I normally hate the adverts for a trailer, but at least it’s not an actual trailer for a trailer. But when I saw a tweet from @007, I gotta say I couldn’t wait to see it!
As a longtime Bond fan, I’m always excited when a new Bond movie came out, well except for the last two Brosnan movies as they look as dumb even in the trailers. Daniel Craig‘s Bond films not only brought back the grit and fortitude lost in Brosnan era, it’s also got that real sense of mystery and mystique, which is what one would expect in an espionage genre.
This teaser captured that sensibility perfectly:
A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
With Bond 24, I love that the filmmakers brought back the enigmatic nefarious organization we’ve seen in the earlier Sean Connery movies. Yet there’s still that continuity of storyline from Casino Royale, the fact that we see Mr. White once again, still as cryptic and ominous as ever despite looking like he might’ve lost his eyesight.
“You’re a kite dancing in a hurricane Mr. Bond.”
Then of course we’ve got Christoph Waltz there towards the end. I’ve mentioned in my Spectre post here that he’s not playing Blofeld, but he’s obviously a powerful figure that might’ve had a key tie to Bond’s past as well. Can’t wait to see him going toe to toe w/ Bond.
Glad to see Sam Mendes back for directing duties. He shared on 007 official site a bit more about the plot of SPECTRE:
“The reasons I’m doing the second Bond movie are the reasons I would do any movie, really, which is all to do with the story. And in this movie, SPECTRE, what you have is a movie entirely driven by Bond. He is on a mission from the very beginning,” he says. “It’s about whether or not to pursue the life he’s always pursued, whether he matters and is he going to continue or not. And you’re going to have to come to see the movie to find out whether he does.”
Even from this teaser, we can expect to see an amazing cinematography from Hoyte Van Hoytema whose impressive work you can see in Her and Interstellar. Nice to see Thomas Newman scoring this too. Wish we didn’t have to wait until November to see it!
Well, what do you think of this teaser so far? Are you excited for SPECTRE?
As an action movies fanatic, I also love the music that accompanies them. Here’s a list of some great themes from action movies throughout the years.
Black Rain Chase to the Steel Plant by Hans Zimmer
Hans Zimmer has been the go to guy for composing big Hollywood tent pole pictures within the last 15 years or so. But he started out composing small movies and this was his first gig at composing a budget Hollywood film. It’s also his first collaboration with Ridley Scott. In this underrated buddy cop action thriller, his style really shows and I love this film’s soundtrack. Especially this particular track, it’s from a scene where two of the main characters chasing a suspect that leads to a shootout. The music works perfectly with the scene and I always get goose bumps when I watch this scene and hear the theme.
Heat Unused Ending score by Elliot Goldenthal
I thought Michael Mann’s Heat is a nearly flawless masterpiece and the music by Elliot Goldenthal is just as good. To me the music in the film is timeless, you can still watch the film today and never thought it’s from the 90s. This track was supposed to be used at the film’s ending scene but apparently Mann wasn’t too thrilled about it and decided to use Moby’s God Moving Over the face of the Waters track instead. This of course angered Goldenthal and he and Mann didn’t work together again until Public Enemies. I love Moby’s theme but I prefer this one over the one that was used in the final fim.
The Assassination of Jesse James by the Coward Robert Ford Song for Jesse by Nick Cave and Warren Ellis
Technically this film isn’t an “action” picture because there’s only one shootout scene but I thought it’s one of the best westerns ever made and quite underrated. The score by Nick Cave and Warren Ellis was just stunning. There are many great tracks from the soundtrack but this one is my absolute favorite. The whole film felt like a dream and this theme enhances the mood.
Sunshine Surface of the Sun by John Murphy
I wish more Hollywood directors would hire John Murphy to compose their films, he’s one of my favorites, I thought his work in Mann’s Miami Vice was excellent. He and Danny Boyle has collaborated in many films together. This track from Sunshine has been used in many movie trailers and it’s a great one.
