FlixChatter Review – OLYMPIC DREAMS (2020)

After its World Premiere at the 2019 SXSW, Jeremy Teicher’s movie Olympic Dreams made its Minnesota premiere at TCFF. The movie stars Nick Kroll as Ezra, a dentist who’s come to volunteer his dentistry skills at the 2018 Olympic Winter Games in PyeongChang, South Korea. It also stars Alexi Pappas as Penelope, an American cross-country skier who has qualified to complete at the 2018 Olympic Winter Games but doesn’t know any of the other athletes in the athlete village and also feels awkward around most of them anyways. Penelope is disappointed after a less than desirable finish in her competition and meets Ezra in the cafeteria of the athletes village and a friendship starts to develop between the athlete and dentist, who is more than ten years her elder.

Alexi Pappas + Nick Kroll

When Penelope tries to pursue Ezra as something more than a friend at first, Ezra rejects her pursuit, telling her that he has a sort-of girlfriend at home. This leads Penelope and Ezra down a rocky path, filled with spending some time apart, and Penelope meeting another athlete — real life free style skier Gus Kenworthy, who makes sure to quickly inform Penelope that he is not interested in being more than friends with her since he is gay. Gus helps Penelope and Ezra reconnect and they end up going outside the Olympic Village on a tour of the local culture, sights and restaurants of PyeongChang. But will they ever become anything more than friends? To find out, you’ll have to catch the movie from IFC Films when it come out early next year.

Pappas + Gus Kenworthy

Olympic Dreams is the first narrative film ever shot in a real Olympic Athlete Village — the entire film was shot on location during the Olympic Winter Games PyeongChang 2018. The director, Jeremy Teicher, also acted as the movie’s cinematographer, and sound recorder in addition to directing the movie, according to his website. It is charming, funny at time and beautifully-shot. It reminded me of why I love the Olympics and makes me think that anything is possible when attending the Olympic Games, including starting a physical relationship with someone. Gus Kenworthy shares in the movie (*unclear if this was real or not) that one of his buddies lost his virginity at the last Olympic Games in Sochi, Russia. I had a blast watching this movie and came out of it with a huge smile.

The movie was written by the trio of Alexi Pappas, Jeremy Teicher, and Nick Kroll; and mostly succeeded in guiding this gentle love story in the backdrop of one of the most well know world-wide sporting events we have in the history of sports.

– Review by Vitali Gueron


Have you seen OLYMPIC DREAMS? Well, what did you think? 

New Teaser + Poster Spotlight: A24’s The Green Knight

It’s not every week I do a post about an upcoming movie. But hey, after Oscars wrapped this past weekend, I’m just looking forward what’s in store this year. I had never even heard of this movie before, but when I saw this provocative poster came across my Insta, courtesy of A24, I knew I had to post about it!

It’s funny that I actually just talked about Dev Patel w/ a fellow blogger Brittany from Rambling Film blog and that we’re both crushing on him right now 😉 How awesome to see that he’s actually the leading man of this movie, in a Medieval fantasy no less!

Here’s the premise, thanks to Paste Magazine:

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.

Behold the new trailer!

Glad I read a little bit about the story of the poem it’s based on, Sir Gawain and the Green Knight, whose original writer is unknown. Sir Gawain is a knight of King Arthur’s Round Table, and of course King Arthur is an extremely popular literary subject that’s been adapted countless times on film and other forms of media. Right away it gives me a bit of Game of Thrones meets Tarsem’s Immortals vibe. The fact that it’s A24 developing it makes me extra excited for it… it looks ominous + mysterious, and a foreboding score. Not sure if it’s going to get an R rating, but looks like it’s likely pretty violent. Now, if only we can have Sean Harris play a mute for once? Sorry but I can’t stand his hoarse voice, ugh!


