant with Hearts Want’s lead actor Peter Hansen back in 2016. I thought she did a wonderful job giving a reserved but assured performance, where most of the time she has to communicate only with her facial expression.

I have to say being that I’m not into hunting at all (can’t even hurt a squirrel!), all I had to avert my eyes during all the deer skinning scenes. The scene of Florence all alone in the woods after she killed her first deer is also tough to watch for me. The rite-of-passage story is nicely-told, as well as the multi-generation familial connections. The story is supposedly told from Florence’s point of view, but I find the film’s lacking a sharp focus. Apart from her aunt Mia (Heidi Fellner), the supporting characters didn’t seem fully fleshed out. At 104 minutes, I also think the editing could’ve been much tighter.

Overall it’s a gorgeous film with a quiet grace. Filmed in Hibbing, Northern Minnesota, at times the film is so beautiful it could double as a Wintry skiing resort commercial. Kudos to writer/director Karl Jacobs (who also played uncle Craig) for creating a compelling MN family drama with a strong young woman that many girls can aspire to. At the Q&A afterwards, Bijou seemed really delighted to play the lead role and sounds like she, as well as everyone in the cast/crew, enjoyed making this, too!


What’s in store for Day 6

Boy, Monday is jam-packed with a ton of amazing films!! Four strong documentaries – ABU, Legends of the Road, Purple Dreams and She Started It. There’s also three feature films, Blue Balloons, Butterfly Caught and Three Billboards Outside Ebbing, Missouri.

I’ll post my interview for the indie drama Butterfly Caught later this week!

So, stay tuned to more daily TCFF coverage!


TCFF 2017 Day 3 – ‘Hearts Want’ first screening in the ‘Ties That Bind Us’ short block and ‘A Gray State’ documentary

Day 3 of the Twin Cities Film Fest is actually quite a momentous one for me… If you know me well or have been following my blog and/or Facebook you might’ve guessed why.

I took the day off Friday because I knew it’s be quite an emotional day for me, showing my artistic baby, my passion project I’ve been working on the past year to the public for the first time. We had a private screening to the cast/crew and our close friends, but to actually seen it on the big screen in an actual theater is another thing entirely.

The moment the first scene came on screen, accompanied by the score… I went a bit verklempt, naturally. There weren’t many people in the theatre, which is typical for an early afternoon screening, but I’m so grateful to my friends, coworkers and even fellow bloggers who did come out and saw it… you know who you are, your support means a lot to me guys!

Hearts Want’s leading man Peter Christian Hansen attended the Friday screening

The Ties That Bind Us short block itself is chock full of wonderful relationship-themed films. Kudos to our short programmer Josh Dahlman and Angela Andrist for the awesome film selections! Of course I’m biased as to which is my favorite (hey you’re always going to think your baby is the cutest, right?) but I was truly impressed with all the films within this block: All That Was Broken, Head Above Water, Hearts Want, Heath Takes a Trip, Deadbeat, Resolutions, and Sundogs.

I really love Heath Takes a Trip, which is about a famous writer who suffers a breakdown and goes on a road trip with a stranger. It grabbed me right from the get go (which is quite a feat since it played right after my own film). It was emotional, funny, beautifully-shot, with a dreamy-like quality that has its own twist. It reminds me a bit of M Night Shyamalan’s Signs at times perhaps because of the corn fields, but also because it made you think one thing but it turns out to be another. I love Arch Harmon in the lead, as well as Ted James (who’s also the writer/director) as the rather whimsical stranger.

Resolutions is an intriguing, brutally-honest slice-of-life story of two couples that takes place over one New Year’s eve. It starts out like a low key celebration but as the evening progresses, something is revealed that turns things upside down for one of the four characters. It’s a simple setup that packs an emotional punch with the right amount of smolder and tension. The acting is brilliant, especially Nadine Malouf as Frankie. It’s got a female director, Tamara Fisch, who I hope will continue to make more films in the future!


Honestly, I don’t think I could really properly review a film such as A Gray State. I didn’t know much about the events surrounding the death of David Crowley, an Iraq vet who’s a charismatic aspiring filmmaker. I was going to read this New Yorker article by Alec Wilkinson before we see this documentary, but I decided I’ll read it after. A few people sitting near me know the subject of the film so naturally it’s so emotional watching the film as I could hear sniffles all around. Since the filmmaker was based in Minnesota, I’ve seen some of the actors who appeared in the trailer of the feature film he wanted to make, called Gray State. In fact I took a photo with the main actor in that trailer, Danny August Mason, when his short film Windage played at TCFF a few years back.

I went into the film pretty much blind, and the way filmmaker Erik Nelson set up the film, he played up the conspiracy theory aspect. I think it’s best that you find that out for yourself why that is, which is rather obvious given the subject matter of making a film called Gray State. The film is set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government.

