Denis Villeneuve’s DUNE – what I’ve learned of the 2020 adaptation so far

Happy um-what-day-is-it? The days have become such a blur lately… and honestly, it’s tough to keep motivated during the lockdown, and the not-knowing when this whole thing would actually end is the toughest part. Summer’s practically been canceled, which if you’ve lived in places like Minnesota, that’s so devastating given how fleeting Summer is and ‘Spring’ is an on-and-off affair (I mean we just got a blizzard in some parts of MN on Easter weekend!).

Ok, venting over. I’d rather focus on the positive and look to the future! Well, since this is a film blog, one of the films that [hopefully] won’t get canceled is DUNE. Its release date is December 18.

Of course, an astute person already saw the glaring similarities of DUNE’s logo to an NBC sci-fi series that aired in 2006, ha! I actually like the look of the original one they posted a few months ago, it looked far more modern w/ an aerial image of sand dunes in the background.

In any case… the photos posted by Vanity Fair yesterday look stunning, they’re mostly the star-studded cast in costumes, but certainly made me even more anxious to see it! You can see them in video form thanks to MovieGasm, and I also posted the photos below.

Honestly, I’m not that familiar about DUNE, which is based on Frank Herbert’s sci-fi novels. I haven’t seen the David Lynch 1984 version (I’ve watched the trailer a couple of times but haven’t mustered enough interest to actually watch it), nor the two-part series on Sci-Fi channel. But once Denis Villeneuve‘s attached to direct a two-part films, I’m immediately intrigued. So I’ve been reading a ton of stuff about this adaptation and how this version is supposed to be different.

Consider this a summary of what I’ve read so far, that some of you might find helpful.

Thanks to this comprehensive Reddit post, here’s the official synopsis:

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

Photo courtesy of Vanity Fair

Timothée Chalamet is definitely Hollywood’s boy du jour right now, and I think he’d be good as the young protagonist. I like the idea of Rebecca Ferguson and Oscar Isaac as Chalamet’s parents!

The amazing ensemble cast!

Here’s the full cast list (thanks to that Reddit post):

Character Actor Films Actors’ Known For
Paul Atreides Timothée Chalamet Ladybird, Call Me By Your Name
Lady Jessica Rebecca Ferguson Mission Impossible, The Greatest Showman
Duke Leto Atreides Oscar Isaac Ex Machina, Star Wars
Gurney Halleck Josh Brolin No Country for Old Men, The Avengers
Duncan Idaho Jason Momoa Game of Thrones, Aquaman
Dr. Liet-Kynes Sharon Duncan-Brewster Rogue One, Sex Education series
Reverend Mother Mohiam Charlotte Rampling Broadchurch, The Verdict, 45 Days
Baron Harkonnen Stellan Skarsgård Girl with the Dragon Tattoo, Good Will Hunting
Feyd-Rautha Tye Sheridan Ready Player One, Dark Phoenix, Mud
Piter De Vries David Dastmalchian Prisoners, Ant-man
Count Glossu Rabban Dave Bautista Guardians of the Galaxy, Blade Runner 2049
Dr. Wellington Yueh Chang Chen Crouching Tiger Hidden Dragon, The Assassin
Stilgar Javier Bardem No Country for Old Men, Skyfall
Chani Zendaya Spiderman, The Greatest Showman
Jamis Babs Olusanmokun Black Mirror, The Night Of, The Defenders
TBA Stephen Henderson Fences, Ladybird, Lincoln
Harah Gloria Obiano High Life, Good Omens
The House of Atreides - Photo courtesy of Vanity Fair
The House of Atreides
Josh Brolin, Rebecca Ferguson, Oscar Isaac
Josh Brolin, Rebecca Ferguson, Oscar Isaac – Photo courtesy of Vanity Fair

What is the story about exactly?

Per Vanity Fair article… Villeneuve sees this story of a planet being mined to death as something prophetic “No matter what you believe, Earth is changing, and we will have to adapt,” It’s hard to argue that our earth has been overexploited no matter which spectrum you are in the climate change debate. Villeneuve, who’s producing his own film for the first time, sees the story as a ‘call to action for the youth.’ I can see Greta Thunberg liking this movie a lot!

Villeneuve on set with Javier Bardem as Stilgar, leader of the Fremen tribe – Photo courtesy of Vanity Fair

Since the French Canadian filmmaker is set on ‘going back to [Herbert’s] book and going to the images that came out when I read it’ (per Yahoo article), here’s a brief summary of the novel per SparkNotes:

Dune is based on a complex imagined society set roughly 20,000 years in the future. The setting is the year 10,191, and human beings have spread out and colonized planets throughout the universe. On the planet Caladan, Duke Leto of the House of Atreides is preparing to leave for his new position as the governor of Arrakis, a desert planet with valuable resources of melange, a spice drug that is extremely popular with wealthy people. Leto and his family, including his concubine, Jessica, and his son, Paul, suspect a trap by their rivals, the Harkonnens, led by Baron Harkonnen. Leto decides to settle on Arrakis because of its rich supplies of melange, despite warnings from his men, including his adviser, Thufir Hawat, and his master-of-arms, Gurney Halleck.

