Well, it’s been more than a year since I did the last edition of Five Movies in Five Words. Seems that the only blog series I managed to keep up with is Five for the Fifth 🙂
I really should do this more often, maybe a few times a year, as it’s a fun challenge to capture the essence of a film, or whatever that comes to mind when I think of that film, in just a single word. As a general *rule* I’m picking films (old or new) I saw in the last few months that I haven’t had the chance to review yet.
So here we go:
The Eagle Huntress (2016) soaring …
LION (2016)tearjerking …
Cairo Time (2009) beguiling …
The Shallows (2016) lively …
Allied (2016) middling
Have you seen any of these? How would YOU describe them in one word?
TCFF is less than a week away! Those who’ve been reading my blog for a while knows I’ve been covering TCFF since its inception seven years ago. It was only a 5-day festival and it was split between two different locations in Minneapolis. Well now TCFF has made its home at Kerasotes ShowPlace ICON Theatresin St. Louis Park, and this year TCFF will also feature a second screening series at the IFP Theater in St. Paul.
I’ve finalized the movies I’ll be watching during the 11-day film fest. I’m just thrilled that there’s quite an eclectic lineup we’ve got this year, practically there’s something from every genre. I’ve blogged about some of them on this lineup post, but below is the movies what I’m excited about.
Before we get to that though, here’s TCFF’s Preview Video highlighting some of the studio films showing this year …
… The perk of blogging for the film fest is that I could watch as many films as I could (yay!). Of course it’d still not be possible for me to see every single film, but I have my pal Sarah Johnson to help me review stuff again this year which allows me to do interviews and support indie filmmakers!
A female Marine veteran, battling unseen wounds from her recent service in Afghanistan, flees her suburban life in search of solace and escape in the North Woods.
I’m thrilled that I’ll be going to the 5:30pm screening of this film. I had been looking forward to this since my friend Kirsten Gregerson (who has a supporting role in the film) told me about it a year ago. As you know, I always champion female-driven films and Blood Stripe is co-written by its star Kate Nowlin, and the film won the U.S. Fiction Award from L.A. Film Festival. The film is filmed locally in MN at Lake Vermilion!
Stay tuned for my interview w/ the husband/wife team Remy Auberjonois and Kate Nowlin next week!
A contestant on a Bachelorette style reality show is thrown into turmoil when the sudden death of his father forces him to quit the series prematurely and reconnect with his estranged sister at the family cabin.
This sounds like an intriguing comedy drama, featuring a Glee reunion of sort w/ Matthew Morrison and Jane Lynch!
When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect who proceeds to build HIS dream house, instead of theirs.
I have to say I was immediately intrigued by this when I saw James Frain in the cast! He’s a terrific character actor from Yorkshire UK who’s been in countless of TV shows and films, including the latest obsession of mine The White Queen as Lord Warwick. I also love the two great comedians Parker Posey and Eric McCormack, so I can’t wait to see this!
In the adventure-comedy The Babymoon, a husband in a fragile relationship tries to impress his pregnant wife with a luxurious and romantic babymoon vacation to the most beautiful and exotic country imaginable, which places the couple in the middle of a poorly-planned political revolution!
From its press release: This star studded and well-known cast brings a multitude of talent and relatable emotion to the big screen. The Babymoon features Shaun Sipos (Vampire Diaries, Melrose Place), Julie McNiven (Mad Men, Supernatural), JessicaCamacho (Sleepy Hollow, Dexter), MichaelSteger (90210), MarkDeCarlo (Curb Your Enthusiasm, Seinfeld, Jimmy Neutron),PhillipGarcia (Telenovela, Fuller House), and KellyPerine (Drew Carey, The Parent ‘Hood).
The premise sounds really intriguing too! Sounds like a perfect date night movie for anyone in the mood for some fun adventure at the movies.
As a former fixer for journalists in Afghanistan, Osman (Dominic Rains) finds asylum in a small California town. Promised a job as a crime reporter for the local paper, and a home with his best friends mother, the town sheriff (Melissa Leo), Osman is ready to settle in. But, when the job falls through, Osman finds himself restless and looking for action.
