I’ve been dreaming of Sundance all weekend. Well I always dream of going to Park City around this time of year, but last year was the first time I had the audacity to submit my short film Hearts Want to Sundance Film Festival. Hey, dream big and shoot for the moon right? Well, I got the templated rejection email from Sundance Director John Cooper, which was courteous but it still stings no matter how nice they tried to word it… (basically it’s a big fat NO). They got over 13,500 submissions this year (about 8000 of them are short films!), so to say competition is fierce is putting it mildly! So on Sunday afternoon, before the big NFC game of Vikings VS Eagle, I listened to this insightful Adobe interview w/ Mr. Cooper and he’s got some inspiring words for new filmmakers.
I was following Twitter’s #Sundance hashtag and IMDbfor the buzz-worthy films. I’m not doing a comprehensive Sundance post, but here are 10 films I’m looking forward to seeing:
A boy witnesses his parent’s marriage falling apart after his mom finds another man.
It’s Paul Dano‘s directorial debut and starring Carey Mulligan & Jake Gyllenhaal. Pretty strong reviews so far and why am I not surprised, so many great talents here in front and behind the camera. I’m always curious by actors’ directorial debut, too. …
HALF THE PICTURE is a documentary about the dismal number of women directors working in Hollywood, using the current EEOC investigation into discriminatory hiring practices as a framework to talk to successful women directors about their career paths, struggles, inspiration and hopes for the future.
I don’t think I need to explain why I’m interested in this documentary. It’s as timely as ever and as a first time filmmaker, I definitely want to learn some insights and be inspired. …
Juliet, Naked is the story of Annie, the long-suffering girlfriend of Duncan, and her unlikely transatlantic romance with once revered, now faded, singer-songwriter, Tucker Crowe, who also happens to be the subject of Duncan’s musical obsession.
I love this cast and the storyline appeals to me immediately. I think these three actors would bring the wit and laughters. I always like a good rom-com which is a rarity. …
A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera.
I read a review on Twitter saying it’s the darkest film at Sundance this year, oh my. Even this photo of a pretty woman in a bikini with bloody foot is so chilling. …
Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined.
Nice to see underrated Scottish actress Kelly Macdonald in a leading role. Plus the story of someone discovering a new world is always intriguing. …
The story of a marriage, Colette shows the lengths one woman must go to escape her husband’s control and claim her voice as an artist.
Always up for a good period drama and Colette is story of a woman who has been long denied her voice going to extraordinary lengths to reclaim it. Stories of female empowerment is always worth seeing. …
A re-imagining of Hamlet, told from Ophelia’s perspective.
Ah, finally a Hamlet adaptation from the perspective of the woman, the most famous Shakespeare women no less. I’m curious to see Daisy Ridley as Ophelia and Naomi Watts as Gertrude, the queen of Denmark and Ophelia’s mentor. …
Adaptation of the 1993 novel ‘Yardie’ about a young Jamaican’s rise from the streets of London to the top of the drug-dealing underworld
Another actor directorial debut I can’t wait to see! I didn’t even know anything about this project, but given I LOVE Idris Elba as an actor, I’m super curious to see his talent behind the camera. He was born in Hackney where the story is set, and the title refers to a slang name originally given to occupants of “government yards” — social housing projects with very basic amenities.
So have you been following Sundance this year? Which film(s) are you most looking forward to?
When people utter the word Jumanji, they can’t help but think of the 1995 fantasy adventure movie Jumanji, starring the late Robin Williams, and adapted from the 1981 children’s book of the same name by Chris Van Allsburg. The film stars Williams as Alan Parrish, a man who is trapped in a board game for 26 years, until 1995 when the brother/sister pair of Peter and Judy find the dusty old board game in their attic. When they start playing it, they inadvertently release a swarm of giant mosquitoes, some monkeys, a lion and a 26-years-older Alan who has been surviving the animals and jungle of Jumanji. While Alan, Peter and Judy all survive, so does the game and we last see it on a beach as it lies partially buried in the sand.
Fast forward twenty-two years, we are introduced to the direct sequel of Jumanji called Jumanji: Welcome to the Jungle. The movie starts off in 1996, a year after the events in the original movie, when a father discovers the same half buried board game while jogging along the beach. He removes it from the sand and bring it home for his teenage son Alex Vreeke to play with. But Alex, being the mid-90’s teenager that he is, is not interested in board games but rather video games and heavy metal music. As he throws the game aside, the game morphed into a video game cartridge – the kind that fits right in his video game console which is hooked up to his bedroom television. The game is now all but daring Alex to play it and having no choice, Alex begins to play it and gets sucked inside the video game.
We jump to present day, now twenty years later, where we are introduced to four delinquent high school students, all given detention for various infractions throughout the day. Nerdy gamer Spencer Gilpin (Alex Wolff) is caught writing essays for his former friend and football jock Anthony “Fridge” Johnson (Ser’Darius Blain), self-centered cheerleader Bethany Walker (Madison Iseman) is all-but-glued to her cell phone and does not want to stop using it during class, and Martha Kaply (Morgan Turner) is a shy bookworm who refuses to participate in physical education. All four teenagers are sent to clear out the junk from the school’s basement, and soon-there-after the four find Jumanji, now a five-player action-adventure console game.
The teens decide to start the game, choosing the four remaining video game characters, as one is already in play. Spencer chooses the avatar of Dr. Smolder Bravestone (Dwayne “The Rock” Johnson), a very rugged and muscular explorer who is also an archaeologist. Fridge chooses the avatar of Franklin “Mouse” Finbar (Kevin Hart), a short in height zoologist and weapons specialist, when Fridge mistakenly reads the character’s nickname as “Moose”. Martha chooses the avatar of Ruby Roundhouse (Karen Gillan), a commando, martial artist, and dance fighter and Bethany is left with no choice but to pick the avatar of Professor Sheldon “Shelly” Oberon (Jack Black), cartographer, cryptographer, archaeologist and paleontologist. Bethany originally believes that her avatar “Shelly” is female but as soon as they find themselves in a jungle, she realizes that Professor Sheldon Oberon is actually an overweight, middle-aged man. She also has an amusing stint at first as she discovers her avatar’s male genitalia.
