FlixChatter Review: Casino Royale (2006)


This review was part of Mark & Tom’s Decades Blogathon that was published back in mid May. But since July 6 is Eva Green’s birthday, I decided to post it here this week.

I can’t believe it’s been a decade since Casino Royale came out. I just re-watched it this weekend to refresh my memory for the blogathon, though I had probably re-watched it a few times in the last 10 years. It’s still as good as the first time I saw it, and I still would regard it as one of my favorite Bond films… ever. I’ve mentioned Casino Royale so many times here on my blog, in fact it’s one of my fave films of 2000s and one of the 8 films I’d take with me if I were stuck on a desert island.

Like many Bond fans, I too had trepidation about Daniel Craig casting (too blond, too short, etc.) but of course we’re all proven wrong the second he appeared on the pre-credit scene. Craig might not be the most good looking Bond actor (and he is the shortest), but he more than made up for it in charisma AND swagger. Apart from Craig’s brilliant casting, it’s the story that makes this film so re-watchable. It’s not only a great Bond film, it’s a great film, period. An origin story of sort, James Bond goes on his first ever mission as 007, and he didn’t get off on the right foot with M right away. The scene when M berated Bond when he broke into her flat was intense but humorous, a perfect balancing act the film continuously play throughout. It’s not the first time we see the venerable Dame Judi Dench as M, but I must say I LOVE the banter between her and Craig even more.


A great Bond film has to have an effective adversary and we find that in Mads Mikkelsen‘s Le Chiffre, a cold-looking Scandinavian with a bleeding eye. It would’ve been a silly gimmick if not played carefully, but here Le Chiffre is a cool and ominous villain. The fact that he’s really not a mastermind in the likes of Blofeld or Drax, but the fact that he’s not hellbent in ruling or destroying the entire world is frankly refreshing. He is a banker to the world’s terrorists, and so his only motive is money, like most of real world villains are. And a great Bond film also needs a memorable Bond girl. Well, Eva Green‘s Vesper Lynd is perhaps the hottest cinematic accountant ever. “I’m the money,” she quips the first time she enters the screen and into Bond’s heart. To this day I’m still enamored by the train scene to Montenegro, the way Bond & Vesper banter each other with wit and sexual undercurrents is what Bond movies are all about. Vesper is no Bimbo and that automatically made her a bazillion times more intriguing than bombshells in lesser Bond movies.

CasinoRoyale4 CasinoRoyale_Vesper

Casino Royale isn’t big on gadgetry, and as a longtime Bond fan, I actually didn’t mind it. It’s got everything else one would expect in a Bond movie – the cars, the exotic locations, the suspense, action and quick wit – it’s all there. Compared to Craig Bond movies, the Roger Moore versions feel more like a drama given how relentless and vigorous all the action sequences are. The opening parkour/free running scene apparently took six weeks to shoot and my goodness, I’m out of breath just watching it! This is one sprightly Bond and Craig did most of his own stunts, so it looks believable that he was the one doing the action in the movie. He reportedly has the injuries to prove it too! The car chase wasn’t overlong, but dayum was it memorable. The scene where Aston Martin missed Vesper by a hair and rolled over multiple times still took my breath away every time I saw it.


But all of that action stuff wouldn’t have mattered much without a grounding story. I think the last time Bond was genuinely romantic and emotional was On Her Majesty’s Secret Service, which was when Bond fell in love. The scene of Bond tenderly comforting Vesper in the shower is one of my favorite scenes in all of the Bond films. There is nothing erotic or sexual in this scene, instead it packs an emotional wallop that makes Bond/Vesper relationship one of the best and most convincing romances in a Bond movie. The love story in Casino Royale is core to the plot and it was woven perfectly into all the espionage intrigue.

Vesper: You’re not going to let me in there, are you? You’ve got your armour back on. That’s that.

Bond: I have no armour left. You’ve stripped it from me. Whatever is left of me – whatever is left of me – whatever I am – I’m yours.

Bond films are known for being an eye and ear candy, and this probably ranks as one of the most beautifully-shot. The scenery in Venice as Bond stroll in the Grand Canal is especially striking, topped off by the intense fight scene in a crumbling house (shot at Pinewood Studios modeled after Venice’s Hotel Danieli). The soundtrack also ranks as one of the best, done by David Arnold with an homage to the legendary composer John Barry. I can’t get over how much I love the track City of Lovers, which I’ve highlighted for my Music Break here. The theme song You Know My Name by Chris Cornell is also one of my favorite Bond songs, and the cards-themed opening sequence is spectacularly-done.