His attempts to get to know the area lead him to develop friendships with an elusive local actress, Sandra (Rachel Brosnahan), and a charming local troublemaker named Lindsay (James Franco). But, when a dead body turns up and Lindsay goes missing, Osman must face the possible evil lurking just beneath the surface and the depths of his new homes darkness.
One of my fave films at TCFF last year also featured James Franco: The Adderal Diaries. The premise of this one really intrigues me, and I’m looking forward to seeing Dominic Rains‘ performance, as he won Best Actor in US Narrative Feature (then called The Fixer) at Tribeca earlier this Spring (per Variety). Melissa Leo also has a supporting role here and she’s a terrific actress!
Director: LISA ROBINSON & ANNIE J. HOWELL Runtime: 84 min
When Claires (Breaking Bad‘s Betsy Brandt) search for her missing husband leads her to an alluring and manipulative graduate student, she uncovers a world of secrets that threatens to shatter her family.
Here’s another female-driven film (written & directed by a pair of female directors too!) I’m excited about. The film premiered at theSXSW Film Festival and recently Breaking Glass Pictures has acquired North American rights to the mystery drama. (per Indiewire)
Scott thinks he might be dying. Not at all an uncommon thought for Scott, but today the lump he believes he found “down there” might actually be real. Today also happens to be the day of his friend Kens funeral. Funeral Day is a darkly funny movie about a man who skips his friends funeral in an attempt to start living his own life to the fullest.
Now this sounds like a dark comedy that serves as a male health PSA! The filmmaker raises awareness in collaboration with the Testicular Cancer Society.
From its press release: A full cast of experienced and recognizable talent include: Tyler Labine (Deadbeat, The Rise of the Planet of the Apes, Tucker and Dale Vs. Evil), Tygh Runyan (The upcoming Versailles, Stargate Universe), Suzy Nakamura (Dr. Ken, Curb Your Enthusiasm, Horrible Bosses 2), Dominic Rains (Best Actor award winner at this year’s Tribeca Film Festival for his role in Burn Country, A Girl Walks Home Alone at Night, The Loner) and many more. Funeral Day is written by Kris Elgstrand, an award winning screenwriter, whose most recent film, Songs She Wrote About People She Knows, premiered at the 2014 Toronto International Film Festival.
A young woman returns home to Wisconsin for her best friend’s wedding – one year after her father’s death.
This sounds like a personal and heartfelt story about loss and friendship that everyone can relate to. As someone who’s lost a parent early in my life, the story certainly appeals to me.
From its press release: June Falling Down was made primarily by a two-person crew – one of whom was the writer-director-lead actress. What begins as a quirky, homespun movie with a mixture of local Door County, Wisconsin actors and non-actors, reminiscent of Richard Linklater’s Slacker, over time reveals itself to be a film of surprising depth and poignancy, a meditation on grief and growing up.
A father and daughter who have been estranged by divorce for twelve years find themselves on a trip across the country that becomes a more complicated journey than they imagined. It’s a story of pain, hope, healing, and redemption.
I had the pleasure of chatting with the lead actor Dariush Moslemi during the filmmakers interview taping a few weeks ago. I was so inspired by his conversation that it made me look forward to his film even more. I enjoy faith-based stories where the spiritual aspect is organic to the story and that it’s not about spewing a certain agenda. Sounds like a great film to take your whole family to.
Grieving her mothers death and her own failing marriage, Lexi (Gemma Brockis) boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three-years-old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, beginning with his aging former in-laws, collecting numbers and addresses in the hopes that one will lead to her father. Along the way, she establishes other unexpected connections: her father’s ailing former second wife (Deborah Dopp), her bitter half-sister Tanya (Jennifer Lafleur) and her caregiver girlfriend (Jade Sealey), and two local barflies (David Sullivan and Kent Osborne). A stranger in the City of Angels, Lexis reckless searching leads to cautious discoveries in this atmospheric and introspective quest.
Another film screened at L.A. Film Festival that won some accolades! This film won The LA Muse Jury Special Mention award. Written and directed by Amber Sealey, it also featured a large female ensemble cast, always a plus in my book!
Three estranged foster brothers rediscover the ruins of their childhood kingdom “Oxenfree”…and face down the monster living within.
