Five for the Fifth: JULY 2015 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Well, since this is Fourth of July weekend, a lot of my fellow Americans are celebrating all kinds of festivities, be that a 4th of July parade, barbecue, or fireworks at the park.

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But for some of us, it likely include getting together with friends and watch old favorites that celebrate the holiday, i.e The Patriot, Top Gun, Saving Private Ryan, Captain America or um, Team America: World Police? America F-yeah! :D But there are a bazillion of patriotic movies out there, and it doesn’t have to be all about the good ‘ol USA.

So what’s your favorite patriotic movie, be it US-related or about your home country?….

2. Now, I’ve sort of been holding off on blogging about Batman vs. Superman but with the release of a few new photos courtesy of EW, I can’t help being mildly intrigued.

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Are they flirting or plotting against Superman??

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“I am Batman!” [Supes is like, yeah dude, I know who the heck you are]

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Lex Luthor has surfer hair? What’s wrong with THIS picture?

I’m liking Gal Gadot more and more as Wonder Woman, in fact I think I’m most excited to see her than her fellow male superheroes. Ok yesterday I came across this whilst browsing the net. Den of Geek reported the origin story that led to Dawn of Justice movie happening sooner than perhaps even the filmmakers themselves anticipated:

It was while making his Superman reboot, Man Of Steel, that Snyder approached the producers of the film, Christopher Nolan and David S Goyer, with a suggestion. “I said ‘what about at the end of the movie we do a scene where there’s a crate full of Kryptonite delivered to Wayne Manor?”

The response? “Everyone was like… ‘okaay’. Once you say it out loud, it’s a problem, because you can’t unsay it.”

Now, I’m still not super excited yet for this film… but I have to admit I’m more on board with this than I was say, a year ago. Surely it can’t be worse than Man of Steel?

What are your thoughts about Dawn of Justice and/or these new pics?

….

3. Lots of new trailers hit the past week, here are three that caught my eye.

First one is this upcoming *epic* drama based on a true story, directed by Werner HerzogQueen of the Desert starring Nicole Kidman, James Franco, Damian Lewis and Robert Pattinson

A true story of the life of British explorer and adventurer, Gertrude Bell, QUEEN OF THE DESERT chronicles her journeys of love and loss in the Middle East during the early 20th century.

I have to say I’m mildly intrigued by this given Herzog’s directing, though I have reservation regarding the melodramatic tone of the film, not to mention the trailer itself is so darn sappy. It seems like it’s striving to be Lawrence of Arabia and though I like the fact that it’s from the female perspective, I’m tired of seeing Nicole Kidman in something resembling Australia. And what’s with James Franco?? He seems miscast right off the bat, I just don’t see him in a romantic role like this. Plus that music towards the end uses familiar music from Hans Zimmer’s The Thin Red Line. I swear that music’s been used by a bazillion other trailers and though it’s beautiful, the effect just isn’t as impactful anymore.

Then we have a remake of an Argentinian drama, Secret in Their Eyes. We have quite a cast here: Chiwetel Ejiofor, Julia Roberts and Nicole Kidman [again].

A tight-knit team of FBI investigators, along with their District Attorney supervisor, is suddenly torn apart when they discover that one of their own teenage daughters has been brutally murdered.

I still haven’t seen the 2009 Argentine film El secreto de sus ojos so I immediately watched the trailer of that one. Well I might give the original film a watch, it looks more mysterious and given that it doesn’t have the star power of the Hollywood version, I bet it’s a better film overall.

 

Now, last but not least, we’ve got Creed which is a spin-off of the Rocky films, and Sylvester Stallone is a cast member and also one of the producers.

The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Creed, the son of his late friend and former rival Apollo Creed.

Michael B. Jordan‘s a talented up-and-comer who’s been getting lots of prominent roles lately. He looks good here and though I’m not really into boxing movies, I did like the first Rocky film and so I might watch this one. Scottish actor Graham McTavish (The Hobbit, Starz’s Outlander) is in this also.

What’s your initial thoughts of these three movies?

4. Another first look on a movie I’ve been curious about ever since it’s announced six years ago: Pride and Prejudice and Zombies. At the time, Natalie Portman was going to play Elizabeth Bennet, and now we’ve got Cinderella‘s Lily James in the lead role. She’s quoted as saying: “She’s the most badass zombie slayer there is.” Okay then, bring it on!

Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge — an army of undead zombies.