As I mentioned, I love Dev Patel’s casting, who over the years has proven himself to be a versatile actor who can play virtually any role. He isn’t the first actor I’d imagine to play a heroic Medieval knight, but why shouldn’t he be? I love how many theaters in the Twin Cities have incorporated many actors of colors in many literary classic adaptations of Shakespeare and Jane Austen, so why can’t they do the same in films and tv works? The important part is the actor captures the ‘essence’ of the character. Most recently Patel also played a famous literary character by Charles Dickens in The Personal History of David Copperfield.

The rest of the cast includes Alicia Vikander (Lady Bertilak) and Joel Edgerton (Lord Bertilak), as well as Barry Keoghan, Sean Harris, Kate Dickie, and Ralph Ineson. As for the filmmaker, I’ve only seen Pete’s Dragon (which I love) by David Lowery, but his most recent film The Old Man & the Gun starring Robert Redford is highly acclaimed by critics.

I’m glad I’ll be seeing more of Patel this Spring. The the David Copperfield movie is to be released on May 8 and per IMDb, The Green Knight is released on May 29.


What do you think of THE GREEN KNIGHT?

New Trailer + Poster Spotlight: Wes Anderson’s The French Dispatch

Something super fun just arrived in my inbox today! I was in the middle of a rather long, tedious training for my new job, but upon opening this email, a huge smile formed on my face!

Ooooh!! I absolutely adore this poster, I wish I could have it to hang on my wall right now! Wes Anderson‘s upcoming movie has The Adventures of Tintin vibe to it, the comics series by Belgian cartoonist Hergé that I grew up reading religiously as a kid.

Here’s the premise…

THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.

What a cast!! I know lots of [thirsty] people are going nuts over ‘it boy’ Timothée Chalamet writing naked in a bath tub 🤣 – I didn’t even notice him until an article specifically mentioned about it in the headline! In any case, I wonder if he’ll actually be speaking French in the movie? The internet would probably spontaneously combust!

Upon further reading, the Tintin vibe seems intentional given Tintin is a globe-trotting reporter. Per Wiki, the film has been described as “a love letter to journalists set at an outpost of an American newspaper in a fictional 20th-century French city”, centering on three storylines.

When speaking to French publication Charente Libre last year, Anderson noted: “The story is not easy to explain, [It’s about an] American journalist based in France [who] creates his magazine. It is more a portrait of this man, of this journalist who fights to write what he wants to write. It’s not a movie about freedom of the press, but when you talk about reporters you also talk about what’s going on in the real world.”

Per tradition of Wes Anderson’s movies, it’s another awesome ensemble cast, many of whom have worked with the Texas-born filmmaker. The screenplay was written by Anderson, Roman Coppola, Hugo Guinness, and Jason Schwartzman.

Now here’s the trailer! 

It’s classic Wes w/ his usual visual flair, distinct camera work and quirks! I love it!! It looks so much like Grand Budapest Hotel and I saw some of the cast are back as well. I can’t wait to step into this world of global journalism filled w/ intrigue and idiosyncrasies.

It’s scheduled to be released on July 24.


What do you think of The French Dispatch?

Musings on 2020 Oscars – The Good, the bad + the WTF

Per tradition, I don’t really watch red carpet show, I just sort of let it play on my iPad while I was making dinner.

If I had to make one comment about fashion though, it’d have to be Natalie Portman‘s … what a statement she made with her outfit she wore to the Oscars!

Here are the snubbed female directors embroidered on Natalie Portman’s cape:

  • Scarfaria (Hustlers)
  • Wang (The Farewell)
  • Gerwig (Little Women)
  • Diop (Atlantics)
  • Heller (A Beautiful Day in the Neighborhood)
  • Matsoukas (Queen & Slim)
  • Har’el (Honey Boy)
  • Sciamma (Portrait of a Lady on Fire)

Now, I’m glad I’ve properly sat down by the time the opening song/dance started with the Janelle Monáe celebrating some of 2019 biggest hits… many of which weren’t nominated (Midsommar, Dolemite Is My Name). Miss Monáe almost had a wardrobe malfunction of sort, but she recovered well and delivered a fantastic rousing performance!