There’s something about this comedy fantasy about three brothers that immediately appeals to me. I grew up w/ two brothers and let’s just say we have a rather unusual childhood, so I think I can relate to this story.
Trespass Against Us is set across three generations of the Cutler family who live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (Georgie Smith) coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family.
I almost didn’t mention this film when I initially published this article as I didn’t think it was an independent film. Well it certainly falls under the category of British indie, which was recently acquired by A24 for its US rights. It’s definitely one of my most-anticipated films at TCFF. The pairing of two Irish thespians Brendan Gleeson and Michael Fassbender gets my attention straight away, and it looks like a gripping family gangster flick set in a British countryside.
For Horror/Thriller Fans…
Now, most of you know I have too feeble nerves to handle horror, but since is close to Halloween, naturally there are quite a few horror films playing at TCFF! Here’s a sampling that you should check out, click on the link below the posters for more info!
Café Societyis director Woody Allen’s latest film about old Hollywood – or sort of. Set during its golden age (30s, 40s), its main protagonist is Bobby Dorfman (Jesse Eisenberg), a naïve young New Yorker looking to make his way by moving to Hollywood to work under his uncle Phil (Steve Carell in a wooden performance), a high powered Hollywood agent.
Leaving a loving Jewish family in New York, which includes his mother Rose (an excellent Jeannie Berlin) and a gangster older brother (Corey Stoll), Bobby arrives in LA, and taken under his uncle’s wing. To help him get acclimated to his new surroundings, Phil tasks ‘Vronny’, his secretary (Kristen Stewart) to show him the sights. Before long, a romance ensues and some rather complicated triangles come into play.
Café Society is watchable at best, with Vittorio Storaro’s gorgeous photography, its glamorous ensemble cast (Blake Lively, Parker Posey, Sheryl Lee) and Allen’s trademark impeccable pacing. However, the cast is mostly sidelined to the rafters.
Aiming seemingly for that classic, light, airy romantic comedy – the likes of Twentieth Century (1934), but without it’s creative punch and slapstick. It’s peppered with cynicism throughout, perhaps to intrigue a moviegoer discussion into the imagined realities of love and romance in the Hollywood jet-set. But it all feels a bit hollow and ultimately, forgettable.
Perhaps Allen’s point is to stress the emptiness of the rich Hollywood life, but it’s hard to care for any of the main characters who don’t evolve much. It does feel a bit like Allen doing a monologue on Hollywood, love and death to himself. But that in itself, unfortunately, does not make a great, or even a good film.
The one redeeming quality about the film are the scenes with Bobby’s immediate family, which were too few and far in between. The family dynamic offered the most effective comedy throughout and reminded me bits and pieces of 1987’s award winning Moonstruck.
In the end, the Dofmans were the only characters I could sympathize with. And by film’s end, Bobby was most definitely not even a part of them at all.
So what do you think of Café Society? Let us know what you think!
Well, on Tuesday night I saw the press screening of The Jungle Book, which is a remake of the 1967 animated film. It was such a pleasant surprise, a visually-mesmerizing film with a simple-yet-moving story. That film is certainly an eye AND ear candy, with phenomenal voice actors like Ben Kingsley, Idris Elba, Scarlett Johansson, Bill Murray, etc/ providing the speaking voice for all the animals.
So in honor of that film, I thought I’d um, remake my old post that still remains quite popular to this day, top 10 favorite actors with the smoothest voice. It’s funny but more often than not, actors I have a crush on usually have an addictive speaking voice, and I’d even listen to their interviews over and over just to hear their voice! It’s obviously a very subjective list, and I’m not going to include the same people I’ve already included in my original list (i.e. Gregory Peck, Alan Rickman, Richard Armitage, Hugo Weaving, etc.) Also excluding the obvious ones like James Earl Jones & Morgan Freeman, because well, they’re a league of their own.
Yes I realize I could’ve renamed this list Favorite BRITISH voice actors, ahah. But hey, I didn’t pick based on nationalities, but just like looks & talent, the Brits seem to have ’em all 🙂 In any case, here they are in no particular order:
1. Idris Elba
One of the most mesmerizing things about #TheJungleBook was definitely @idriselba‘s deep voice, he sounds as gorgeous as he looks!
