Denis Villeneuve’s DUNE – what I’ve learned of the 2020 adaptation so far

Happy um-what-day-is-it? The days have become such a blur lately… and honestly, it’s tough to keep motivated during the lockdown, and the not-knowing when this whole thing would actually end is the toughest part. Summer’s practically been canceled, which if you’ve lived in places like Minnesota, that’s so devastating given how fleeting Summer is and ‘Spring’ is an on-and-off affair (I mean we just got a blizzard in some parts of MN on Easter weekend!).

Ok, venting over. I’d rather focus on the positive and look to the future! Well, since this is a film blog, one of the films that [hopefully] won’t get canceled is DUNE. Its release date is December 18.

Of course, an astute person already saw the glaring similarities of DUNE’s logo to an NBC sci-fi series that aired in 2006, ha! I actually like the look of the original one they posted a few months ago, it looked far more modern w/ an aerial image of sand dunes in the background.

In any case… the photos posted by Vanity Fair yesterday look stunning, they’re mostly the star-studded cast in costumes, but certainly made me even more anxious to see it! You can see them in video form thanks to MovieGasm, and I also posted the photos below.

Honestly, I’m not that familiar about DUNE, which is based on Frank Herbert’s sci-fi novels. I haven’t seen the David Lynch 1984 version (I’ve watched the trailer a couple of times but haven’t mustered enough interest to actually watch it), nor the two-part series on Sci-Fi channel. But once Denis Villeneuve‘s attached to direct a two-part films, I’m immediately intrigued. So I’ve been reading a ton of stuff about this adaptation and how this version is supposed to be different.

Consider this a summary of what I’ve read so far, that some of you might find helpful.

Thanks to this comprehensive Reddit post, here’s the official synopsis:

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

Photo courtesy of Vanity Fair

Timothée Chalamet is definitely Hollywood’s boy du jour right now, and I think he’d be good as the young protagonist. I like the idea of Rebecca Ferguson and Oscar Isaac as Chalamet’s parents!

The amazing ensemble cast!

Here’s the full cast list (thanks to that Reddit post):

Character Actor Films Actors’ Known For
Paul Atreides Timothée Chalamet Ladybird, Call Me By Your Name
Lady Jessica Rebecca Ferguson Mission Impossible, The Greatest Showman
Duke Leto Atreides Oscar Isaac Ex Machina, Star Wars
Gurney Halleck Josh Brolin No Country for Old Men, The Avengers
Duncan Idaho Jason Momoa Game of Thrones, Aquaman
Dr. Liet-Kynes Sharon Duncan-Brewster Rogue One, Sex Education series
Reverend Mother Mohiam Charlotte Rampling Broadchurch, The Verdict, 45 Days
Baron Harkonnen Stellan Skarsgård Girl with the Dragon Tattoo, Good Will Hunting
Feyd-Rautha Tye Sheridan Ready Player One, Dark Phoenix, Mud
Piter De Vries David Dastmalchian Prisoners, Ant-man
Count Glossu Rabban Dave Bautista Guardians of the Galaxy, Blade Runner 2049
Dr. Wellington Yueh Chang Chen Crouching Tiger Hidden Dragon, The Assassin
Stilgar Javier Bardem No Country for Old Men, Skyfall
Chani Zendaya Spiderman, The Greatest Showman
Jamis Babs Olusanmokun Black Mirror, The Night Of, The Defenders
TBA Stephen Henderson Fences, Ladybird, Lincoln
Harah Gloria Obiano High Life, Good Omens
The House of Atreides - Photo courtesy of Vanity Fair
The House of Atreides
Josh Brolin, Rebecca Ferguson, Oscar Isaac
Josh Brolin, Rebecca Ferguson, Oscar Isaac – Photo courtesy of Vanity Fair

What is the story about exactly?

Per Vanity Fair article… Villeneuve sees this story of a planet being mined to death as something prophetic “No matter what you believe, Earth is changing, and we will have to adapt,” It’s hard to argue that our earth has been overexploited no matter which spectrum you are in the climate change debate. Villeneuve, who’s producing his own film for the first time, sees the story as a ‘call to action for the youth.’ I can see Greta Thunberg liking this movie a lot!

