I was planning on finishing up my Monthly Roundup post the afternoon I heard about Philip Seymour Hoffman‘s passing at a young age of 46.
It’s one of those times where I’ll always remember where I was when I heard about something. I was in line at a Target check out when I fired up my Twitter app and saw the news. I didn’t get a chance to find out how he died, so I presume it was a heart attack or something, it never occurred to me that it was substance abuse related, though I knew he struggled with prescription drugs addiction and went to rehab last year. Of course later in the day I found out the cause of death… that he has died from an apparent drug overdose in his Manhattan apartment. Undoubtedly, my shock turned to grief. Yes I know he’s just an actor whom I don’t know personally, but I still can’t help feeling saddened by this. He also died the exact same age as my late mother (who also have three children), though the circumstances were entirely different, they both were gone way too soon 😦
I have to admit I don’t know much about his life as an actor or otherwise. Apparently Hoffman is a pretty busy guy, completing 40 films in the span of a relatively short 17-year-long career as well as working as a creative co-artistic director of LAByrinth Theater Company. On top of winning a Best Actor Oscar for Capote, he was also nominated for two Tony awards for his stage work in True West and Long Day’s Journey into Night.
This quote from the NY Times gives us a glimpse to how he approaches his craft as an actor:
“In my mid-20s, an actor told me, ‘Acting ain’t no puzzle,’ ” Hoffman said, after returning to his seat. “I thought: ‘Ain’t no puzzle?!?’ You must be bad!” He laughed. “You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.”
Seems that he often ‘lost himself’ in a role…
“…I’d finish a scene, walk right off the set, go in the bathroom, close the door and just take some breaths to regain my composure. In the end, I’m grateful to feel something so deeply, and I’m also grateful that it’s over … And that’s my life.”
There are many essential PSH films I still need to see. In fact, I’ve only seen a paltry 9 films from his stellar resume, but I feel compelled to write this tribute to him as he’s always been very impressive in everything I’ve seen him in. Starting with Scent of A Woman where he played an unethical classmate of Chris O’Donnell, out-acting the protagonist effortlessly. Through a series of supporting roles, he’s always memorable no matter how small his role is. I equate him to someone like Stanley Tucci, Paul Giamatti or Chris Cooper in that he always makes the best of whatever role given to him AND his performance is usually one of the best (if not the best) part about the film. In the Ides of March for example, his portrayal of a grizzled campaign manager is one of my favorite parts of an otherwise so-so political drama. Even in popcorn action films like Mission Impossible III, he still gives a compelling performance as the ominous villain. He’s threatening without turning his character into a caricature. He seems to be drawn to antihero/flawed type of characters, whilst somehow make them sympathetic and intriguing, i.e. A Late Quartet as an adulterous married man.
The latest performance I saw him in was in The Hunger Games: Catching Fire, and I said in my review that his Plutarch is my favorite character. I couldn’t wait to see more of him in the final film of the franchise as his character arc is easily the most interesting. Alas they might have to re-cast his role unless they’re done filming his scenes.
I hope to catch up on more of his films such as Magnolia, Capote,Before the Devil Knows You’re Dead, Jack Goes Boating, etc. For sure I’ll watch the yet-to-be-released John le Carré spy thriller A Most Wanted Man where Hoffman played a German civil-rights lawyer, complete with a German accent. I couldn’t find a trailer, but here’s a clip:
My heart goes out to his longtime partner, costume designer Mimi O’Donnell and their three children. Rest in peace Mr. Hoffman. You will be sorely missed.
What are some of your favorite performances from Philip Seymour Hoffman?
I was recently asked by Andrew Kendall at Encore Entertainment to contribute a post for the Motifs in Cinema blogging project. 2012, a multi-site themed blogging projects of 11 writers looking at 11 motifs from films last year. When Andrew emailed me the topics for the Motifs in Cinema Project, for some reason I gravitated towards the Love and/or Marriage theme. Perhaps because it so happens that 2013 falls on my 10-year wedding anniversary. So for this purpose, I’m going to focus more specifically on marriage on films and how filmmakers have used that theme in 2012.