On Her Majesty’s Secret Service We Have All the Time In World by John Barry
I can’t leave a James Bond flick out of a list about action pictures. John Barry’s excellent and timeless theme for one of my favorite Bond flicks. I can listen to this theme and the song by Louis Armstrong over and over again. I know for years many so called Bond fans hated this flick, but ever since Christopher Nolan said it’s his favorite Bond film, they have changed their tune about the film now. I’ve always been a fan and had Connery returned as 007 or Timothy Dalton accepted the role, it would have a been perfect Bond film to me. George Lazenby wasn’t bad as Bond but I couldn’t really accept him playing a super spy. But Diana Riggs was an awesome Bond girl.
These are some of my favorite action themes, feel free to share yours in the comments section.
Most of you who read this blog regularly knows I’m a huge Bond fan as I grew up watching them with my two brothers. Over the years I’ve become more partial to Timothy Dalton’s portrayal as Bond and I always appreciate both of his Bond films. I only wish he had the chance to do a third (which was he was under contract for until MGM legal battles delay production for six years!)
10. The hard-edged but also hugely personal storyline, interwoven with the Japanese Ronin tales with Bond as a rogue agent avenging the death of his friends. People complain that Bond might’ve been too dark but perhaps Licence to Kill was way ahead of its time as with Skyfall, people didn’t seem to mind the personal angle of the story. It’s a grounded, more realistic tale that doesn’t pit Bond as ‘savior of the world’ that’s become cliched and derivative.
9. Memorable opening scene that thrillingly and effectively sets up to the origin of Bond’s personal vendetta and the kind of ruthless gangster he has to contend with. It later featured a high-flying action as Bond and his CIA ally Felix Leiter captures drug lord Frank Sanchez by hooking his plane like a fish, literally!
8. Michael Kamen’s score – I’m a huge fan of John Barry’s work with the Bond franchise but as he was unavailable at the time. Given that the film’s released in the late 80s and Kamen’s scored other successful action franchises like Lethal Weapon and Die Hard, he seems to be the perfect composer for the job. There’s even a bit of John Barry’s elegant sound to it, but mixed with a darker tone and heart-pounding up-tempo style for the action scenes.
7. Memorable Bond girls who are more than mere eye candy – with interesting but believable names, not preposterous ones like Dr. Christmas Jones or Pussy Galore. I especially love Carey Lowell as Pam Bouvier, a beautiful and strong former CIA pilot who’s saved Bond’s ass many times over. Talisa Soto is perfect as Sanchez’s sultry mistress and though she may seem Bimbo-like at times, her character actually has a purpose in Bond’s quest to get close to Sanchez.
6. Great character reinvention – as this is longtime Bond director John Glen’s final Bond outing and the fact that Dalton’s keen on returning to Ian Flemming’s work, Licence to Kill feels like Bond of a new era, a complete break of the Moore’s mischievous style in every way. There is nothing whimsical about Licence to Kill, though I wouldn’t say it’s devoid of humor. Q’s intro to the film is actually quite hilarious, but it’s not just humor for the sake of it.
5. Gritty set pieces and spectacular action. Dalton did most of his own stunts, even when he was high up in the air in the ‘plane hooking’ scene, and the climactic truck chase is still as bad ass and riveting by today’s standards. If you look at the featurette, the scene isn’t crafted by CGI, but they used real tanker trucks and feature incredible stunts in the dangerous and supposedly haunted twisty highway of Rumorosa, Mexico. Sure there aren’t many of Q’s gadgets in this movie, but who with thrilling stunts like these, who needs ‘em?
4. A formidable villain in Robert Davi. Frank Sanchez breaks the mold of the typical sociopath hellbent on ruling the world. There’s no over-the-top plan to recreate the human race and all that, Sanchez is simply a power-hungry and greedy mafia-type who strives to be a cocaine billionaire. Davi is one of my fave Bond villains because he’s menacing, brutal and cold-blooded killer but he’s also suave and sophisticated, one of those rare villains that’s as charismatic as Bond himself. Oh and who could forget one of his loco henchmen Dario in the form of young Benicio Del Toro.