Villeneuve on set with Javier Bardem as Stilgar, leader of the Fremen tribe – Photo courtesy of Vanity Fair

Since the French Canadian filmmaker is set on ‘going back to [Herbert’s] book and going to the images that came out when I read it’ (per Yahoo article), here’s a brief summary of the novel per SparkNotes:

Dune is based on a complex imagined society set roughly 20,000 years in the future. The setting is the year 10,191, and human beings have spread out and colonized planets throughout the universe. On the planet Caladan, Duke Leto of the House of Atreides is preparing to leave for his new position as the governor of Arrakis, a desert planet with valuable resources of melange, a spice drug that is extremely popular with wealthy people. Leto and his family, including his concubine, Jessica, and his son, Paul, suspect a trap by their rivals, the Harkonnens, led by Baron Harkonnen. Leto decides to settle on Arrakis because of its rich supplies of melange, despite warnings from his men, including his adviser, Thufir Hawat, and his master-of-arms, Gurney Halleck.

The Atreides arrive on Arrakis and the duke quickly moves to secure the planet from a Harkonnen attack. His main plan is to enlist the Fremen, the tough natives of the Arrakeen desert, as soldiers and advisers. Meanwhile, Paul’s and Jessica’s special abilities intrigue the Fremen. Jessica is a member of the Bene Gesserit, a school of quasi-mystical witches with strange powers. The Fremen believe that Jessica and her son are saviors who have come to lead them toward creating a lush paradise on the dry Arrakis.

Some interesting trivia about DUNE 2020

(thanks to Reddit, Vanity Fair, Nerdist, THR, Inverse.com

  • Denis Villeneuve confirmed that his adaptation of Dune will be split into at least two films, in order to ensure that the original story would be “preserved and not cut into a million pieces.”
  • Budapest is one the primary shooting location for the film. Denis will once again be working with Origo Film Studios who provided many of the stages and facilities used in the shooting of Blade Runner 2049. The other location for the sand dune landscape is remote regions outside Abu Dhabi in the United Arab Emirates where temperatures can reach 100 degrees.
  • Zendaya is playing Chani, seen here wearing the signature Fremen stillsuit. The suit’s designed to recapture the maximum amount of moisture and the nose tube is to reclaim vapor from every breath. As for those piercing blue eyes, it’s a condition caused by consuming melange (a.k.a. spice), a drug produced in Arrakis’ sands.

    Zendaya as Chani – photo courtsey of Vanity Fair
  • Charlotte Rampling, who will star in this upcoming adaptation of the 1965 novel, originally wanted to play Lady Jessica in Alejandro Jodorowsky‘s failed Dune project, but declined the offer due to a scene that involved 2,000 extras defecating at once.
  • Rampling will play the Reverend Mother Mohiam, the emperor’s truthsayer, a person who can divine intentions, suss out lies and manipulate people’s emotional states.
  • In an intriguing change to the source material, Villeneuve has also updated Dr. Liet Kynes, the leading ecologist on Arrakis and an independent power broker amid the various warring factions. Although always depicted as a white man, the character is now played by a black British actress Sharon Duncan-Brewster (Rogue One).

    Sharon Duncan-Brewster as Dr. Liet Kynes – photo courtesy of Vanity Fair
  • Hans Zimmer is set to score the film, having worked with Villeneuve previously on Blade Runner 2049.
  • In June 2019, a TV spinoff titled Dune: The Sisterhood was announced, which would be overseen by Villeneuve and focused on the mysterious Bene Gesserit, a key social, religious, and political force in the fictional Dune universe.

Splitting Dune into two films

Now, about the part that the film will be a two-part series. We’ve seen that in major finales of lucrative franchises like Harry Potter, Hunger Games and The Avengers are split into two movies. Honestly, I’m not too fond of that idea as it’s really a money-making scheme. But with this one, I feel like there is merit.

Per the VF article, Villeneuve said “I would not agree to make this adaptation of the book with one single movie…The world is too complex. It’s a world that takes its power in details.” I haven’t read the book but I can see how such a dense, multi-layered story would be challenging to adapt. The director has said this project has been the most difficult thing he’s ever done… “It’s a book that tackles politics, religion, ecology, spirituality—and with a lot of characters,”

I’d even think making it as a miniseries might be the best format, but then again, the grand visuals would be something amazing to see on the big screen. Oh man, to actually be able to experience movies with fellow film fans again in a movie theater… those are simple joys we’ve all taken for granted!


