FlixChatter Review: The Green Knight (2021)

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The Arthurian legends has existed for thousands of years, yet its timeless tale still inspires contemporary storytellers to this very day. There have been plenty of interpretation/retelling and the most recent one I watched was the Netflix TV series Cursed (sadly the show isn’t renewed for another season), which focuses on a teenage sorceress who encounters more well-known characters from the legend on her journey, such as Arthur himself, wizard Merlin and knight Lancelot. This time, writer/director David Lowery focuses on a lesser-known character, Sir Gawain. 

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One of the main reasons this new retelling appeals to me is the casting of Dev Patel as Gawain, as I’ve talked about in this post and its follow-up. Right from its opening scene it’s apparent this wouldn’t be your typical Arthurian adaptation. It’s a wide shot of Gawain wearing a crown, sitting on a throne in an empty hall holding a scepter… as the camera zooms in closer to him, his crown is on fire and then his head suddenly burst into flames.

We’re so used to seeing knights as being galant, chivalrous and basically all heroic, but here we see young, disheveled Gawain as anything but. Granted he’s not a knight yet at this point, but even as a regular guy you could say he’s pretty unambitious lazy. We first see him awaken inside a brothel on Christmas day, preferring to stay in bed with his lover Essel than attend mass, much to the chagrin of his mother (Sarita Choudhury). Now, Gawain himself is quite aware he’s no hero. When he’s later summoned by his uncle King Arthur (Sean Harris) and he asks him to tell him a story, he replied that he has none to tell. ‘Yet,’ said sympathetic Queen Guinevere (Kate Dickie) who somehow believes in this young man, perhaps more so than Gawain believes in himself.

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But soon his chance to prove himself comes soon enough during a feast at the Round Table with the visit from the mysterious Green Knight. He challenges the king and his knights to a morbid ‘game’ that involves beheading his head to win his magical green axe. The catch is they must travel to the Green Chapel the following Christmas to accept the same blow in return. Gawain ends up taking up the challenge and the film follows the one-year journey to meet his fate. I thought it’s interesting that Lowery actually uses title cards to break some of the eventful moments during the journey, perhaps an homage to how books are broken down in chapters. 

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The film sure isn’t lacking in style and visual panache. Lowery decidedly makes a visual poetry with imaginative camera work, atmospheric tone and gorgeous production design + costumes. DP Andrew Droz Palermo would likely nabs a bunch of awards for his tremendous cinematography here. I always appreciate films that feels authentic and filming on location in Ireland certainly gives that gritty vibe. Now I have mixed feelings about the sound design and score by Daniel Hart though. It does have a haunting quality and fits the tone and visual style really well, but the string-heavy score gets pretty aggravating by the end.

The look of the ginormous green knight himself in particular is really striking and he’s made quite an entrance–and exit–while carrying his own head as he rides his horse. I have to say though, I wish the film weren’t SO dark, though obviously using mostly natural light inside those Medieval castle naturally makes everything look dim and shadowy. For some reason the showing at the local EMAGINE theater I was in was SO dark I could barely make out the details. 

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Yet there’s something magnetic about The Green Knight that keeps me engaged despite some of the baffling scenes (what’s with those naked female giants??) and snail-like pacing. Ironic that the title cards say ‘A Too Quick Year’ as things move pretty slowly, as if we need to ‘earn’ the moral lessons of the story as Gawain does with his quest. It’s truly a testament to Lowery’s unconventional approach to the material and the actors’ performance that I wasn’t bored with it. I read that he added plenty of VFX shots and re-edited the film during pandemic delays, so I’m curious how different the original version was to this final cut. I’m not too familiar with his filmography, but judging from his work here, he’s definitely a talented director with a bold vision and unique style. I wouldn’t call him a visionary yet, I’d need to see more of his work first. The only one I’ve seen is Pete’s Dragon though now I’m curious to check out A Ghost Story which perhaps is most similar in terms of tone to this one.

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The casting is great all around. I’ve mentioned Dev Patel and he just gets better and better since the first time I saw him in Slumdog Millionaire. This isn’t the first time Patel tackles a British literature hero normally reserved for White Anglo-Saxon actors (he’s fantastic as David Copperfield) and I sure hope it isn’t the last. He’s got the charisma and range to believably depict Gawain’s various persona in the film–reckless, vulnerable, callous, etc. He’s also got that inherent likability that makes us root for him despite his vice.