I know that Jane Austen purists probably aren’t keen on this twisted idea from Seth Grahame-Smith who penned the novel of the same name. But as a fan of period dramas, I get a kick out of classic re-imagining, and this idea is so bizarre it could actually be a lot of fun. Then again, I was one of those people who enjoyed the heck out of Abraham Lincoln: Vampire Hunter, which was also borne out of Grahame-Smith’s novel. Check out the pics also from EW:

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This blissful image of a wedding at Darcy’s Pemberley is about to get bloody interesting

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Uh-oh… a lady isn’t supposed to devour a man in THIS way

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Jane & Lizzie equipped themselves for the zombie battle

I like the cast of this movie: Sam Riley as Mr. Darcy, Douglas Booth as Mr Bingley and best of all, Jack Huston as the devilish cad Mr. Wickham. I’m not familiar at all with the director Burr Steers however, so hopefully he has the chops to pull off this crazy concept.

So what do you think of this classic-reimagining idea for a movie?

5. This month’s Five for the Fifth’s guest is Katy from Girl Meets Cinema:

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I was thinking about Terminator Genisys reboot, it’s alternative timeline to bring back the original characters and how the story confused movie goers/critics. So my question would be:

Do you think reboots have to center around the original characters or OR can a franchise continue on successfully with brand new characters?


Well, that’s it for the July 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! :D

FlixChatter Review: Terminator Genisys (2015)

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I initially had no desire to see this new Terminator flick; from the trailers that I saw I thought it lacked creativity and originality. But then a couple of weeks ago, James Cameron gave his blessings and said fans of the franchise will enjoy it. Being that I’m a fan of Cameron and love his two Terminator flicks, I decided to give this new sequel a chance.

Ignoring the events of the previous two films, things kick off in the future where John Connor (Jason Clarke), his best pal Kyle Reese (Jai Courtney) and a bunch of soldiers are battling the evil Skynet’s cyborgs. Connor has found a way to defeat the cyborgs and shut down Skynet permanently. But Skynet has a plan in place to win the war, they have created a time machine and sent one of their terminator cyborgs back in time to 1984 to kill Connor’s mom. In order to stop the cyborg and help Conner’s mom, Reese volunteered to go back in time.

Basically this opening scene was meant as a prologue to the first film. Then the film jumps to 1984 where they recreated the opening scene of the first film, we see the Terminator (young Arnold Schwarzenegger) just arrived in L.A. and was just about to kill the three punks but an older Terminator (old Arnold) came to their aid. A fight between the two Terminators ensues and then the younger cyborg was put down.

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We then see Reese arrived at another location in Los Angeles; he’s also met with another Terminator, the T-1000 (Byung-Hun Lee). When he’s about to get killed by the T-1000, Sarah Connor (Emilia Clarke) and the old Terminator came to his rescue. If you’ve seen the trailers then you pretty much knows how the rest of the movie will play out, our heroes gets chased by the evil cyborg and they have to destroy Skynet. The only difference here is that Sarah already knows what’s going to happen and she’s already prepared for Judgment Day. This is one of those films that think it’s smarter than it actually is. The writers came up with alternate timeline and time travel and just assume that the audiences have seen the previous movies. Sadly none of it made any sense and frankly I just didn’t care. The point of a reboot is to come up with something new and refreshing, here they just rehash elements of the first two films and threw in some “new” ideas. None of it worked and I was bored halfway through the movie.

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Even though he gets top billing, Arnold was just there to be the action hero and comic relief. The main leads are Jai Courtney and Emilia Clarke. We’re supposed to care about these two characters like the first film but the two actors have zero chemistry. Jai might be the blandest actor since Hayden Christensen; he’s one of the current young actors that Hollywood is trying to make into the next big action hero. Clarke is no better, she’s trying to channel the brave and tough version of Linda Hamilton’s Sarah from the second film, but sadly she couldn’t convince me that she’s badass. As for the main villain, well if you’ve seen the trailers then you’ve already know that John Connor is the antagonist in this one and he’s also quite bland. If there were a great example of miscasting actors in prominent roles in a big film, this would be it. None of the actors fit into their respective roles. The only person belongs in the movie is Arnold and he’s great.

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On the technical side, the movie is flawless. Director Alan Taylor and his cinematographer did a great job of capturing look and feel of Cameron’s previous Terminator pictures. The 3D effects were very effective; the action scenes were well staged and best of all, no hand held shaking cam action sequences. Speaking of action, the franchise is known for its long action sequences but Taylor somehow decided to edit down the length of each action scenes, with the exception a helicopter chase, many of the action scenes were short and not really creative at all. Again here they tried to rehash elements of Cameron’s films and nothing else.