First Oscar is oh-so-predictable… I have no issue w/ Brad Pitt but honestly, I don’t really get all the fuss about his performance in Once Upon A Time in Hollywood [shrug] I suppose Brad’s done plenty of great things as a producer and championing diverse storytelling, so I’m not totally upset by his win.

So here are some of the highlights…

THE GOOD

Both screenplay winners go to filmmakers of color. Woo wee!!! So happy for Bong Joon Ho and Taika Waititi!

///

 …

Now, I haven’t even seen 1917, but still that doesn’t mean I can’t be rooting for Roger Deakins! I saw this featurette and a few other BTS videos of 1917 and just amazed at that man’s creativity!


It’s fitting that these three amazing women introduced the first ever female composer to conduct the 42-piece orchestra… Eímear Noone, the Irish conductor and composer behind the World of Warcraft scores, made history tonight. Then THIS happens…

Now, I thought initially Joaquin Phoenix was hight and he’d go all Brando on us… but I thought towards the end his speech was quite moving… he also gave tribute to his late brother River who introduced him to acting.


THE BAD

I’m gonna keep it positive and not dwell too much on the bad, but I have to mention a couple…

  • I’m not gonna bother embedding the video in order to spare you the agony… honestly, I’m glad I haven’t seen FROZEN II but what is with that horrendous song?? And am I the only person who can’t stand Idina Menzel’s voice? I appreciate inviting many singers performing the song in different languages, but they all sound off-key to me.
  • What is with the horribly redundant and unnecessary introduction of every single nominees, on top of the 3-min montage!! I honestly would rather see winners getting an extra 30 seconds for their speech than dragging the winner announcement this way, ugh!

THE WTF

  • Ok we’re all swooning for Keanu Reeves… and rightly so, the dude is all kinds of awesome. But what’s up w/ Diane Keaton walking down memory lane?? A little tipsy perhaps?
  • Now this is a WTF but not necessarily in a bad way… apparently Eminem’s Lose Yourself won Oscar in Best Original Song in 2003. He didn’t attend the ceremony but now, 17 years later, he got to finally perform it! The reactions from some celebrities in the audience is pretty fun to watch too.

  • Now THIS is the best WTF ever!!! PARASITE made history!!!

And I LOVE the wonderfully real and moving speeches by its female producers giving tribute to the supporting Korean community. This film has been unanimously embraced by the world, and it absolutely deserved ALL the kudos!

What an ending to a largely uneventful Oscar telecast!! Such a refreshing surprise after the highly predictable acting winners. I was flabbergasted when I heard Jane Fonda said the word PARASITE… I’m convinced that 1917 would’ve won since it’s rare to see a Best Foreign Language winner also winning Best Picture!! But hey, if there was gonna be a big upset of the night, I’m glad it’s THIS one!

Go party, Bong Joon Ho and Parasite team!


SO what are your thoughts on Oscars 2020 winners (and losers for that matter)?

FlixChatter Review – BIRDS OF PREY (2020)

After Margot Robbie pitched the idea of a Harley Quinn film featuring the Birds of Prey team to Warner Bros. Studios in 2015, she spent three years developing the project under her production company. Directed by Cathy Yan and written by Christina Hodson, the Harley Quinn film would end up being called Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and co-produced by Robbie, who would reprise her role as Harley Quinn after the 2016 DC Extended Universe film Suicide Squad. Speaking of Suicide Squad – which ended up being the tenth highest-grossing film of 2016 – it received mixed to negative reviews (including this blog’s founder) from critics. What was generally praised from Suicide Squad was Robbie’s performance and her makeup as Harley Quinn. So, in Birds of Prey, Harley Quinn is the one who takes center stage and everyone hates after her break up with Joker, whom she affectionately calls “Mr. J.”