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In the supporting roles, Alicia Vikander is captivating in a dual role as Essel and Lady Bertilak. Her speech concerning what the color green epitomizes, that it’s the color of nature and life as well as rotten things/vomit and death, is one of my favorite scenes in the film. The set up of that scene is wonderful and you just can’t take your eyes off her. There’s also a sexually-charged scene between her and Patel that truly relies on the actors’ expression where things are implied rather than shown. Joel Edgerton as the Lord Bertilak is terrific as well in his brief scene, but I don’t think I’ve ever seen the Aussie actor gives a bad performance. Erin Kellyman also has a memorable scene as St. Winifred in the spookiest part of Gawain’s journey. Last but not least, Ralph Ineson is pretty wild in the title role. His gravely voice is perfect for the role and under those heavy layers of costume prosthetics, the character is immediately intimidating. Oh, lest not forget the orange Fox who accompanies Gawain for part of his journey, the furry animal has some pretty memorable moments!

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I think whether or not you enjoy The Green Knight likely depends on how familiar one is with the source material. I wish I were as well-versed on it, as I decided to read up on and watch on it after the movie. There are definitely plenty of life lessons to unpack from all the metaphors, symbolism and visual poetry presented here. The ending is open to interpretation, but you could say it’s a coming-of-age of sort as Gawain is forced to ‘grow up’ by the end of his journey and learn his lessons about honor, chivalry, etc. and what it means to be a true knight.

Overall I think I appreciate this movie but it didn’t cast a magical spell on me the way some major critics has described. Perhaps the overly-dark visuals might’ve dampened my enjoyment, it also doesn’t help that the theater was SO cold I had to run to my car quick to grab a blanket, something I’ve NEVER done before. That said, I’m still glad I saw it on the big screen and highly recommend this to anyone looking for something off-the-beaten-path from the typical Hollywood offerings. The distinctive visuals alone is well worth a watch, though hopefully you find a cinema where the showing isn’t overly dark. I definitely want to revisit this film once it’s available on streaming.

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Have you seen THE GREEN KNIGHT? I’d love to hear what you think!

A24 presents – Legends Never Die: An Oral History of The Green Knight

I’ve been anticipating this movie for over a year now! I first blogged about The Green Knight in February 2020, but of course it’s delayed because of Covid. Well now the wait is nearly over! From director David Lowery and starring Dev Patel, Alicia Vikander, and Joel Edgerton, this medieval fantasy opens ONLY in theaters on July 30!

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A24 just released this fascinating and helpful video in anticipation of its release. Narrated by Ralph Ineson (who plays the title role in the movie), it’s a crash course on the 14th century epic poem that inspired the upcoming film. Whether you’re an Arthurian expert or a little green, it’s worth a watch.

Here’s the synopsis again:

An epic fantasy adventure based on the timeless Arthurian legend, THE GREEN KNIGHT tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.

Check out these new stills from the film:

Per the film’s press notes, this is not the knight of knights of the epic poem. “My Gawain is someone who is not terrible—he’s no wretched scum—but he isn’t the best version of himself he could be,” says Lowery. “I love protagonists who come to realize the ways in which they are flawed.” [Lowery] also wanted the character to resonate with today’s interrogation of modern masculinity. “Issues of masculinity are front and center in modern discourse and it’s caused many of us to look at ourselves under a microscope and ponder where we might have lost our way, overlooked things, or done wrong,” says Lowery.

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After considering dozens of male leads, Lowery met with Dev Patel (The Personal History of David Copperfield, Slumdog Millionaire), an actor known for his winsome, irrepressible and upbeat characters, typically rife with gangly charm. Lowery’s early drafts of the script featured a protagonist that was on the verge of being irredeemable, and while Patel loved his take on the medieval classic, he wanted a glimmer of redemption in the protagonist, in keeping with his body of work.

“Dev had some really wonderful notes on the script, and I tweaked the story accordingly,” says Lowery. Adds Patel: “Gawain is sort of this spoiled brat, and I told David before I signed on that if we’re going to go on this extraordinary journey with him—amid sparse dialogue and many instances of questionable behavior—there has to be something that makes you root for him through this adversity.”


I’m so thrilled to see Dev as Gawain and it’s definitely not the first time he’s tackled a role normally reserved for Caucasian actors. His casting just makes me even more excited to watch this Arthurian legend adaptation, and the fact that it’s a lesser known Arthurian stories compared to Lancelot and Guinevere, the wizard Merlin, etc. makes it even more fascinating!


Are you looking forward to seeing THE GREEN KNIGHT?