The teenagers, now avatars in the game, soon learn that each of their avatars also comes with special skills and weaknesses (some are quite hilarious and provide for the adult humor in the movie). Each avatar has three lives and if they lose all three, the teens will actually die in real life. Professor Oberon is almost immediately eaten by a hippo (a well-made CGI creature) and as his next avatar comes into the game from the skies above, he conveniently lands upon Franklin Finbar, who breaks his fall with his who body. This is where the trio of Jack Black, Kevin Hart and Dwayne Johnson make Jumanji: Welcome to the Jungle an absolute blast to watch. We are soon introduced to the film’s villain, Russel Van Pelt (Bobby Cannavale), who has developed the ability to control the dark and creepy creatures of Jumanji.
An encounter with a snake – which the avatar initially try to outwit in a staring contest – makes for an absolutely hysterical scene with Black, Hart, Johnson and Karen Gillian all screaming for their lives as the CGI snake after them. They soon meet Seaplane McDonough (Nick Jonas), the avatar of Alex Vreeke (the fifth player) whose’s a skilled pilot. They also learn that Alex has survived for twenty years in the game but is down to his very last life. With Alex’s help, the group now has the chance to escape the game, but first the players must return a jewel (captured by Van Pelt) to an enormous jaguar statue and call out “Jumanji”. While I will not reveal how the film ends, I will just say that all’s well that ends well and we do see teenagers back in the real world again, along with a now-adult Alex.
The best part of the sequel is the humor that the avatars portrayed by Dwayne Johnson, Jack Black, Kevin Hart and Karen Gillian gave to the plot of the movie. Jumanji: Welcome to the Jungle becomes a more refined Central Intelligence (the 2016 Kevin Hart and Dwayne Johnson action comedy) meet Indiana Jones and the Temple of Doom (the 1984 Steven Spielberg classic). The combination of actors, storyline and CGI actually work pretty well in this movie and the high school aspect makes it empathetic and relatable to the target audience.
While director Jake Kasdan closes the door to the idea of there being another sequel, it thankfully doesn’t mean that Jumanji will forever disappear as it has managed to survive in various forms for many years, both as a game inside the movie and as the real life movie, watched again and again by the next generation of kids and teenagers. The sequel to Jumanji is worth a revisit to the jungle, and would make Robin Williams proud, but above all, Jumanji: Welcome to the Jungle makes for one heck of a good time!
Have you seen ‘Jumanji: Welcome to the Jungle‘? Well, what did you think?
Can’t believe award season is officially in full swing! Honestly I didn’t even realize Golden Globes was this weekend until I heard something in the car as I was driving around. Fortunately I did have time to actually sit down and watch (and live tweeted) the event, though I tuned in late as I usually avoid the red carpet stuff.
Well this year’s ceremony is different than in recent memory… what with the #TimesUp movement and everyone banding together to support women who’ve been sexually-harassed/abused by wearing all-black at the red carpet.
More on that later… as I do want to introduce a friend of mine, Shivani Yadav, blogger extraordinaire of Critic-Corner which offers reviews and fun celeb fashion, as we tag team on Golden Globes commentary this year! I thought that since the Golden Globes was all about women supporting each other, it’s the perfect time to collaborate. Shivani – it’s an honor to have you guest blog on FlixChatter!
Now, to start things off, here’s the video of Seth Meyers’ opening montage in case you missed it…
Glad he captured the #TimesUp movement in his monologue and rightly blasting the biggest sexual harassment perpetrators Harvey Weinstein, Kevin Spacey and Woody Allen. I think overall Seth did a good job as host. He didn’t irk me like some previous hosts and he certainly wasn’t as mean-spirited as Ricky Gervais.
This was probably the best Golden Globes ceremony, in recent memory. So many amazing moments took place and great speeches were made. My day could not have started in a better way (it was 4:30 AM when it started here in India).
On the fashion front, with the #TimesUp and #MeToo movement going on, celebs opted for black ensembles and I was all up for it. I know the point here was of solidarity and trying to get a message out but at the end of the day, it was through fashion. And a person who writes fashion reviews daily, at first I was a bit skeptical about to decision but after tonight, I can confidently say that this was one of the best red carpets I have seen since I started writing. With the help of one color, the message came out much more clearly – of equality, sisterhood and not taking anybody’s sh*t!
I just wish more men were speaking out about the issue. Red carpet hosts could have done a better job in making them a part of the conversation by asking them how things can be better and in general, voicing out their opinions. Hopefully, we’ll see improvement on that side in the more coming award shows.
As for my fashion favorites, this is probably the first time I don’t have any. Sure, I have opinions about every look (and for that you can read my blog), but generally as a whole, I’m so pleased and overwhelmed with everyone, fashion-wise, that my conscience is not allowing me to pick favorites.
The #TimesUp and #MeeToo movement was quite unprecedented. As a woman of color, the message of solidarity in the spirit of equality and representation is one that’s dear to my heart. Of course it remains to be seen if this movement will actually make a real lasting impact in Hollywood and beyond… I sure hope women don’t just get heard because it’s part of a zeitgeist… that it’s more than just a ‘trend’ but something that would bring out real change.
I skipped the red carpet stuff, but I did read some comments how the hosts didn’t seem to be grasping the movement seriously and still make it all about the fashion instead of having meaningful conversations. If that’s the case, it’s truly a missed opportunity, especially since many celebs brought activists with them to the event.
Now, out of a sea of all-black ensembles, there are still truly stunning outfits. I think limiting the color made designers more creative with the style. For me though, the queen who slayed them all has got to be Viola Davis… #ibowtothee
The first highlight for me was obviously Oprah‘s speech. I’m not even kidding, tears were literally pouring down my eyes by the sheer power of it. Breathtaking!
Love the fact that Natalie Portman and Barbra Streisand pointed out the all-made director’s category. Somebody had to do it and HFPA wasn’t exactly listening so doing it to their faces was kind of important!
And seeing Kirk Douglas with his daughter-in-law Catherine Zeta Jones was quite a delight too.
I so agreed that Oprah‘s speech is definitely a highlight. It was such powerful, definitive, empowering and inspiring. Now, I’m not one of those who worships on the altar of Oprah, but y’know what, it’s undeniable she is a powerful self-made woman and last night she used her power for good like nobody’s business.
I feel for anyone who had to follow THAT speech to deliver the Best Director award, and that ‘honor’ went to Natalie Portman and Ron Howard. But y’know what, Portman seized the moment by cheekily quipping ‘and here are the ALL MALE nominees!’