This is the intro for the project:
Motifs in Cinema is a discourse across 22 film blogs, assessing the way in which various thematic elements have been used in the 2012 cinematic landscape. How does a common theme vary in use from a comedy to a drama? Are filmmakers working from a similar canvas when they assess the issue of death or the dynamics of revenge? Like most things, a film begins with an idea – Motifs in Cinema assesses how the use of a common theme across various films changes when utilised by different artists. …
Love (and/or Marriage) in Cinema
By the time this project rolls around, I still have not seen two major Oscar contenders Amour and Anna Karenina in which the theme of love and marriage runs deep. But these eight films happen to explore marriage in varying degree, and each offers us something different when it comes to love and marriage.
[Naturally with this kind of post, I’ll be talking about some major plot points, so consider this a SPOILER ALERT!]
One of my favorite films of 2012 that’s probably get lost in the shuffle. Two members of the renowned quartet Fugue are married couple Robert and Juliette (played brilliantly by Philip Seymour Hoffman and Katherine Keener). Even though they work together, their marriage is on the brink of doom, seemingly held together by their love for their only daughter, who later on ends up wrecking havoc in the already fragile musical group.
Jealousy, lust and disillusionment threatened to break their marriage forever and I thought it’d be the case when Robert gave in to the seduction of his beautiful jogging partner. Neither Robert nor Juliette seems invested in their marriage as much as they are in their music, and therein lies the problem. Having been married for nearly a decade now, I realize how crucial it is to never take our spouse for granted, and this film is a reminder of that.
Just because it’s an animated film, it doesn’t mean that it can’t have a poignant message. As Pixar has done a few years ago with UP, that opening montage alone speaks volumes as one of the best portrayal of marriage on film. Unlike other less-fortunate Disney princesses, Merida grew up in a loving home with her dad Lord Fergus and Queen Eleanor. The queen is the one who ‘wears the pants’ in the family, so to speak, though it seems unrealistic perhaps in the Medieval era, so it’s perhaps more wishful thinking than anything. That said, it’s wonderful to see such a healthy relationship between the two, the scene where Eleanor vents to Fergus about Merida is both hilarious and moving.
The film also challenges the notion of young and arranged marriage, with Merida protesting the whole betrothal process and refusing to give up her freedom. Marriage should always be a choice, first and foremost, and that ‘happily ever after’ might not always happen. It also shouldn’t be a ‘goal’ so much as a natural procession of life when things fall into place. …
I wasn’t wowed by this film overall but I did appreciate that I got a glimpse of the marriage life of one of the world’s most famous film directors. The saying of ‘Behind every great man there’s a great woman’ couldn’t be more true when it comes to Alfred Hitchcock (Anthony Hopkins), as not only Alma Reville (Helen Mirren) was supportive and willing to put up with his antics, including his juvenile crush with his leading ladies, she was crucial in his career, too.
Alma wasn’t exactly a saint, either. Lacking the attention from her husband, Alma was drawn to screenwriter Whitfield Cook who’s flirtatious with her and plays upon her own writing career aspiration. No marriage is perfect surely, but what I do like about Alfred and Alma is that they are friends as well as lovers, they can relate to each other beyond just the romantic stuff. They seemed to enjoy each other’s company and have that shared creative passion. I think that’s partly why their marriage could last as long as it did despite a few bumps on the road. Dame Mirren is the star of the show for me, and I think I learn much more about Alma here than I did about her husband. ///
One of the most delightfully quirky films of 2012 center on two 12-year-olds running away from home to be together. They claim they are in love with each other and we think, ‘they don’t even know what love is!’ Be that as it may, does it make their feelings ‘less true?’
Neither Sam and Suzi come from a healthy family. Suzi’s parents are on the brink of divorce as her mom is in love with the local Captain. Sam has been living in a ‘juvenile refuge’ as his foster parents no longer wants him living with them. But love is a universal desire even for those perhaps too young to understand, and the film offers an endearingly-naive look at marriage from fresh young eyes who aren’t yet cynical nor jaded by that concept.
I didn’t really care for this film, in fact, I listed it as one of the worst films I saw in 2012. The thing is, I’m not fond of films about infidelity, though at times there’s a teachable moment that I can appreciate. In this case, it comes from the supporting character Julie (played by the massively underrated Rosemarie DeWitt). Whilst her husband was hopelessly infatuated by a young, pretty house guest like a 12-year-old boy, temptation also came her way like a storm. She’s a therapist and the seducer is her patient who happens to be a handsome and successful actor. She could’ve given in and chalk it up to her husband being a douche bag and the fact that she had been a neglected wife, but in the end she did the right thing.