I guess the trend of this summer’s big films are reboots/sequels and Terminator Genisys is no different. While I thought the concept worked for Mad Max: Fury Road, it didn’t work for this movie. If you’re fan of the franchise then you might enjoy it, for newcomers you might get confused by all the references to the previous events in the past films. My two-and-a-half stars are only for the movie’s excellent Dolby Atmos surround sound and very cool 3D effects. I think it’s time for this franchise to get terminated.

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So have you seen Terminator Genisys? Well, what did you think?

Everybody’s Chattin + Question of the week: Supporting cast you wish got the leading role

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I can hardly believe half of the year’s already come and gone! It’s been a rather odd month for me, but in terms of movie watching, it’s rather uneventful. I sure hope the later part of 2015 have better films in store for us… and looking at Katy’s list of highly-anticipated movies for the rest of 2015, I think the chance of that is VERY promising! I’d add Southpaw to the list, which I’ll be seeing on the third week of July, and The Man from UNCLE which looks like fun!

Ok so about those links…

Since I’m currently embarking on my first screenplay project, this post on opening sentences in fiction from my pal Cindy, who happens to be a novelist herself, is definitely an inspiring read

I won’t have a Music Break post this week, so take a listen to Josh‘s pick of Movie Song of the Week

Khalid reviewed Terry Gilliam’s comedy Fear and Loathing in Las Vegas

Andrew is back with his Oscar series 4 Ways a Best Picture, and the year is 2009

Jay just reviewed a film I still haven’t got around to but will have to soon, Calvary

Though Summer’s just starting here in the States, Michael‘s veering into cold, dark horror territory with his book-film duo post on The Shining

And last but not least, Eddie‘s talking about Orphan Black season 3, a series I’ve been curious about for some time.


Time for question of the week!

So this week’s question is inspired by my recent viewing of Self/less. My review of it is done in my draft folder, but there’s one thing that’s stuck with me whilst I was watching it. In fact, I kept thinking about it as I was writing my review. Why isn’t a perfectly talented actor like Matthew Goode leading this movie? Now I’m not saying the movie would’ve automatically been stellar as no matter how good an actor can’t overcome a bad script, but at least Goode would’ve been more enjoyable to watch for two hours than Ryan Reynolds!

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I had the same feeling when I watched Tristan + Isolde a few years ago. I kept wondering why they cast James Franco being all sullen and morose as Tristan whilst the much hunkier Henry Cavill was stuck playing third banana. Now I’m not saying Franco is a terrible actor, I just think Cavill would’ve suited the role better. Heck, even Rufus Sewell who’s another supporting actor in the film left a more lasting impression to me than Franco did. I even dedicated a post here.

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The New World is another one that came to mind as I think Christian Bale would’ve been great in the lead role instead of Colin Farrell. The last 20 minutes of the film with Bale is the highlight of the film for me and I actually bought the DVD because of it.

Interesting that both Cavill and Bale have ended up becoming Superman and Batman, respectively, I didn’t purposely select them because of it, but clearly both have leading-man qualities.

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I’m sure there are others but let’s just start there. I bet you’ve also felt the same when you watch certain films.


So tell me, which films have you seen where you wish one of the supporting cast got the lead role?

JUNE Viewing Recap + Movie of the Month

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I was contemplating about taking a blogging break as I’ve mentioned here that I’m hoping to start writing my first script [so yes I’ve decided that’s the format instead of a novel]. But I think I’d miss it too much so I’ll probably just blog less and will also reduce my time visiting people’s blogs.

Needless to say, I didn’t really have much time for movie watching either this month. I only went to four press screenings: SPY, Jurassic World, Me and Earl and The Dying Girl and Self/less. There were two scheduled screenings for Magic Mike XXL, but honestly I can’t be more disinterested in seeing that flick if I tried. Was planning on seeing Terminator Genisys but decided against it due to threat of severe weather. That movie just isn’t worth getting hail damage on my car. I am looking forward to seeing Southpaw [Jake Gyllenhall looks positively Oscar worthy just from the trailer alone!] and MI5: Rogue Nation. Oh I also signed up for Ant Man too, though I’m kind of meh about Marvel stuff these days.