New Teaser + Poster Spotlight: A24’s The Green Knight

It’s not every week I do a post about an upcoming movie. But hey, after Oscars wrapped this past weekend, I’m just looking forward what’s in store this year. I had never even heard of this movie before, but when I saw this provocative poster came across my Insta, courtesy of A24, I knew I had to post about it!

It’s funny that I actually just talked about Dev Patel w/ a fellow blogger Brittany from Rambling Film blog and that we’re both crushing on him right now 😉 How awesome to see that he’s actually the leading man of this movie, in a Medieval fantasy no less!

Here’s the premise, thanks to Paste Magazine:

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.

Behold the new trailer!

Glad I read a little bit about the story of the poem it’s based on, Sir Gawain and the Green Knight, whose original writer is unknown. Sir Gawain is a knight of King Arthur’s Round Table, and of course King Arthur is an extremely popular literary subject that’s been adapted countless times on film and other forms of media. Right away it gives me a bit of Game of Thrones meets Tarsem’s Immortals vibe. The fact that it’s A24 developing it makes me extra excited for it… it looks ominous + mysterious, and a foreboding score. Not sure if it’s going to get an R rating, but looks like it’s likely pretty violent. Now, if only we can have Sean Harris play a mute for once? Sorry but I can’t stand his hoarse voice, ugh!


As I mentioned, I love Dev Patel’s casting, who over the years has proven himself to be a versatile actor who can play virtually any role. He isn’t the first actor I’d imagine to play a heroic Medieval knight, but why shouldn’t he be? I love how many theaters in the Twin Cities have incorporated many actors of colors in many literary classic adaptations of Shakespeare and Jane Austen, so why can’t they do the same in films and tv works? The important part is the actor captures the ‘essence’ of the character. Most recently Patel also played a famous literary character by Charles Dickens in The Personal History of David Copperfield.

The rest of the cast includes Alicia Vikander (Lady Bertilak) and Joel Edgerton (Lord Bertilak), as well as Barry Keoghan, Sean Harris, Kate Dickie, and Ralph Ineson. As for the filmmaker, I’ve only seen Pete’s Dragon (which I love) by David Lowery, but his most recent film The Old Man & the Gun starring Robert Redford is highly acclaimed by critics.

I’m glad I’ll be seeing more of Patel this Spring. The the David Copperfield movie is to be released on May 8 and per IMDb, The Green Knight is released on May 29.


What do you think of THE GREEN KNIGHT?

FlixChatter Review: The Light Between Oceans (2016)

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I have to admit I’m a bit of a sucker for romantic dramas. Not rom-coms, but a genuine heart-wrenching love story that’ll get me to cry my eyes out. Well, this film certainly fits into that category. Based on an Australian novel of the same name by M. L. Stedman, we’re first introduced to Tom Sherbourne, a World War I veteran. He resorts to taking a lonely job as a lighthouse keeper as he wants to be as far away from people as possible. He then meets a beautiful young girl Isabel Graysmark who’s drawn by his stoic, resigned demeanor. A courtship by correspondence slowly defrosts Tom’s heart and the two did get married. Off they go to live together in Janus Rock, a secluded island off the coast of Western Australia.

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The film takes a good sweet time to introduce us to Tom (a taciturn, reflective Michael Fassbender) and Isabel (the lovely Alicia Vikander). There’s a compelling realism to how their relationship and perhaps the fact that the two actors fell in love on set made their chemistry even more believable. But Tom and Isabel’s seemingly blissful union doesn’t last long. They’re driven to the point of despair after Isabel’s miscarriages, happening one after another. The two main actors convey the heartbreak believably, especially Isabel who was such a innocent, happy-go-lucky sweet girl when she first met Tom. Filmmaker Derek Cianfrance seems to have set up the long buildup to illustrate the mental state of the characters and so even though it was a s-l-o-w process, it didn’t feel tedious, at least to me.

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There’s something so ethereal yet mysterious about the setting at Janus Rock, the long lingering shots of the ocean and those big waves hit the rocks seem to hint of something ominous that’s about to happen. Sure enough, one day a rowboat carrying a baby and a lifeless man is adrift. Isabel sees it as a gift to their family, that the baby is hers to keep. Tom on the other hand, feels compelled to do the right thing. The moment the two contemplate this decision is quite heart-wrenching to behold. You know these characters are making a terrible decision that will haunt them in the end. At times I sympathize with them given what they’ve gone through, but towards the end it was quite frustrating.