Erik Nelson is no stranger to doing a film about a grim subject matter, as he directed Grizzly Man. The film’s executive produced by Werner Herzog whom he frequently collaborated with. At the Q&A, Erik revealed that he combed through Crowley’s archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of David’s work in progress. It’s a heart-wrenching look at what looks like an ordinary family tackling an extraordinary project… but something along the way, something went horribly wrong. What actually happened and what people want to believe is at the core of the film and the lines between them are inherently blurry. It’s pretty riveting, unsettling and emotional film, one that will linger for a long time after you saw it.

Q&A with Erik Nelson – conducted by TCFF managing director Bill Cooper

Fun at Industry Night!

It was a warm Autumn night with temps in the 70s. Great to catch up with friends and some visiting filmmakers during TCFF’s Industry Night.

Stay tuned for my recap of a jam-packed Day 4 starting with two insightful film panels and two features, Beauty Mark and Cold November, back to back.


What’s in store for Day 5


So, stay tuned to more daily TCFF coverage!


TCFF 2017 Interview: VICTOR’S LAST CLASS’ Director/Producer Brendan Brandt

One of the many intriguing documentaries playing at this year’s TCFF is Victor’s Last Class, documentary about an acting teacher getting ready to end his life, and a student who attempts to change his mind.

Our blog staff Laura Schaubschlager talked to producer/filmmaker Brendan Brandt on the journey to making his film, where along the course of the project became more than just a filmmaker asking why, but became a close friend trying to change his new friend and mentor’s mind.

1. How did you discover Victor and his blog (and, subsequently, his announcement of ending his life)?

I’m an actor in Los Angeles. I was at a cast party after having just closed a play. The host of the party was a little upset, and when I asked why, he told me that his friend Victor was getting ready to kill himself in two weeks, and he didn’t know what to do.
I was fascinated with the story and asked if Victor would be willing to meet me. I just wanted to talk to him. Before we met, I read all his blogs and got a sense of who he was. At some point right before we met I got the idea to document his story in some way. So I pitched him the documentary idea sort of on the fly.

2. Why were you compelled to make this documentary? How did you hope to challenge Victor’s decision through filming this?

“Why was I compelled” initially is tough to answer. I’m not great at psycho-analyzing myself so there may be some subconscious stuff going on that I’m unaware of. If I was forced to guess I would say I had never truly experienced a death at that point in my life (other than losing a grandpa and grandma). I hadn’t lost a close friend or parent, so I think I was perhaps a little curious about it. That was at first. Then after I met Victor, I bonded with him in a very intense way, and I was compelled to “save” him. I had a mission, to talk someone out of killing themselves. I think that’s how I saw it after awhile.I hoped to do it by asking him some super smart questions. I was on a righteous mission! It sounds incredibly naive and a little arrogant to me now, but I really thought I could get into the philosophy and logic behind the decision and perhaps find a flaw or crack. I was convinced there was a chance to unlock some previously undiscovered angle, and when we fully looked at it, we could come to a different conclusion.

3. Last year, Jojo Moyes’s book Me Before You, which deals with the issue of assisted suicide and ending one’s life due to lifelong medical struggles, was adapted into a major motion picture. Have you read the book or seen the movie, and if so, how did you feel about the depiction of this situation after going through it yourself?

Oh man, I was not aware of that book or film. I will check it out when I’m ready to have a good cry.

4. Victor stated in the documentary that he didn’t believe ending one’s life has to just be due to physical pain (he gives the example of someone losing a wife and child in an accident and not being able to go on), but didn’t feel knowledgeable enough to say it would extend to mental illness.

What do you think? How do you feel it extends (or doesn’t) to mental illness? Where do you think the limit is?

Great question. Let me preface this with I don’t have a clear, concrete answer. One of the main lessons I got from this experience was that life is less ‘black and white’ and more ‘grey’. So you have to take it on a case by case basis. We can do a better job of seeking help for mental pain, and we can do a better job of treating mental illness. I didn’t like Victor’s car accident analogy in the moment. That seemed like an injury that, while horrific, would slowly, at least partially, heal with time, and deciding to die before giving it a chance to partially heal would be unwise. Maybe after 10 years, with no improvement in mental health, still devastated and unable to cope, I would be more willing to accept that.

All that being said, mental pain is often worse than physical pain, and ultimately an individual should be in charge of their own life. So, if a mental health expert could determine that someone who is suffering extreme mental pain and wants to die is not “crazy”, I would probably accept that. The main point would be to make sure they talk about it with experts and loved ones, and that we would get a chance to really explore that decision.

5. After going through all of this with Victor, what advice do you have for anyone who has a friend or family member considering ending their lives due to chronic pain or illness? You state toward the end of the film that while you understand his reasoning more, you still don’t agree with his decision; how do you come to terms with those conflicting feelings?