3. Suspenseful interaction between Bond & Sanchez – In many Bond films, when Bond meets his villain, usually they know he’s the enemy [which then calls for one of his henchmen to go after him]. But in this case, Bond enters Sanchez’ world as an ally, a trusted friend. I love their first meeting when Bond offers himself to Sanchez as someone who’d be good for someone of his stature… he’s not just a problem solver, but ‘more of a problem eliminator.’ As Bond sneaks out to infiltrate his organization and slowly tear it apart, there’s always tension that Sanchez will suspect something and he’d get caught at any moment.
2. Great climactic scene – not only is the CGI-free action stunts are incredible, but it’s such a pivotal moment between two men that’s been built up from the start. Thanks to strong character development between Bond and Sanchez, this climactic battle feels deeply personal to both of them. In a strange way, you also feel for Sanchez in that up until Bond showed the silver cigarette lighter from Leiter, he had no clue why Bond betrayed him. It’s a fiery finale, in every sense of the word, but it’s also a satisfying one and definitely one of the most memorable villain deaths.
1. Timothy Dalton – Bond with substance, bad-ass but refined, gritty without being thuggish and he can be menacing and vulnerable in a matter of seconds. Case in point, when Bond confronts Pam Bouvier in the hotel room, he was angry enough to pull the trigger on her, but when she reveals the truth that ‘there’s more to it than his personal vendetta,’ Dalton’s expression immediately immediately softens and the remorse is palpable on his face as he hands her gun back to her.
Nice to see the glamorous playboy actually fights out of love and loyalty and the story utilizes Dalton’s Shakespearean training perfectly. He’s not a super spy that people can’t relate to, but he’s plays Bond as a human being with real angst and real feelings, but as it’s said in the poster, he’s got a real dangerous side to him that is both intimidating and sexy. He’s believably ruthless, too, as when he threatened a beautiful woman “Make a sound, and you’re dead!” we believe that he actually could pull the trigger. The tall and lean Dalton is both a physical and cerebral Bond and he has that understated swagger that effective but isn’t showy.
So there, I’ve made my case for both Licence to Killand Dalton as Bond. It’s a pity this film is known as the lowest-grossing Bond film but I think it’s so criminally underrated and I urge people who haven’t seen this to give it a shot. I’d say people who like Daniel Craig’s Bonds will appreciate the tough-edged story and exhilarating action. Not to mention a fantastic performance from both actors playing Bond and his nemesis. What else could you ask for?
So have you seen Licence to Kill? Let me know what YOU think!
LONDON, UK, December 4, 2014 – 007 Soundstage, Pinewood Studios, London. James Bond Producers, Michael G. Wilson and Barbara Broccoli today released the title of the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film as Ian Fleming’s James Bond 007. SPECTRE begins principal photography on Monday, December 8, and is set for global release on November 6, 2015.
Along with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz, Léa Seydoux, Dave Bautista, Monica Bellucciand Andrew Scott. Mendes also revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for the movie.
A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
Bond’s going back to the classic Aston Martin too, which is by far one of my favorite of all Bond’s fantastic rides. Man, the DB10 is going to be specifically built for the film and it’s absolutely drool-worthy!! Heck, I’d rather take his car home than Bond himself, ahah.
The 007 production will be based at Pinewood Studios, and on location in London, Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the snow once again, this time in Sölden, along with other Austrian locations, Obertilliach, and Lake Altaussee.
Commenting on the announcement, Wilson and Broccoli said, “We’re excited to announce Daniel’s fourth installment in the series and thrilled that Sam has taken on the challenge of following on the success of SKYFALL with SPECTRE.”.
Per EMPIRE, the evil organization has not had a presence in the Bond universe thanks to a long-running copyright battle between MGM and the estate of Kevin McClory, the producer of Thunderball and the unofficial Connery Bond, Never Say Never Again. That, however, was resolved in 2013, paving the way for SPECTRE to return to the Bond movies. People have been speculating that Christoph Waltz will be playing Spectre’s leader, Ernst Stavro Blofeld, but according to the UK mag, his character’s name is Oberhauser [??]