This film paints a rather bleak portrait of marriage… where things seems quiet and peaceful for this well-to-do family but yet, even the slightest breeze threatens to blow everything apart as if it had no solid foundation at all. For the time being, their union seemingly survives the whole ordeal, but it made me think… for how much longer?? What would ensure them that it would not happen again?? The main character Martine (an attractive but impossible-to-root-for Olivia Thirlby) is even more tragic, not only did she has no complete regard for people’s relationships, she doesn’t seem to value herself nor her own feelings, either. …
Despite its incredibly generic title, this movie ends up being a pretty good one. It doesn’t depict marriage between two characters in the film, instead it explores the consequences of a marital misstep, through the eyes of those who end up suffering from it. Sam and Frankie met as a result of their father’s infidelity – Sam is record producer Jerry Harper’s firstborn, and Frankie is the daughter of his mistress. Sam’s last wish before he died is to give a large sum of money to Frankie’s young son, which creates interesting circumstances for all three and their lives are never the same because of it.
In my book, infidelity is NEVER a good thing. But sometimes good can come from something bad and in this case, it’s honesty and kindness ends up righting the wrong, even if the way to get there isn’t always smooth. …
Now this one paints a very different view of marriage. In fact, it never quite enter the picture until the film almost ended. It’s marketed as an unlikely friendship between a robot butler and his master, Frank (Frank Langella), and indeed it is. But there’s also a relationship between a beautiful librarian Jennifer (Susan Sarandon) whom he constantly flirts with. Set in a distant future where physical books are being replaced by digital copies, Frank is struggling to come to terms with the ever-changing world around him.
It’s a film about Alzheimer that doesn’t hit us over the head with the harrowing subject matter, but instead it gives us a sweet – and at times hilarious – picture of family. In the end, it’s revealed that Jennifer is actually Frank’s wife, which I didn’t see coming. That revelation made me tear up as it’s just heartbreaking but also made your heart soar at the same time. Real love knows no bounds, the heart always remembers even when the mind lost its capacity to do so… and that is one of the most beautiful and uplifting picture of marriage I’ve seen in a long while.
Marriage is the union of two people, but sometimes the breakdown of a marriage could actually brings people together. That’s what happens with Pat and Tiffany, the former lost his marriage to infidelity (and his uncontrollable rage) and the other to a tragic accident. Each of them deals with it in their own way. Tiffany tries to hide her pain by being promiscuous and Pat holds on to the hope that he could still get back together with his estranged wife Nikki.
Though they didn’t exactly get off on the right foot, their relationship slowly became the very thing that help both of them heal… and learn to love again. Pat has always wanted that love to come from his wife, but instead, it comes from an unlikely person that comes to him unexpectedly. The moment Pat felt for Tiffany, it took him by surprise and he looked away, unable to comprehend the change in his heart. It wasn’t until the finale of the dance competition that he finally chose to acknowledge his feelings and decided he needed to do something about it. Director David O. Russell kept the ending open-ended in terms of how Pat ended things with Nikki. But by then it doesn’t really matter. What matters to Pat (and us the viewers) is that he’s finally found that silver linings. …
Whew, this week has been quite a whirlwind! I saw a total of 13 films and attended four educational panels in the last nine days. Most of the films have been good to excellent, so even with a couple I didn’t really enjoy, it’s still a nearly a perfect record.
TCFF certainly has a super packed schedule all the way down to the homestretch. The nine-day film fest has come to a close last night with LUMPY, the Minnesota-shot dramedy by MN-born writer/director Ted Koland, starring Justin Long and Addison Timlin who were present at the panel earlier in the day. I didn’t get a chance for a one-on-one interview with Long, though I did meet briefly with Ted Koland and congratulated him on his film.
Below is a recap and review from Friday,
Saw two very good films today, they couldn’t be any more different from each other yet both have intriguing stories about people dealing and coping with a dark chapter in their lives.
Things I Don’t Understand
Written/directed by David Spaltro and starring Minnesota-born Molly Ryman. I was very impressed with the character-driven story and also Molly’s excellent performance. June and I had the pleasure of interviewing David to talk about his film and also listened to Molly talk about her character Violet during the ‘Strong Women in Independent Films’ panel.
Thanks to David for sitting down with June and I at the ShowPlace ICON lounge to give us some insights about his film. Check out the full interview.