Posts You Might’ve Missed

In a Period Drama Mood

Music Break: Jurassic Park

Thursday Movie Picks: Animated Movies

Music Break: Top 10 James Horner’s Scores

Guest Post: Gender and Hollywood Screenwriting

5 Fave Quotes from 5 Inspiring Female Characters

Reviews

I’ve been feeling burnt out lately in review writing, so there are a slew of stuff I saw I haven’t got a chance to review yet. Interestingly enough, this weekend had been quite a prolific one as I actually did finish three reviews in a matter of 48 hours! We’ll see how long that’ll last, but so long as the passion is there, I’m gonna ride it until it’s gone :D Here are some that’ve been posted already:

Entourage (2015)

SPY (2015)

Jurassic World (2015)

A Coffee in Berlin (2014)

P.K. (2014)

Inside Out (2015)

Me and Earl and the Dying Girl (2014)

Rewatches

Chicken Run (2000)  |  Man of Steel (2013)  |  Roman Holiday (1953)  | Bride & Prejudice (2004)  |  Mansfield Park (1999)  |  BBC’s North & South (2004)  |  BBC’s Sense & Sensibility (2008)

June Blind Spot Pick:

New-to-me Movies (that I haven’t reviewed yet):

A Most Wanted Man (2014)

Self/less (2015)

The Words (2012)

TV Series:

ABC’s Galavant

Downton Abbey Season 3

It’s been slow going on catching up with TV series, but I hope to finish all of season 3 by end of Summer. We’ll see how it goes!

Movie of the Month

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It’s an easy pick this month. Inside Out is truly one of Pixar’s best, entertaining as well as heartwarming and insightful. Spy Me and Earl and the Dying Girl are both VERY good though, those would make my top 3 of the month.


So that’s my June recap. What’s YOUR fave movie(s) you saw this month?

FlixChatter Review: Me and Earl and the Dying Girl (2015)

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There’s something so refreshingly frank about this movie right from the start. Though it deals with a difficult subject of terminal illness, the movie is both heartwarming and genuinely funny. The ‘Me’ in the title is Greg (Thomas Mann), who spends most of his free time making parodies of classic films with his friend, whom he refers to as his co-worker, Earl (RJ Cyler). One day his mom tells him that one of his high school mates has cancer and she basically pesters him to spend time with her. His constant protests prove to be futile, so Greg reluctantly visits Rachel (Olivia Cooke) and frankly tells her that he’s there because his mom told him so. He practically begs Rachel to let him hang out with her as his mom would ‘give him hell’ if he doesn’t.
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I was sold on this movie right from this very scene. It reminds me of the 2011 dramedy 50/50 with Joseph Gordon-Levitt which also deals with cancer in a lighthearted-yet-profound way. But Me and Earl and the Dying Girl is a smaller, more intimate film and it’s also a lot quirkier. Greg and Earl made for a rather unlikely duo but they’re a hoot to watch as they watch classic movies together and then make a whole bunch of parody movies of them in their spare time. Both of them are a bit of a social outcast and so this movie-making hobby is sort of a release for both of them to channel their frustration as well as creativity. So when one of Rachel’s friends found out that they like to make movies, they’re tasked with making a film about her.

There’s a laid-back vibe to this movie that adds to its indie charm. From the way the characters interact with each other to the seamless way things unfold, it’s a journey that’s rather easy to digest and one that doesn’t feel emotionally manipulative. That last part is tricky given the subject matter, yet director Alfonso Goméz-Rejón stays away from clichés or cloying over-sentimentality that could threaten to weigh this movie down. Also props to Jesse Andrews who wrote both the novel AND the screenplay. I love that the film doesn’t ask us to pity Rachel, and the character is adamant about that in her initial conversation with Greg. She faces her illness head on just as this movie also doesn’t sugar-coat Rachel’s illness and how she, as well as those around her, deals with it.

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I like that there’s mostly unknown in the entire cast. The most famous cast member is Nick Offerman, who along with Connie Britton as Greg’s parents add a dose of eccentricities to the movie. Initially I felt that Molly Shannon as Rachel’s mom was perhaps a bit miscast here as you just kept expecting her to do something totally bonkers, but in the end it turns out to be a rather restrained performance from her. It’s also a bit odd to see Jon Bernthal here as Greg’s history teacher who let the two boys have lunch and watch movies in his office. I guess I just never saw him in this kind of role before but I like his understated performance and his character is integral to the moral of the story.

MeEarlDyingGirl_pic4The stars of the film however, is Mann, Cooke and Cyler as the three unlikely friends. The three young actors embody their roles pretty well and Cooke especially had the difficult task of convincing us that she’s indeed ill. The friendship theme run deep in this film, and it’s truly the heart of the film. The scenes ofMeEarlDyingGirl_SockworkOrange Greg and Earl talking about their parody movies are genuinely funny, so are the titles they come up with, i.e. A Sockwork Orange, Senior Citizen Kane, Rosemary Baby Carrots, The 400 Bros, etc. The movie incorporates some animated sequences which gives it a surreal vibe, but it never detracts us from the friendship storyline.

