Double Reviews: Trumbo (2015) & Hail, Caesar! (2016)

I generally love movies about making movies. Yes it’s like Hollywood taking a giant selfie and we all know there are no shortage of narcissists in the business. Nevertheless I enjoy watching movies about the tales of how a picture got made, especially set in the Golden Age of Hollywood where the behind-the-scenes drama is likely more intriguing than what’s on screen.

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These two films take place in a similar era and boast quite an ensemble cast. One is based on a true story and the other is a work of fiction that feels true, so I thought these two would make a perfect double review.

TRUMBO

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I was familiar with Dalton Trumbo’s story for some time but I never knew the details. As a huge fan of Roman Holiday, I knew he’s a great screen writer, but it turns out he was the best in the biz. At one point he was the highest paid writer in Hollywood and well-respected by studios and peers alike. The film started out in the late 40s with Trumbo (Bryan Cranston) at the height of his career, but then his life took a downward spiral when he’s subpoenaed for being a Communist, accused of using the movies to corrupt democracy and overthrow the nation. He’s later sentenced to a year in federal prison and the scenes of him being humiliated in prison is really quite heartbreaking.

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But what’s even worse than the jail sentence is that Trumbo and the Hollywood 10 writers were blacklisted by the Hollywood studios, and not only that, they were kicked out of the Screen Writers Guild as well, which they themselves helped built. Now, I don’t think the film is all that political, it’s more focused on the character of this extraordinary talented man and his journey in Hollywood. But he’s also not perfect, obviously he’s an eccentric man who spent most of his writing in the bath tub and he practically ignored his family unless he needs help with delivering a script discreetly to the studios. The film is quite fascinating and kept my interest throughout, all the quirks of Trumbo and his friends & foes are played wonderfully by a great ensemble of actors.

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My faves are Louis C.K. as screenwriter & Trumbo’s BFF Arlen Hird, John Goodman as a B-movie studio honcho, both had some of the funniest scenes. Dean O’Gorman as Kirk Douglas and German actor Christian Berkel as director Otto Preminger are also pretty memorable here and O’Gorman whom I knew from playing the Fili in the Hobbit movies, had a surprisingly canny resemblance to Mr. Douglas.

I love Helen Mirren in general but here I didn’t think her performance was all that great, to be honest she made a better impression in the Hitchcock film which is of similar genre. Diane Lane is quite good as Trumbo’s wife though she’s not on screen that much, as was in that era, it’s the male cast that really got to shine in this film. In any case, the real star here is Cranston and I’m not surprised he’s nominated for an Oscar. I think his performance carried the film and made it worthwhile. It’s incredible how he captured the voice and mannerism of the real life Trumbo, but more than than, I think he captured his genius as well as his eccentric personality.

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Despite the serious subject matter, the film’s tone is pretty light and fun. There were dark moments to be sure, but director Jay Roach made sure it never lasted for too long. I don’t think it undermines the story however, especially the speech at the end that made you really reflect on the whole ordeal Trumbo and his friends went through. For a film about the greatest screenwriters, the script by John McNamara (based on a book by Bruce Cook) was thankfully quite sharp. The costumes, set pieces, cinematography, and especially the performances, really brought the story to life and made me appreciate Trumbo, and screenwriters in general, even more than I already do.

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Hail, Caesar!

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Now, when the trailer first dropped, I must’ve watched it half a dozen times in one day. It’s a satire of Hollywood big studios and their big stars, told in a day-in-the-life format of a Hollywood fixer called Eddie Mannix (Josh Brolin). Mannix is a fixer who works for Capitol Pictures in the 50s, he’s the man tasked with cleaning up after the biggest names in the industry. Ruthless though he may be, Mannix is a tormented person, so ravaged by guilt that he goes to confession more often that the priest himself care to hear. The movie pretty much picked up when the studio star Baird Whitlock (George Clooney) disappears from the set of one of a huge epic movie modeled after Ben-Hur (it even had the same tagline, A Tale of the Christ). Now, the set up promises a lot of intrigue and hilarity but in the end it only partly delivered.
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There are some genuinely hysterical moments, especially the exchange between Alden Ehrenreich and Ralph Fiennes (as an Laurence Olivier-type director) in a film set which had me in stitches. Despite being the least known actor in the cast, Ehrenreich actually had a pretty big part in the movie and he acquitted himself well here. Heck, I think he’s better than Clooney as I actually believed him as the character, instead of just an movie star basically just playing a variation of himself. Whitlock seems like a caricature instead of a real person. I’m not sure whether or not it’s because of Clooney’s own stature and star-wattage or the way the script played out. The plot about Whitlock’s kidnapping would likely amuse (or irate) the real Dalton Trumbo, though the twist played out like something out of an SNL skit.