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The emotional wallop and melodrama seems to be too much for some critics, the Rotten Tomatoes consensus says that it ‘… ultimately tugs on the heartstrings too often to be effective.’ I remember thinking that as I left the theater, that perhaps the film is a tad overly-manipulative, what with the decidedly somber scenery, sad faces and sad music. It made me recall a line from a Scottish rom-com where the protagonist is prone to ‘worshipping her own pain.’ I think you could say that about this film and the fact that there’s very little humor throughout, it can be overwhelming. I also feel that the scenes with the little girl seems rather trite as it didn’t feel true to me.

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That said, I actually think the film is made with care and the actors are committed to their roles. I also have to mention Rachel Weisz here, who appears midway through the film in a key role. This is the first Cianfrance film I’ve seen so far, but this isn’t the first time he deals with films about intense heartbreak (i.e. Blue Valentine). I can’t form an opinion yet about his skills as a filmmaker, but I think a bit less indulgence would do this film some good. At 2 hrs 13 minutes, the film drags quite a bit and trying your patience even those who are invested in the story. I think even if you’re a fan of Fassbender or Vikander, you might just wait to rent this later. One thing for sure, I’m even more impressed with the skills of the two actors and their performance made this film well worth my time.

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Have you seen ‘The Light Between Oceans’? Well what did you think?

FlixChatter Review: Jason Bourne (2016)

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As a fan of the Bourne trilogy, I was dismayed when in 2012, Universal went ahead with the sequel (Bourne Legacy) without Matt Damon. That fact perhaps made me more excited to see Damon teamed up again with director Paul Greengrass for a fifth (well, technically fourth) entry. I guess it’s inevitable that a franchise as lucrative as Bourne will keep on going and going like the Energizer bunny, it’s essentially the American version of James Bond.

This movie starts out about eight years after the events that took place in Bourne Ultimatum, where Bourne exposed CIA’s covert ops Blackfriar. As a result he’s been hiding out in Greece, and apparently does bare-knuckle boxing in his spare time. Whilst the previous three films followed Bourne on a journey to find out who he really is, this time around he’s aware of his identity. He knows his real name is David Webb and became the lethal assassin that is Jason Bourne when he joined Treadstone. But of course there are new revelations about his past that the CIA’s been keeping from him, and later we find out the matter is quite a personal one.
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Intense secrecy and not knowing who to trust is at the heart of any spy thriller and that’s the case here. There are obvious antagonists, CIA director Robert Dewey (Tommy Lee Jones) and his henchman known only as The Asset (Vincent Cassel), but there’s Heather Lee (Alicia Vikander) who heads the Cyber Ops Division who’s sort of in the gray area. On Bourne side is his longtime ally Nicky Parsons (Julia Stiles), who risks herself retrieving classified files about Bourne’s late father.

Now, one major beef I have with this movie is how they handled Nicky. I feel that for someone who’s been with the franchise for that long, the writers (Greengrass & Christopher Rouse) should’ve given her a much better character arc. Heck, I’d love to see just a bit of background to her character that would at least explain why she’s loyal to Bourne. I mean, they did so with The Asset, which explains his personal vendetta against Bourne. At the very least, why not give her the same courtesy?

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But what I did like is that like in previous films, Bourne is given an adversary worthy of his prowess. Jones’ Dewey is ruthless in his pursuit to eliminate him and Cassel is one menacing guy who makes The Asset a formidable foe for Bourne. Dewey’s ruthlessness isn’t just concerning Bourne, but the fact that he’s willing to sacrifice his own people, as well as civilians at large, in order to fulfill his purposes. The film also delves into the state of current tech and geopolitical climate and woven it into the plot. Things like privacy, hacking, the political instability in Greece, etc. are certainly timely things we deal with in our world today. So the subplot involving a social media program called Deep Dream is pretty relevant, and British actor Riz Ahmed is quite memorable here playing its founder.

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The movie is basically a giant chase scene. There’s not much breathing room because of the way Greengrass shot every scene. Even the mundane office scenes are shot in a frenetic style with hand-held camera that gave me a bit of a headache at first. But thankfully after a while I was able to overcome it and it didn’t bother me as much, though I still think it’s a bit excessive.

Going into a Bourne movie, of course you expect a ton of exhilarating action sequences, and this movie delivered! The motorcycle scene through narrow streets, scaling up and down steps through a Greek city gives you such a huge adrenaline rush. But that’s nothing compared to the crazy car chase in the Vegas strip involving a SWAT truck plowing through a bunch of cars. It certainly isn’t aiming for realism, but boy was it fun! Apparently the sequence took five weeks to shoot and ended up wrecking 170 cars.