Meeting both David and Molly are easily one of the highlights of covering the film fest for me. David told me TCFF is the 16th point of their film tour all over the country, going to one film festival to the next. In fact, right after the panel, David was off to the airport to the the Tallgrass Film Festival in Wichita Kansas. They’re both so talented with so much going for them in their careers, yet they’re so down to earth and so fun to talk to.
Congrats to both David and Molly on the success of Things I Don’t Understand. Here’s my review of the film:
This film centers on grad student Violet who’s studying near-death experiences which led her to actually attempt suicide. After her failed suicide attempt, Violet becomes withdrawn and somewhat morose, plus she also has to deal with being evicted from the Brooklyn loft she shares with her two roommates. At the advise of her therapist, Violet reluctantly visits a terminally ill girl in a hospice and their unlikely friendship becomes her catharsis to start appreciating life again.
I sympathize with Violet right away though she’s not exactly likable at first. She’s sardonic and lacks self control, but you know deep down she’s a good girl. Spaltro frames her story well and surrounds her with interesting characters. Her two room mates, artist Gabby (Melissa Hampton) and a gay French rocker Remy (Hugo Dillon) also have personal issues of their own, but you could say they’re the comic relief of the movie. And then there’s the cute but mysterious bartender Parker (Aaron Mathias) who befriends Violet but refuses her advances.
It’s intriguing to watch Violet’s journey throughout the film, how her relationships with Parker and Sara (Grace Folsom) who’s dying from bone cancer changes her as the film progresses. Despite the dark theme though, director David Spaltro peppers the film with fun and lighthearted moments, so it’s definitely not a complete downer.
Like many of us who seek to figure out the basic questions of the meaning of life and what happens when we die, it’s certainly a thought provoking film that David has explored with care. One thing though, I feel like the themes of faith and spirituality aren’t explored as deep as I’d like, it merely scratches the surface and lacking conviction. That said, I appreciate that it’s at least being talked about and I’m also thrilled that David has crafted a compelling and multi-layered female character in Violet, something we need to see more in Hollywood.
I’m not surprised that this film has been winning all kinds of awards in various film festivals. It’s a bummer that somehow the movie appears very dark in the theater screens, as the cinematography in NYC looks beautiful. The day after the film screening, David told me that it wasn’t supposed to be so dark, and he gave me access to re-watch the film again.
Kudos to David once again and to Molly and Grace for their affecting performances. The scenes between Violet and Sara are very moving without resorting to overt sentimentality. I look forward to David’s upcoming film Wake Up in New York, hopefully it’ll be shown at TCFF again!
A Late Quartet
When people think of Christopher Walken and Philip Seymour Hoffman‘s films this year, they’re likely going to think of Seven Psychopath and The Master, but I’m glad I’m able to see both of them together in this smaller independent drama. The story centers on members of the world-renowned string quartet Fugue, comprised of Peter (Walken), Robert (Hoffman), Juliette (Catherine Keener) and Daniel (Mark Ivanir). Soon we learn that the oldest member of the group, Peter, is diagnosed with Parkinson’s disease, which inevitably shakes the group in ways none of them could imagine.
In the wake of Peter’s medical revelation, the rest of the members deals with their own turmoil. Robert and Juliette faces a marital stride due to infidelity, on top of Robert’s pent-up rivalry with Daniel, as he’s no longer content with being the second violinist. To make matters worse, Daniel suddenly discovers his once-repressed passion involving a romance that certainly brings even more complication to the already-fragile group. One thing for sure though, the group wants to stay together as Fugue has been an integral part of their lives for more than 20 years.
This is director Yaron Zilberman‘s first feature film and what a great venue to display the fantastic acting prowess of the talents involved. Nice to see Walken in an understated role, he’s the most ‘normal’ guy in the group (imagine that), but he plays his part brilliantly. Hoffman’s role is much more explosive as Robert deals with unbridled ego and lust that threatens to break his marriage. Keener is always wonderful to watch, she definitely has the elegance and grace to play Juliette though her character is the most enigmatic of the four to me. Last but not least, the Ukranian actor Ivanir also plays his part of the über perfectionist violinist who’s been so obsessed with his music that he hasn’t had time for love. Imogen Poots has quite a memorable part as Hoffman & Keener’s daughter, she definitely holds her own against her much older, more experienced co-stars. Her scene with Keener in particular is quite gut-wrenching.