My advice would be to make sure you listen to the person. I’m very grateful I got to have this experience with Victor. And he was grateful I gave him that experience because we got to really investigate every facet of that decision. It was good for both of us, and I think it’s a healthy process to go through. Tell the truth, listen, question, and seek to understand. Not to be nit-picky, but I said: “I still don’t know that I agree”. I think that’s an important distinction. It goes back to my ‘things are grey’ point. I can’t say what he did was right or wrong. I don’t want to say that. But I do want people to look at it and think about it, and maybe make up their own mind.

When I made that comment toward the end of the film, I was hurting. I thought I made a pretty strong case to continue on. It was a little selfish of me to be honest. He was making my life better, and I didn’t want that to stop. It’s taken time and a lot of reflection, and the conflicting feelings are still there, but basically, at this point, I understand and accept. Wish it wasn’t the case, but I accept. Dealing with the conflicting feelings was interesting. As I spoke with his friends after the fact and heard their takes on it, I found myself swinging back and forth, and that continued for a while until I arrived at ‘there is no right answer. It just is.’


FILMMAKERS’ BIOS:

Brendan Brandt (Director/Producer), is a Los Angeles based actor who has been working professionally for the last twelve years in theater, film, and television. He’s appeared in prime-time dramas for CBS, sitcoms for ABC, Comedy Central, and CMT, and films that have been distributed by Netflix, Amazon, and Directv. In addition, he has been in over twenty commercials as a principal actor. His book “Waiting Tables, Dodging Bullets: An Actor’s Guide to Surviving Los Angeles” was published in 2010. Although he’s worked in the industry for twelve years, this is his first time directing a film.

Arielle Amsalem is an Emmy Award winning editor of feature length documentary films. After graduating from New York University’s Tisch School of the Arts film program, where she apprenticed under the editor Sam Pollard, Arielle started her career working on Spike Lee’s award winning documentary “When the Levees Broke” (2006), a film about the aftermath of Hurricane Katrina in New Orleans. She has since been the editor of many feature- length documentaries including the Edward Norton produced HBO documentary “By the People: The Election of Barack Obama” (2009) for which she won the Primetime Emmy for Picture Editing for Nonfiction Programming. She worked as a Producer on Jennifer Fox’s 6-part documentary series “Flying: Confessions of a Free Woman”, which premiered at Sundance and aired on the Sundance channel. Additionally, she has consulted on the production and distribution of many of the documentaries which she has edited.


What’s in store for Day 4

Today we are screening lots of movies, there is something for everyone!

Victors Last Class, Instructions for Living, Ice House, Coyote, Cold November, Chasing the Dragon: The Life of an Opiate Addict, Bill Nye: The Science Guy, Beyond the Trek, Beauty Mark, and two blocks of short films (Age of Innocence – coming of age stories, and True Life Inspired– documentaries).


Stay tuned for my Day 3 & 4 recap tomorrow

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TCFF 2017 Interviews: Lea Thompson, Madelyn + Zoey Deutch AND filmmakers/ musicians Jack & Kitty


There are SO many things going on during Twin Cities Film Fest! It’s fun to see filmmakers and talents coming to present their films and see them do the red carpet interviews! This year I’ve a couple of bloggers helping me out not just in reviewing stuff but also in doing interviews. That’s super helpful as I can’t be in two places at the same time (can someone invent something that enables us to do that?)

In any case, thanks to FlixChatter’s blog contributor Andy Ellis, we’ve got an interview with Lea Thompson and Madelyn and Zoey Deutch, her two daughters and fellow collaborators in The Year of Spectacular Men. So the film is Lea’s directorial debut based on Madelyn’s script and the three starred in the film together.

Andy w/ Lea, Madelyn & Zoey on the red carpet

Take a listen to Andy’s interview below:

 


I first met filmmaker Jack Norton when his documentary Jug Band Hokum was playing at TCFF in 2015. I’ve seen Jack & Kitty at various events and film screenings since, but it’s so cool to see them back at TCFF, this time as musicians!

Copyright 2017 Brizo Media Group

 

Jack and Kitty are high school sweethearts that play Organic Vaudeville and Jug Band Folk for All Ages. They are an Emmy Award winning musical duo that also makes critically acclaimed films and television. Based in Minnesota, they love to perform concerts nationwide and play a variety of folk instruments including: banjo, guitar, ukulele, washboard, jug, kazoo, harmonica, whizbang, rumba box and much more. The Minneapolis Star Tribune hailed them as “one of the most entertaining groups in the midwest!”

I remember that when I talked to Jack a few years ago how much he admired filmmaker Sean Baker (who made his breakthrough with his film Tangerine, shot entirely on an iPhone). So I’m so thrilled that he ended up working with him on his new film The Florida Project, starring Willem Dafoe!