Man, I’m super excited for this!! What a cast, too, woo hoo!!! I LOVE Christophe Waltz, the Austrian thespian really impressed me in Inglourious Basterds and he has been working steadily in Hollywood ever since. He’d be great as the villain, with Bautista as his henchmen I presume. Not sure who Andrew Scott is playing, but he’s playing another baddie named Denbigh. They’re playing it *safe* this time in casting actors who’ve won accolades playing bad guys previously, as Scott won BAFTA for portraying Sherlock‘s nemesis Moriarty in the BBC series.
I’m loving the female cast, too! I have always been a big fan of Naomie Harris as Money Penny, but now we’ve got gorgeous Italian and French beauties Monica Bellucci & Léa Seydoux. I’m actually surprised they haven’t cast Monica in previous Bond films, but she still looks stunning at 50 so it’s cool to see they don’t just cast young actresses as Bond girls!
SPECTRE is set for a October 23, 2015 release in the UK and a November 6, 2015 release in the US. Can’t friggin’ wait for this!!
So, what do you think of this announcement? Would love to hear your thoughts, folks!
This Music Break is so long overdue! I listen to basically two music genres regularly: classical and soundtrack. And growing up the James Bond soundtrack got a lot of play in my house as my two brothers love ’em too and my penchant for them continue to this day. Over the years I don’t know how many Bond CDs I’ve bought as they keep updating their collections [just like they do with their box-sets, heh]. From the classically-tinged ones to the more contemporary sounds, I love most of the Bond songs from the 23 films, with only a few exceptions (i.e. Die Another Day by Madonna, ugh). This list consist of the Bond songs, not themes by John Barry, David Arnold, etc. So far, my absolute favorite Bond theme is City of Lovers from Casino Royale that I featured a while back.
The other day I was thinking how it’s been ages since I made a Bond-related post. Well, inspired by last Monday’s birthday of the jazz great Louis Armstrong, as well as my pal Michael’s Songs on My iPod series, post #6 specifically, it’s time to reveal my top 10 favorites! I actually made a top 5 back in 2010, but I decided to expand my list to 10. So here goes (in order of release):
1. From Russia with Love (Matt Monro) – From Russia with Love 1963
2. We Have All the Time in the World (Louis Armstrong) – On Her Majesty’s Secret Service 1969
3. Moonraker (Shirley Bassey) – Moonraker 1979
4. For Your Eyes Only (Sheena Easton) – For Your Eyes Only 1981
5. All Time High (Rita Coolidge) – Octopussy 1983
6. The Living Daylights (A-Ha) –The Living Daylights 1987
7. Tomorrow Never Dies(Sheryl Crowe) – Tomorrow Never Dies 1997
8. The World Is Not Enough(Garbage) – The World Is Not Enough 1999
9. You Know My Name (Chris Cornell) – Casino Royale (2006)
10. Skyfall (Adele) – Skyfall (2012)
Goldfinger (Shirley Bassey) – Goldfinger (1964)
Nobody Does It Better (Carly Simon) – The Spy Who Loved Me 1977
Goldeneye (Tina Turner) – Goldeneye 1995
License to Kill (Gladys Knight) – License to Kill 1989
So are you a fan of any of these Bond songs? Which one(s) are YOUR favorite?
Happy Monday all! It’s been a quiet weekend for me, I barely went out on Sunday as we’ve got everything old man Winter has got to offer. Frigid temp is not enough apparently, so we’ve got dumped with snow, sleet and freezing rain all afternoon. Perfect weather for staying in however.
Apart from going to Side Effects screening on Thursday [review later this week], I pretty much turned to Netflix and some borrowed movies from friends. Here are my mini reviews:
As this comes out the same year at Captain America, no wonder this B movie gets lost in the shuffle. I remember seeing the trailer and I thought this must be a way for Chris Evans to show he’s got acting brawn on top of his physical one. I’ve got to admit I was curious to see how Evans fare as a drug-addicted lawyer who takes on a health supply corporation on behalf of a nurse who got punctured by a contaminated needle and contracted HIV.