The third act proved to be the most emotional and I find myself tearing up quite a bit towards the end. I suppose you could say the ending is pretty predictable, yet the scene of Greg coming to terms with the situation hit me harder than I thought it would. There have been a lot of dialog throughout the movie up until the finale, but there’s no words necessary to convey the sentiment of the finale. I think it’s fitting that the filmmaker let the scene speak for itself, which made it feel all the more poignant.

Overall though, I like this movie but I wouldn’t say that I’m in love with it. There are some high-school moments that don’t resonate as well with me, and at times some of the supporting characters felt too cartoonish. Strangely enough, I also don’t feel as much an emotional connection with Rachel as I thought I would, but perhaps the story is more about Greg than about her. That said, I do think it’s an outstanding feature film debut from Goméz-Rejón and he’s certainly a director to watch for.

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I listened to an NPR’s Fresh Air interview with Goméz-Rejón who talked about how losing his dad shaped his approach to the film. It’s apparent that this film was a personal project for him and I think his personal experience made this film feel more authentic. He also talked about working as Martin Scorsese‘s personal assistant in his early 20s so he’s definitely learned from the best. The Sundance’s Grand Jury Prize is well-deserved and I have a feeling this would stand as one of the best high school films of this generation. If this is playing near you, I hope you go out and check this one out folks, a refreshingly original story that’d make a great antidote to all the sequels/reboots of the Summer and beyond.

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Have you seen this one? Curious to hear what YOU think!

Five Favorite Movie Quotes from Inspiring Female Characters

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I’m taking a bit of a blogging break and throughout the Summer I’m actually going to blog a bit less as I’m working on my novel/script [still deciding which format it’ll end up to be], plus I just need a break from review writing.

But as I mull over the topic presented by guest blogger Izzy on this post about Gender & Hollywood Screenwriting, it made me feel compelled to write a reaction post of sort. Izzy’s post made me ponder of some of my favorite movie quotes uttered by female characters. As Izzy pointed out, there are far fewer of memorable movie lines by female characters than the male counterparts, even fewer when it’s not romance related or about wanting something from the male co-star of the film. For example, take these two quotes from one of Hollywood’s biggest leading ladies, Julia Roberts:

“I want the fairy tale.” – Vivian, Pretty Woman

“I’m just a girl, standing in front of a boy, asking him to love her.” – Anna Scott, Notting Hill

For me, some of the truly memorable quotes are those that represent the strength of the character, those that display their feisty-ness, survival prowess or willful defiant against what society dictate them to be.

Well, after raking my brains, here are five quotes I love from some of my favorite female characters of all time:

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All About Eve – It was based on the 1946 short story The Wisdom of Eve by Mary Orr, although screen credit was not given for it (per Wiki)

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Gone With the Wind – 1939 American epic historical romance film adapted from Margaret Mitchell’s Pulitzer-winning 1936 novel of the same name.

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Now, this one I had to put the scene before it to put it in context. Eowyn is perhaps one of the most well-rounded supporting female characters in blockbuster films. It’s no doubt one of the highlights of the final Lord of the Rings trilogy, The Return of the King:

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Both Sense & Sensibility and Mansfield Park were based on Jane Austen’s famous novels, which always feature strong female protagonists. I LOVE how both Elinor and Fanny are not defined by romance nor the men in their lives. Though they are in love with men who seem to be unattainable due to the societal norm of the day, they stick to their principles even if they have to emotionally suffer from it.

It’s no surprise that four of the films above are based on narrative stories written by women. And nobody could argue that there’s a shortage of female screenwriters [or female anything for that matter] in Hollywood. It’s a pity because just in the past few years, the movies that made a big impression on me happen to be written and/or directed by women, i.e. In A World, Belle, Beyond the Lights, Brave, Gone Girl, Girlhood (Bande de Filles), not to mention these three French films I saw recently that are women-centric: Thérèse Desqueyroux, Violette and Pour Une Femme (For A Woman). I like them because the protagonists break the female archetypes of women being defined by men, but show women as being the complicated, flawed and conflicted beings that we are.

As my friend Cindy wrote in her comment in Izzy’s Post, women are as complicated as men and their characters should represent that. Let’s hope we’ll see more women being active parts of Hollywood filmmaking process, both in front and behind the camera.

 


So what are some of YOUR favorite movie quotes by female characters?

Guest Post: Gender and Hollywood Scriptwriting – “Houston, we have a problem”

Happy Thursday everyone! Today we’ve got a special guest post from Yorkshire. Izzy is writing about a topic that’s dear to my heart and an important discussion point.