I know some people have issues with the timing of that comment that seemed to undermine the accomplishments of the nominated filmmakers. But I don’t think she meant it that way, and y’know what, she too was caught up in the moment after Oprah’s speech and she seized it. It was a spot-on comment and I felt that it needed to be said. I thought Howard’s expression was priceless, and at least he was a big enough man to realize it wasn’t a slap against male directors, but the male-dominated filmmaking club that wasn’t conducive for women to be a part of.
There are many powerful speeches last night by women, but the one I was really taken by was Laura Dern‘s. I love how sincere her delivery was, empowering but delivered with a dose of humility and grace.
I LOVE the spirit of female solidarity displayed all night, especially by the female-led show Big Little Lies that won big last night, including Best Miniseries or TV Film.
Well, since I live-tweeted the event, I might as well just post some of my tweets here…
Gaaah!!! Serves me right for not tuning in sooner!! I missed two of these phenomenal ladies @ViolaDavis (who slayed in that outfit, WOW!) & Dame #HelenMirren Can someone cast them in a film/show together pleeeeeease? https://t.co/pqsmUAKYNA
Neither Shivani and I barely watch any TV shows this year, so we only post comments on the film winners. Ironically, the year I became a filmmaker last year also meant I had little time to watch films so there are a ton of films nominated here that I had missed.
In any case, here’s our comments on the the nominees and winners (listed in bold)
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Judi Dench, Victoria & Abdul
Margot Robbie, I, Tonya Saoirse Ronan, Lady Bird
Emma Stone, Battle of the Sexes
Helen Mirren, The Leisure Seeker
Shivani: I’m sure most people expected [Ronan] to win. Not a surprise! I like how her mom was on face-time. That was cute!
Ruth: I’ve been such a huge fan of Ronan that despite not having seen Lady Bird yet (I know, I know, hopefully soon!), I’m thrilled she won. I think she’s deserved awards for so many of her past performances (Atonement, Hanna, Brooklyn, etc.)
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Steve Carell, Battle of the Sexes
Ansel Elgort, Baby Driver James Franco, The Disaster Artist
Hugh Jackman, The Greatest Showman
Daniel Kaluuya, Get Out
Shivani: Same here. No surprise!
Ruth: Again, haven’t seen Franco’s performance but I was kinda rooting for Kaluuya’s just based on what I’ve read on Get Out. I like the brotherly love Franco displayed when he won though the whole thing w/ Tommy Wiseau was just so odd. Plus I think it’s rude to shove him away like that, even if they were good friends now.
Best Performance by an Actor in a Motion Picture — Drama
Timothee Chalamet, Call Me By Your Name
Daniel Day Lewis, Phantom Thread
Tom Hanks, The Post Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.
Shivani:I was rooting for him so much. I know Timothée is awesome and everything, but Gary literally never gets his due. It’s his time!
Glad that Oldman gave props to his co-stars. I thought Kristin Scott Thomas and Ben Mendelsohn were both absolutely terrific in the film. Good enough even for a Best Supporting nod!
Best Performance by an Actress in a Motion Picture – Drama
Jessica Chastain, Molly’s Game
Sally Hawkins, The Shape of Water Frances McDormand, Three Billboards Outside Ebbing, Missouri
Meryl Streep, The Post
Michelle Williams, All the Money in the World
Shivani:God this lady is fierce. There’s literally no match for her!
Ruth:I love how effortless and no-nonsense McDormand was. I love that she doesn’t seem like someone who loves to schmooze (unlike most in Hollywood) and doesn’t take any bullsh*t from anyone either. Three Billboards is yet another film I’ve missed but hope to see that soon!
Best Performance by an Actress in a Supporting Role in a Motion Picture
Mary J. Blige, Mudbound
Hong Chau, Downsizing Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water
Shivani:In my opinion, the actual competition here was between Allison and Laurie. I’m happy either way, I love all of the nominees!
Ruth:I loooove Octavia Spencer and The Shape of Water, so naturally I was rooting for her. But that’s not fair as I haven’t seen the other performances. Janney is a force so I have no problem w/ her winning. Plus, I love the diversity on this category.
Best Performance by an Actor in a Supporting Role in a Motion Picture
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World Sam Rockwell, Three Billboards Outside Ebbing, Missouri
Shivani: No one could really tell here who would win, so I would have been happy for anyone. But yeah, Sam is extremely underrated and I’m happy he got some recognition.
Best Motion Picture — Musical or Comedy The Disaster Artist The Greatest Showman Get Out I, Tonya Lady Bird
Shivani: I’m just happy for the crew. Greta Gerwig is so adorable!
Ruth: I probably am in the minority here the fact that I have not seen Lady Bird nor have I seen any of Greta Gerwig‘s films, either. Not sure why, just haven’t gotten around to it. But hey, always happy to see a female filmmaker getting accolades, so yay!
Best Motion Picture — Drama Call Me By Your Name Dunkirk The Post The Shape of Water Three Billboards Outside Ebbing, Missouri
Shivani: This was quite a surprise. I thought The Shape of Water would have won, but nevertheless, I’m happy that they recognized the film!
Ruth:Having only seen Dunkirk and The Shape of Water, I have no idea which one would win in this category but I thought Call Me By Your Name would win.
Best Animated Film The Boss Baby The Breadwinner Ferdinand Coco Loving Vincent
Shivani:I don’t think anybody was surprised with this win!
Ruth:Yep, not surprised at all though this is the first year where I hadn’t seen any of the animated features! I did blog about Loving Vincent a while ago, that looks absolutely astounding.
Best Screenplay – Motion Picture The Shape of Water Lady Bird The Post Three Billboards Outside Ebbing, Missouri Molly’s Game
Shivani:I was quite positive that Lady Bird would win, and was surprised once again. It’s just that Three Billboards isn’t a type of movie that would normally get recognized by award shows. I’m happy that it is!
Ruth:Can’t really comment here as I have only seenThe Shape of Water, but sounds like a really strong category here with solid picks. I wanna see every single one of these I’ve missed!
Best Director – Motion Picture Guillermo del Toro, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk
Ridley Scott, All The Money in the World
Steven Spielberg, The Post
Shivani: Another underrated director (by the voters)! I loved it when he asked them to lower the music. “It’s taken 25 years. Give me a minute” Awesome!
