Music Break: Top 5 favorite 2022 film scores snubbed by Oscars

Happy Weekend, all! I'm taking a bit of a break from movie reviews as I still have the Oscars in my mind. There's still a bunch of controversies swirling around the nominations, the latest one focusing on Andrea Riseborough's nomination in the Best Actress category. Apparently, The Academy is conducting a review of the campaign …

Continue reading Music Break: Top 5 favorite 2022 film scores snubbed by Oscars

WOMEN TALKING (2022) review – the magnetic power of dialog, delivered with such honesty and emotional convictions

I saw this film and She Said within a day of each other. Both films deal with sexual assault towards women and are based on real events, but while Harvey Weinstein’s scandals are all over the news, few are aware of the story of Mennonite women (not to be confused with the Amish community). Though …

Continue reading WOMEN TALKING (2022) review – the magnetic power of dialog, delivered with such honesty and emotional convictions

TÁR Review – equally beguiling and frustrating, but Cate Blanchett’s exquisite performance is flawless

The press screening of Tár is quite a singular experience… the theatre was nearly empty and the movie had the longest opening credits. It's about 5 minutes long and set to soft but rather dissonant music, which I later learn is supposed to be music being conducted by the film’s protagonist, Lydia Tár. The film …

Continue reading TÁR Review – equally beguiling and frustrating, but Cate Blanchett’s exquisite performance is flawless

FlixChatter Review: JOKER (2019)

There seems to be a sudden influx of villains getting their big screen treatment lately (there's Venom last year, Birds of Prey trailer is just released highlighting Joker's own girlfriend Harley Quinn, and Disney's Maleficent: Mistress of Evil opens two weeks after Joker). But the again, antiheroes have always made such intriguing protagonists. In case …

Continue reading FlixChatter Review: JOKER (2019)