The Atreides arrive on Arrakis and the duke quickly moves to secure the planet from a Harkonnen attack. His main plan is to enlist the Fremen, the tough natives of the Arrakeen desert, as soldiers and advisers. Meanwhile, Paul’s and Jessica’s special abilities intrigue the Fremen. Jessica is a member of the Bene Gesserit, a school of quasi-mystical witches with strange powers. The Fremen believe that Jessica and her son are saviors who have come to lead them toward creating a lush paradise on the dry Arrakis.

Some interesting trivia about DUNE 2020

(thanks to Reddit, Vanity Fair, Nerdist, THR, Inverse.com

  • Denis Villeneuve confirmed that his adaptation of Dune will be split into at least two films, in order to ensure that the original story would be “preserved and not cut into a million pieces.”
  • Budapest is one the primary shooting location for the film. Denis will once again be working with Origo Film Studios who provided many of the stages and facilities used in the shooting of Blade Runner 2049. The other location for the sand dune landscape is remote regions outside Abu Dhabi in the United Arab Emirates where temperatures can reach 100 degrees.
  • Zendaya is playing Chani, seen here wearing the signature Fremen stillsuit. The suit’s designed to recapture the maximum amount of moisture and the nose tube is to reclaim vapor from every breath. As for those piercing blue eyes, it’s a condition caused by consuming melange (a.k.a. spice), a drug produced in Arrakis’ sands.

    Zendaya as Chani – photo courtsey of Vanity Fair
  • Charlotte Rampling, who will star in this upcoming adaptation of the 1965 novel, originally wanted to play Lady Jessica in Alejandro Jodorowsky‘s failed Dune project, but declined the offer due to a scene that involved 2,000 extras defecating at once.
  • Rampling will play the Reverend Mother Mohiam, the emperor’s truthsayer, a person who can divine intentions, suss out lies and manipulate people’s emotional states.
  • In an intriguing change to the source material, Villeneuve has also updated Dr. Liet Kynes, the leading ecologist on Arrakis and an independent power broker amid the various warring factions. Although always depicted as a white man, the character is now played by a black British actress Sharon Duncan-Brewster (Rogue One).

    Sharon Duncan-Brewster as Dr. Liet Kynes – photo courtesy of Vanity Fair
  • Hans Zimmer is set to score the film, having worked with Villeneuve previously on Blade Runner 2049.
  • In June 2019, a TV spinoff titled Dune: The Sisterhood was announced, which would be overseen by Villeneuve and focused on the mysterious Bene Gesserit, a key social, religious, and political force in the fictional Dune universe.

Splitting Dune into two films

Now, about the part that the film will be a two-part series. We’ve seen that in major finales of lucrative franchises like Harry Potter, Hunger Games and The Avengers are split into two movies. Honestly, I’m not too fond of that idea as it’s really a money-making scheme. But with this one, I feel like there is merit.

Per the VF article, Villeneuve said “I would not agree to make this adaptation of the book with one single movie…The world is too complex. It’s a world that takes its power in details.” I haven’t read the book but I can see how such a dense, multi-layered story would be challenging to adapt. The director has said this project has been the most difficult thing he’s ever done… “It’s a book that tackles politics, religion, ecology, spirituality—and with a lot of characters,”

I’d even think making it as a miniseries might be the best format, but then again, the grand visuals would be something amazing to see on the big screen. Oh man, to actually be able to experience movies with fellow film fans again in a movie theater… those are simple joys we’ve all taken for granted!


Ok that’s all I’ve got on Dune so far… but speaking of power in the details, let me just end this post with this um, epic photo…

Photo courtesy of Vanity Fair

I bow to thee Duke Atreides… yowza! 😍😍😍😍😍😍😍😍

Sorry, just got to get that out of the way… man, can’t wait to see the trailer for this!!


Are you excited about this new DUNE adaptation? Let me know your thoughts!

New Trailer + Poster Spotlight: Wes Anderson’s The French Dispatch

Something super fun just arrived in my inbox today! I was in the middle of a rather long, tedious training for my new job, but upon opening this email, a huge smile formed on my face!

Ooooh!! I absolutely adore this poster, I wish I could have it to hang on my wall right now! Wes Anderson‘s upcoming movie has The Adventures of Tintin vibe to it, the comics series by Belgian cartoonist Hergé that I grew up reading religiously as a kid.