Ruth:Happy for del Toro’s win, too! The Shape of Water was a singular and extremely creative original film. I love filmmakers who truly gave his all for his creation and del Toro spent a lot of his own money and considerable time even just to design the sea creature! Still, I was flabbergasted and saddened that Greta Gerwig and Patty Jenkins were snubbed, esp. Gerwig considering the critical rave Lady Bird received.
Best Original Score Three Billboards Outside Ebbing, Missouri The Shape of Water Phantom Thread The Post Dunkirk
Ruth:I adore Desplat’s score for The Shape of Water. It’s as magical, ethereal, romantic and mysterious as the film. Absolutely beautiful stuff that sweeps me off my feet.
Best Original Song
“Home,” Ferdinand — Nick Jonas, Justin Tranter, Nick Monson
“Mighty River,” Mudbound — Mary J. Blige, Raphael Saadiq, Taura Stinson
“Remember Me,” Coco — Kristen Anderson-Lopez and Robert Lopez
“The Star,” The Star — Mariah Carey, Marc Shaiman “This Is Me,” The Greatest Showman — Benj Pasek, Justin Paul
Shivani:I was really disappointed with the fact that they did not nominate Mystery of Love and Visions of Gideon from Call Me By Your Name so I’m kinda mad at them for that. This Is Me is a good enough song, but if it were up to me, it would not have gotten my vote.
Ruth: I had to look up the two songs that Shivani mentioned. Both of those songs are lovely, I totally understand why she loved them. I think This Is Me is a rousing song though, definitely more of a crowd pleaser.
Let me end the post with this article that offers an astute observation of the night… it’s as if the #TimesUp movement weren’t really a thing for most of the men, aside from what Seth Meyers said in his opening monologue “Good Evening, Ladies & Remaining Gentlemen.” The silence is deafening and frankly, disheartening.
Directed By: Trish Sie Written By: Kay Cannon, Mike White based on the book by Mickey Rapkin Runtime: 1h 33min
I’ve had mixed feelings on the Pitch Perfect movies. As a choir nerd, I appreciate the music. As a film fan, I’ve been unimpressed with the writing, finding the plots forgettable and the comedy (with a few exceptions) underwhelming. I didn’t go into this movie expecting to hate it, but I didn’t think I’d like it any better than the first two.
In Pitch Perfect 3, we see the Barden Bellas a couple years out of college, struggling to find their places outside of the world of competetive a capella. At a performance of the younger Bellas (led by Hailee Steinfeld‘s Emily), the group decides to participate in the U.S.O.’s annual European musical tour and relive their glory days. Once there, they discover that they will be competing against three other musical groups for a coveted spot opening for DJ Khaled at the tour’s final performance- and, for the first time, they will be competing against musicians who use instruments.
While the third installment isn’t by any means a brilliant movie, I was still pleasantly surprised, mostly by how much the cast has improved. Individually, there are plenty of talented members, but I never felt like the girls had any real chemistry until now. They genuinely seem like a good group of friends and their quirky personalities mesh surprisingly well. While they all give solid acting performances, the stand-outs for me are Hana Mae Lee as Lilly and Rebel Wilson as Fat Amy. Lee’s delightfully weird Lilly barely has any lines, and the few she does have are barely audible, but her physical comedy is on point. Wilson’s performance in the first two movies underwhelmed me, but I think that’s more the writers’ fault than hers; the majority of her “funny” lines were about her weight, and that much one-note humor is really only good for a few trailer highlights; it’s not enough to support a whole film. However, they give her a little more to work with in this film, and it shows; while she still shines comedically, she has a few more dramatic moments that show a more serious, sincere side of her, and she handles it incredibly well.
Despite the stronger acting, however, the writing still struggles a bit in this movie. It’s unsurprising that the story centers around a singing competition again-they’re a competetive a capella group- but the way the musicians the Bellas are competing against aren’t very well-handled. At first, it seems like they’re being set up to become friends (or, at least, not enemies) with the Bellas, when the three other acts (Saddle Up, DJ Dragon Nutz, and Evermoist-led by Ruby Rose‘s Calamity) all start performing together during their riff-off against the Bellas, implying that it’s more fun to sing together than to sing against each other. However, they quickly fall into the catty, condescending competitor trope pretty quickly afterwards. The fact that, past the riff-off and the first concert, we never see them perform again, makes this tense competition lose some of its edge as well. It’s a shame, because while the Bella’s numbers are all well-done, it would have been fun to hear more of the other groups than just the couple numbers at the beginning.
There’s also this weird B-plot involving Amy and her supposedly-reformed criminal father (played by John Lithgow doing a pretty awful Australian accent) in an attempt to add a little action to the movie, and while some of it is entertaining (especially this Mission Impossible-esque scene of Amy sneaking through a yacht), it doesn’t fit the tone of the film or the series as a whole. Its inclusion kind of reminded me of the Spice World, but with less commitment to the ridiculousness. It’s a change from the other movies’ formula, but that’s not necessarily a good thing.
The biggest problem is that, while it feels like all of the Bellas get more equal focus than they have in the previous two, the script tries to fit in too many individual backstories and conflicts in one movie, leading to clunky exposition and shoehorned-in resolutions-some, like Anna Camp‘s Aubrey, not even wrapped up until after the credits start rolling. I admire that they’re trying to add a little more dimension to the characters, but the movie isn’t well-paced enough to do so.
Despite all of this, Pitch Perfect 3 might be my favorite of the series, thanks largely to, of course, the music. As usual, the soundtrack is as fun, pretty, and polished as the Bellas’ costumes, hair, and makeup (seriously, I want to invest in a few sparkly dresses after seeing the wardrobe in this movie). While all of the performers are capable singers, Anna Kendrick as Beca especially shines with her clear, bright tone, and is given plenty of opportunities to do so. And as talented as the Bellas are, the musical highlight for me is the “Riff-Off” mash-up with the other bands, showcasing and blending the musicians’ different styles in a creative arrangement.
If you’re not a musical fan, you may want to skip this, but if you enjoyed the first two, you’ll definitely like this one. The acting is strong, more jokes land than in the first two, and the soundtrack is fantastic. The final installment of Pitch Perfect 3 certainly ends on a high note.
Have you seen ‘Pitch Perfect 3’? Well, what did you think?