Per IMDb, this was the first James Bond movie to be based on a full-length Ian Fleming novel since Moonraker 27 years prior. Goldeneye‘s director Martin Campbell helmed the film from a screenplay from Neal Purvis, Robert Wade and Paul Haggis. I wish Campbell would be back in the director seat again as his previous two Bond films rate as one of my all time favorites. There’s so much style & sophistication in abundance here, but never at the expense of story & character. What I also love is that the quieter moments in the movie is still just as intriguing as the high-octane action scenes. That poker game in Montenegro is brimming with elegance as well as suspense, whilst showcasing the film’s excellent production design and costume design. Vesper’s plunging purple dress is a real head-turner and I don’t think Craig has looked more suave than in his tuxedo that Vesper tailor-made for him.

I really can go on and on about this movie as it’s really a masterpiece in the 50 years of James Bond films we’ve got so far. It also made me even more dismayed that the recent film in which the plot directly followed this one was such a downgrade. Looking back at Casino Royale‘s fantastic finale with Bond introducing himself to Mr. White, I expected SO much more than what they gave us with Spectre.


What are your thoughts about ‘Casino Royale’? Does it rank amongst your favorite Bond films?

Five Movies, Five Movie Quotes: Bond Edition


Hello folks! Films are a visual medium, but without a good story, it’d be more of a music video or visual poetry. So to me, one of the things I remember about the movies is the dialog. This list is sort of inspired by the Five Movies Five Words series I haven’t done in a while, which was started by Josh @ Cinematic Spectacle. We’ll see how long I can keep up with this one, ahah.

In any case, inspired by this awesome Bond podcast on the underrated Bond movie Licence To Kill, I thought I’d start out with the Bond theme. I might or might not have a theme for the next one, we shall see. Favorite quotes isn’t just about the line itself, but it’s the delivery. That’s why I have to start with one of my fave Bond movies starring my all time fave Bond actor!

The Living Daylights


STUFF my orders! I only kill professionals. That girl didn’t know one end of her rifle from the other. Go ahead. Tell M what you want. If he fires me, I’ll thank him for it.

Licence to Kill


James Bond: In my business you prepare for the unexpected.
Franz Sanchez: And what business is that?
James Bond: I help people with problems.
Franz Sanchez: Problem solver.
James Bond: More of a problem eliminator.

Casino Royale


Bartender: Shaken or stirred?
James Bond: Do I look like I give a damn?



Pussy Galore: “My name is Pussy Galore.”
Bond: “I must be dreaming.”



M: Good, because I think you’re a sexist, misogynist dinosaur. A relic of the Cold War, whose boyish charms, though wasted on me, obviously appealed to that young woman I sent out to evaluate you.


Well, that’s it for the first of the series. What are some of YOUR fave Bond quotes?

Trailer Spotlight: SPECTRE first teaser is here!


I normally hate the adverts for a trailer, but at least it’s not an actual trailer for a trailer. But when I saw a tweet from @007, I gotta say I couldn’t wait to see it!

As a longtime Bond fan, I’m always excited when a new Bond movie came out, well except for the last two Brosnan movies as they look as dumb even in the trailers. Daniel Craig‘s Bond films not only brought back the grit and fortitude lost in Brosnan era, it’s also got that real sense of mystery and mystique, which is what one would expect in an espionage genre.

This teaser captured that sensibility perfectly:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

With Bond 24, I love that the filmmakers brought back the enigmatic nefarious organization we’ve seen in the earlier Sean Connery movies. Yet there’s still that continuity of storyline from Casino Royale, the fact that we see Mr. White once again, still as cryptic and ominous as ever despite looking like he might’ve lost his eyesight.

“You’re a kite dancing in a hurricane Mr. Bond.”

Then of course we’ve got Christoph Waltz there towards the end. I’ve mentioned in my Spectre post here that he’s not playing Blofeld, but he’s obviously a powerful figure that might’ve had a key tie to Bond’s past as well. Can’t wait to see him going toe to toe w/ Bond.


Glad to see Sam Mendes back for directing duties. He shared on 007 official site a bit more about the plot of SPECTRE:

“The reasons I’m doing the second Bond movie are the reasons I would do any movie, really, which is all to do with the story. And in this movie, SPECTRE, what you have is a movie entirely driven by Bond. He is on a mission from the very beginning,” he says. “It’s about whether or not to pursue the life he’s always pursued, whether he matters and is he going to continue or not. And you’re going to have to come to see the movie to find out whether he does.”

Even from this teaser, we can expect to see an amazing cinematography from Hoyte Van Hoytema whose impressive work you can see in Her and Interstellar. Nice to see Thomas Newman scoring this too. Wish we didn’t have to wait until November to see it!

Well, what do you think of this teaser so far? Are you excited for SPECTRE?

Music Break: 5 Great Themes from 5 Favorite Action Flicks



As an action movies fanatic, I also love the music that accompanies them. Here’s a list of some great themes from action movies throughout the years.