So without further ado, let’s dive into Izzy’s post…

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How many times in a day do you quote the lines of a TV program or movie? Personally I wouldn’t be able to count the number as my days are littered with “Houston, we have a problem” (Apollo 13, 1995) and “I’ll be back.”  (The Terminator, 1984) sometimes I don’t even realise I’m doing it and I bet you’re the same!

So, when this quiz landed in my inbox:  I thought nothing of it other than ‘I love quotes! I’ll be good at this!’ (As it turns out I didn’t score as well as I’d hoped but that’s irrelevant for now.)

It wasn’t until I was thinking about the quiz a few hours later that I put my literature degree head on (I only recently graduated) and began to analyse the quiz how I had been taught by lecturers, in a way that delves deeper than face-value.

What did I discover?

Well, after some further Googling I compiled this:

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The most obvious revelation is that male characters are written more memorable lines.

My second discovery was that a high proportion (but by no means all) of the famous lines spoken by male characters are fueled with aggression, whereas five out of the seven most memorable female lines are projected through love of either a man or family life. 

The questions is, ‘Why?’

In 2014 only 15% of Hollywood film script writers were female (with numbers fluctuating around that figure, if not lower, for decades). Again in 2014, females made up only ‘12% of protagonists featured in the top 100 grossing films.’ Again, this percentage seems to have always been the norm.

Those stats can help to explain my findings.

• If 80-90% of Hollywood film script writers are male then it is understandable that they will write male-centric stories with male protagonists.

• If 80-90% of protagonists are male then they are likely to have the most lines in a movie, therefore increasing their chances of having a memorable one.

• We can also assume that 80-90% of characters in Hollywood have had their lines written by a man. This may explain why famous female lines are written with the intention of underlining their affectionate personality- because women are stereotypically affectionate and as a male writer it is easier to write stereotypes than it is to dedicate time to researching the female psyche.

My last thought is a little more obscure and far more open to debate.

HeresJohnnyJack Nicholson came up with ‘Here’s Johnny’ (The Shining) on the spot, as did Robert De Niro with his famous line “You talkin’ to me?” (Taxi Driver). This opens the debate of if male actors embody their characters with more vigour and intensity than their female counterparts. Do they ‘feel’ their characters on a more personal level? Do they have a closer relationships with the people they are playing? Or, as only 2 out of the 18 male lines equals to 11% and 11% of the 7 female lines is 0.77, maybe an incredible, unscripted female line is yet to come…..

This article by Entertainment Weekly’s Jeff Labrecque [in regards to Maggie Gyllenhaal being deemed too old to play the love-interest of a 55-year-old man – ed] highlights that male ‘tastes,’ i.e. a preference to date significantly younger women, is embodied across the cinematic world in terms of casting. It can then only be assumed that male scriptwriters also write female character’s lines in relation to their ‘taste’, as well as based on assumptions as mentioned earlier.

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I have great respect for the likes of Emma Thompson who write screenplays such as Nanny McPhee presumably so that she has the opportunity to play a leading Hollywood role regardless of her age, and most definitely without a male screenwriter’s sexual agenda. I cannot wait to see more of the same and experience Hollywood productions written by women for female actors of ‘a certain age’ or otherwise. Kelly Marcel and Sue Smith, writers of Saving Mr Banks, wrote their P.L. Travers beautifully- highlighting their female characters’ insecurities as well as defiance, likeability as well as unpleasantness. It is safe to say that they wrote a well-rounded and very human character, and the sooner this sort of female characterisation becomes the Hollywood norm the better.

Sources:

 


IzzyS


Izzy S. is a drama graduate with an interest
in literature and screenwriting

Check out Izzy’s blog
Follow her on Twitter


Thoughts on this article? We’d love to hear from you!

Music Break: Top 10 Favorite Scores by James Horner

RIPJamesHorner

On Monday night I heard that Mr. James Horner was unaccounted for when a plane registered to him crashed in St. Barbara, CA, I prayed he’d turn out ok. I started listening to his music all night long and was amazed at how many of them I love. Before I went to bed, I already picked my top 10 list thinking that I would dedicate this week’s Music Break post to him as a tribute. When I turned on my iPad in the morning, I read the news came that the 61-year-old composer was the pilot of the plane and he was indeed killed.