In Birds of Prey, Harley is still a mess after her breakup, but gets her own apartment, and goes out clubbing where she spends the night at a club owned by Roman Sionis (Ewan McGregor). Sionis likes to masquerades as a bubbly nightclub owner, while he is actually a sadistic gangster with cruel tendencies and the movie’s main antagonist – Black Mask. While at the club, Harley meets Dinah Lance (Jurnee Smollett-Bell), a burlesque singer who works for Sionis. She ends up saving Harley’s life after some of Sionis’ thugs drag Harley outside and beat her up as a consequence of her drunken and disorderly behavior. Sionis sees Dinah’s skills as a fighter and appoints her as his new driver, after Harley broke the previous driver’s legs, back inside the club.

We spend some more time with Harley as she goes to adopt a hyena from an exotic pet shop and names Bruce (after Bruce Wayne/Batman). Harley also destroys Ace Chemicals, the place where she had pledged herself to Joker before truly becoming Harley Quinn. The movie turns to Gotham City Police Department (GCPD) Detective Renee Montoya (Rosie Perez) who is investigating the aftermath of the Ace Chemicals explosion and is after Harley Quinn for previous criminal acts. Meanwhile, we are back with Dinah and Victor Zsasz (Chris Messina), a henchman of Sionis and deranged serial killer who carves a tally mark on his skin for each victim he claims. Sionis sends them to pick up a diamond which has very important information to him, but while they’re on their way back to the car, Cassandra Cain (Ella Jay Basco), a young orphan and pickpocket steals the diamond from Zsasz and ends up swallowing it to keep it safe, before being arrested by the GCPD.

Harley is captured by Sionis’ men and brought to his club, while Zsasz and Dinah tell him about Cassandra’s status in prison. Sionis forces Harley to get Cassandra and the diamond so Harley disguises herself and breaks into the GCPD to retrieve the diamond thief. Sionis, not trusting Harley to bring Cassandra back puts out a large bounty for her head, and this bounty also attracts Helena Bertinelli (Mary Elizabeth Winstead), a vigilante known as the “crossbow killer” who calls herself Huntress. After Harley decides that she actually wants to save Cassandra, she finds out about the bounty Sionis put on her head. She plots revenge and calls him and agrees to turn the girl over in exchange for protection from the bounty. Cut to the chase, Sionis sends his henchmen after Harley Quinn and Cassandra, who are also joined by Dinah Lance, Renee Montoya and Huntress. The climactic finale involves a major fight scene and car chase by Harley Quinn and Sionis, only to end up at a nearby Gotham City a pier.

Spoiler Alert (highlight to read): Once Harley catches up with them, Cassandra puts a grenade in Roman’s suit, killing him. In the aftermath of destroying Roman’s empire, Montoya, Dinah and Helena start the Birds of Prey with the money from the accounts of the diamond while Harley and Cassandra pawn it and start their own business together. We end with Harley and Cassandra driving in a car and enjoying a previously mentioned breakfast sandwich, while Bruce, Harley’s hyena, rides in the back seat.

I think that the cast of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is stellar with Margot Robbie successfully helming this eighth film in the DC Extended Universe. Jurnee Smollett-Bell, Mary Elizabeth Winstead, Rosie Perez and Ella Jay Basco are all wonderful as part of the Birds of Prey squad. It’s a refreshing change from those forgettable characters in Suicide Squad (minus Harley Quinn and The Joker). Where the movie does run amuck is when it tries to over-tell the story of Harley Quinn. Robbie is seen breaking the fourth wall and speaking directly to the audience in several scenes, just as Deadpool does in the Marvel Comics Universe movies. This sometimes works and sometimes doesn’t for Harley Quinn. Perhaps the biggest misstep of the film is that it doesn’t really answer the question whether Harley is truly and really emancipated from Joker.