It’s a David and Goliath legal drama that resembles the battle between a whistle blower and the tobacco giant in The Insider, but unfortunately the similarities ends there. The direction style is far less inferior, not exactly as gripping as the based-on-a-true-story premise. Apparently Evans’ co-star Mark Kassen directed the movie with his brother Adam, and this was their first feature film. Evans himself is quite convincing in his role, though his training as the First Avenger makes him look much too buff to play a junkie. I really doubt the real-life Mike Weiss has a ripped 8-pack abs as he spent all his days either studying his case or snorting cocaine. Interesting to see Vinessa Shaw twice in one week [she has a small role in Side Effects], she was pretty good here as the HIV-infected nurse. The casting of Michael Biehn here is very baffling as he’s not given hardly anything to do at all, and his character’s portrayed as being so mysterious for no good reason.
Despite the heartbreaking premise and a well-intentioned effort, the movie is pretty forgettable. Some scenes were over-dramatized and others are not substantial enough. The film also seemed to suggest the fate of Mr. Weiss is not as simple as an overdose, but there’s no follow up of that. I don’t think the ambiguity serves the film well at all. In any case, under a more experienced filmmaker, this could’ve been more engrossing.
2.5 out of 5 reels
Everything or Nothing: The Untold Story of 007 (2012)
As a massive Bond fan, I can’t believe I didn’t know about this documentary until my hubby told me about it a few days ago! I’m also ashamed to say that I just realized what EON Productions stand for, and it’s really an apt title considering the length the producers had to go through in bringing the Bond books to the big screen. Here’s the full synopsis per 007.com:
Everything Or Nothing focuses on three men with a shared dream Bond producers Albert R. Broccoli, Harry Saltzman and author Ian Fleming. Its the thrilling and inspiring narrative behind the longest running film franchise in cinema history which began in 1962. With unprecedented access both to the key players involved and to Eon Productions extensive archive, this is the first time the inside story of the franchise has ever been told on screen in this way.
The producer of this doc is John Battsek who also produced the Oscar-nominated Searching for Sugar Man, and I’m happy to say that this film absolutely delivers. It was not only well-done in terms of productions, filled with fun footage from various Bond films and accompanied by John Barry’s fantastic Bond music, this has become my favorite documentary ever. Yes of course the subject matter is of great interest of mine, but there’s much to be said about its production quality and exceptional access to the inside story of the key players.
Though I’ve heard about the split up of Broccoli and Saltzman, it’s still quite tragic to see. The same with how George Lazenby threw fame away as quickly as he gained it, and the rift involving Connery and the producers, especially between him and Saltzman. It’s such a treat to see all Bond actors appear in the film to talk about their Bond role, interesting that all of them has their share of struggle surrounding it. The film paints a very sympathetic picture of the late Cubby Broccoli in particular, but his history certainly checks out, without a doubt he loved the character of Bond all the way back to how he’s written by Ian Fleming. It would seem that his involvement in this lucrative franchise went above and beyond the chase for profit.
Kudos to director Stevan Riley for crafting a compelling documentary that’s as thrilling and entertaining as the Bond adventures. Certainly there’s as much at stakes unfolding behind the camera as in front of it, the drama involving Kevin McClory, one of the producers of the oh-so-ill-advised Never Say Never Again is especially riveting. I had just seen the documentary on Ian Fleming that’s included in The Living Daylights Blu-ray recently, so some of the details on the famed author was already known to me. Yet it’s still fascinating to learn about it, I’d certainly be interested in seeing his biopic. This film definitely enhances my appreciation for one of my most favorite movie franchises. A must-see for anyone who’ve seen at least one Bond movie, and absolutely essential for any Bond fan.
4.5 out of 5 reels
BBC TV’s EMMA (2009)
I’m quite fond of Romola Garai, whom I think is one of the most underrated British talents ever. So when my co-worker lent me the dvd of the 2009 BBC adaptation of Emma with her in the starring role, I couldn’t wait to watch it. I always felt that the 1996 version with Gwyneth Paltrow to be just ok, well apart from Jeremy Northam as Mr. Knightley of course. Oh how I’d love to see him as Knightley in THIS adaptation.