Ok that’s all I’ve got on Dune so far… but speaking of power in the details, let me just end this post with this um, epic photo…

Photo courtesy of Vanity Fair

I bow to thee Duke Atreides… yowza! 😍😍😍😍😍😍😍😍

Sorry, just got to get that out of the way… man, can’t wait to see the trailer for this!!


Are you excited about this new DUNE adaptation? Let me know your thoughts!

FlixChatter Review: SICARIO: DAY OF THE SOLDADO (2018)

Denis Villeneuve’s SICARIO was one of the best films of 2015 and one of my favorites that year. It was well received by many movie critics, but it wasn’t a huge box office hit, so I didn’t expect or wanted to see a sequel. But these days Hollywood studios will try to turn ANY movie into a franchise and now part 2 of the hit man saga has been unleash to multiplexes.

The story kicks off with terrorist bombings, including one at a major convenient store in the heartland of America. Special agent Matt Gravers (Josh Brolin) has been summon by his boss Cynthia Foards (Catherine Keener) to find out who’s responsible for the bombings. With the blessing from the Secretary of Defense James Riley (Matthew Modine), Gravers was given a mission to do whatever it takes to get a payback for the bombings.

After interrogating a Somalian pirate, he found out that the drug cartels in Mexico are smuggling terrorists through southern border of Texas. With a help of his trusted assassin Alejandro (Benicio Del Toro), they devised a plan to kidnap a daughter of one of the big drug cartels and made it look like it’s another cartel who did it. Their goal is to start a war between the cartels, hoping they would all kill each other and wouldn’t be able to smuggle people to the United States. The victim is teenager named Isabel Reyes (Isabela Moner), whose father happens to be the biggest drug lord in Mexico. Once Graves and his men took Isabel, things went south fast and Alejandro must use skills to protect Isabel from danger.

With Villeneuve being busy with other projects, stepping into the director’s chair this time is Stefano Sollima, whose previous projects were mostly TV shows in Italy. I thought he did a decent job by following Villeneuve’s template, in fact I think most people would think this film was directed by Villeneuve if they didn’t know a new director was hired for the job. The look and feel were no different from the last film. There’s nothing wrong with following the previous director’s style but for me, if a new director takes over a franchise, I expect to see that person to bring in their own creative vision. Sollima did stage a pretty impressive action sequence in a desert where Graves and his men got ambushed.

Taylor Sheridan’s script is solid but not as good as the first one. Here he tackled several political subjects that are relevant to our real-world issues such as immigration debate, terrorism and politics bickering. But I thought with all those complex ideas he came up with, they just masked a very thin plot. If you’ve seen the trailers of this film, you pretty much know the whole story and that’s pretty disappointing to me. There were opportunities to make this one even compelling than the first film, but the story ended way too fast. I understand they’re planning a trilogy, so hopefully the third film will give us better story.

Performances were pretty decent all around, Brolin and Del Toro looked very comfortable in their respective roles and some of the young actors were pretty good. I thought Keener’s and Modine’s character were kind of wasted, they didn’t really have much to do and could’ve been played by unknown actors.

I was looking forward to this sequel and was a disappointed, mostly with the script. I think they missed an opportunity to make this one as good or better than the last film. Still a solid thriller and fans of the first film should check it out.

TedS_post


So have you seen Sicario: Day of the Soldado? Well, what did you think?

Top 10 BEST Movies of 2016

top102016

I always wait until at least the first week of January before I made my top 10 list of the year prior, and this year is no different. Now, last year I combined my top 10 best and worst in a single post. This year I will just focus on the BEST list and do a WORST (or I’d say disappointing) list in a separate post. Fortunately my worst list is far less extensive than the best one, as I can only count with one hand the worst movies I saw this past year.