Black Rain
Chase to the Steel Plant by Hans Zimmer

Hans Zimmer has been the go to guy for composing big Hollywood tent pole pictures within the last 15 years or so. But he started out composing small movies and this was his first gig at composing a budget Hollywood film. It’s also his first collaboration with Ridley Scott. In this underrated buddy cop action thriller, his style really shows and I love this film’s soundtrack. Especially this particular track, it’s from a scene where two of the main characters chasing a suspect that leads to a shootout. The music works perfectly with the scene and I always get goose bumps when I watch this scene and hear the theme.

Unused Ending score by Elliot Goldenthal

I thought Michael Mann’s Heat is a nearly flawless masterpiece and the music by Elliot Goldenthal is just as good. To me the music in the film is timeless, you can still watch the film today and never thought it’s from the 90s. This track was supposed to be used at the film’s ending scene but apparently Mann wasn’t too thrilled about it and decided to use Moby’s God Moving Over the face of the Waters track instead. This of course angered Goldenthal and he and Mann didn’t work together again until Public Enemies. I love Moby’s theme but I prefer this one over the one that was used in the final fim.

The Assassination of Jesse James by the Coward Robert Ford
Song for Jesse by Nick Cave and Warren Ellis

Technically this film isn’t an “action” picture because there’s only one shootout scene but I thought it’s one of the best westerns ever made and quite underrated. The score by Nick Cave and Warren Ellis was just stunning. There are many great tracks from the soundtrack but this one is my absolute favorite. The whole film felt like a dream and this theme enhances the mood.

Surface of the Sun by John Murphy

I wish more Hollywood directors would hire John Murphy to compose their films, he’s one of my favorites, I thought his work in Mann’s Miami Vice was excellent. He and Danny Boyle has collaborated in many films together. This track from Sunshine has been used in many movie trailers and it’s a great one.

On Her Majesty’s Secret Service
We Have All the Time In World by John Barry

I can’t leave a James Bond flick out of a list about action pictures. John Barry’s excellent and timeless theme for one of my favorite Bond flicks. I can listen to this theme and the song by Louis Armstrong over and over again. I know for years many so called Bond fans hated this flick, but ever since Christopher Nolan said it’s his favorite Bond film, they have changed their tune about the film now. I’ve always been a fan and had Connery returned as 007 or Timothy Dalton accepted the role, it would have a been perfect Bond film to me. George Lazenby wasn’t bad as Bond but I couldn’t really accept him playing a super spy. But Diana Riggs was an awesome Bond girl.


These are some of my favorite action themes, feel free to share yours in the comments section.

007 December Blogathon – 10 Reasons Why Licence to Kill (1989) is one of my all time favorite Bond films

007-december-blogathonMost of you who read this blog regularly knows I’m a huge Bond fan as I grew up watching them with my two brothers. Over the years I’ve become more partial to Timothy Dalton’s portrayal as Bond and I always appreciate both of his Bond films. I only wish he had the chance to do a third (which was he was under contract for until MGM legal battles delay production for six years!)

I’ve recently rewatched Licence To Kill again for MovieRob’s Bond December Blogathon, and still thoroughly enjoyed it. I’ve done a special appreciation for Dalton in the film, but this post will highlight TEN reasons why the film itself is one of my favorite Bond films of all time.

ltk_movieposter10. The hard-edged but also hugely personal storyline, interwoven with the Japanese Ronin tales with Bond as a rogue agent avenging the death of his friends. People complain that Bond might’ve been too dark but perhaps Licence to Kill was way ahead of its time as with Skyfall, people didn’t seem to mind the personal angle of the story. It’s a grounded, more realistic tale that doesn’t pit Bond as ‘savior of the world’ that’s become cliched and derivative.

9. Memorable opening scene that thrillingly and effectively sets up to the origin of Bond’s personal vendetta and the kind of ruthless gangster he has to contend with. It later featured a high-flying action as Bond and his CIA ally Felix Leiter captures drug lord Frank Sanchez by hooking his plane like a fish, literally!

8. Michael Kamen’s score – I’m a huge fan of John Barry’s work with the Bond franchise but as he was unavailable at the time. Given that the film’s released in the late 80s and Kamen’s scored other successful action franchises like Lethal Weapon and Die Hard, he seems to be the perfect composer for the job. There’s even a bit of John Barry’s elegant sound to it, but mixed with a darker tone and heart-pounding up-tempo style for the action scenes.

7. Memorable Bond girls who are more than mere eye candy
– with interesting but believable names, not preposterous ones like Dr. Christmas Jones or Pussy Galore. I especially love Carey Lowell as Pam Bouvier, a beautiful and strong former CIA pilot who’s saved Bond’s ass many times over. Talisa Soto is perfect as Sanchez’s sultry mistress and though she may seem Bimbo-like at times, her character actually has a purpose in Bond’s quest to get close to Sanchez.