Overall, the film is quite the ride as Birds of Prey goes at 100+ miles per hour, with Robbie as Harley Quinn at the helm of a swerving/speeding car. The movie moves from scene to scene with little explanation, albeit some narration by Harley, and sometimes it makes sense and sometimes it doesn’t. The new characters add a great deal to the movie and do wonders for the DC Extended Universe, focusing on women’s right and female empowerment. There is so much color in this film that I often felt like I was inside a glitter bomb explosion. However, I did enjoy Harley’s humor, and fashion sense and abilities to beat up the bad guys while holding her own. Also, I thoroughly enjoyed McGregor’s character – the antagonist Black Mask – and think that it was one of best decisions made for the film. The success of Birds of Prey will ultimately propel Margot Robbie and the rest of the cast to a possible sequel, but how that factors into the DC Extended Universe remains to be seen.

– Review by Vitali Gueron


Have you seen BIRDS OF PREY? Well, what did you think? 

FlixChatter Review: The Gentlemen (2020)

I’d say Guy Ritchie is an acquired taste… you could even say he’s one of those love-it-or-hate-it filmmaker, which means you either love or hate his fast-paced, at-times frenetic style, and I’m mostly talking about his gritty British gangster films, so the family-friendly Aladdin is obviously an exception. For the most part, I like his movies. From his debut Lock, Stock and Two Smoking Barrels, to the underrated Rocknrolla, and the 2015 The Man from U.N.C.L.E., which I like more on rewatch, his movies are often irreverent, cheeky and fun.

After Aladdin, Ritchie returns to his roots with The Gentlemen. He’s back to portraying working class gangsters, peppered with his rather unsubtle disdain for the British upper class. This time he’s got an American as the protagonist, a self-made London-based cannabis [drug]lord Mickey Pearson (Matthew McConaughey). Mickey is trying to sell his profitable marijuana empire off so he could retire with his wife Rosalind. He’s already found a buyer and they’ve agreed on a price. But then of course, things go awry as bribery, blackmail, and all kinds of treachery schemes complicate matters for Mickey and his loyal right-hand-man Raymond (Charlie Hunnam).

The amusing part of the whole narrative is the fact that the story is told by private investigator Fletcher (Hugh Grant, doing his best Cockney accent) to Raymond. I won’t go into details apart from the fact that he’s got crucial intel involving Mickey’s business dealings that include some lesser members of the British royal family, and he’s willing to keep it a secret for a handsome fee.

The interaction between Grant and Hunnam are my favorite parts of the movie. There’s a rather silly movie-within-a-movie bit that’s gleefully amusing thanks to Grant’s performance and Hunnam’s constantly-befuddled expression. I love how Grant’s embraced his comedic side playing a flamboyant scumbag (what the Brits would call a tosser), and he seems to be having loads of fun tormenting Hunnam’s straight-laced Raymond. In Guy Ritchie’s world, even gangsters stand by a certain ‘moral’ code.

The film goes back and forth between Fletcher’s version of the story and the reality, which isn’t always easy to follow. Some of the things happening made little sense, but it was a lot of fun that you’re along for the ride. McConaughey‘s movie star charisma works well for the role, in fact, it’s nice to see him use his Southern charm and menacing energy in equal measure. Henry Golding‘s Dry Eye is perhaps the weakest link of the movie. Not the actor’s fault necessarily, as I think Golding is more versatile than meets the eye, but his role is more of a caricature, not exactly a memorable villain. Not that I think about it though, I think Ritchie’s movies aren’t known for having memorable villains, perhaps because his protagonists are often anti-heroes.

Now, despite his limited screen time, the movie’s surprising MVP is actually Colin Farrell, an inner city boxing trainer known as Coach who becomes Raymond’s unexpected ally. Involuntarily, Coach got dragged into Mickey’s crime world thanks to his students, one of them is played by Manchester rapper Bugzy Malone.  There’s a fantastic rap video at one of Mickey’s cannabis lab, as well as in the end credits that’s well worth staying for. As the sole female character in a sea of testosterone, Michelle Dockery is wonderfully shrewd, sexy and confident as Mickey’s beloved wife whom he adores and looks up to.