I’ve been a huge fan of Idris’ voice since Rocknrolla. The voice timbre, the accent, it’s simply mesmerizing. Even without seeing his physical presence, his voice alone has that irresistible swagger.
2. Sam Riley
Ok so Sam’s voice is a bit of an unconventional choice. People say he sounds like John Hurt, not that there’s anything wrong with that. But there’s something so irresistible about his raspy voice, likely due to his years of chain smoking. I’ve been saying on Tumblr that Sam’s voice is my drug of choice of late 😉 I literally would listen to a bunch of his interviews, which is just as fun to listen to as his singing voice in Control(and his former band 10,000 Things)
Whether he’s speaking in American accent as Sal Paradise (aka Jack Kerouac)…
… Sam’s voice is music to my ears that I can’t get enough of.
3. Jeremy Irons
I don’t know why I didn’t include this in my original list as I’ve always loved Mr. Irons’ voice! It’s so distinctive, with a timbre all his own and he’s got impeccable delivery the way Alan Rickman did. Hearing him even in his brief appearance in Batman V Superman reminded me just how much I loved his voice. Speaking of Disney voice actor, his voice work as Scar in The Lion King is just superb. I mean how does one go against James Earl Jones in the voice department, but he certainly held his own in that regard.
4. Tom Hiddleston
The one actor I was crushing on in the first Thor movie wasn’t the hero, it’s the villain. Hiddleston’s voice sounds so melodious even when he’s in distress. His extensive theatrical training came through in his delivery, it’s so clear, dramatic and simply mesmerizing. He totally came away with the movie on account of his voice alone IMHO. I went to see his performance as Coriolanus as part of a National Theatre Live broadcast just because I LOVE listening to him do those long monologues and indeed he delivered.
Here’s a scene with Anthony Hopkins (who’s on my original list)
Oh and of course he’s absolutely divine in reading Shakespeare…
5. Will Arnett
Ok this is crazy but I never actually paid attention to Will’s voice as I barely watch any of his movies. But when he did Batman in the LEGO Movie I thought my goodness he’s got a gorgeous voice! It’s so deep that it’s hilarious but it certainly sounds lovely, heck better than Christian Bale’s ridiculous’ Batman voice in Nolan’s movies. I can’t wait for the standalone LEGO Batman movie!
6. Mark Strong
Come to think of it, Rocknrolla is chock-filled with Brits with gorgeous voices (there are three of them on this list alone). Strong is so criminally underrated as an actor, but I think fewer people know he’s also a fantastic voice actor. But really, he’s got the perfect voice pitch and lovely accent that he probably could make a successful career solely on his voice alone.
7. Mike Colter
One of the reasons I ended up loving Jessica Jones is the casting of Mike Colter as Luke Cage. Ok so the first time we saw him I was already transfixed by him before he even opened his mouth (I mean look. at. him.) Then he did open his mouth and I was like, seriously? Not only did he look like THAT, he has to sound THAT good as well? Well let’s just say I hope they give him extensive monologues in the Luke Cage series!!
8. Iain Glen
Another underrated British actor with an absolutely divine voice is Iain Glen. I remember first seeing him in the first Tomb Raider movie. In fact, he’s one of the best things about the movie as the charismatic villain. Fans of Game of Thrones surely are familiar with his character Jorah’s voice. I think people with a great voice is memorable even in a small role, as was Iain in Eye in the Sky, which was already filled with people with distinctive voices like Alan Rickman AND Helen Mirren. The movie is like voice porn!
9. Ben Whishaw
Whether citing John Keats in Bright Star, or bringing a bear to life in Paddington, Whishaw’s use of his phenomenal voice is simply incredible. I also enjoyed his voice as Q in the Daniel Craig’s Bond movies. There’s such a pleasant lilt to his voice that will make anyone swoon.
I love this fan video of him reading Keats’ La Belle Dame Sans Merci set to Thor‘s soundtrack. An odd choice of music but it works!
10. Tom Hardy
Ok some people say they love Tom Hardy but they’d need subtitles in order to understand him. Ahah, I agree with that, for some reason he’s been in movies where he mumbles so much. But obviously if he speaks in his natural voice he’s got a clear accent and the loveliest voice. Check out his seductive voice in Rocknrolla, I have played this clip dozens of times just to listen to him. Speaking of voice porn, this movie is another one of those featuring a trio of great voices courtesy of Idris and Gerry Butler!