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Those wanting to see hand-to-hand combat won’t be disappointed though. There’s an extended scene of Bourne vs. The Asset that’s pretty darn intense. I noticed there’s no music going on during that scene, only the sound of bone crunching and flesh tearing to enhance the impact. Damon’s definitely still got it, Bourne is certainly one of my favorite roles of his. At 45 he’s looking more grizzled with bags under his eyes, but he pulls off the physically-demanding role once again. But of course like Bond, Bourne’s got stamina of super-heroic proportion and seems to be impervious to pain.

The finale suggests the strained relationship between Bourne & the Agency remains unchanged. Of course there wouldn’t be a Bourne franchise if the hero’s suddenly in good terms with a big, powerful organization notorious for overreaching its boundaries. Vikander acquits herself well here as the new face who might be present in future installments, and I have no problem with that.

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I think there’s nostalgic elements here that affect my enjoyment. I love that the Moby song Extreme Ways is still used, it’s certainly the defining theme for the franchise. On the whole I think Jason Bourne is on par with the trilogy even if it isn’t as impactful. It could be because the mystery surrounding his identity is no longer there, which was the secret ingredient that makes Bourne’s journey so intriguing. That said, it’s certainly still an enjoyable action thriller because I’m a big fan of this character and Damon playing him. Unlike Bond though, it remains to be seen if this franchise can have as much longevity without Greengrass and Damon.

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Have you seen ‘Jason Bourne’? I’d love to hear what you think!

My 2016 Oscar recap… in tweets, gifs and clips

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Ahhh the morning after… So did you see the telecast last night? I went downstairs to my entertainment room at 6:30 and was hoping the whole thing would just start at 7pm, but heh of course we had to get through all the red carpet stuff first. Someone tweeted that the Oscars is really just a whole bunch of commercials interrupted by an award show, heh isn’t that the truth!

Anyway, it must’ve been quite a whirlwind night for these four acting winners.

poses in the press room during the 88th Annual Academy Awards at Loews Hollywood Hotel on February 28, 2016 in Hollywood, California.
Photo courtesy of ABC.com

I did live tweet last night, but honestly I just didn’t have the energy (nor desire) to do a full writeup as I usually do, so I figure why not just do it w/ social media?

Red Carpet Stuff






The monologue & things…

For the most part I enjoyed the telecast, despite being so award fatigue by now. I have to say I was most curious to see how Chris Rock would fare as host. Well, I kind of have mixed feelings about it, though I did laugh at his no-holds-barred approach to the whole #OscarsSoWhite issue.

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Right away he addressed the massive elephant in the room full of industry folks…

“You realize if they nominated hosts, I wouldn’t even get this job! You’d all be watching Neil Patrick Harris right now.” 

In response to those who called for him to quit the hosting gig…

I thought about quitting. I thought about it really hard. But I realized they’re gonna have the Oscars anyway. They’re not gonna cancel the Oscars because I quit. And the last thing I need is to to lose another job to Kevin Hart, okay?”

He didn’t just roast The Academy and Hollywood however, he took some jabs at his own Black peers which I thought was hilarious!

“Everybody went mad [this year] … Jada [Pinkett Smith] got mad. Jada said she’s not coming. Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties. I wasn’t invited.”

“I understand you’re mad. I’m not hating. … Jada’s mad her man Will [Smith] was not nominated for Concussion. I get it … It’s not fair that Will was this good and didn’t get nominated. You’re right. It’s also not fair that Will was paid $20 million for Wild Wild West, okay?”

Double ouch! It didn’t stop there for Jada and Will as later on there’s a whole segment about Black History Month and it’s as if Angela Bassett was talking about Will Smith, but it turns out the person the Academy was honoring was Jack Black. ha!


I gotta say that the skit spoofing how hard it is for black actors to land a role in white Hollywood had me in stitches! Especially this one w/ Tracy Morgan spoofing The Danish Girl. Even Eddie Redmayne was laughing when the camera panned to him.


But the most discombobulating and cringe-worthy moment of the night goes to:

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“I cannot wait to help my people out, Happy Black History Month!”

Rock introduced Stacey Dash, who’s known for her role in Clueless and is now a Fox News commentator, as the “new director” of the Academy’s “minority outreach program.”

Yes I knew about her controversial remark back in January when she declared that there should be no Black History Month or BET, but somehow the joke just didn’t jibe and it seems off the mark as most people are baffled by the appearance.

So what does Rock really think about Hollywood?