It’s still a movie about the boys however, and in that regards it’s not a ‘woke’ film nor does Ritchie care much about being politically correct. Some of the racist, homophobic jokes would ruffle some feathers, there’s a hugely gross scene being played over and over, not to mention a certain vulgar scenario that is disturbing even without being shown. While some may call this movie a ‘return to form’ to what he does best, there’s much recycled material that feels derivative and predictable.

For a gangster crime comedy, there’s actually not a whole lot of action set pieces and it’s perhaps Ritchie’s more ‘restrained’ version in terms of frenetic action, violence and overly-stylized camera work, but of course it’s still chockfull of crude language and F bombs. I like that the movie is more of a battle of wits than wham-bam-action, as the gangsters try to outmaneuver each other to stay on top of their game. Stylistically, there’s also much to appreciate, from the dynamic music (score by Christopher Benstead) to the dapper business suits AND tracksuits (costume designer Michael Wilkinson previously worked with Ritchie in Aladdin), even the ones worn in the rap video.  I don’t know that he’ll win new fans to his cinematic flair, but for those who enjoy his style, I’d say it’s was pretty darn entertaining. I wouldn’t even mind watching it again when it’s out on streaming.


Have you seen The Gentlemen? What did you think?

SUPER BOWL trailers – First look into Falcon + Winter Soldier, Wanda Vision + LOKI series

Happy Monday! Did you watch the SuperBowl? Can’t say that I did, I actually just found out this morning that Kansas City Chief won the game, so congrats!!

I barely even watch any of the ads, but I made sure I checked out the trailers before I went to bed. Thanks to ONE Media for compiling ALL of the trailers into one video, SO convenient!

Here are my brief comments for each MOVIE trailer…

BLACK WIDOW – I’m mildly excited for it, but can’t wait to see Florence Pugh, Hollywood’s new IT girl as Natasha’s sister.

NO TIME TO DIE – Already super excited for this, now even more so… I hope Lashana Lynch has tons of screen time, she looks like the coolest character of the bunch (yep, including Bond himself!)

TOP GUN: Maverick – Looks fun, curious to see if it’ll be a hit.

A QUIET PLACE II – Note to self: better watch the first one pronto (though now I know what the monsters look like, oh well)

MULAN – Dayum it looks EPIC!!! I’m even more excited with this trailer, and Donnie Yen is absolutely perfect casting.

SONIC The Hedgehog – Doesn’t interest me apart from seeing Jim Carrey back, haven’t seen him in ages!

Fast & Furious 9 – Nothing fast about this overlong, outrageous, over the top trailer, and it made me furious why this franchise just keeps on going, ugh! (Boy how much did they pay Dame Helen Mirren & Charlize Theron to keep doing these movies??)

Btw, I thought I’d be seeing another new trailer for WONDER WOMAN. That’s definitely on my Top 5 most anticipated list!


Now… as for those Disney+ new series teasers…

If you just want to see the Marvel TV series trailers, here you go:

 

All I can say is… dayum Disney!!! Just take all my $$$ why don’t you! My hubby and I only signed up for the FREE trial so far just so we can binge on The Mandalorian, but with Falcon + Winter Soldier, WandaVision AND the LOKI series coming, we definitely have to subscribe to Disney+.

I’m lovin’ how WandaVision looks like a retro comedy. Totally not what I expected but I love it! That’s now my most-anticipated series of the three. I do love Sebastian Stan and Anthony Mackie, they’re such a fun cinematic duo, so it’ll be nice to see their gorgeous mugs more regularly on streaming. Looks like they haven’t shot LOKI at all as we barely see Tom Hiddleston doing anything.


What do you think of these trailers? Which one(s) are you most anticipating this year?