6. Great character reinvention – as this is longtime Bond director John Glen’s final Bond outing and the fact that Dalton’s keen on returning to Ian Flemming’s work, Licence to Kill feels like Bond of a new era, a complete break of the Moore’s mischievous style in every way. There is nothing whimsical about Licence to Kill, though I wouldn’t say it’s devoid of humor. Q’s intro to the film is actually quite hilarious, but it’s not just humor for the sake of it.

5. Gritty set pieces and spectacular action. Dalton did most of his own stunts, even when he was high up in the air in the ‘plane hooking’ scene, and the climactic truck chase is still as bad ass and riveting by today’s standards. If you look at the featurette, the scene isn’t crafted by CGI, but they used real tanker trucks and feature incredible stunts in the dangerous and supposedly haunted twisty highway of Rumorosa, Mexico. Sure there aren’t many of Q’s gadgets in this movie, but who with thrilling stunts like these, who needs ‘em?


4. A formidable villain in Robert Davi. Frank Sanchez breaks the mold of the typical sociopath hellbent on ruling the world. There’s no over-the-top plan to recreate the human race and all that, Sanchez is simply a power-hungry and greedy mafia-type who strives to be a cocaine billionaire. Davi is one of my fave Bond villains because he’s menacing, brutal and cold-blooded killer but he’s also suave and sophisticated, one of those rare villains that’s as charismatic as Bond himself. Oh and who could forget one of his loco henchmen Dario in the form of young Benicio Del Toro.


3. Suspenseful interaction between Bond & Sanchez – In many Bond films, when Bond meets his villain, usually they know he’s the enemy [which then calls for one of his henchmen to go after him]. But in this case, Bond enters Sanchez’ world as an ally, a trusted friend. I love their first meeting when Bond offers himself to Sanchez as someone who’d be good for someone of his stature… he’s not just a problem solver, but ‘more of a problem eliminator.’ As Bond sneaks out to infiltrate his organization and slowly tear it apart, there’s always tension that Sanchez will suspect something and he’d get caught at any moment.

2. Great climactic scene – not only is the CGI-free action stunts are incredible, but it’s such a pivotal moment between two men that’s been built up from the start. Thanks to strong character development between Bond and Sanchez, this climactic battle feels deeply personal to both of them. In a strange way, you also feel for Sanchez in that up until Bond showed the silver cigarette lighter from Leiter, he had no clue why Bond betrayed him. It’s a fiery finale, in every sense of the word, but it’s also a satisfying one and definitely one of the most memorable villain deaths.


1. Timothy Dalton – Bond with substance, bad-ass but refined, gritty without being thuggish and he can be menacing and vulnerable in a matter of seconds. Case in point, when Bond confronts Pam Bouvier in the hotel room, he was angry enough to pull the trigger on her, but when she reveals the truth that ‘there’s more to it than his personal vendetta,’ Dalton’s expression immediately immediately softens and the remorse is palpable on his face as he hands her gun back to her.


Nice to see the glamorous playboy actually fights out of love and loyalty and the story utilizes Dalton’s Shakespearean training perfectly. He’s not a super spy that people can’t relate to, but he’s plays Bond as a human being with real angst and real feelings, but as it’s said in the poster, he’s got a real dangerous side to him that is both intimidating and sexy. He’s believably ruthless, too, as when he threatened a beautiful woman “Make a sound, and you’re dead!” we believe that he actually could pull the trigger. The tall and lean Dalton is both a physical and cerebral Bond and he has that understated swagger that effective but isn’t showy.

So there, I’ve made my case for both Licence to Kill and Dalton as Bond. It’s a pity this film is known as the lowest-grossing Bond film but I think it’s so criminally underrated and I urge people who haven’t seen this to give it a shot. I’d say people who like Daniel Craig’s Bonds will appreciate the tough-edged story and exhilarating action. Not to mention a fantastic performance from both actors playing Bond and his nemesis. What else could you ask for?

So have you seen Licence to Kill? Let me know what YOU think!

007 Chatter: BOND 24 is now called SPECTRE

Boy it’s been a while since I posted anything about Bond and this morning a press release came to my email that I simply had to do a post! “Welcome back commander!” 


[you can see the motion poster over on 007 Facebook]

LONDON, UK, December 4, 2014 – 007 Soundstage, Pinewood Studios, London. James Bond Producers, Michael G. Wilson and Barbara Broccoli today released the title of the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film as Ian Fleming’s James Bond 007. SPECTRE begins principal photography on Monday, December 8, and is set for global release on November 6, 2015.

The launch of SPECTRE was streamed live on 007.com and Facebook.com/JamesBond007, and here’s the video if you missed it:

Along with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz, Léa Seydoux, Dave Bautista, Monica Bellucci and Andrew Scott. Mendes also revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for the movie.


