Double Reviews: Trumbo (2015) & Hail, Caesar! (2016)

I generally love movies about making movies. Yes it’s like Hollywood taking a giant selfie and we all know there are no shortage of narcissists in the business. Nevertheless I enjoy watching movies about the tales of how a picture got made, especially set in the Golden Age of Hollywood where the behind-the-scenes drama is likely more intriguing than what’s on screen.

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These two films take place in a similar era and boast quite an ensemble cast. One is based on a true story and the other is a work of fiction that feels true, so I thought these two would make a perfect double review.

TRUMBO

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I was familiar with Dalton Trumbo’s story for some time but I never knew the details. As a huge fan of Roman Holiday, I knew he’s a great screen writer, but it turns out he was the best in the biz. At one point he was the highest paid writer in Hollywood and well-respected by studios and peers alike. The film started out in the late 40s with Trumbo (Bryan Cranston) at the height of his career, but then his life took a downward spiral when he’s subpoenaed for being a Communist, accused of using the movies to corrupt democracy and overthrow the nation. He’s later sentenced to a year in federal prison and the scenes of him being humiliated in prison is really quite heartbreaking.

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But what’s even worse than the jail sentence is that Trumbo and the Hollywood 10 writers were blacklisted by the Hollywood studios, and not only that, they were kicked out of the Screen Writers Guild as well, which they themselves helped built. Now, I don’t think the film is all that political, it’s more focused on the character of this extraordinary talented man and his journey in Hollywood. But he’s also not perfect, obviously he’s an eccentric man who spent most of his writing in the bath tub and he practically ignored his family unless he needs help with delivering a script discreetly to the studios. The film is quite fascinating and kept my interest throughout, all the quirks of Trumbo and his friends & foes are played wonderfully by a great ensemble of actors.

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My faves are Louis C.K. as screenwriter & Trumbo’s BFF Arlen Hird, John Goodman as a B-movie studio honcho, both had some of the funniest scenes. Dean O’Gorman as Kirk Douglas and German actor Christian Berkel as director Otto Preminger are also pretty memorable here and O’Gorman whom I knew from playing the Fili in the Hobbit movies, had a surprisingly canny resemblance to Mr. Douglas.

I love Helen Mirren in general but here I didn’t think her performance was all that great, to be honest she made a better impression in the Hitchcock film which is of similar genre. Diane Lane is quite good as Trumbo’s wife though she’s not on screen that much, as was in that era, it’s the male cast that really got to shine in this film. In any case, the real star here is Cranston and I’m not surprised he’s nominated for an Oscar. I think his performance carried the film and made it worthwhile. It’s incredible how he captured the voice and mannerism of the real life Trumbo, but more than than, I think he captured his genius as well as his eccentric personality.

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Despite the serious subject matter, the film’s tone is pretty light and fun. There were dark moments to be sure, but director Jay Roach made sure it never lasted for too long. I don’t think it undermines the story however, especially the speech at the end that made you really reflect on the whole ordeal Trumbo and his friends went through. For a film about the greatest screenwriters, the script by John McNamara (based on a book by Bruce Cook) was thankfully quite sharp. The costumes, set pieces, cinematography, and especially the performances, really brought the story to life and made me appreciate Trumbo, and screenwriters in general, even more than I already do.

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Hail, Caesar!

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Now, when the trailer first dropped, I must’ve watched it half a dozen times in one day. It’s a satire of Hollywood big studios and their big stars, told in a day-in-the-life format of a Hollywood fixer called Eddie Mannix (Josh Brolin). Mannix is a fixer who works for Capitol Pictures in the 50s, he’s the man tasked with cleaning up after the biggest names in the industry. Ruthless though he may be, Mannix is a tormented person, so ravaged by guilt that he goes to confession more often that the priest himself care to hear. The movie pretty much picked up when the studio star Baird Whitlock (George Clooney) disappears from the set of one of a huge epic movie modeled after Ben-Hur (it even had the same tagline, A Tale of the Christ). Now, the set up promises a lot of intrigue and hilarity but in the end it only partly delivered.
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There are some genuinely hysterical moments, especially the exchange between Alden Ehrenreich and Ralph Fiennes (as an Laurence Olivier-type director) in a film set which had me in stitches. Despite being the least known actor in the cast, Ehrenreich actually had a pretty big part in the movie and he acquitted himself well here. Heck, I think he’s better than Clooney as I actually believed him as the character, instead of just an movie star basically just playing a variation of himself. Whitlock seems like a caricature instead of a real person. I’m not sure whether or not it’s because of Clooney’s own stature and star-wattage or the way the script played out. The plot about Whitlock’s kidnapping would likely amuse (or irate) the real Dalton Trumbo, though the twist played out like something out of an SNL skit.

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Brolin’s Mannix is the most-developed character in this movie and the only one with a real arc. Thankfully Brolin was good in the role and made me care for his plight, but the rest of the ensemble cast filled with the ‘who’s who of current Hollywood establishment’ wasn’t given much to do. I feel like the fun moments peppered throughout just didn’t quite gel as a cohesive film. Many characters came and went without leaving any mark, and SO many actors were underutilized, even Tilda Swinton who played a dual role. Jonah Hill is basically in a blink-and-you-missed-him role, he’s only on screen as much as he was in the trailer. Those who love Channing Tatum‘s dancing will be pleased with him here, but the musical numbers here don’t make much of an impression to me. Now, the Coens’ regular Frances McDormand‘s part is basically a cameo, but it’s certainly one of the most memorable scenes.