The upcoming original musical The Greatest Showman is directed by Michael Gracey, and written by Jenny Bicks and Bill Condon. First time Australian director Gracey made a wonderful decision to turn The Greatest Showman into a modern-musical, opting for modern day pop style songs over 1800s tunes. Convincing 20th Century FOX, Gracey was instrumental in hiring songwriters Benj Pasek and Justin Paul (Tony award winners for the original musical Dear Evan Hansen and then Golden Globe and OSCAR winners for the La La Land song City of Stars). Pasek and Paul wrote eleven original songs for The Greatest Showman, each more emotional than the last. Their original song This Is Me, has so far been nominated for a Golden Globe and could be in play for the Best Original Song category at this year’s OSCARS.
The film is inspired by the life of circus creator and father of modern show business, P.T. Barnum (Hugh Jackman). Supporting Barnum are his supportive wife Charity (Michelle Williams), his business partner Phillip Carlyle (Zac Efron), and Anne Wheeler (Zendaya), the acrobat & trapeze-artist that Carlyle scandalously falls for. Broadway star Keala Settle stars as the Bearded Lady and she sings This is Me to perfection. She nearly runs away with the whole movie.
When Barnum struggles supporting his circus made up of freaks and bizarre acts, he invited and hires Jenny Lind (Rebecca Ferguson), a famous Swedish opera singer to perform in America for the first time. Barnum called Lind “The Swedish Nightingale” and she ended up being a big hit and performing over 90 concerts for him before quitting the tour and breaking her contract with Barnum. Lind had wearied of Barnum’s assertive marketing of her and that she would end up like Barnum’s circus. When Barnum returns to New York after the tour, the building housing his circus catches fire and while no one is hurt, the building is a total loss. Barnum then figures out that he doesn’t need a whole building to house the circus but rather a very large tent.
Zendaya and Zac Efron have a wonderful connection onscreen, especially when they perform the acrobatically-demanding musical number Rewrite The Stars and when he defends her in front of his parents. They share some terrific chemistry, but it’s hard to beat the moments when Zac Efron and Hugh Jackman share the screen. One of the best scenes in the film is when Barnum talks Carlyle into joining the circus, and they try to out-dance each other. They do this during the song The Other Side. There are also beautiful renditions of Tightrope by Michelle Williams and Never Enough, performed by Loren Allred who provides Jenny Lind’s singing voice in the movie.
The Greatest Showman feels a little predictable and disjoined at times, but the emotions in the movie feel true and very authentic. The movie make you want to care for Barnum and what happens with his family, so you probably won’t care if it is a little over the top – musicals are supposed to be that way. It’s the perfect film to enjoy with the whole family over the holidays; even if you’re someone who hates musicals this one might be the one that convinces you to give it a try. At least one can appreciate the hard work it is to write a whole new, original musical. I have to give them props for a job well done.
Have you seen ‘The Greatest Showman’? Well, what did you think?
It’s the last week before Christmas and the present comes early! I’ve been excited for this all-female Oceans flick for some time. Normally I’d say we don’t need another reboot/sequel/spinoff what-have-you… but y’know what, this year (well, any year really), an extra dose of girl power is extra awesome. 2017 is the year of Wonder Woman, and 2018 will be the year of Wonder Women. I mean this is as close as we’re probably gonna get to an all-female Avengers flick!
This is the one to watch just for the cast. Bullock + Blanchett + Bonham Carter … just those three alone is enough to shell out full price cinema ticket (if I had to pay that is). My hubby and I watched this right after dinner and he’s as pumped as I am to see this [is it any wonder I love my man?]
So Sandra Bullock is playing Danny Ocean’s sister Debbie, I wonder if this all-female Oceans flick idea happened when she and George Clooney were filming Gravity four years ago. In any case, buh-bye Clooney, Pitt, Damon & co. and hell-o ladies!! Fresh out of prison, Debbie Ocean plans a big heist at the Met Gala in NYC. What a team she’s put together: Lou (Cate Blanchett), Nine Ball (Rihanna), Amita (Mindy Kaling), Constance (Awkwafina), Rose (Helena Bonham Carter), Daphne Kluger (Anne Hathaway), and Tammy (Sarah Paulson). Too bad Elizabeth Banks dropped out of the cast, though I don’t mind Jennifer Lawrence isn’t in this (apparently she was offered a part).
Per IMDb, the eight main cast has won four Oscars, two Emmys, eight Grammys, six Golden Globes, five BAFTAs, and 10 SAGs combined. Woo wee! #girlpower
I totally forgot about Richard Armitage in this, he didn’t have a single line in the trailer so I have no idea who he’s playing. I barely noticed James Corden either until I saw it a second time. No matter though, forget the boys, it’s all about the ladies whoopin’ it up!
Not sure how involved Steven Soderbergh is on this spinoff, but given his track record with bad ass female in his movies I’d imagine he’d approve. This time we’ve got Gary Ross (Hunger Games, Seabiscuit) in the director’s chair and he wrote the script with Olivia Milch (one of Variety’s 10 screenwriters to watch in 2016).
I’m always up for a heist flick and this seriously it looks like a riot! The worst thing about this is the wait… June 8 can’t come soon enough. Well now I now what I’ll be anticipating come Summer movie season!
What say you? Thoughts on Oceans 8’s first trailer?
I have to admit that my life has been so hectic lately I haven’t really had time to anticipate any films this holiday season like I normally do. But when the press screening invite came out for The Last Jedi, I actually got more excited despite only having seen only one trailer. Well, I’m glad that is the only trailer/videos I’ve seen of the film… it’s best to see it ‘blind’ knowing as little as possible. I don’t write reviews very often anymore, so indulge me when I go a bit longer with this one.
Force Awakens is more nostalgic and an homage to the original from JJ Abrams, and while The Last Jedi also still has to tread on familiar grounds, it somehow feels fresh and new. There are quite a few surprises that thrills, delights and tugs my heartstrings. Ok granted I’m more of a casual Star Wars fan, so I don’t have the depth knowledge like ardent aficionados, but I was quite caught up with the journey of the main characters. The story pretty much picks up where the last film leaves off, with a literal cliffhanger as we saw Rey (Daisy Ridley) meeting Luke Skywalker (Mark Hamill) up high on a cliff by an ocean.