Emmais not my favorite of the Jane Austen’s collection, that would be Sense & Sensibility. Yet I quite like this adaptation largely because of Garai’s casting. Though she was 27 at the time, she looked believable as the 20 year-old Emma Woodhouse, a pretty & privileged girl who loves finding suitors for her friends. She portrays Emma as suitably vivacious and naive, as well as a bit of a spoiled brat. We like Emma despite some of her blunders and careless decisions, and Garai’s able to capture her remorse as well as her bubbly nature. Of course this being a miniseries, her character development is far superior than the film version.
Some thoughts about the rest of the cast. Michael Gambon is an interesting choice as Emma’s father who always assumes everything is hazardous to one’s health, he somehow makes his fussy nervousness as something endearing. As I’ve mentioned above, I love Northam’s interpretation of Knightley. I think Jonny Lee Miller is not bad, but I wonder if someone else in the role would’ve been a better choice as he doesn’t seem to be much older than Garai (there’s supposed to be a 17-year difference in age) Plus, I kept thinking of him as Edmund Bertram, the role he played in 1999’s Mansfield Park (one of my fave period drama heroes). Interestingly enough, Blake Ritson who played Mr. Elton also played Edmund in the 1997 BBC version! Certainly BBC has a pretty small pool of actors to choose from, ahah. Ritson is a far better casting choice than Alan Cumming in the film version. I mean, he was just so darn creepy, plus it’s really too much of a stretch to imagine him as a vicar.
Overall this is a lovely adaptation with fun dialog and gorgeous scenery. Kudos to the production quality, the color scheme, costume, music, etc. that makes for a very enjoyable watch. That said, I still much prefer the Masterpiece Theater’s production Sense & Sensibility as the story is inherently more heart-wrenching to me. It’s worth noting that the screenwriter Sandy Welch also wrote the 2004’s North & South, which is by far my favorite BBC miniseries ever.
4.5 out of 5 reels
Well, that’s my weekend viewing roundup. How ’bout you, seen anything good?
I haven’t done a 007Chatter nor poster post in a while, so might as well hit two birds with one stone. Besides, when I saw this last week I just couldn’t resist sharing them. Thanks to The Huffington Post for the tip. These minimalist posters were designed by the creative duo Clif Watson and Maria Taylor of Herring & Haggis design company.
23 James Bond Films, 23 Days, 23 Poster Designs.
Each day, leading up to the U.S. premiere of Skyfall, we watched a film from the 50th Anniversary blu-ray collection and created a poster design for it.
Here’s what they came up with for Skyfall:
I LOVE the organic simplicity of the design, it’s decidedly un-Bond-like, forgoing the usual stereotypes of the glitz and glamor of the super spy. Watson was quoted by the HP article said this about their approach on the design: “We agreed early on that we would avoid the typical Bond marketing subject matter. No girls, cars, guns or martini glasses allowed!”
Primarily a typographical and color exercise, each design utilizes a map to highlight the key location from 007’s mission. What a brilliant idea! Very clever and creative, I love how the use of colors also convey the mood of each film.
Here are additional favorites of mine from their collection [click on thumbnail to see a larger version]:
The posters are no longer available to purchase, unfortunately. But you can view the entire poster collection on their site: 007.herringhaggis.com.
Fans are getting more and more creative in designing posters of their favorite films. Here are more beautiful fan-made ones I found on Skyfall:
I also love this illustrations of all the Bond actors I found on Filmofilia site. Not sure who created it, but it’s one of the best I’ve seen and each Bond sketch actually resembles the actual actor, which is quite a feat. Even in a form of a drawing I still love Timothy Dalton most 😉
Anyway, I’m quite looking forward to the Bond 50th Anniversary tribute at the Oscar ceremony this year. Not sure what’s actually going to be featured or whether all of the Bond actors will be there [oh wouldn’t that be nice?], but for sure new mama Adele is going to sing the Skyfall theme song! Does this mean Roger Deakins would finally win an Oscar in his 10th nominations? I sure hope so!
Well hope you’ve enjoyed these posters. Which ones do you like best?