Now, I selected films released between January – December 2016, including the limited releases (i.e. Hidden Figures) which opened in select cities in December. Some of these might’ve opened internationally prior to 2016, but I’m using the USA release dates or the fact that they opened at a local film festival. As customary, this list is a cross between a ‘best of and favorite’, so the criteria is that these films made an impression on me, combining the virtue of being entertaining, deeply-moving, thought-provoking, and indelible.

So without further ado, I present to you my TOP 10 list (in reverse order):

10. The Lobster (full review)

TheLobster_img4

One of the strangest films I’ve seen last year and it’s also one of the most original concept I’ve ever seen. Greek writer/director Yorgos Lanthimos who co-wrote the script with Efthymis Filippou created an intriguing commentary on love and relationship that’ll make you ponder about it for days. I’ve loved sci-fi concepts that’s more grounded in its presentation and the world the characters inhabit in this movie certainly looks plausible. It’s not a perfect film, but still a brilliant one that earns top marks for originality and thought-provoking ideas.

9. Love & Friendship (full review)

LoveFriendship_img2

Most of you already know I love Jane Austen’s work, though this one is unlike her most famous work like Pride & Prejudice or Sense & Sensibility. This one is based on Austen’s lesser-known work where we have a saucy protagonist who is as deviously-cunning as she is impeccably dressed. It’s the first film by writer/director Whit Stillman I’ve seen so far and it’s a delight! I really enjoyed Kate Beckinsale‘s in the title role and a delightfully-hilarious turn by Tom Bennett, one of my fave discoveries of 2016. Funny, witty, and so gorgeous to look at, this is another Austen movie I could watch over and over for years to come.

8. Captain Fantastic (full review)

CaptainFantastic

When I saw the trailer for the first time I knew this is a role perfect for Viggo Mortensen who plays an intellectual free spirit, a Renaissance man who’s set in his ways. It’s a fascinating slice of an unorthodox family of seven, Viggo as the unconventional dad and his six kids, following the sudden death of his wife.Set in the forests of the Pacific Northwest, themes of parenting and coming-of-age blend seamlessly. Certainly a film that subscribe to the old adage that it’s the journey, not the destination, that really matters. Like The Lobster, it’s one of the most eccentric films I’ve seen this year, one that definitely left an indelible impression on me.

7. Hidden Figures

hiddenfigures

I haven’t got a chance to review this one as I just saw it last week. As soon as I’m done watching this historical drama, thought to myself that I’m glad I waited to post my top 10 list! Since this one had opened in limited release in December, it’s still technically a 2016 movie. Starring a trifecta of terrific Black actresses, Taraji P. Henson, Octavia Spencer and Janelle Monáe (who was also great in Moonlight), it tells a pivotal moment in American history in a heartwarming yet poignant manner. There are moments throughout the women’s journey that made me angry and sad, but the film is brimming with such uplifting optimism and hope. La La Land isn’t the only film that spoke about dreaming big, but the difference is, the visionary trio crossed race and gender lines to achieve what’s seemingly impossible. The quintessential inspirational film that every person, young or old, should see. As some critics put it, it’s a cinematic nourishment for the soul.

6. La La Land (full review)

lalaland_still2

Ahhh, the critical darling of the year. It might’ve been around TIFF time last Fall when the buzz surrounds this modern musical started gaining steam. It never let up since that by the time I sat down to see it in mid December, I was a bit worried it won’t live up to such a potent hype. Well, thankfully it was indeed an enjoyable experience, with fun musical numbers, gorgeous cinematography and lively music. An unabashedly dreamy and stylish affair, I could see why it swept many off their feet. For me though, the romance wasn’t exactly swoon-worthy, but it’s the ‘fools who dream’ theme that resonated with me emotionally. It’s that key audition scene performed wonderfully by Emma Stone that I remember most about this film, the one that got me bawling as I felt as if the movie was speaking to me directly.

5. Zootopia (full review)

Zootopia_judyhopps

In a year full of animated features, Zootopia is the only one that deserves to be on my top 10 list (note: I haven’t seen MOANA yet). Disney is sort of catching up to Pixar in terms of storytelling. Its themes of overcoming prejudices feels as timely as ever, whilst still being an enjoyable ride from start to finish. I also love the fact that Zootopia is NOT an animated musical that occasionally burst into songs. The plot is more of an action mystery thriller that is as clever and quick-witted as the smart rabbit Judy Hopps, the movie’s adorable protagonist. It’s also chockfull of wonderful characters that are easy to root for, which made for a fun, enjoyable ride of a movie that’s also smart AND has a big heart. I always appreciate animated features that can cater to adults as well as kids, and Zootopia is certainly a great example of that.