But before we get there, the film drops us straight into an intergalactic space battle of the Resistance fighters, led by General Leia Organa (Carrie Fisher) against the reigning First Order. I enjoy thrilling aerial battles and the SFX is off the charts in a film of this magnitude, but I’m glad there’s more to this movie than just action, action, action. What I really enjoyed most from the film is the quieter, more talky scenes between Rey and Luke. Writer/director Rian Johnson delved deep into the saga’s mythology and Jedi philosophy… about what the force really is, the real power of the Jedi, etc. Those are the real appeal of this enduring franchise and what makes me go ‘ok I see why people love this saga so much and why it appeals to multiple generations.’
There are fans who might not like the direction of Luke in this film (even Hamill himself reportedly told Johnson he fundamentally disagreed how his character was written), but I personally love the deconstruction of such a titular character. Why is Luke such a legend? Just what exactly is the Force and who gets to have it? How does Luke himself sees his own power and its effect in the universe? It’s always intriguing to learn just what the fuss is about Luke, especially given how he was talked about in virtually every scene in The Force Awakens, yet we only got to see him for mere seconds! I love the grizzled, curmudgeon Luke (like Hamill was channeling the real Harrison Ford!), the salt & pepper longish hair and beard makes him look even more distinguished. The scenes between him and Rey are definitely my favorite. “This is not going to go the way you think.” Luke says at one point (it’s not a spoiler as it’s in the trailer and all over its promos)… and you know what, the film actually delivers on that sentiment!
The film is divided into three major scenarios, in which each team has to fulfill a certain ‘task’ if you will, all happening around the same time. My main quibble with the movie is that the transition between one scenario to another feels disjointed at times. One scene would be solemn and intense, then it’ll switch to something more mischievous and funky and then it’s full-throttle action. Perhaps it’s to be expected when you have such a vast narrative involving so many players but it could’ve been done more smoothly. That said though, the film has enough going for it–the energetic action, lively humor and genuine emotion–that I didn’t even mind the 2.5 hours running time.
Obviously the strength of this space saga is the characters people truly care about over the years. I feel like there’s a proper balance (a word thrown out a lot in this film) between the iconic characters and the newer ones that expand the story. The emotional tug of war between Rey and Kylo is the heart of the story here, and both Adam Driver and Daisy Ridley are absolutely terrific. I’ve loved Ridley’s spunky Rey from the start and I find Driver’s Kylo even more magnetic here (and not only ’cause he’s got such great mane!). Yes he’s a grandpa Vader wanna-be (and he’s still got serious anger-management issues), but there’s much more than that and the internal conflict within him is palpable. Poor Domhnall Gleeson though, a terrific actor who’s relegated to being the comic relief as the over-the-top General Hux.
On the Resistance team, pilot Poe Dameron (Oscar Isaac, not to be outdone by Adam in the sexy hair department) gets more to do here. I wouldn’t mind seeing a Poe solo movie with the oh-so-charismatic Isaac, he’s just a cool guy with a reckless energy a la Han Solo. There’s less bantering between him and his bestie Fin (John Boyega). Instead, Fin is paired with another spunky maintenance worker loyal to the Resistance, Rose Tico (Kelly Marie Tran). BB-8 is still an immensely fun droid to watch, while the new avian creature Porg likely only appeals to little kiddies. I’m glad to see two new female characters with a proper arc, one is Rose and the other is Vice Admiral Holdo, played by veteran actress Laura Dern. There’s a pretty intense exchange between her and Poe, but I’m not even going to spoil it for you what it’s about. One thing I can say is the scenes of Carrie Fisher is truly bittersweet. The film is dedicated to her (naturally!) but the whole film gives a proper homage to such an iconic character.
Now onto SPOILERS territory… (highlight to read)
It was cool to see Yoda making an appearance here with Luke on the island. As Luke struggles with destroying the ancient Jedi text, Yoda just made it go kablooey. It’s not particularly a highlight for me, but it’s cool to see the apprentice and the master reunited. Another reunion that made me tear up is Luke and Leia… especially when she gave the Han Solo’s dice he grabbed from the cockpit of the Millenium Falcon. I love when Leia said ‘Luke, I know what you’re going to say. I changed my hair.’ Ha! It feels like something Carrie Fisher herself would say. When Luke said to her (about Han) ‘he’s never really gone’ it feels like how Carrie herself is to the SW family and the fans. Her spirit will always be with the franchise.
Now for those who’ve seen this? Who do you think the Last Jedi is? Is it Luke or is it Rey? Thoughts on the kid in the last scene that hints he’s got the Force with him?
My initial reaction after I saw this is it’s currently one of my favorites in the franchise! Well, after four days seeing it, I still stand by it. In fact, I don’t mind seeing this again by year’s end. It’s really got everything. Thrilling action, check. Intense lightsaber battle, check. Witty repartee, check. Emotional struggles, check. The action punctuates the story and that’s how it should be. Unlike the overwrought and mawkish prequels, Rian’s script has zest and wit, and also unafraid to poke fun at themselves. I also marvel at the cinematography by Steve Yedlin, a longtime Rian Johnson collaborator. So many iconic visuals that truly took my breath away, especially those on the island filmed in County Kerry, Ireland. And of course, John Williams’ iconic epic score still gives me the chills!
By the time the end credits roll, I am already excited to see how the story goes from there. It’s great to have a filmmaker who evidently has been a fan of the franchise since he was a kid, but still also an ‘outsider’ who dared to take the 40-year-old saga into unexpected paths. The force is certainly strong with Rian Johnson, so I have no problem having him do the next Star Wars trilogy.
So what are your thoughts on The Last Jedi? Feel free to indulge me on your own theories about what happens in the film!
Well happy mid December everyone! This year, time has truly ran away from me… and if you’re keeping track, my life’s pace has been at lightning speed since I decided to make a movie last January! But hey, I do miss blogging and I remember how fun it was participating in my pal Nostra’s relay race posts in the past. Plus, when a good friend tagged you to do a relay race (thanks Keith!), you make time 😉 It’s a fun topic that’s perfect for this time of year, too!
So how does this work? Here’s a rundown from Nostra himself:
The rules are, just like the past relay races, very simple: The list has 10 Christmas movies (in random order) and when the baton is handed over to a new blogger, he or she has to remove one title of the list (with an explanation why) and add one new title. Once that is done a new blogger is contacted who will take the baton and run with it, doing the same (you can reinstate a title which has been previously removed). As Christmas is in three weeks I want to ask you to publish your entry as quickly as possible to make sure the list changes as much as possible before the 25th of December. Add the logo of this relay race to your post and also add links to those who came before you making it easy for everyone to find all the entries.