Is Hollywood racist? You’re damn right Hollywood is racist. But it’s not the racist you’ve grown accustomed to. Hollywood is sorority racist. It’s like, ‘We like you, Rhonda, but you’re not a Kappa.’”

Rock certainly didn’t shy away from tackling the race issue head on, though all of this diversity stuff seems to be more about black vs white, whilst there are a slew of other races under-represented in Hollywood… and of course it goes beyond race as women still don’t get anywhere close to the same opportunities as men.

I do hope that as much as it’s uncomfortable and perhaps annoying to some that this diversity issue keeps coming up, perhaps it’ll signal change in the ‘inclusion crisis’ (which is a more accurate term to describe this whole diversity issue) that started long before any Oscar ballot was cast.


Now about those awards…

If all you care about is the four main categories…


Best Original & Adapted Screenplay Awards

I had put these two down as the who WILL and SHOULD win the two writing awards, so yeah I’m happy w/ the results!


Not a fan of Ryan Gosling/Russell Crowe combo, but…


Ugh, Sam Smith is singing that awful Spectre song!


Alicia Vikander won Best Supporting Actress!


First of SIX awards for ‘Mad Max: Fury Road’

Best Costume Design

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In the end, ‘Fury Road’ won the 6 Oscars in these categories:

  1. Film Editing: Margaret Sixel
  2. Costume Design: Jenny Beavan
  3. Makeup: Lesley Vanderwalt, Elka Wardega and Damian Martin
  4. Sound Editing: Mark Mangini and David White
  5. Sound Mixing: Chris Jenkins, Gregg Rudloff and Ben Osmo
  6. Production design: Production design by Colin Gibson; set decoration by Lisa Thompson

This i09 article describes my sentiment perfectly…

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So… Best Cinematography went to Emmanuel Lubezki.
He’s won THREE years in a row. Poor Mr. Deakins.


Best Film Editing


Best Visual Effects


Best Animated Feature


Best Supporting Actor

Ok so I was rooting for Sly Stallone to win this but I can’t really be disappointed by Rylance win though, it’s not like he didn’t deserve it.


Best Documentary Feature

It goes to AMY. I haven’t seen it yet but Asif Kapadia did the excellent doc SENNA. I have only seen ONE from the five docs nominated!


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Best Presenter Duo of the Night

Beasts of No Nation‘s Abraham Attah and Room‘s Jacob Tremblay, hands down. Both delivered Oscar-worthy performances in their own right, too!

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Lady Gaga performed a powerful and emotional rendition of her Oscar-nominated song Til It Happen To You from the sexual assault documentary The Hunting Ground. It gives me goosebumps watching it and it deservedly received a standing ovation.


But WTF, it’s followed by one the most underserving wins of the night, ugh!

Best Original Song


Best Director

It went to Alejandro González Iñárritu once again [sigh] Soooo bummed for George Miller 😦

THIS.


Best Actress

I thought Brie looked radiant in a blue gown last night… and she gave a gracious speech, thanking everyone from her co-star Jacob Tremblay & boyfriend Alex Greenwald to the moviegoers who saw it.


Best Actor

So Leo DiCaprio finally catches a break! 😉


Best Picture


My Oscar predictions tally

Well, out of the 16 categories I predicted, I got 11 right, so not bad!

Of ALL of the categories I put down for SHOULD WIN, I’m most disappointed by George Miller losing and Roger Deakins losing yet again for the 13th time. Sheesh!!

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The legendary Mr. Deakins hard at work


Some of my fave gif-worthy moments of the night:

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Methinks Jacob Tremblay would like to be in the next Star Wars movie. How ’bout that Disney?

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LOVE that whole girl scout cookies thing, it always makes for some amusing gifs afterwards!

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LOVE Keaton’s performance in Spotlight, I suppose if Fury Road didn’t get it, I’m glad it went to this film!


That’s it folks, the culmination of Hollywood award season is now over… thank goodness!


So what did you think of last night’s ceremony? Glee, gladness & gripes? Let’s hear it!

Awards Season Chat – Musings on 2016 Golden Globes & SAG nominations

Well it’s been less than 48 hours since the SAG and Golden Globes nominations were announced so hopefully we can still chat about them, right? We’ve got about a month until the Oscars is announced on January 14th, so the awards season has officially commenced!

Golden Globes Awards

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I grabbed these list of noms from IMDb. They have a handy tab navigation on their site for each major awards, so you can check out the full list for both Golden Globes and SAG. In addition to my thoughts about the nominees—and of course the snubs—I thought I’d include my winner pick for each category, too.

