Happy Monday all! It’s been a quiet weekend for me, I barely went out on Sunday as we’ve got everything old man Winter has got to offer. Frigid temp is not enough apparently, so we’ve got dumped with snow, sleet and freezing rain all afternoon. Perfect weather for staying in however.
Apart from going to Side Effects screening on Thursday [review later this week], I pretty much turned to Netflix and some borrowed movies from friends. Here are my mini reviews:
As this comes out the same year at Captain America, no wonder this B movie gets lost in the shuffle. I remember seeing the trailer and I thought this must be a way for Chris Evans to show he’s got acting brawn on top of his physical one. I’ve got to admit I was curious to see how Evans fare as a drug-addicted lawyer who takes on a health supply corporation on behalf of a nurse who got punctured by a contaminated needle and contracted HIV.
It’s a David and Goliath legal drama that resembles the battle between a whistle blower and the tobacco giant in The Insider, but unfortunately the similarities ends there. The direction style is far less inferior, not exactly as gripping as the based-on-a-true-story premise. Apparently Evans’ co-star Mark Kassen directed the movie with his brother Adam, and this was their first feature film. Evans himself is quite convincing in his role, though his training as the First Avenger makes him look much too buff to play a junkie. I really doubt the real-life Mike Weiss has a ripped 8-pack abs as he spent all his days either studying his case or snorting cocaine. Interesting to see Vinessa Shaw twice in one week [she has a small role in Side Effects], she was pretty good here as the HIV-infected nurse. The casting of Michael Biehn here is very baffling as he’s not given hardly anything to do at all, and his character’s portrayed as being so mysterious for no good reason.
Despite the heartbreaking premise and a well-intentioned effort, the movie is pretty forgettable. Some scenes were over-dramatized and others are not substantial enough. The film also seemed to suggest the fate of Mr. Weiss is not as simple as an overdose, but there’s no follow up of that. I don’t think the ambiguity serves the film well at all. In any case, under a more experienced filmmaker, this could’ve been more engrossing.
|2.5 out of 5 reels|
Everything or Nothing: The Untold Story of 007 (2012)
As a massive Bond fan, I can’t believe I didn’t know about this documentary until my hubby told me about it a few days ago! I’m also ashamed to say that I just realized what EON Productions stand for, and it’s really an apt title considering the length the producers had to go through in bringing the Bond books to the big screen. Here’s the full synopsis per 007.com:
Everything Or Nothing focuses on three men with a shared dream Bond producers Albert R. Broccoli, Harry Saltzman and author Ian Fleming. Its the thrilling and inspiring narrative behind the longest running film franchise in cinema history which began in 1962. With unprecedented access both to the key players involved and to Eon Productions extensive archive, this is the first time the inside story of the franchise has ever been told on screen in this way.
The producer of this doc is John Battsek who also produced the Oscar-nominated Searching for Sugar Man, and I’m happy to say that this film absolutely delivers. It was not only well-done in terms of productions, filled with fun footage from various Bond films and accompanied by John Barry’s fantastic Bond music, this has become my favorite documentary ever. Yes of course the subject matter is of great interest of mine, but there’s much to be said about its production quality and exceptional access to the inside story of the key players.
Though I’ve heard about the split up of Broccoli and Saltzman, it’s still quite tragic to see. The same with how George Lazenby threw fame away as quickly as he gained it, and the rift involving Connery and the producers, especially between him and Saltzman. It’s such a treat to see all Bond actors appear in the film to talk about their Bond role, interesting that all of them has their share of struggle surrounding it. The film paints a very sympathetic picture of the late Cubby Broccoli in particular, but his history certainly checks out, without a doubt he loved the character of Bond all the way back to how he’s written by Ian Fleming. It would seem that his involvement in this lucrative franchise went above and beyond the chase for profit.
Kudos to director Stevan Riley for crafting a compelling documentary that’s as thrilling and entertaining as the Bond adventures. Certainly there’s as much at stakes unfolding behind the camera as in front of it, the drama involving Kevin McClory, one of the producers of the oh-so-ill-advised Never Say Never Again is especially riveting. I had just seen the documentary on Ian Fleming that’s included in The Living Daylights Blu-ray recently, so some of the details on the famed author was already known to me. Yet it’s still fascinating to learn about it, I’d certainly be interested in seeing his biopic. This film definitely enhances my appreciation for one of my most favorite movie franchises. A must-see for anyone who’ve seen at least one Bond movie, and absolutely essential for any Bond fan.
|4.5 out of 5 reels|
BBC TV’s EMMA (2009)
I’m quite fond of Romola Garai, whom I think is one of the most underrated British talents ever. So when my co-worker lent me the dvd of the 2009 BBC adaptation of Emma with her in the starring role, I couldn’t wait to watch it. I always felt that the 1996 version with Gwyneth Paltrow to be just ok, well apart from Jeremy Northam as Mr. Knightley of course. Oh how I’d love to see him as Knightley in THIS adaptation.
Emma is not my favorite of the Jane Austen’s collection, that would be Sense & Sensibility. Yet I quite like this adaptation largely because of Garai’s casting. Though she was 27 at the time, she looked believable as the 20 year-old Emma Woodhouse, a pretty & privileged girl who loves finding suitors for her friends. She portrays Emma as suitably vivacious and naive, as well as a bit of a spoiled brat. We like Emma despite some of her blunders and careless decisions, and Garai’s able to capture her remorse as well as her bubbly nature. Of course this being a miniseries, her character development is far superior than the film version.
Some thoughts about the rest of the cast. Michael Gambon is an interesting choice as Emma’s father who always assumes everything is hazardous to one’s health, he somehow makes his fussy nervousness as something endearing. As I’ve mentioned above, I love Northam’s interpretation of Knightley. I think Jonny Lee Miller is not bad, but I wonder if someone else in the role would’ve been a better choice as he doesn’t seem to be much older than Garai (there’s supposed to be a 17-year difference in age) Plus, I kept thinking of him as Edmund Bertram, the role he played in 1999’s Mansfield Park (one of my fave period drama heroes). Interestingly enough, Blake Ritson who played Mr. Elton also played Edmund in the 1997 BBC version! Certainly BBC has a pretty small pool of actors to choose from, ahah. Ritson is a far better casting choice than Alan Cumming in the film version. I mean, he was just so darn creepy, plus it’s really too much of a stretch to imagine him as a vicar.
Overall this is a lovely adaptation with fun dialog and gorgeous scenery. Kudos to the production quality, the color scheme, costume, music, etc. that makes for a very enjoyable watch. That said, I still much prefer the Masterpiece Theater’s production Sense & Sensibility as the story is inherently more heart-wrenching to me. It’s worth noting that the screenwriter Sandy Welch also wrote the 2004’s North & South, which is by far my favorite BBC miniseries ever.
|4.5 out of 5 reels|
Well, that’s my weekend viewing roundup. How ’bout you, seen anything good?