Well, what do you think of my picks? Whose actor voice(s) that you consider music to your ears?
Normally I’m excited for Oscar nominations, but this year it was overshadowed by a couple of things that happen around the same time. Just before I went to bed last night I heard news of terrorist attacks in my homeland Jakarta in multiple locations. One of the first bombs that went off was so close to my two nieces’ schools!! I immediately texted my brother and he was right in the middle of picking up his three girls from two different schools. Thank God they’re ok. It’s truly a scary world we live in.
And then of course in the morning I heard of the passing of one of my all time favorite actor Alan Rickman 😦 My heart is heavy. I shall do a tribute for Mr. Rickman this weekend.
Ok, well I suppose life must go on. So here’s my thoughts on this year’s Academy Awards nominations…
Same like last year, I didn’t make a post of my nomination predictions this year, I only tweeted who’d be nominated for Best Picture and a few other categories. Well, I guessed correctly that it’d be 8 nominations, but apparently I got two wrong, but the two films that did get in were two I really like.
• YES, prayer answered!! Thrilled to see Mad Max: Fury Roadnearly swept the Oscars with 10 nominations! I love hearing its name mentioned over and over as I was listening to it this morning [happy dance] 2 nominations short compared to The Revenant… and both starred Tom Hardy! 😀
• Happy to see George Miller amongst Best Director nod, yes!!!!
• Speaking of the British hottie – YAY for Tom Hardy getting an acting nomination for Best Supporting Actor in The Revenant, woo hoo!!
• YAY for Spotlight! My #2 film of the year will probably be the biggest competition to The Revenant this year.
• Nice seeing Batman and Bane both getting nominations 😉 Their roles couldn’t be more different, and their names were announced one after another this morning, too!
Both Christian Bale & Tom Hardy are the best actors of their generation, they’re such chameleons who look so different from film to film. …
• YAY for Saoirse Ronan amongst the Best Actress nominees! I’m rooting for her even though I think it’s going to be down to Cate Blanchett vs Brie Larson this year.
• YAY for Sly Stallone too!
I had mentioned in my Creed review that it’d be interesting (and awesome!) if he did end up being nominated for an Oscar, as he did in 1976 for the first Rocky film. I’d think would mark some kind of record that the same actor is nominated twice playing the exact same role. … • Congrats Leo!! I surely believe this is his year. I mean, The Revenant swept the Oscars with 12 nominations and the Best Actor race is arguably not as strong as in previous years and amongst Cranston, Damon, Fassbender and Redmayne, I think DiCaprio is the frontrunner and if I were a betting woman, I’d put my money on him.
• Now, if you think Leo is the Susan Lucci of the Oscars, heh he’s got nothing on Roger Deakins! He’s been nominated 13 times, and every single one has been amazing too which adds even more insult to injury! Cinematography golden boy Emmanuel Lubezki’s nominated again and considered the frontrunner, but he’s got TWO Oscars in the bag two years in a row. Come on Academy, stop yanking Mr. Deakins’ chain and get him his overdue Oscar!
• The only one I haven’t seen out of this list is Straight Outta Compton. YAY for Ex Machina and Spotlight, quite surprised to see Inside Out and Bridge of Spies here, but both are very good films.
• This is perhaps the rare year where I’ve seen ALL of the supporting actor nominees and I agree with ALL of the Best Supporting Actor nominations. It’s a pleasant surprise to see an acting nominee from Spotlight, and Mark Ruffalo did get one of the showiest roles in the ensemble. … • I’m glad to see Cartel Land and The Look of Silence shortlisted in the Best Documentary category ! Now I haven’t seen the other four that are nominated so I can’t say who’s most deserving, but what Joshua Oppenheimer did with The Act of Killing was astounding, so no doubt he did an equally brilliant job with its follow-up doc.
… • Lots of GREAT composers amongst the Best Score nominees, wow! I mean Ennio Morricone and John Williams are practically legends. Now, Mr. Morricone is yet another ‘always a bridesmaid, never a bride’ nominee with 5 previous nominations, let’s hope this is his year also! …
• Well, I think the hashtag #OscarSoWhite will be trending again this year [shrug].