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YAY for Mad Max: Fury Road, Spotlight AND The Martian, three of my favorite films that will surely end up in my top 10 of the year. I was hoping Brooklyn and 99 Homes would be among the nominees, but at least there are acting nominations for both.

My winner pick [DRAMA]: Mad Max: Fury Road

I really think it’s a modern masterpiece, a perfect balance of action and drama, and not only did it look spectacular on the big screen, it’s also immensely rewatchable! George Miller FTW!!

My winner pick [MUSICAL/COMEDY]: The Martian

It’s immensely entertaining but also has a heart-wrenching story. It’s no doubt one of the best films from Ridley Scott, with a terrific ensemble

By the time I got to Twitter in the afternoon, people were already chiming in on their thoughts on the noms and many were baffled by the inclusion of The Martian in a comedy category. But hey, considering its lighthearted tone despite the dire survival tale, not to mention those hilarious Disco music, I’m not surprised it’s categorized as a comedy. But then again, the categories made by the Hollywood Foreign Press is inherently odd anyway. I mean, I bet Christian Bale never thought he’d get TWO nominations in the musical/comedy category (the first one was for American Hustle in 2014). I haven’t seen The Big Short yet (screening is scheduled for next Tuesday!) but it certainly looks pretty funny and its director Adam McKay directed Anchorman and other Will Ferrell comedies.

BestDirector

Boy, it’s been ages since Ridley Scott was nominated for Best Director isn’t it? The last time was in 2008 for American Gangster. Well, I was indeed a return to form for him. Speaking of a comeback, it doesn’t get more spectacular than George Miller returning to his beloved franchise Mad Max after taking a detour with family-friendly movies Babe: Pig in the City and the Happy Feet movies. Well it’s a welcome return indeed and I’m rooting for him all the way this year. I LOVE Mad Max: Fury Road and my wish is that it’d flabbergast everybody and sweep every single award! 😀

My winner pick: George Miller (Mad Max: Fury Road)

Ok now on to the acting nominees!

BestActress_drama

Well, first thing first, where in the heck is Charlize Theron??! Furiosa is perhaps the most bad ass female role of the year and it’s not just in terms of action but the emotional journey the character’s gone through. Her omission here is a travesty!!

Ok now that I’ve got that out of the way… I’ve only seen Larson and Ronan in Room and Brooklyn, respectively and I think both of them deserve to be nominated. But Saoirse has been such a consistently excellent performer who’s been snubbed several times before so I’m rooting for her.

My winner pick: Saoirse Ronan (Brooklyn)

BestActor_drama

There seems to be a ton of snubs in the actors category. I’d have loved to see Oscar Isaac here for his performance in Ex Machina, as well as Tom Hardy in Legend. It’s a crowded category to be sure but really, no performer from Spotlight at all?? In any case, I’ve only seen two on this list, Cranston and Fassbender. Both were excellent but I’m gonna go out of a limb and pick Leo just based on what I’ve read so far about his performance.

My winner pick: Leonardo DiCaprio (The Revenant)

BestActress_comedy

I have only seen one performance here (McCarthy, who’s so fun to watch in Spy) but the same as above, based on what I’ve read, seems that Tomlin was excellent in Grandma, so I’m gonna go with her.

My winner pick: Lily Tomlin (Grandma)

BestActor_comedy

Heh, I’ve also only seen one performance here as the press screening for The Big Short isn’t until next week. It still cracks me up that Bale is getting another nomination in the comedy category, who’s to say he doesn’t have comedic chops? Bale is my favorite actor of the bunch but I REALLY love Matt Damon’s performance in The Martian, which was hilarious as well as emotional. I never thought I’d love him playing an astronaut yet again, but this is such a perfect role for him and I can’t wait to see that movie again.

My winner pick: Matt Damon (The Martian)

BestSupportingActor

YAY Mark Rylance!!  I LOVE all of these picks, even though I’ve only seen 3 out of 5 performances (Rylance, Shannon & Stallone) but I’ve heard so many great things about both Elba’s and Dano’s turn in the two films so I’m sure the noms are well-deserved. I’m sooo torn between Shannon and Stallone, I think this is the toughest category for me to pick a winner, but in the end I go with the most emotionally-gratifying role.