Click to enlarge

Official synopsis:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Bond’s going back to the classic Aston Martin too, which is by far one of my favorite of all Bond’s fantastic rides. Man, the DB10 is going to be specifically built for the film and it’s absolutely drool-worthy!! Heck, I’d rather take his car home than Bond himself, ahah.


click to enlarge

The 007 production will be based at Pinewood Studios, and on location in London, Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the snow once again, this time in Sölden, along with other Austrian locations, Obertilliach, and Lake Altaussee.

Commenting on the announcement, Wilson and Broccoli said, “We’re excited to announce Daniel’s fourth installment in the series and thrilled that Sam has taken on the challenge of following on the success of SKYFALL with SPECTRE.”.

Per EMPIRE, the evil organization has not had a presence in the Bond universe thanks to a long-running copyright battle between MGM and the estate of Kevin McClory, the producer of Thunderball and the unofficial Connery Bond, Never Say Never Again. That, however, was resolved in 2013, paving the way for SPECTRE to return to the Bond movies. People have been speculating that Christoph Waltz will be playing Spectre’s leader, Ernst Stavro Blofeld, but according to the UK mag, his character’s name is Oberhauser [??]

Man, I’m super excited for this!! What a cast, too, woo hoo!!! I LOVE Christophe Waltz, the Austrian thespian really impressed me in Inglourious Basterds and he has been working steadily in Hollywood ever since. He’d be great as the villain, with Bautista as his henchmen I presume. Not sure who Andrew Scott is playing, but he’s playing another baddie named Denbigh. They’re playing it *safe* this time in casting actors who’ve won accolades playing bad guys previously, as Scott won BAFTA for portraying Sherlock‘s nemesis Moriarty in the BBC series.


I’m loving the female cast, too! I have always been a big fan of Naomie Harris as Money Penny, but now we’ve got gorgeous Italian and French beauties Monica Bellucci & Léa Seydoux. I’m actually surprised they haven’t cast Monica in previous Bond films, but she still looks stunning at 50 so it’s cool to see they don’t just cast young actresses as Bond girls!

SPECTRE is set for a October 23, 2015 release in the UK and a November 6, 2015 release in the US. Can’t friggin’ wait for this!!

So, what do you think of this announcement? Would love to hear your thoughts, folks!

Music Break: Top 10 Favorite Bond Songs


This Music Break is so long overdue! I listen to basically two music genres regularly: classical and soundtrack. And growing up the James Bond soundtrack got a lot of play in my house as my two brothers love ’em too and my penchant for them continue to this day. Over the years I don’t know how many Bond CDs I’ve bought as they keep updating their collections [just like they do with their box-sets, heh]. From the classically-tinged ones to the more contemporary sounds, I love most of the Bond songs from the 23 films, with only a few exceptions (i.e. Die Another Day by Madonna, ugh). This list consist of the Bond songs, not themes by John Barry, David Arnold, etc. So far, my absolute favorite Bond theme is City of Lovers from Casino Royale that I featured a while back.

The other day I was thinking how it’s been ages since I made a Bond-related post. Well, inspired by last Monday’s birthday of the jazz great Louis Armstrong, as well as my pal Michael’s Songs on My iPod series, post #6 specifically, it’s time to reveal my top 10 favorites! I actually made a top 5 back in 2010, but I decided to expand my list to 10. So here goes (in order of release):

1. From Russia with Love (Matt Monro) – From Russia with Love 1963


2. We Have All the Time in the World (Louis Armstrong) – On Her Majesty’s Secret Service 1969


3. Moonraker (Shirley Bassey) – Moonraker 1979

4. For Your Eyes Only (Sheena Easton) – For Your Eyes Only 1981

5. All Time High (Rita Coolidge) – Octopussy 1983

6. The Living Daylights (A-Ha) –The Living Daylights 1987

7. Tomorrow Never Dies (Sheryl Crowe) – Tomorrow Never Dies 1997

8. The World Is Not Enough (Garbage) – The World Is Not Enough 1999

9. You Know My Name (Chris Cornell) – Casino Royale (2006)

10. Skyfall (Adele) – Skyfall (2012)


  • Goldfinger (Shirley Bassey) – Goldfinger (1964)
  • Nobody Does It Better (Carly Simon) – The Spy Who Loved Me 1977
  • Goldeneye (Tina Turner) – Goldeneye 1995
  • License to Kill (Gladys Knight) – License to Kill 1989

So are you a fan of any of these Bond songs? Which one(s) are YOUR favorite?

Weekend Roundup: Puncture & Everything Or Nothing: The Untold Story of 007, BBC’s Emma (2009)

Happy Monday all! It’s been a quiet weekend for me, I barely went out on Sunday as we’ve got everything old man Winter has got to offer. Frigid temp is not enough apparently, so we’ve got dumped with snow, sleet and freezing rain all afternoon. Perfect weather for staying in however.