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In the end the film seems too random and frivolous, and despite those hilarious moments, ultimately it’s a rather forgettable affair . Now, I wouldn’t say it’s a big disappointment as I’m actually not a huge Coens fan if I’m honest. I actually think this could be one of their most accessible films, and the light tone made it pretty enjoyable, it just lacks the gravitas one expect from the talents involved. The ending also felt anticlimactic to me, and the emotional connection is lacking overall. On a technical level, the film is gorgeous thanks to Roger Deakins’ masterful craft, and the retro costumes are nice to look at. If you’re a big Coens fan, this one is still well worth a rent, just don’t expect this to be another one of their classic hits.

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So, have you seen either one of these films? Well, what did YOU think?

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40 thoughts on “Double Reviews: Trumbo (2015) & Hail, Caesar! (2016)

  1. I enjoyed Hail, Caesar! as I had a ball watching while I enjoyed every moment with Alden Ehrenreich. Plus, I think we found our new Gene Kelly in Channing Tatum. With the right musical and the right filmmaker, it could happen.

    1. I enjoyed it, too. It was hilarious in parts, but I don’t think it’s a great film. I expected a bit more depth but it felt so frivolous. I’m not a fan of Tatum to be honest, but then again I’m not really into his dancing stuff either.

        1. Ahah, save it for another woman, thank you 😀 I’d rather watch Sam Riley read a book for a whole day than Tatum dancing in his Magic Mike outfit, ahah.

  2. I’m really curious to see both of these!
    Yes, trailers can be so deceptive. Not all movies deliver what the trailer suggests… I loved the Hail Caesar trailer too, so am extra curious now on how I will like this one.

  3. Completely agree that these would make an interesting double-bill. Like yourself Ruth, I enjoy movies about movies (especially set in the 40s/50s), and both of these more or less delivered. I, personally, would swap the star ratings. 🙂 Great reviews!

    1. Hi Adam! I saw this months apart but when I was about to review Hail, Caesar I remembered about Trumbo and I thought I should review ’em together. Ahah, I suppose some people might like Hail, Caesar! more and it sure was entertaining. But in the long run I think Trumbo would make more of an impact and it has more depth and emotional resonance, but that’s just me 🙂

  4. Paul S

    Nice double review Ruth, in fact this is the best review of Hail Caesar I’ve read yet. You perfectly sum up what was a slightly disappointing experience for me, and I definitely agree with your thoughts on the merit of Ehrenreich and Clooney’s performances.

    1. Hey thanks Paul! I remember when I left the theater, it felt like the ending was anticlimactic. I added that bit in the review as that’s an important part as well why I didn’t think this was a great film. Ehrenreich did a lot in this film but he’s barely in any of the promos, whilst Clooney’s character is so under-developed.

  5. I’ll admit I thought those scores might be the other way around judging by what I’ve heard of both movies. Well argued in both reviews; looking forward to seeing them both when I get time!

    1. I don’t always agree w/ the majority of critics 😉 I feel that Trumbo made more of an impact in the end. Both are entertaining in their own right, I just expect more depth from Hail, Caesar.

  6. I enjoyed Trumbo way more than I thought I would and didn’t like Hail, Caesar! at all. Probably because for Trumbo, I had no hype for it since the reviews were subpar and Hail, Caesar! had pretty solid reviews and it was a Coen Bros film. I was just completely bored with Caesar. I think knowing that Trumbo was a true story helped keep me engaged in the film.

    1. Hi Steven! I’m glad you agree! I think because of Coens pedigree people just assume Hail, Caesar would be a good movie. I mean it wasn’t horrible per se, but it was kind of a waste of all the talents. But Trumbo had a solid cast who gave fine performances, esp Cranston, and I was emotionally-involved w/ his journey.

  7. Nice reviews Ruth. Still need to see Trumbo but we definitely agree on Hail, Caesar! Loved segments of it but found myself disappointed with it as a whole.

    1. Hi Keith! I think you’d enjoy Trumbo, I certainly think it’s a more compelling film that’s more focused and character-driven. Yeah I think I remember you gave Hail, Caesar the same rating as I did. Apart from some hilarious scenes, the movie as a whole is so forgettable.

  8. I was going to see HC! but I’m too tired for a trip to cinema. I saw Trumbo and liked it a bit less than you – Cranston was great but I thought everyone else was underused and the film was forgettable

    1. I’d just rent HC later Margaret, it’s not so great that you have to see it on the big screen. Y’know, I think Cranston’s performance was so good that I was feeling more generous. It was more emotionally involving than HC, which at times felt like a spoof and not a real film.

  9. Great post! I didn’t like Trumbo as much, but Cranston was okay in it. While I agree that most of the cast in Hail, Caesar! don’t have much to do, it’s precisely why I wanted the film to be twice as long! Loved it, but I wanted more. 🙂

    1. Well, I didn’t mind Hail, Caesar to be a bit longer as the ending feels anticlimactic to me. But I wish they’d focus more on Alden and Brolin’s characters, the rest are just fillers.

  10. Fair call on Hail, Caesar! I had a ton of fun with it, though the kidnapping angle could have had more ‘oomph’. Trumbo released recently here, I’ll have to catch it before it disappears from the screens

    1. Hey Jordan, somehow I thought I’ve replied to your comment. Yeah check out Trumbo even later as a rental, it should be worth your time.

  11. I love it when you do a double bill Ruth. Both sound equally interesting, hope to see both of these on rental as I’ve been a little busy at the moment.

  12. Pingback: Everybody’s Chattin + Trailers Spotlight: Jeff Nichols’ LOVING + Warren Beatty’s ‘Rules Don’t Apply’

  13. Pingback: Movie Review – Hail, Caesar!

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