4. Loving (full review)

loving

There are few films that came out in 2016 that couldn’t have been more timely. One is my number 7 pick, and the other is this one. Unlike the more sensational Birth Of A Nation, which was plagued by rape allegations of its creator and star), the beauty of Loving is how personal it feels. It doesn’t come across as a ‘film with a message’, though it certainly contains a stinging commentary of race in America. The story is even more powerful because filmmaker Jeff Nichols focuses on the journey of Richard and Mildred Loving, instead of being concerned about making a political statement. Ruth Negga and Joel Edgerton portrayed the Lovings with such quiet grace and sincerity. Theirs is a story that must be told, and the script, direction and performance all work beautifully to bring that to life.

3. Arrival (full review)

arrival_amyadams

Jeff Nichols and Denis Villeneuve are two emerging filmmakers in the past decade who have continually churned out excellent work. So it’s no surprise their latest work end up on my top 10 list. With any great science-fiction, the best ones are those that remind us of our humanity, and that is the case with Arrival. It’s rare to see a film that treads a familiar ground, aliens visiting earth, yet still manages to be original and truly thought-provoking. The linguistic aspect is something I haven’t seen before in a sci-fi movie, and it’s even more compelling when the core of the story is a deeply personal one. Amy Adams ought to have swept every award this year, I think she deserved it more than Emma Stone in La La Land. Her quiet yet affecting performance is superb here, she is truly the heart and soul of the film. The contemplative nature of the film is far from boring, in fact it makes it even more haunting and enigmatic. It won’t be a hyperbole to call it one of the best sci-fi dramas ever produced, and I think it will stand the test of time.

2. Hunt For the Wilderpeople (full review)

wilderpeople_neill_dennison

One of the biggest travesties of this year’s Golden Globes, and there are many, is that this film was NOT nominated in the Best Comedy/Musical category. Boy, I’d be hard pressed to find a funnier film than this one, made by yet another emerging filmmaker who’s a force to be reckoned with. Written and directed by Taika Waititi, it’s a riotous adventure movie I could watch over and over. Pairing a veteran actor, Sam Neill, with 13-year-old newcomer Julian Dennison made for a brilliant duo, I’d welcome a sequel with those two in another zany journey through New Zealand wilderness! It’s uproariously funny but also has a huge heart, not relying on crude gags masquerading as *comedy* Hollywood churn out these days. This is the only one of two films I gave a 5/5 rating this year, and it’s destined to be a comedy classic.

1. Moonlight (full review)

moonlight_chironjuanswim

This is the second movie of 2016 that I gave a full 5/5 rating to. A poignant coming-of-age story of a young boy living struggling with his identity and sexuality, this film is masterfully-directed by Barry Jenkins. I have no qualms calling it a masterpiece, considering the challenge of using three actors to portray a single character, Chiron, in three different stages of his life. The transition between the three time periods is handled well, it never feels abrupt or jarring. The combination of newbie actors and established ones make up one of the strongest ensemble cast of the year, led by the charismatic Mahershala Ali. 

Few films hit me as hard as Moonlight did. I was so emotionally-invested in Chiron and I often have tears in my eyes when I think about his arduous life journey. The films also deftly broke stereotypes, challenging our perceptions of what we think of masculinity, especially amongst the Black community. I was also in awe by the poignant, elegant and graceful storytelling style of a subject matter rarely depicted on screen. A triumphant film through and through.