It saddens me to hear about his tragic death. He’s one of my favorite composers of all time… so many of his scores resonated with me. He’s such a phenomenal and versatile composer. Looking at his filmography and listening to a bunch of his work, there are a variety of motifs that he used throughout his illustrious career. Even within the same year he could create two VERY different scores that somehow fit perfectly to its respective film (i.e. in 1994 and 1995, see below for the year next to the film title). He’s credited for over 150 projects as composer on IMDb, received seven Oscar nominations and won two for Titanic (for Best Original Song and Best Dramatic Score).

There’s such a beautiful, romantic and ethereal feel about some of his dramatic scores like Legends of the Fall and Braveheart, but I also love his more energetic and up-tempo scores, i.e. Rocketeer. He can convey the sentiment and tone of the film so perfectly. I think some of my favorite scores are the ones that are so evocative that it take you to another time and place. I’m always taken back to the glory of the doomed ship whenever I hear Take her to sea, Mr Murdock score.

JamesHorner_CameronHorner collaborated several times with James Cameron and he wrote a nice tribute to him posted on THR. He shared his experience working with him on composing for Titanic, “I asked if he could write some melodies. I believe that a great score really consists of something you can whistle. If that melody gets embedded in your mind, it takes the score to a different level. I drove over to his house and he sat at the piano and said, “I see this as the main theme for the ship.” He played it once through and I was crying. Then he played Rose’s theme and I was crying again. They were so bittersweet and emotionally resonant. He hadn’t orchestrated a thing, and I knew it was going to be one of cinema’s great scores. No matter how the movie turned out, and no one knew at that point — it could have been a dog — I knew it would be a great score.”

As my tribute to the late composer, here are 10 of my favorite scores from James Horner (in order of release):

The Land Before Time (1988)

The Rocketeer (1991)

Legends of the Fall (1994)

Clear and Present Danger (1994)

Braveheart (1995)

Apollo 13 (1995)

Titanic (1997)

The Mask of Zorro (1998)

The New World (2005)

Avatar (2009)

Thank you Mr. Horner for your amazing work…
your music shall live on…


So what’s your favorite James Horner score(s)?

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FlixChatter Review: Pixar’s Inside Out (2015)

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Ever since Pixar came out with Toy Story in the mid 90s, I’ve been a big fan of Pixar films. What I love about most of them is behind the imaginative concepts and inventive visuals, the stories aren’t devoid of heart. Well, that principle is in full display with this latest movie.

This time, the protagonists aren’t people, animal or aliens, but the emotions that reside within an 11-year-old girl, Riley. As if a preteen girl’s life isn’t complicated enough, being uprooted from the Upper Midwest all the way to San Francisco certainly is a big adjustment. Watching Joy, Fear, Anger, Disgust and Sadness bicker with each other on how to best navigate Riley’s new environment is a real blast!

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The fact that the young protagonist is from Minnesota makes it extra amusing for me. I didn’t realize that at first but I suppose the scenes with all the snow, the family going skating and the fact that Riley LOVES hockey should’ve been a major giveaway. Pixar really immerses you into their imaginative universe here. The headquarter where the four major emotions operate in is so fun and inventive, such as how each memory is stored within this glowing orb and the whole process of how it gets sent up the memory tube. There’s also Riley’s Island of Personality: Family Island, Honesty Island, Hockey Island, Friendship Island and Goofball Island, each powered by Riley’s core memory.

InsideOut_IslandOfPersonalityFiguring out how Riley’s internal *universe* work is part of the movie’s charm, and of course, the four emotions are such a hoot. I absolutely adore Joy who’s now become one of my favorite Pixar characters. Amy Poehler is the perfect choice to bring her character to life. She utterly lives up to the name in every way… an absolute joy to watch and listen to. The voice work is stellar all around, as to be expected in a Pixar movie. Nice to see so many female voice cast, too. Mindy Kalling as Disgust is delightfully snarky and Kaitlyn Dias as Riley is appropriately bubbly and full of angst, as you’d expect every preteen to be. Bill Hader is perfect as Fear and Richard Kind is memorable as Riley’s imaginary friend Bing Bong who’s a bizarre combination of an elephant, a cat, candy, and a dolphin. Oh and it cries candy, it really doesn’t get more adorable than that!