Here’s the premise…

THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.

What a cast!! I know lots of [thirsty] people are going nuts over ‘it boy’ Timothée Chalamet writing naked in a bath tub 🤣 – I didn’t even notice him until an article specifically mentioned about it in the headline! In any case, I wonder if he’ll actually be speaking French in the movie? The internet would probably spontaneously combust!

Upon further reading, the Tintin vibe seems intentional given Tintin is a globe-trotting reporter. Per Wiki, the film has been described as “a love letter to journalists set at an outpost of an American newspaper in a fictional 20th-century French city”, centering on three storylines.

When speaking to French publication Charente Libre last year, Anderson noted: “The story is not easy to explain, [It’s about an] American journalist based in France [who] creates his magazine. It is more a portrait of this man, of this journalist who fights to write what he wants to write. It’s not a movie about freedom of the press, but when you talk about reporters you also talk about what’s going on in the real world.”

Per tradition of Wes Anderson’s movies, it’s another awesome ensemble cast, many of whom have worked with the Texas-born filmmaker. The screenplay was written by Anderson, Roman Coppola, Hugo Guinness, and Jason Schwartzman.

Now here’s the trailer! 

It’s classic Wes w/ his usual visual flair, distinct camera work and quirks! I love it!! It looks so much like Grand Budapest Hotel and I saw some of the cast are back as well. I can’t wait to step into this world of global journalism filled w/ intrigue and idiosyncrasies.

It’s scheduled to be released on July 24.


What do you think of The French Dispatch?

FlixChatter Review: Little Women (2019)

As a fan of period dramas with strong female protagonists, naturally I’ve been looking forward to seeing the new Little Women adaptation. I remember loving the Gillian Armstrong’s 1994 version, but 25 years is a long enough time to see a new adaptation from Louisa May Alcott‘s autobiographical novel about her own life with her three sisters in post-Civil War America.

After the success of Lady Bird, Greta Gerwig was undoubtedly poised to helm this adaptation that’s packed with a stellar cast: Saoirse Ronan as Jo, Florence Pugh as Amy,  Emma Watson as Meg and Eliza Scanlen as Beth. She re-teamed with Ronan once again, who apparently asked to be cast as the headstrong, modern protagonist Jo March. The film is told from her perspective as she reflects on her life in a non-linear narrative. It took some time for me to figure out which timeline is being told, as one has to really pay attention to details whether a scene takes place in flashback or present. But once the film gets going, it’s easier to follow and I was immersed in the March sisters’ journey.

Lady Bird was beloved by critics and audiences alike, but I must say I enjoyed Little Women more and Gerwig’s direction has the right amount of flair to make the story really come alive. Ronan is a consistently excellent actress, but she clearly reveled in this role. She’s so lively, passionate and fiery as Jo March, and her independent spirit shines through. The March sisterhood is endearing and emotionally moving, each woman’s journey is handled with care and most importantly, each is given a ‘voice’ that most women is deprived of in that era. Jo’s relationship with each of her sister is well-developed, especially the sibling rivalry between her and Amy. 

Pugh has quickly become one of my favorite actresses and the incredibly gifted miss Ronan has truly met her match in this casting. Of course I was as furious as Jo when she found out Amy had done that heinous thing to her (you know what I mean if you’ve read the book or seen the film). Their relationship is the most explosive, for a lack of a better word, without being over-dramatic, with each young performer fiercely holding her own. The speech Amy made about how the inequality of women of that time is a defining moment in the film. Though delivered almost in a matter-of-fact manner by Pugh, it packed an emotional punch. Apparently that whole speech was written in the last minute just before shooting, at the suggestion of Meryl Streep who played Aunt March.

In terms of casting, Laura Dern is wonderful as the kind, caring mother of the March girls. Streep is always great to watch and she even became a comic relief at times, but it’s Chris Cooper who’s absolutely devastating as Mr. Laurence. He imbued SO much heart in the role with barely any word spoken… and relationship with Beth, who reminds him of the granddaughter he lost, is particularly heart-rending.

I remember having a bit of a crush on the 1994’s version of boy next door Laurie (played by Christian Bale, natch!), but I absolutely adore Timothée Chalamet in the role. The Hollywood’s boyfriend of the moment has always been extremely watchable, but the way he looks at Jo with his longing look… oh my! And that proposal scene just breaks my heart.

Now, if I have to nitpick however, is the relationship between Jo and Friedrich Bhaer, the professor. Now, I can forgive casting a French actor (Louis Garrel) playing a German character (or someone with a German name), but I just didn’t feel much connection between the two and the scene feels rushed somehow. I remember swooning over Gabriel Byrne as Bhaer and the ‘my hands are empty’ scene was far more emotional.