HONORABLE MENTIONS:

Pretty much every movie that made my BEST list of the first half of 2016 would count as honorable mentions. So combined with those that were released in the latter half of the year, here are the 20 films released last year that I was impressed with (in alphabetical order):

  1. Anthropoid
  2. A Bigger Splash
  3. Blood Stripe
  4. Captain America: Civil War
  5. Deadpool
  6. The Eagle Huntress (doc)
  7. Equity
  8. The Fencer
  9. The Jungle Book
  10. Lion
  11. The Magnificent Seven
  12. Midnight Special
  13. Pete’s Dragon
  14. Pride + Prejudice + Zombies
  15. Prison Dogs (doc)
  16. Queen of Katwe
  17. Rogue One: A Star Wars Story
  18. The Shallows
  19. Sing Street
  20. Sully

What I missed in 2016

There are still some highly-rated films that came out last year that I haven’t seen, yet… Elle, Manchester By The Sea, Fences, Jackie, Kubo and the Two Strings, 20th Century Women, Neruda, Silence, amongst others.


So that’s my BEST list of 2016. Thoughts on my picks here? I’d be happy to discuss ’em with you 😀

///

FlixChatter Review: ARRIVAL (2016)

arrivalbanner

Sci-fi films involving aliens coming to earth is a dime a dozen. So it’s so refreshing to see a film that treads a familiar ground, yet still manages to be original and truly thought-provoking. Based on the short story Story of Your Life by Ted Chiang, the premise of ARRIVAL is deceptively simple. One day, twelve alien ships land all over earth, one of them in is Montana, USA. Linguist Louise Banks (Amy Adams) was teaching at her college when the world came to a standstill watching the breaking news reporting the aliens arrival. Soon Louise is recruited by the military to assist in translating alien communications.

The linguistic aspect is something I haven’t seen before in a sci-fi movie, or not one I remember well anyway. Apparently director Denis Villeneuve and screenwriter Eric Heisserer created a fully functioning, visual, alien language, which is utterly fascinating to see on film. It looks like a circular thing made out of black ink called the logograms. The alien creatures (which they dubbed ‘heptapods’) have a squid-like form with tentacles that they use to ‘write’ these logograms onto a frosty glass wall that separate them from the humans when they visit their spaceship. There’s quite a suspense the first time we saw these heptapods, but as the film progresses, it’s apparent that this film is so much more than an alien movie or stories about aliens. With any great science-fiction, the best ones are those that remind us of our humanity, and that is the case with Arrival.

arrival_amyadams

The story also deals with the notion of time, which I can’t quite begin to explain. I have to admit it took me a while to grasp just what is going on, as Louise’s time decoding the alien language is interspersed with remembrance of Louise’s daughter. To say more about this might get into spoiler territory, but let’s just say that the mother/daughter story is an emotional one. By the end of the film, we’re not asking so much about how and why the aliens got to earth, but it makes us ponder about love, loss, and the ‘choices’ that we make in life.

arrival_logograms

Amy Adams‘ quiet yet affecting performance is superb here, she is truly the heart and soul of the film. I have seen quite a few of her stellar work and this could be her best performance yet. Perhaps 2017 would be the year the 5-time Academy Award nominee is finally a ‘bride’ instead of the the ‘bridesmaids’ at the Oscar. Jeremy Renner gives a strong supporting performance here as the mathematician partner of Louise, he has a pretty effortless chemistry with Adams and was quite the comic relief in some scenes. I thought the Abbott and Costello reference was quite a hoot. Unfortunately Forest Whitaker isn’t given that much to do in this film, neither is Michael Stuhlbarg.

arrival_cast

I have to say that people who have little patience for slow-paced films could be potentially frustrating. In fact, the guy next to me actually dozed off and snored loudly after about a half hour, it’s too bad as he missed out on the best parts of the film. For me, it’s such a treat to see a visceral and emotionally-complex film, especially with a female protagonist at the center, so I was engrossed from start to finish. The eerie music by Jóhann Jóhannsson adds a creepy and mysterious feel to the film, it’s deliberately somber yet enigmatic. I still prefer Jóhannsson’s work in Sicario but this one is certainly excellent in its own right.

arrival_renner_adams

Québec-based filmmaker Denis Villeneuve is one of the few emerging directors (like Jeff Nichols, Taika Waititi) whose work have continued to impress me. I love his emphasis on character development instead of wham-bam action. The use of special effects here is utterly fascinating, especially in the design of the alien spaceships and the otherwordly logograms language and how they’re transmitted. I’m now even more psyched about Blade Runner 2 just on account of having Villeneuve at the helm.