So here is the list of the 10 Best Christmas Movies as it stands now:
There are a number of Christmas films that I actually watch annually and Home Alone has been one of my favorites for years. This film, written by John Hughes, has all the elements to amuse and get you in the mood Christmas. And Joe Pesci and Daniel Stern are of course hilarious when the “Wet bandits” Harry and Marv.
The film is almost fifteen years old, but the timeless story of a grown man who grew up among the elves and heads to New York, looking for his father, still is very funny and entertaining. Will Ferrell is the perfect “man child” and the short animated parts are a pleasure to watch. A real Christmas classic.
A MUPPET CHRISTMAS CAROL
Although Charles Dickens story has been translated to film many times, this version is still my personal favorite. A film with a lot of atmosphere and the warmth of the Muppets.
Every year people argue whether or not Die Hard can be labeled a Christmas film. Yet it is very simple: Although there is a lot of action, the story takes place around Christmas. And Bruce Willis might play his best role ever.
Although you might not associate this horror comedy with Christmas immediately, this film is set during this period and the gremlins even sing Christmas songs. A title that can not be missed.
IT’S A WONDERFUL LIFE
It’s a Wonderful Life is a movie which is watched by lots of people every year. Rightly so, because it is a beautiful film that fits the Christmas period.
MIRACLE ON 34TH STREET
Another title that I have to think about immediately during this period. Although the opinions are divided which two of the two versions is the best.
The clumsy son of Santa, Arthur, has to make sure that a forgotten package is delivered on time, doing this together with his grandfather. A very nice film from Aardman studios (also responsible for the Wallace & Gromit films).
EYES WIDE SHUT
I’m using the same argument here that many Die Hard fans cling to. The story is set during the festive season and, in actual fact, most if not all scenes are introduced by depicting a Christmas tree. It’s fair to say, that it’s dark psychological mystery isn’t exactly in tune with the Christmas cheer but if Die Hard can be tenuously linked to this joyful season then so can Kubrick’s masterpiece.
A CHRISTMAS STORY (Keith’s addition)
Few films have defined my Christmas movie watching like Bob Clark’s delightful “A Christmas Story”. Sure, I gets overplayed during the season, but it is such a fabulous concoction filled with humor and heart. So many memorable scenes, so many memorable lines, so many memorable characters. This one simply has to be here.
Deciding what to remove was a painful task. I initially considered removing Eyes Wide Shut as the blogger who chose it himself said it ‘isn’t exactly in tune with the Christmas cheer’ but I guess it can still be considered an alternative Christmas film.
So the one I’m tossing out from this list is GREMLINS. I’ve only seen bits and pieces of one of the movies but man, I can’t stand those creatures!! I think seeing them sing Christmas songs will give me nightmares. Funnily enough, my short film’s lead actor’s theatre company is called Gremlin Theatre and for the life of me I have no idea why he chose that [shrug] Sorry Nostra but if I had to choose one, Gremlins‘ definitely gotta go!
So what’s my pick to replace it?
I saw it on a Christmas weekend a few years ago as it was on Netflix. It’s a 2005 French film about the truce that took place on December 24, 1914 during World War I. Now this is a film that reflect the true Christmas spirit. Such a wonderful film that shows an uplifting lesson in humanity, though the truce is such a brief one and the troops from three countries had to pay the price for their disobedience. I’m a big fan of Daniel Brühl who’s great in the film, and I also love the performance of Guillaume Canet, Benno Fürmann and Diane Kruger. I’m glad I finally saw it and it’s become one of my favorite Christmas-themed films!
Ok I’m passing the yuletide baton to… Brittani (yes a fellow Minnesota blogger 😉 ) over at Rambling Film Blog.
Feels like it’s been ages since I posted trailers on this blog. It’s truly been a whirlwind year for me. You already know about my short film which consumed the first 2/3 of 2017. As if that wasn’t busy enough already, I also still blogged for TCFF, my hubby and I became US citizens 🇺🇸 in late November… aaaand we’re moving to a new home! 😮
Suffice to say, not only do I not have any time to blog these days… I barely have time to watch things either. But I do make time to watch trailers! I’ve always enjoyed trailers and they always make me excited about movies even when life is extremely hectic.
In fact, since I was home sick today, I watched a ton of trailers as I sat on my bed… and so I thought why not make a blog post of it. In any case, I like to mix up arthouse indies with huge blockbusters, so let’s start with this one…
A Wrinkle In Time
After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.
… An intriguing scifi adventure by a female director (Ava DuVernay) w/ an all-star (mostly female) cast (including my girl muse Gugu Mbatha-Raw). Can’t wait to see this next March!
Film Stars Don’t Die in Liverpool
Based on Peter Turner’s memoir, the film follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award®-winning actress Gloria Grahame (Bening) in 1978 Liverpool.
… I remember hearing the title but just finally saw the trailer last night and was swept away by it!! I had never heard of Gloria Grahame but I do love Annette Bening and she looks phenomenal here. I haven’t been impressed by Jamie Bell since Billy Elliot but he looks good here. I love stories about star-crossed lovers and a reverse May-December romance where the woman is older.
Set in 1950’s London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.
Ok so interestingly enough, Andrew Llyod Weber’s Phantom of the Opera also opened around Christmas time (2004), a movie I still unabashedly love despite what the critics say. Now this one is likely gonna be known as Daniel Day Lewis‘ last film as he’s reportedly retiring. It looks pretty intriguing but given December’s packed schedule, I probably end up renting this one.
The Shape of Water
An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
Ohhh this trailer always gives me goosebumps from the first time I saw it in a theatre. The more I read about this film and all the rave reviews about Guillermo Del Toro‘s magical touch, I’m even more intrigued. Talk about the ultimate unconventional love story… starring the reliable Sally Hawkins (who I loved as Anne Elliot in BBC’s Persuasion), this one will run my tear ducts dry for sure.
A social satire in which a guy realizes he would have a better life if he were to shrink himself.
I LOVE the premise of this movie and I sure hope the movie will deliver. But I enjoyed The Descendants and Nebraska from Alexander Payne, and he seems like the right filmmaker to do such a quirky dramedy. Yeah it’s yet anotherMatt Damon flick (this guy is everywhere!) but the story is pretty intriguing I’m still curious to check this one out.