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Brolin’s Mannix is the most-developed character in this movie and the only one with a real arc. Thankfully Brolin was good in the role and made me care for his plight, but the rest of the ensemble cast filled with the ‘who’s who of current Hollywood establishment’ wasn’t given much to do. I feel like the fun moments peppered throughout just didn’t quite gel as a cohesive film. Many characters came and went without leaving any mark, and SO many actors were underutilized, even Tilda Swinton who played a dual role. Jonah Hill is basically in a blink-and-you-missed-him role, he’s only on screen as much as he was in the trailer. Those who love Channing Tatum‘s dancing will be pleased with him here, but the musical numbers here don’t make much of an impression to me. Now, the Coens’ regular Frances McDormand‘s part is basically a cameo, but it’s certainly one of the most memorable scenes.

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In the end the film seems too random and frivolous, and despite those hilarious moments, ultimately it’s a rather forgettable affair . Now, I wouldn’t say it’s a big disappointment as I’m actually not a huge Coens fan if I’m honest. I actually think this could be one of their most accessible films, and the light tone made it pretty enjoyable, it just lacks the gravitas one expect from the talents involved. The ending also felt anticlimactic to me, and the emotional connection is lacking overall. On a technical level, the film is gorgeous thanks to Roger Deakins’ masterful craft, and the retro costumes are nice to look at. If you’re a big Coens fan, this one is still well worth a rent, just don’t expect this to be another one of their classic hits.

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So, have you seen either one of these films? Well, what did YOU think?

November Viewing Roundup + What I watched during my hiatus

NovRecapHello hello! Miss me? Well I’m not exactly back yet, I’m extending my hiatus probably until after Christmas. I’ve been diligently working on my script daily and I don’t want to lose momentum. I might still do a post here and there if I have time and feel like doing it, so don’t forget me 😉

Well, we’ve been watching a ton of great movies, both new releases and rewatches, thanks to the four-day Thanksgiving weekend. Here they are in alphabetical order…

New Releases

  • Disney Short Films Collection
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    Worth seeing if you love Disney and short films. It’s a pretty eclectic collection and some of them you might’ve seen. The Little Matchgirl one got me bawling, it’s such a heartbreaking story. I remember seeing a stage adaptation of that as a kid and even that stayed with me for years!
  • Hunger Games: Mockingjay Part 2
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    This was one of the craziest press screenings ever with thousands of people, mostly teens, lining up for hours at a local IMAX theater. But the movie was so ho hum, I could barely remember anything about it now and it was so darn predictable. It just reinforced me what a terrible actor Liam Hemsworth truly is and honestly I’m bored at seeing Jennifer Lawrence‘s face, which was practically in every single scene. It still pains me to watch the late Philip Seymour Hoffman though.
  • Legend

    If I were to review this movie, it’d just be a collection of pictures of how Bond-like Tom Hardy looked in most of the scenes, well when he’s playing Reggie that is. Ron, not so much. But he’s really the reason to see it, otherwise it’s a pretty standard gangster flick.

  • Mr Holmes
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  • Night Owls
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    A witty indie comedy/drama that takes place over a single night. The dialog is sometimes raunchy, but there’s a genuine chemistry between the two leads and the script is refreshingly honest and has a natural flow to it. Definitely worth a look. Stay tuned for my interview with writer/director Charles Hood on Wednesday!
  • Spectre
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  • Spotlight
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    This film about the uncovering of the sexual abuse scandal by Catholic priests in Massachusetts will certainly rile you up and stay with you for days. This fine ensemble cast certainly lives up to its stellar reviews. It’s a riveting, disturbing, and emotionally-gratifying from start to finish. Terrific script and top notch cast that’s thankfully NOT wasted. Definitely one of the best investigative journalism film of all time, right up there with All the President’s Men.
  • Trumbo
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    I LOVE films about Classic Hollywood and if you’re a fan of Bryan Cranston, then it’s an absolute must-see. He’s electrifying as Dalton Trumbo, one of the Hollywood 10 screenwriters who were jailed and blacklisted for their political beliefs.

Theater

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I had the pleasure of seeing Tom Hiddleston as Coriolanus during a National Live Theater presentation at a local cinema last week. It was a powerful and mesmerizing performance from the Shakespearean actor. I wish I could’ve seen it live on stage, which would’ve been amazing to watch considering how intimate the Donmar Theatre was, it seats only 250!

TV Series

Man in the High Castle (season 1)

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I have to do a whole post on this series as I have a lot to say about this Philip K. Dick’s adaptation. But for sure Rufus Sewell is one of the highlights here, if only the producers realized that and give him more screen time in future seasons.

Rewatches

I rewatched a ton of movies this past month, which turns out to be quite an eclectic collection now that I think about it. Hey, I love the action stuff as much as the romantic love stories 😉

  • Anna Karenina
  • Batman Begins
  • Captain America: The Winter Soldier
  • Cinderella
  • For Your Eyes Only
  • Mad Max: Fury Road
  • Midnight in Paris
  • Not Another Happy Ending

 


Movie of the Month

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Well, that’s my November update. What about you, what’s your favorite film you saw last month?