My winner pick: Sylvester Stallone (Creed)

BestSupportingActress

The supporting actress category is a bit more clear cut for me. Now, I adore Helen Mirren but I actually don’t think she was THAT great in Trumbo. She is far more compelling in The Woman in Gold so SAG got it right (more on that later). I had a hunch Jane Fonda would be nominated when I saw her performance in YOUTH, it’s a brief performance (akin to Judi Dench in Shakespeare in Love) but it’s a flashy and memorable one. But this has been quite a year for Vikander, WOW, two nominations for lead in Ex Machina AND supporting role in The Danish Girl. She was largely unknown just a couple of years ago and suddenly she’s everywhere!

My winner pick: Alicia Vikander (Ex Machina)


Now, I barely watch any TV but I’m thrilled to see Outlander garnered three nominations!! I love Caitriona Balfe as Claire and Tobias Menzies who played two characters in the show, Menzies has been turning up in quite a few memorable TV series (i.e. HBO’s Rome) so glad to see him getting a nom this time. I feel bad for Sam Heughan not getting a Best Actor nod, but I guess not having seen the other nominees I can’t comment on whether he’s snubbed. I just think it’s great the series is getting noticed and it makes the wait for season 2 even more agonizing!
Outlander_GGnoms


Screen Actors Guild Awards

SAG2016

I haven’t been paying attention to SAG awards in the past few years but in many ways it’s a crucial one for actors given it’s their peers who voted for them. I’m only focusing on the FILM nominees as again, I barely watch any TV.

SAG_BestEnsemble

Nice to see Straight Outta Compton on this list which sounds like a terrific ensemble cast. I think the cast for both Spotlight and Trumbo are terrific, but the former lingers in my mind more as they do work as a close-knit team in the film. Plus I REALLY like Liev Schreiber and given that it’s a long shot for him to get a nom (though I think he deserved it), it’d be nice to see him go up to the stage if Spotlight wins!

My winner pick: Spotlight

SAG_BestActor

I guess Redmayne’s role seems like a shoo-in for awards even from the start. I haven’t seen it yet but I don’t think it surprises anyone that he got a nom. Interesting that Fassbender is getting noms more for Steve Jobs than Macbeth, I think he’s great in both, but perhaps Jobs is stronger given the phenomenal script from Aaron Sorkin. But just like in the same category in the Golden Globes, I pick Leo given how incredibly difficult the role seems to be and he’s able to deliver such a convincing performance whilst filming under such harsh conditions.

My winner pick: Leonardo DiCaprio (The Revenant)

SAG_BestActress

It’s a bummer to see Charlize Theron being snubbed again by SAG. I’m also surprised not to see Emily Blunt’s name given how critically-praised Sicario was when it opened. I’m glad to see Helen Mirren getting a nod for Woman in Gold as she’s the only reason to see the film. Well her and Tatiana Maslany playing her younger self. Hail miss Blanchett who no doubt is excellent in Carol because she’s such a consistent performer. But I have to go with Ronan, who I think is poised to have a long & fruitful career just like Blanchett.

My winner pick: Saoirse Ronan (Brooklyn)

SAG_BestSupActress

Heh, of ALL the terrific cast in Spotlight, the only one nominated is Rachel McAdams?? I mean, I’m all for a strong female role getting recognition but she’s definitely not the best performer of the bunch. If anything, I’d rather see Kristen Stewart being nominated (I can’t believe I said that!) for Clouds of Sils Maria. I wasn’t fond of her before but to be fair she was indeed good in that film.

My winner pick: Kate Winslet (Steve Jobs)
SAG_BestSupActor

YAY! Glad to see Rylance and Shannon getting a SAG nod in the supporting category. I’m also happy to see 9-year-old Jacob Tremblay being recognized for his role in Room. There has been some young thespians amongst award nominees before, and he’s certainly the most memorable young performer of the year for me.

Again, I’m bummed Tom Hardy is coming up empty in a year where he’s delivered such strong performances in a few movies. I’m also surprised Benicio Del Toro isn’t on the list, I’ve read a bunch of reviews praising his performance in Sicario.

Well, since I picked Stallone in the same category for GG noms, I’m going to go with Shannon who’s just oh-so-great in 99 Homes. If only the film gets more recognition.

My winner pick: Michael Shannon (99 Homes)


Most eggregrious snubs

Theron_Hardy

Yes I know there are others but in my opinion, this is the ones that riled me up the most. Charlize Theron for Mad Max Fury Road and Tom Hardy in a dual role Legend (or in The Revenant which I read was also excellent) deserve every nominations there is for the year. Both of them are my top pick of 2015 MVPs so it stings to see both of them coming up empty in both Golden Globes AND SAG awards, ugh!


So what are your thoughts on the Golden Globes & SAG nominees? Who do you think are snubbed and who are you rooting for?