Overall though, this is definitely one of the best literary adaptations and it’s a shame Greta Gerwig and the film was overlooked at the Golden Globes and BAFTAs. Let’s see if the Academy would rectify that. It’s a film with an inspiring message for girls and women alike, and a good one for boys as well to serve as a reminder that the journey for women equality still continues. In terms of production values, there are plenty to admire as well. The production design by Jess Gonchor is excellent, setting it in Louisa May Alcott’s family home where she wrote the novel adds so much authenticity. So is Jacqueline Durran‘s costumes that look era appropriate and fits each character well. The gorgeous cinematography by Yorick Le Saux and lush music score by Alexandre Desplat all makes Little Women a feast for the senses and one I think I’ll want to watch over and over for years to come.


Have you seen Little Women? Well, what did you think?

Guest Review: LADY BIRD (2017)

guestpost

Directed By: Greta Gerwig
Written By: Greta Gerwig
Runtime: 1 hr 34 minutes

So at this point I think that my opinion of Lady Bird is wrong – if it is possible for an opinion on a piece of art to be wrong. The vast majority of everyone seems to have decided that Lady Bird is a piece of subtle genius, a near perfect discussion of adolescence and mother/daughter relationships.

But the movie didn’t do it for me.

Lady Bird opens on a mother and daughter traveling in a car as the last several moments of The Grapes of Wrath fill the silence between them. The monologue ends and Christine “Lady Bird” McPherson (Saoirse Ronan) removes the cassette tape from the tape deck, puts it back in its case, and takes a moment to sit in a harmonious sniffling silence with her mother (Laurie Metcalf). It is one of the few moments of harmony between the two characters and, like every other such moment, it quickly devolves in an argument, which itself terminates with a very dramatic, perfectly indie exit from the vehicle.

Lady Bird’s primary asset is its perfect grasp on indie films as a genre. Lady Bird perfectly encapsulates the quirky real-world aesthetic that makes indie movies so much fun through muted cinematography, a subtle script, and understated performances.

The cast in Lady Bird was incredible. Beanie Feldstein was charming as Julie Steffans, Lady Bird’s best friend. Lucas Hedges played a heart rending Danny O’Neill. Laurie Metcalf (again, the mother character) broke my damn heart on her drive around the airport out of the park, which was an especially marked achievement considering that that portion of the story made no sense. Having loved Saoirse Ronan in movies like Brooklyn and Grand Budapest Hotel, I was surprised to find her completely uninteresting in Lady Bird. Ronan’s performance was a steady monotone, which was a jarring choice considering Lady Bird’s tumultuous inner life. Lady Bird is constantly rebelling, but her exterior is placid to a fault.

I also took issue with the development of two characters: Kyle Scheible (Timothee Chalamet) and Marion McPherson (Laurie Metcalf). Kyle Scheible was simultaneously filling two icky boyfriend tropes: the pseudo-intellectual and the popular kid, which meant that some of the best jokes were at his character’s expense, but also that he did not make sense as a person. Kyle Scheible always existed on the periphery of a group of beautiful people, ignoring them for books about philosophy or history.

Similarly, Marion McPherson, played to a tee by Laurie Metcalf, made no sense. Perhaps my own childhood, being the average thing that it was, did not prepare me to believe that it is possible for a mother to be so petty with so little reason, but don’t think that’s it. I can buy a mother who is a flawed human and says the wrong thing and, despite it all, is still probably a better mother than she had growing up. What I cannot buy (and excuse me for being vague – I am trying to avoid spoilers) is a mother who reacts in extremes that wind up hurting her more than her victims.

Worse, the end of the movie felt forced. One bad college party makes Lady Bird appreciate her upbringing and the values she was raised with. Although I understand the impulse to wrap the story up neatly, the reason behind the revelation was not there, so it just felt awkward.

Ultimately a few amazing performances and general indie charm are not enough to save Lady Bird. If nothing else interesting is playing, I would still suggest watching it. It’s worth it for the the constant stream of early 2000s nostalgia that runs through the entire movie and a few powerful moments: the hug between Lady Bird and Danny O’Neill (you’ll know it when you see it) and the mother’s drive through the airport are two such moments that come to mind.

Lady Bird has its moments.


hollyHolly P. is a twenty-something millennial who enjoys shouting at people on the internet, riding her bicycle, and overbooking her schedule. She prefers storytelling that has a point and comedy that isn’t mean. Her favorite movies are Aladdin, the Watchmen (even though the book was way better), and Hot Fuzz.  She’s seen every Lord of the Rings movie at least a dozen times.  You can follow her @tertiaryhep on twitter or @hollyhollyoxenfreee on Instagram. She’s also on Tinder, but if you find her there she’ll probably ghost on you because wtf is dating in the 21st century. 


Have you seen ‘Lady Bird’? Well, what did you think?