Take a listen below on how the collaboration got started… and also specifically about their music.

Check out their Facebook page for events in the area and around the country. Subscribe to their YouTube page too, while you’re at it.

Watch them share their incredibly inspiring story of how they went from homeless to having four songs in THE FLORIDA PROJECT.

Jack & Kitty are the loveliest, funnest people you’d ever be blessed to meet, so thank you guys for chatting with me!


Stay tuned for another interview post tomorrow with Victor’s Last Class’s filmmaker Brendan Brandt … thanks Laura Schaubschlager!


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TCFF 2017 Day 2 – ‘A Midsummer Night’s Dream’ and silent MN-made b&w film ‘If Memory Serves’

WOW, Day 2 of the 11-day film fest has come and gone! I had to leave a bit early Thursday night for a prior commitment, but I did manage to see two films and also caught up w/ a friend & fellow film blogger Emmylou, who’s moved out to L.A. earlier this year.

Here’s my quick thoughts on the two films I saw on Day 2…


A Midsummer Night’s Dream is Shakespeare’s most popular stage work. In fact I just saw it recently at the Guthrie. I’m not a purist so I always enjoy seeing fresh interpretations of classic works, and setting it in modern-day Hollywood adds a layer of whimsy. Now, whether it works or not, I’d leave to Shakespeare enthusiasts, but I think this quirky adaptation is enjoyable even if it at times borders on the absurd.

Minnesota native Rachael Leigh Cook (who’ll be coming to TCFF at the second screening on closing night) plays Hermia who’s in love with Lysander (Hamish Linklater) and Lily Rabe plays Helena, who’s in love with Demetrius (Finn Wittrock). Interesting that before yesterday I didn’t know who Avan Jogia was, but I saw him two days in a row as he’s playing Puck here and he was in The Year of Spectacular Men. They retained most of the Shakespearean language, and as the film premise says… bold declarations, idiotic miscommunications and wandering amorous eyes feel right at home in the Hollywood setting where the studio honchos are practically royalty.

The film is more amusing than laugh-at-loud funny, though the literal interpretation of the character bottom (hard to get that actual butt head out of your mind!!). People who love Shakespeare AND Star Wars might get a kick out of this film. For me, it was a pretty enjoyable way to spend an afternoon, though it made me want to rewatch the dreamier 1999 version with Michelle Pfeiffer as a truly fetching fairy queen.


Now, THIS is the kind of movie I love to discover at film festivals! I don’t see very many silent b&w films, so seeing one that’s set in the Twin Cities by a MN-based filmmaker and crew is quite rare. I really love this one. I was quite swept away by its style, production design and the actors’ expressive faces. I even remember as I was watching, I looked around and wish more people had gone and seen this film.

Written and directed by MN filmmaker Andrew DeVary, If Memory Serves is a sweet, funny and sentimental tribute to the bygone era. A self-admitted Charlie Chaplin fan, he truly captured the simplicity and sweetness of the 1940s and there’s a poignant love story at the heart of it. The Cadet (Matthew Englund) and Mary (Morgan LeClaire) are two lovers who suffered a near-miss (I wouldn’t spoil how) and throughout the course of the film, we’re left wondering if and when their paths will ever cross again. DeVary created characters who are such delightful characters that it’s easy to root for them and want them to be together.

Photo courtesy of Andrew DeVary via Facebook

Most of the film is silent with only a couple of ‘talkie’ moments and during the Q&A, DeVary revealed the reason for that he likes the idea that ‘love allows communication to happen.’ I like the direction and pacing, which at an already swift 67 minutes never overstays your welcome. I also learned during Q&A that the film’s shot digitally in HD so it’s really to the editors’ credit that the film looked appropriately grainy and old school throughout, which adds to its inherent charm. Kudos to Simone LeClaire who’s the producer and production designer of the film. At a shoestring budget ($2300 bucks!) I thought the film looked believably set in the WWII period. I also adore the music by Twin Cities composer silent film composer Andy McCormick whose band Dreamland Faces often play live music for silent films.

I highly recommend this to classic film enthusiast, or even those looking for something off-the-beaten path. Given the subject matter dealing with love and memory, this is one film I’ll remember for a while and I hope it gets some kind of distribution so more people can see it! Check out the trailer below:


What’s in store for Day 3

Friday 10/20 is a very special day for me as at 12:30pm, my short film HEARTS WANT will be shown to the public for the first time… as part of the ‘Ties That Bind Us’ short block.

But there are also a ton of great films playing Friday…

Two great documentaries ABU and A Gray State (that I’ve blogged about here), and feature films 20 Weeks, Tater Tot & Patton, The Midnighter and Wilderness. See all of the films playing Friday here.

So, stay tuned to more daily TCFF coverage!