Apart from going to Side Effects screening on Thursday [review later this week], I pretty much turned to Netflix and some borrowed movies from friends. Here are my mini reviews:

Puncture (2011)

PuncturePosterAs this comes out the same year at Captain America, no wonder this B movie gets lost in the shuffle. I remember seeing the trailer and I thought this must be a way for Chris Evans to show he’s got acting brawn on top of his physical one. I’ve got to admit I was curious to see how Evans fare as a drug-addicted lawyer who takes on a health supply corporation on behalf of a nurse who got punctured by a contaminated needle and contracted HIV.

It’s a David and Goliath legal drama that resembles the battle between a whistle blower and the tobacco giant in The Insider, but unfortunately the similarities ends there. The direction style is far less inferior, not exactly as gripping as the based-on-a-true-story premise. Apparently Evans’ co-star Mark Kassen directed the movie with his brother Adam, and this was their first feature film. Evans himself is quite convincing in his role, though his training as the First Avenger makes him look much too buff to play a junkie.  I really doubt the real-life Mike Weiss has a ripped 8-pack abs as he spent all his days either studying his case or snorting cocaine. Interesting to see Vinessa Shaw twice in one week [she has a small role in Side Effects], she was pretty good here as the HIV-infected nurse. The casting of Michael Biehn here is very baffling as he’s not given hardly anything to do at all, and his character’s portrayed as being so mysterious for no good reason.


Despite the heartbreaking premise and a well-intentioned effort, the movie is pretty forgettable. Some scenes were over-dramatized and others are not substantial enough. The film also seemed to suggest the fate of Mr. Weiss is not as simple as an overdose, but there’s no follow up of that. I don’t think the ambiguity serves the film well at all. In any case, under a more experienced filmmaker, this could’ve been more engrossing.


2.5 out of 5 reels

Everything or Nothing: The Untold Story of 007 (2012)


As a massive Bond fan, I can’t believe I didn’t know about this documentary until my hubby told me about it a few days ago! I’m also ashamed to say that I just realized what EON Productions stand for, and it’s really an apt title considering the length the producers had to go through in bringing the Bond books to the big screen. Here’s the full synopsis per 007.com:

Everything Or Nothing focuses on three men with a shared dream Bond producers Albert R. Broccoli, Harry Saltzman and author Ian Fleming. Its the thrilling and inspiring narrative behind the longest running film franchise in cinema history which began in 1962. With unprecedented access both to the key players involved and to Eon Productions extensive archive, this is the first time the inside story of the franchise has ever been told on screen in this way.

The producer of this doc is John Battsek who also produced the Oscar-nominated Searching for Sugar Man, and I’m happy to say that this film absolutely delivers. It was not only well-done in terms of productions, filled with fun footage from various Bond films and accompanied by John Barry’s fantastic Bond music, this has become my favorite documentary ever. Yes of course the subject matter is of great interest of mine, but there’s much to be said about its production quality and exceptional access to the inside story of the key players.


Broccoli, Connery, Fleming and Saltzman

Though I’ve heard about the split up of Broccoli and Saltzman, it’s still quite tragic to see. The same with how George Lazenby threw fame away as quickly as he gained it, and the rift involving Connery and the producers, especially between him and Saltzman. It’s such a treat to see all Bond actors appear in the film to talk about their Bond role, interesting that all of them has their share of struggle surrounding it. The film paints a very sympathetic picture of the late Cubby Broccoli in particular, but his history certainly checks out, without a doubt he loved the character of Bond all the way back to how he’s written by Ian Fleming. It would seem that his involvement in this lucrative franchise went above and beyond the chase for profit.

Kudos to director Stevan Riley for crafting a compelling documentary that’s as thrilling and entertaining as the Bond adventures. Certainly there’s as much at stakes unfolding behind the camera as in front of it, the drama involving Kevin McClory, one of the producers of the oh-so-ill-advised Never Say Never Again is especially riveting. I had just seen the documentary on Ian Fleming that’s included in The Living Daylights Blu-ray recently, so some of the details on the famed author was already known to me. Yet it’s still fascinating to learn about it, I’d certainly be interested in seeing his biopic. This film definitely enhances my appreciation for one of my most favorite movie franchises. A must-see for anyone who’ve seen at least one Bond movie, and absolutely essential for any Bond fan.


4.5 out of 5 reels

BBC TV’s EMMA (2009)

BBC_Emma2009I’m quite fond of Romola Garai, whom I think is one of the most underrated British talents ever. So when my co-worker lent me the dvd of the 2009 BBC adaptation of Emma with her in the starring role, I couldn’t wait to watch it. I always felt that the 1996 version with Gwyneth Paltrow to be just ok, well apart from Jeremy Northam as Mr. Knightley of course. Oh how I’d love to see him as Knightley in THIS adaptation.