Arrival is one of those films that will stay with you long after the end credits, and that’s always a good sign. It certainly has a haunting quality that is always a positive thing in my book. Whether or not this will be a sci-fi classic remains to be seen, but without a doubt this is one of the best films of the year.

4halfReels


What are your thoughts on ARRIVAL?

FlixChatter Review: SICARIO (2015)

SicarioPoster

Director Denis Villeneuve loves to make films about dark subjects, in his latest one he decides to tackle the dark world of war on drugs here in United States.

After a raid that’s gone terribly wrong on a home that belongs to a very powerful drug cartel, young FBI agent Kate Macer (Emily Blunt) decides to volunteer to be part of a secret mission that’s being lead by a mysterious agent named Matt Graver (Josh Brolin). She’s on a need-to-know basis on this mission, she also meets another mysterious agent named Alejandro (Benicio Del Toro); who tells her that they’re going to find the biggest drug dealer in the world and take him down. Their first task was to transfer a prisoner from Mexico back to the States but some thugs decided to attempt the break the prisoner free.

Sicario_Cast

This lead to a shootout that killed all of the thugs in the middle of the highway and Macer was not too happy about it. She’s a by the book type of an agent and thought what happened during the shootout was illegal. But both Graver and Alejandro told her this is how it’s done in the real world and she has to deal with it. As the movie progresses, Macer starts to wonder if she’s in over her head and not sure if she could trust either of the men she thought had her back.

Sicario_EmilyBlunt

I can’t say that I’m a fan of Emily Blunt since I haven’t seen many of her work. But she’s very good here as the ambitious young agent who thinks she can make a difference. Basically she represents us the audience, she’s seeing this ugly world of drug war for the first time, there are no rules and innocent people gets kill in the middle of it. Brolin is his usual self; he’s a mysterious character that you don’t really know which side he’s on. Del Toro on the other hand, really shines in this movie. His character is a cross between James Bond and Anton Chigurh from No Country For Old Men. He’s a cold blooded killer that can’t stop, but there’s a reason behind his madness.

Sicario_Benicio

Director Denis Villeneuve did a great job of setting up the tension of every intense scenes but chose not to show the graphic violence you’d expect in this kind of film. The script by Taylor Sheridan is very well-written and full of twists and turns. For example, there’s a potential love story that I thought would derail the movie but then it turned ugly real fast. You think you figured something out, but he threw a curve ball at you.

Last but certainly not least is Roger Deakins‘ excellent cinematography, just like his other famous work, the shots in this film were all jaw dropping. There were a lot of wide shots of landscape and city that you have to see on the big screen to appreciate his beautiful work; maybe the Oscar voters will finally give him the golden statue this year.

With great performances, tight direction, well-written script and superlative cinematography, this is one of the year’s best films and I can’t wait to see it again. It’s very highly recommended.

4halfReels

TedS_post


So have you seen SICARIO? Well, what did you think?

FlixChatter Review: PRISONERS

TedSaydalavongBanner
Prisoners_bnr

When I first saw the trailer of Prisoners, I thought it looked like a made for TV movie that you’d see on TNT or some cable network. So I didn’t really have much interest in seeing it on the big screen, well after reading several high praised reviews online, I changed my mind.

The movie starts out with hunting trip between a father Keller and his son, Keller and Ralph Dover (played by Hugh Jackman and Dylan Minnette respectively). They caught a deer and drove home, during the ride back, Dover gave a speech to his son about survival of the fittest and such. Basically the filmmakers wanted us to know that this is a tough guy who worked very hard for everything he has gotten in his life and for his family. Also, he’s God fearing, a true patriot and a bit of a paranoia. Later, his whole family, including his wife Grace (Maria Bello) and young daughter Anna (Erin Gerasimovich) walked over to their friends and neighbors’ home for a Thanksgiving dinner. Here we’re introduced to their friends Franklin and Nancy Birch (Terrence Howard and Voila Davis), they too have two young kids.

While the parents were prepping dinner, the kids went outside and walked around the neighborhood. They came upon a suspicious looking RV, the two young girls wanted to play with it but the older kids told them not to go near it since they heard someone’s voice inside. Later after dinner, the two young girls wanted to go back to the Dovers’ home and pick up a toy, their parents told them they need to get the older kids to walk back with them. The girls said yes and left the room. Minutes later the parents couldn’t find their young ones and went down to the basement to ask the older kids where their sisters are? They said they haven’t seen them since dinner. Of course everyone got panicked and eventually they called the police.