InsideOut_JoySadnessBingBongFor anyone who’s ever experienced moving to a new town at a young age, forced to abandon the friends and environment we’ve grown to love, we can certainly identify with Riley. But truly, Inside Out‘s is relatable no matter what age you are because we’ve all experienced growing up. The movie mostly takes place within Riley’s head, but occasionally it goes into the mind of Riley’s mom and dad. The one that gets the most laugh is the closing credit sequence when it zooms inside the mind of dogs and cats. Boy I could watch an entire movie of a cat version of Inside Out! Now there’s a spinoff idea. Oh and I have got to mention the hunky Brazilian Helicopter Pilot, that bit was hilarious and I certainly can relate to THAT ;)

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This film’s concept is brilliant and inherently challenging one as it deals with the psychology and science of the brain which, if not handled well, could easily be quite boring. Yet directors Pete Docter (who I just realized is a Minnesota native) and Ronaldo Del Carmen somehow made all the science stuff so whimsical and delightful, without forgoing accuracy. Per this article, Pixar worked with UC Berkeley psychologist Dacher Keltner, an expert on the science of emotion, which I think help flesh out the animated personifications of the four major emotions depicted in the film.

Final Thoughts: I had a lot of fun with this one. I’d think this movie would appeal to both kids and adults, though I’d imagine parents of preteens/teens would get a real kick out of this. Inside Out is not just an entertaining family fare, but it’s also an affecting one that gives us an insight into our humanity in the most delightful way. Not sure yet how this movie will rank amongst my all time animated favorites like Toy Story, Finding Nemo, Wall•E over time, but this is definitely another winner from Pixar.

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Have you seen Inside Out? Well, what did you think?

Weekend Roundup: Quick Thoughts on Inside Out & Mini Reviews of ‘A Coffee in Berlin’ + Bollywood sci-fi comedy P.K.

How’s your weekend everybody? To all you dads out there, hope you had a wonderful Father’s Day and that your family spoiled you rotten :D

Well I ended up seeing three new films and re-watched parts of Roman Holiday this weekend so it’s quite a busy movie-watching weekend for me, though not much time for blogging.

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I missed the press screening for this as I spent some time with visiting family last weekend. I’m glad I finally did, here’s my initial reaction to Pixar’s latest:

It’s definitely another winner from Pixar and Joy could very well be one of my favorite Pixar characters now! Seems that this is the weekend everyone went to the movies as Inside Out made $91 mil yet it’s STILL didn’t beat the juggernaut box office prowess of Jurassic World which made $102 mil, wow! My full review of this is coming soon.

So here are my mini reviews of the two foreign movies I saw:

CoffeeInBerlin2012

A self-ironic portrait of a young man Niko who drops out of university and ends up wandering the streets of the city he lives: Berlin.

I was curious to check this out as I quite like the poster and I only had time for a shorter film under two hours. Well, this German drama proved to be pretty quirky and quite funny at times, but it’s quite boring at times too. There are some interesting moments, such as the plot involving Niko’s former female schoolmate he used to bully who somehow still has a crush on him. There’s also a scene on the set of a Nazi-themed film which concept sounds like it could make for an intriguing feature film. That scene was perhaps the highlight of the movie for me.

I wish I could like this movie more, but perhaps people who identify with the protagonist’s life might find this movie more interesting. Tom Schilling looked like a German version of James McAvoy that it’s a bit distracting, but overall I’m not all that impressed by him here.

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PK_IndianScifi

A stranger in the city asks questions no one has asked before. Known only by his initials, P.K.’s innocent questions and childlike curiosity will take him on a journey of love, laughter and letting-go.

My mother in-law was the one who tipped us about this movie. I’ve never heard of it before, but then again I’m not exactly well-versed on Indian cinema. So this also marked the first Indian sci-fi movie I’ve ever seen, not sure how many Indian films have been made in this genre.

Apparently this stands as the highest grossing Bollywood film ever, earning over $100mil in worldwide box office. Aamir Khan‘s a pretty famous Indian actor apparently, but this is the first time I’ve heard of him so I was quite flabbergasted that he’s 50 years old! He certainly looked much younger than his age and he’s quite hilarious as the P.K. with green contact lenses and ears sticking out sideways. Once you see the film you’ll find out what that name stands for. It’s a decidedly quirky scifi comedy, which started off with an alien being dropped from a spaceship and then the film moved to Bruges! This could be the first Indian movie set in that picturesque Belgian city, so it’s quite funny to see the classic Bollywood musical scenes being filmed here.

PKmovie_BrugesScene

But the spiritual message of this film turns out to be pretty bold and thought-provoking. I’d imagine this was quite controversial in India given its sensitivity to religious matters and this film wasn’t afraid to question the various religious traditions, from Catholicism, Buddhism, Islam, as well as Hinduism. But the main target was really this religious cult led by a massively popular leader.

Anushka Sharma as the female lead is beautiful and charming, she definitely is the heart of the film here. The key scenes between her and P.K. are funny but not without substance. So yeah, I quite enjoyed this movie, I really think people who aren’t usually into Bollywood movies should check it out.

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So what did you watch this weekend? Seen anything good?