T’Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.
Woo wee!!! Forget about what I said about superhero fatigue, I’m still very much in the mood for the genre (and guys in tight-fitting outfit), especially when they look as good as Chadwick Boseman as Black Panther! [meow!] The cast is pure awesomeness… I mean, yes the boys are cool and all that, but I’m all about Angela Bassett & Lupita Nyong’o in the same movie!! Marvel Studios taking a chance on an another indie filmmaker, this time it’s Ryan Coogler and judging from the second trailer, this is gonna be epic!! February can’t come soon enough.
Avengers Infinity War
DC sort of have ‘ruled’ 2017 with Wonder Woman and Justice League. Ok so not exactly ruled the box office given all the talks about how JL underperformed. Well, 2018 will likely bring Disney even more s*&$-load of cash (but then again every year is ‘Disney just take my money’ year since they owned EVERYTHING).
Just three months after Black Panther, we’ve got the whole gang back together. Everyone’s got their faves, but for me I’m most excited to see T’Challa and Capt (sporting longish hair and rugged beard, yowza!!)
Heh I think DC is missing out with the whole Henry Cavill mustache-erasing fiasco, methinks Supes looks pretty darn sexy unshaven… a la Chris Reeve in Superman III😉
Dayum, that Alan Silvestri‘s score in that last slo-mo scene promises us SO much epic-ness. I rolled my eyes when they’re gonna do the last Avengers in two parts (of course, why not stretch those mighty dollars right?) but heck I trust the Russo brothers to bring us something truly worth watching, as the last two Captain America films are on the top list of fave superhero films ever!
Star Wars Episode VIII: The Last Jedi
Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn and Poe that unlocks mysteries of the Force and secrets of the past.
I can’t believe I didn’t include this one. I was actually watching it (three times in a row) as I wrote the post, then got sidetracked by the Jimmy Kimmel episode with ALL of the cast from the new flick (including Laura Dern!). So yeah, even though I wouldn’t call myself a SW fan but I’m actually really looking forward to Episode VIII more and more. Glad I don’t have long to wait (seeing it this Monday, yay!!)
I’ve only seen Looper from director Rian Johnson, which I quite like. I always like the idea of having indie filmmakers joining big franchises (a la Marvel) so hopefully it’ll pay off once again. The trailer certainly promises more drama in the epic saga of the most dysfunctional family in space 😛
Ok last one… I know this one is just a teaser and the movie isn’t out ’til next June! But man Deadpool‘s marketing team ought to win some awards for creativity and pure silly good fun! I hadn’t even heard of Bob Ross before but the teaser made me search for clips of him on youtube and it’s freakin’ hilarious!! I’m not a huge Ryan Reynolds fan but he totally owned this character! Nice to see that kid from Hunt for the Wilderpeople, Julian Dennison, making an appearance in this flick!
Ok these are just a sampling of stuff I’m excited about… what are some recent previews that got your heart pumpin’?
Denzel Washington is at the top of his game in the new movie Roman J. Israel, Esq. from writer/director Dan Gilroy. Having seen and been impressed by Gilroy’s 2014 debut film Nightcrawler (with Jake Gyllenhaal), I was curious what the director had in store for us.
This film starts out slow, with Roman (Washington)’s firm in crisis as his law partner dies after suffering a heart attack. Roman’s left picking up the pieces and tying up loose ends in court – something he had not previously done before as he was the behind-the-scenes attorney at the small firm. His (what should have been) normally routine court appearances are a disaster; his tendency to blurt out what he perceives as the truth gets him held in contempt by a less-than-understanding and impatient judge. Without a job and out of luck, Roman (sporting his trademark ‘70s Afro hairstyle) walks the streets of Los Angeles, lugging around a huge briefcase filled with his lifelong passion project. What we eventually learn is that that he hopes to file a brief to bring about a class action lawsuit that will change the justice system for African American sentencing and those already incarcerated.
Roman interviews at a nonprofit run by Maya (played by Carmen Ejogo), but instead of finding a job, he gains an ally in Maya. She is not in the same mindset as her younger staff at the nonprofit are – that Roman is like something from another time that is outdated and out of the current mainstream. Maya believes that Roman should be respected and listed to. They end up developing a personal connection and she calls him to ask him out on a date, even though the talk he gave to some young students at her nonprofit doesn’t go very well.
Roman finds a job at George (Colin Farrell)’s firm, where George acts more like a legal shark, putting profits ahead of people. Roman does gain some valuable mentorship from George, who sees Roman’s scholarly ability to memorize a library of law books as an asset. Surrounded by wealth and unethical behavior, Roman chooses to claim a reward for $100,000 with the knowledge he acquires from taking on a case of a gang member who’s accused of murdering an Armenian store clerk. Once Roman gets his hands on the cash, he suddenly starts living large – taking a day off to get bacon maple-glazed doughnuts by the beach (something he always talked about doing but never had the time), purchasing pricey business suits and getting a modern hairdo, among other things. He takes Maya out on a fancy date and shows off his new suit and hairstyle. Maya shares with Roman some her life struggles with idealism and the reality of life, but Roman seems to lack compassion, even though he actually does feel it, he is really preoccupied with other things. The date ends on a high note as we see that they still have a strong connection.
The movie takes more of a predictable turn as Roman ends up paying the price for his unethical behavior and becomes a sort-of martyr for his cause. His real undoing comes about when he quips “I’m tired of doing the impossible for the ungrateful.” The Roman we met in the begging on the movie would have never said that. Gilroy wraps the movie up neatly, with George doing what Roman wasn’t able to do – filing Roman’s brief in court — and Maya being inspired to mentor her students with Roman’s kind of activism and resistance. This ending in no way detracts from Denzel Washington’s brilliant performance, playing a man who is living with a mild-yet-obviously-present case of autism.
Washington brings his best effort to deliver an outstanding performance — one for which he may soon end up being rewarded for — in a movie that is headed for a predictable and unoriginal ending. As Roman tells us early on in the movie, the “Esquire” in his name means he is “above gentleman but below knight.” Similarly, Gilroy’s movie Roman J. Israel, Esq. is above average but below the greatness that we associate with Denzel’s most recent movies (i.e. Fences, Flight).
Have you seen ‘Roman J. Israel, Esq.’? Well, what did you think?