Prisoners_Stills1

We then were introduced to Detective Loki (Jake Gyllenhaal), who’s having dinner alone at a Chinese restaurant and tried unsuccessfully to hit on the waitress there. He got a call from his boss about the missing girls and was told about the RV. The police patrol men were able to find the RV and Loki arrived at the location and arrest the driver, a simple minded looking young man Alex Jones, played wonderfully by Paul Dano. Loki questioned Jones for hours but he refuses to tell him anything. Also, the forensic team couldn’t find any traces of the girls in Jones’ RV. So of course without any evidence to keep him, the police eventually have to let him go free. Dover heard the news that the police was going to let Jones go and decided to confront Jones while he’s leaving the police station with his aunt Holly (Melissa Leo). Upon the confrontation Jones mumbled something to Dover and he’s convinced that Jones is the person who took his daughter and her friend. I think people already know what happens after that since the trailer pretty much gave it away, so I won’t go much deeper into the plot. And to be clear, I’ve only described the first 30 minutes of the film, it’s two and a half hours long, I think you should go see it with as little knowledge as possible.

I mentioned earlier that the movie feels like a made for TV movie and I still believe that it is. But since it’s made for the big screen, the scope is much larger and with the great cinematographer Roger Deakins behind the cameras, the movie looks great. Deakins was able to the capture the dark and gritty feel that fits the tone of the movie. He was able to somehow made the usual boring American suburb neighborhood into a very creepy place, kind of reminded me of David Lynch’s Blue Velvet. Kudos also goes to Denis Villeneuve‘s direction, I’ve never seen any of his other films until this one and he did a good job of creating tensions and excitement. There were talks about how dark and violent the movie was, well I didn’t think it was that bad. Yes there were some intense moments but they didn’t show much, which is good. I thought it’s pretty tame compare to some other films in this genre, such Se7en or Silence of the Lambs.

Prisoners_Stills2

As for the script, it’s the usual by-the-book whodunit thriller and if you’re paying attention, you’ll able to figure who did it early on, but you’ll still enjoy the ride even though you won’t be surprise by it. There’s no M. Night’s “twist” ending here if you’re expecting that kind of thing.

Despite it being promoted it as a Hugh Jackman‘s vehicle, the main the protagonist’s actually Jake Gyllenhaal‘s character. I thought Gyllenhaal was serviceable as the lead detective but somehow I can’t buy him playing that role. I think I would prefer maybe an older or some not-so-well-known actor playing this role. Same goes with Jackman’s character, he really poured his heart and soul into the role but I still kept thinking of him as The Wolverine every time he got angry. When he started screaming, I expected to see those claws to come out. Again, maybe with a less-known actor who hasn’t played a superhero, he might work better as the hard working all-American suburban dad. As for the supporting cast members, Howard and Davis got their fair shares of screen time and they did a good job with their respective roles. Maria Bello unfortunately was relegated to just being the worried mother and didn’t have much to do. I thought Paul Dano was excellent as the main suspect, he didn’t have many lines in the movie but what he did with his eyes and body fit quite well of the kind of perverts and child molesters you see on TV.

My biggest gripe with the movie is the running time. I know they wanted to give all the famous actors some screen time but at two-and-a-half hours long, that’s way too much for this kind of movie. They could’ve cut out a couple of unnecessary scenes and made the movie a bit tighter. Despite the long run-time and the miscasting of the main leads, I still thought the movie was a very good suspense thriller. If you enjoyed movies like Mystic River, Gone Baby Gone or Zodiac, then I’m pretty sure you’ll like this one.

Just a warning for parents out there, you might not want to take your young kids to see it, they might get nightmares. At the screening I went, some parents brought their kids to the movie, I just went “WTF!”, did they think it’s a kind of movie their children would enjoy!? Seriously, what the heck is wrong with some of these parents?

Three and a half stars out of Five
3.5 out of 5 reels


TedS_post


What are your thoughts of this film? Let’s hear it!