Here’s what the 20 acting nominees look like this year:
Another bad year for diversity. Just like last year, NONE of the acting nominees consist of an actor/actress of color 😦
My daily industry news reading led me to this reaction post by Variety:
But the most disappointing outcome is that, for the second consecutive year, all 20 of the acting nominees are white. No Michael B. Jordan or Tessa Thompson for “Creed”? No Idris Elba or Abraham Attah for “Beasts of No Nation”? No Will Smith for “Concussion”? And despite a best picture nomination, the cast of “Straight Outta Compton” was all shut out. No doubt, yet another year of an all-white Oscars, which is being widely criticized on Twitter, will be addressed by host Chris Rock at the Feb. 28 telecast.
• I was convinced to see Idris Elba‘s name on the list for Beasts Of No Nation, which from what I’ve read should’ve been recognized here. I think Michael B. Jordan was a very strong performer as well in Creed, though I think the Leading Actor category is more crowded than the Supporting one, so Elba surely had a much better shot and it’d be a deserving nomination too, not just to fill a diversity quota!
• Bummed to see Charlize Theron overlooked once again in Mad Max: Fury Road😦
For some reason there’s no love for Emily Bluntin Sicario. I’m sooooo tired of seeing Jennifer Lawrence, she’s nominated AGAIN this year, sheesh! I sure hope she won’t win this time! …
• Not a good year for female talents either it seems. Only ONE female filmmaker gets a nod this year, that is Deniz Gamze Ergüven who directed the French-film Mustang. It sounds similar to Girlhood which is in my top 10 of the year (also a French film directed by a woman) so I should check it out!
The buzz for Suffragette by Sarah Gavron seems to have sizzled before it even opened in major cities. I also heard tons of great buzz for The Diary of a Teenage Girl by Marielle Heller and got plenty of Critics and Film Festival noms, but it was overlooked by both Golden Globes and Oscars. Apparently 36% of Sundance Film Competition was directed by women according to Indiewire, well that sure sounds like a heck of a lot when female filmmakers are largely absent from major awards.
• Two actors who seem to have been overlooked are Paul Dano in Love & Mercy and Jason Siegel in The End of the Tour. I’ve only seen the latter and thought that Siegel did an excellent performance as David Foster Wallace.
• Ok now, Writing’s On the Wall for Best Original Song?? REALLY?? Heh, I think the melody of the song is nice but gah, I can’t stand Sam Smith’s whiny voice and now it sounds like we’d all have to listen to him sing at the Oscars ceremony! Of ALL the years to recognize a Bond song, the Academy chose the most-maligned one that sounds more like writhing on the wall.
• The comedy/musical category is the most baffling thing about the Golden Globes but Oscar’s most baffling category is the downgrading of actors’ role prominence. As in the case with Alicia Vikander in The Danish Girl. Anyway you look at it, her role is a lead more than a supporting, but she’s nominated in the Supporting Actress category.
• Where’s Oscar Isaac?? No offense Mark Ruffalo, I think he’s an excellent actor but as much as I love Spotlightas a film, I feel like I’d rather see Oscar Isaac in Ex Machinawho’s sooo much more memorable. Ah well, at least we have this awesome dance sequence to console us 😉
• Oh and I never thought I’d say this but I’d have loved to seeKristen Stewartgets a nod for her performance in Clouds of Sils Maria. She became the first American actress to win a César Award in the role. I think she gave a far stronger performance than Rachel McAdams in Spotlight. Ok it sounds like I’m ripping Spotlight but I’m not, and if the two acting nods increase its chances to win Best Picture, then I guess I’m happy about that. But still it’s baffling that McAdams get a nod whilst Michael Keaton‘s left out. …
• Last but not least, poor Sir Ridley Scott!
The four-time Oscar nominees is overlooked despite his best directing effort in years. The Martian was a return to form for the 78-year-old filmmaker. Heh, let’s hope he gets another shot again as he’s no spring chicken.
The 88th Academy Awards will air on February 28 on ABC.