Emma is not my favorite of the Jane Austen’s collection, that would be Sense & Sensibility. Yet I quite like this adaptation largely because of Garai’s casting. Though she was 27 at the time, she looked believable as the 20 year-old Emma Woodhouse, a pretty & privileged girl who loves finding suitors for her friends. She portrays Emma as suitably vivacious and naive, as well as a bit of a spoiled brat. We like Emma despite some of her blunders and careless decisions, and Garai’s able to capture her remorse as well as her bubbly nature. Of course this being a miniseries, her character development is far superior than the film version.

Some thoughts about the rest of the cast. Michael Gambon is an interesting choice as Emma’s father who always assumes everything is hazardous to one’s health, he somehow makes his fussy nervousness as something endearing. As I’ve mentioned above, I love Northam’s interpretation of Knightley. I think Jonny Lee Miller is not bad, but I wonder if someone else in the role would’ve been a better choice as he doesn’t seem to be much older than Garai (there’s supposed to be a 17-year difference in age) Plus, I kept thinking of him as Edmund Bertram, the role he played in 1999’s Mansfield Park (one of my fave period drama heroes). Interestingly enough, Blake Ritson who played Mr. Elton also played Edmund in the 1997 BBC version! Certainly BBC has a pretty small pool of actors to choose from, ahah. Ritson is a far better casting choice than Alan Cumming in the film version. I mean, he was just so darn creepy, plus it’s really too much of a stretch to imagine him as a vicar.


Overall this is a lovely adaptation with fun dialog and gorgeous scenery. Kudos to the production quality, the color scheme, costume, music, etc. that makes for a very enjoyable watch. That said, I still much prefer the Masterpiece Theater’s production Sense & Sensibility as the story is inherently more heart-wrenching to me. It’s worth noting that the screenwriter Sandy Welch also wrote the 2004’s North & South, which is by far my favorite BBC miniseries ever.

4.5 out of 5 reels

Well, that’s my weekend viewing roundup. How ’bout you, seen anything good?

007 Chatter: Bond 50th Anniversary Minimalist Posters


I haven’t done a 007Chatter nor poster post in a while, so might as well hit two birds with one stone. Besides, when I saw this last week I just couldn’t resist sharing them. Thanks to The Huffington Post for the tip. These minimalist posters were designed by the creative duo Clif Watson and Maria Taylor of Herring & Haggis design company.

23 James Bond Films,
23 Days,
23 Poster Designs.

Each day, leading up to the U.S. premiere of Skyfall, we watched a film from the 50th Anniversary blu-ray collection and created a poster design for it.

Here’s what they came up with for Skyfall:


I LOVE the organic simplicity of the design, it’s decidedly un-Bond-like, forgoing the usual stereotypes of the glitz and glamor of the super spy. Watson was quoted by the HP article said this about their approach on the design: “We agreed early on that we would avoid the typical Bond marketing subject matter. No girls, cars, guns or martini glasses allowed!”

Primarily a typographical and color exercise, each design utilizes a map to highlight the key location from 007’s mission. What a brilliant idea! Very clever and creative, I love how the use of colors also convey the mood of each film.

Here are additional favorites of mine from their collection [click on thumbnail to see a larger version]:

The posters are no longer available to purchase, unfortunately. But you can view the entire poster collection on their site: 007.herringhaggis.com.

Fans are getting more and more creative in designing posters of their favorite films. Here are more beautiful fan-made ones I found on Skyfall:

I also love this illustrations of all the Bond actors I found on Filmofilia site. Not sure who created it, but it’s one of the best I’ve seen and each Bond sketch actually resembles the actual actor, which is quite a feat. Even in a form of a drawing I still love Timothy Dalton most😉


Anyway, I’m quite looking forward to the Bond 50th Anniversary tribute at the Oscar ceremony this year. Not sure what’s actually going to be featured or whether all of the Bond actors will be there [oh wouldn’t that be nice?], but for sure new mama Adele is going to sing the Skyfall theme song! Does this mean Roger Deakins would finally win an Oscar in his 10th nominations? I sure hope so!

Well hope you’ve enjoyed these posters. Which ones do you like best?

007 Chatter: (Ian) Fleming’s Bond – The James Bond of the original novels compared to the 007 movies Part 2

Welcome to another edition of 007Chatter!
Just because Skyfall has been released in the US now, doesn’t mean we can’t continue talking about Bond. So this is the second part of Marcus’ post where he compared the Ian Fleming’s Novels to the Bond Films. In this post, Marcus takes a closer look at what is going on inside Bond — his relationships to the two important women in his life provide a great contrast to his movie image.

Check out PART I if you haven’t already.

Thanks again to Marcus Clearspring for these two-part posts!
Check out his movie blog Cinesprit and his writing blog.