Well, that’s my reaction to the 2016 nominations. What are your Oscar-related delights and gripes? …
Happy Thursday everyone! Today we’ve got a special guest post from Yorkshire. Izzy is writing about a topic that’s dear to my heart and an important discussion point.
So without further ado, let’s dive into Izzy’s post…
How many times in a day do you quote the lines of a TV program or movie? Personally I wouldn’t be able to count the number as my days are littered with “Houston, we have a problem”(Apollo 13, 1995) and “I’ll be back.”(The Terminator, 1984) sometimes I don’t even realise I’m doing it and I bet you’re the same!
So, when this quiz landed in my inbox: I thought nothing of it other than ‘I love quotes! I’ll be good at this!’ (As it turns out I didn’t score as well as I’d hoped but that’s irrelevant for now.)
It wasn’t until I was thinking about the quiz a few hours later that I put my literature degree head on (I only recently graduated) and began to analyse the quiz how I had been taught by lecturers, in a way that delves deeper than face-value.
What did I discover?
Well, after some further Googling I compiled this:
The most obvious revelation is that male characters are written more memorable lines.
My second discovery was that a high proportion (but by no means all) of the famous lines spoken by male characters are fueled with aggression, whereas five out of the seven most memorable female lines are projected through love of either a man or family life.
The questions is, ‘Why?’
In 2014 only 15% of Hollywood film script writers were female (with numbers fluctuating around that figure, if not lower, for decades). Again in 2014, females made up only ‘12% of protagonists featured in the top 100 grossing films.’ Again, this percentage seems to have always been the norm.
Those stats can help to explain my findings.
• If 80-90% of Hollywood film script writers are male then it is understandable that they will write male-centric stories with male protagonists.
• If 80-90% of protagonists are male then they are likely to have the most lines in a movie, therefore increasing their chances of having a memorable one.
• We can also assume that 80-90% of characters in Hollywood have had their lines written by a man. This may explain why famous female lines are written with the intention of underlining their affectionate personality- because women are stereotypically affectionate and as a male writer it is easier to write stereotypes than it is to dedicate time to researching the female psyche.
My last thought is a little more obscure and far more open to debate.
Jack Nicholson came up with ‘Here’s Johnny’ (The Shining) on the spot, as did Robert De Niro with his famous line “You talkin’ to me?” (Taxi Driver). This opens the debate of if male actors embody their characters with more vigour and intensity than their female counterparts. Do they ‘feel’ their characters on a more personal level? Do they have a closer relationships with the people they are playing? Or, as only 2 out of the 18 male lines equals to 11% and 11% of the 7 female lines is 0.77, maybe an incredible, unscripted female line is yet to come…..
This article by Entertainment Weekly’s Jeff Labrecque [in regards to Maggie Gyllenhaal being deemed too old to play the love-interest of a 55-year-old man – ed] highlights that male ‘tastes,’ i.e. a preference to date significantly younger women, is embodied across the cinematic world in terms of casting. It can then only be assumed that male scriptwriters also write female character’s lines in relation to their ‘taste’, as well as based on assumptions as mentioned earlier.
I have great respect for the likes of Emma Thompson who write screenplays such as Nanny McPhee presumably so that she has the opportunity to play a leading Hollywood role regardless of her age, and most definitely without a male screenwriter’s sexual agenda. I cannot wait to see more of the same and experience Hollywood productions written by women for female actors of ‘a certain age’ or otherwise. Kelly Marcel and Sue Smith, writers of Saving Mr Banks, wrote their P.L. Travers beautifully- highlighting their female characters’ insecurities as well as defiance, likeability as well as unpleasantness. It is safe to say that they wrote a well-rounded and very human character, and the sooner this sort of female characterisation becomes the Hollywood norm the better.
Seems that I dropped the ball [again] on this series! Volume 3 was back in January, ahah.
I got this Five Movies in Five Words from Josh @ The Cinematic Spectacle. So basically the idea is to come up with five movies from various genres and capture the essence of the film, or whatever that comes to mind when I think of that film, in one word. As a general *rule* I’m picking films I saw in the last few months that I haven’t had the chance to review yet.
So here we go:
Me and Earl and the Dying Girl (2015) endearing
What We Do in the Shadows (2014)
Have you seen any of these? How would YOU describe them in one word?