My introduction to Bond movies were double features at our small town cinema. Two Bonds on the big screen for half the price of one blockbuster ticket in London. Once I discovered that deal, I was eagerly opening the weekly listings to see when the next double feature was showing. Like most people who were happy with the movies, I wasn’t really aware of the books. Then I discovered several Bond books on the family bookshelves which changed my view of the Bond character completely.

Only five of the movies really follow Fleming’s novels closely. Dr No, From Russia with Love, Goldfinger, Thunderball, and On Her Majesty’s Secret Service. All the first movies made, with the exception of You Only Live Twice, which mixes in so much new stuff that it greatly differs from the novel.

The novel would be difficult to adapt to the screen. The first one hundred pages consist largely of Bond and Tiger Tanaka, head of the Japanese Secret Service, talking about cultural differences between British/Western ways and Japanese/Asian perspectives. The final showdown does not take place in a hollowed-out volcano as in the movie. You Only Live Twice is an exception, a very strange novel in many ways. The final showdown is quite literally fantastic. Definitely to be recommended if you are open to a different kind of 007 narrative.

In general, the movies liberally mix and match individual scenes and characters from the novels. The best example is Live and Let Die. The movie has very little to do with the novel except for Bond chasing Mr. Big’s drug ring and visiting Harlem. However, some of the most memorable action scenes from Live and Let Die are mixed into other movies. For example, the scene in For Your Eyes Only with Bond and Melina, the woman  with the crossbow, being dragged as shark bait behind a boat.

Then two scenes in Licence to Kill. The one where Felix Leiter has been fed to sharks and has a classic Fleming line attached to him saying “He disagreed with something that ate him“. The other is when Bond breaks into the warehouse belonging to Crest. The scene is much longer in the novel and has far more suspense. As I said in my first post, its surprising that many action scenes are more engaging in the novels.

I’d like to focus on two topics which generally put Bond’s character in a negative light. His relationship to women and the perception from the movies that he’s merely a blunt instrument, an assassin with no introspection. Both topics are different in the novels.

There is a common perception that Bond is a misogynist and only sees women as “disposable pleasures.” Particularly for the movies of the 1970s that is often true. The phrase, I believe, is from Fleming’s Casino Royale and quoted in the movie. However, in the novels, I would argue that’s only a setup by the author to get Bond more emotionally involved.

It’s like in romantic comedies and dramas. In the beginning, the male or female lead declare to their best friend how they are totally finished with serious relationships because men/women are so awful. We all know that’s a setup, that they will hook up at the end with the person they disliked the most in the beginning. The greater the distance created, the greater they can fall in love later on. I think Fleming does this too. Only, it’s not served as a fluffy romance, so many people don’t seem to recognize it behind the rough and tumble macho disguise. Why else would Fleming have Bond literally call  himself a misogynist, then have him fall in love? Bond gives a simple explanation. It’s because he has never met a woman he could have an interesting conversation with. Surprising insight, if you only know the movies.

Bond only falls in love twice in the novels. That is with Vesper in Casino Royale and Tracy in On her Majesty’s Secret Service. Vesper, the sphinx, is the first woman he can talk to with ease. Tracy, a woman with “issues”, becomes Mrs Bond.

These are some of the most fascinating parts in any of the Bond novels. It’s this very tough character, an assassin, being caring and tender, able to relate to another person. Mixed with action and imminent danger this delivers a great result. It goes far deeper than the stock “hero getting the girl” because Fleming adds so much interior to Bond’s character.

Bond’s introspection is what sets him apart from many other action heroes. He will question what he needs to do and what he has done. He will ponder the moral and ethical sides of his actions, question the service he works for. There is an entire short chapter in Casino Royale, where, while recuperating in the clinic, Bond speaks to Mathis about his job, pondering whether he should quit. He questions whether his actions are any better than those of the villains he hunts. Some interesting thoughts and answers from Mathis which are worth reading and thinking about.

One thing to keep in mind is that the novels were written in the 1950s and obviously do not reflect what’s considered politically correct today (see note below on Live and Let Die). It’s a post World War II era. The onset of the Cold War.

Here’s a brief personal ranking of the novels.


  • On Her Majesty’s Secret Service
  • From Russia with Love
  • You Only Live Twice
  • Dr No
  • Thunderball
  • Goldfinger


  • The Man with the Golden Gun
  • Live and Let Die*

* Caution: “Live and Let Die” contains many racial references considered highly offensive today.


  • Diamonds are Forever

Special mention:

The Spy Who Loved Me is an exception in the series, written entirely from the perspective of a woman. James Bond only has a short appearance. You can’t really count it as part of the normal Bond novels. It is interesting though and I plan on re-reading it.

There would be lots more to say. I can only encourage anyone interested in Bond, to check out the novels and discover a depth of character not present in any of the movies to date.

So that concludes the two-part post on how the Ian Fleming’s Bond books compare to the Bond movies. 

What are your thoughts on this topic?