Though both contains beautiful classical music and also has a similar name, A Late Quartet is quite different in tone from Dustin Hoffman’s Quartet. This one feels like it’s got more depth in terms of character development and deals with such raw emotional situations that stays with you long after the credits. It shows that beneath such flawlessly-played music, there are real and flawed people behind them, struggling through change and relationships like the rest of us. It’s a compelling picture of humanity, and it’s such a treat for the senses not only for the musical arrangements, but also the lovely cinematography. I adore the gorgeous scenery of New York City in the Winter time, everything just looks so romantic! I highly recommend this for any fan of the actors involved, I sure hope this won’t get lost in the shuffle when it opens in limited release sometime in November.
Problem Solving the Republic
Unfortunately I couldn’t see this one as it’s showing at the same time as A Late Quartet, but I’ll definitely try to see it when it’s available on VOD. It’s a Minnesota production and shot on location in Minneapolis, even just looking at the bizarre genre-bending tagline made me curious enough to see it. You can check out the TCFF interview with writer/director Elliot Diviney on TCFF Youtube Channel.
Below is the review by Emery Thoresen:
Problem Solving the Republic is a Minnesota-made political satire, that uses musical numbers and slap stick humor to tell its story. The humor turned out to be more entertaining commentary than knee slapping jokes. The movie had a charm akin to the campy-horror-movie genre, in that it isn’t for everyone, or, it doesn’t try to appeal to everyone, but viewers who do subscribe to the genre will have a good time watching this. It reminded me of Super, both movies incorporated superheroes and animated inserts – like a comic book. They both share a similar sense of humor, but Problem Solving the Republic isn’t nearly as violent, super natural, or sad as the Rainn Wilson feature.
I started to get restless in the last couple minutes, it could have been because I had been seeing so many films all day, but it was more likely due to how long it took to wrap the story up. Overall it was a charming movie, the bloopers before the credits were memorable, along with the snap shots of the cast that rolled with the credits. I really enjoyed the characters and actors they chose.
During the discussion afterwards, the director and producer talked about the difficulties they encountered in creating a local film with a small budget, in less than a year. Through their brief explanation they kept pointing to people and mentioning names of contributors, it turned out that a surprising number of people in the audience have had a hand in making this film – which made the laughter and reactions much more genuine.
The TCFF was the premiere, it will be showing at The Riverview Theater in November, but in the mean time pre-ordering a copy online is always an option. Remember, it is always good to support local talent, and this could be a warm-up to election day.
Check out the trailer below:
Stay tuned for Part II with reviews of Saturday films
and also my Top Five Favorites from the film fest!
Thoughts on any of the films above? Well, I’d love to hear it!
Call it the Ultimate Film Fest Experience. With only 2 more days to go, there are still a bunch of great films playing at the ShowPlace ICON Theatre through Saturday. If you haven’t been able to catch any of the films during the weekdays, but you’re ready for a TCFF movie marathon this weekend, then you’re not too late!
Earlier today I sat down with Steve Snyder, TCFF’s Artistic Director—who’s also TIME.com’s Assistant Managing Editor—to list his recommendations for the last stretch of the film fest. After screening about 200 submissions including a mix of features and shots, and circling other film festivals around the country with executive director Jatin Setia, here are Steve’s picks are that you can still catch at TCFF.
I’ve mentioned this on yesterday’s post when I met with director David Spaltro. Well, this film has won Best Feature Film and Best Actress for Minnesota-born actress Molly Ryman in various film festivals. Steve calls Molly a ‘MN star is born’ and this is one of the films that he’s most thrilled about that he was able to get it screened at TCFF. Both David and Molly will be in attendance for a red carpet spotlight and Q&A after.
Having recently chatted with him, I’m even more intrigued by his film and can’t wait to see it. I will post the transcript of the interview when it’s ready, but check out the trailer below:
9pm – A Late Quartet
This is also on my most-anticipated list. I mean the cast alone should get you to rush to see it. Christopher Walken + Philip Seymour Hoffman + Catherine Keener playing members of a string quartet struggling to stay together in the face of death, competing egos and in-suppressible lust. Great thespians making beautiful music together? Steve said you can’t miss this, and I tend to agree. You can view the trailer here.
Winner of Audience Award, Documentary at SXSW 2012: In Bahia, Brazil, generations of impoverished families live in palafitas, shacks built on stilts over the ocean bay. Steve said that not only is the subject matter intriguing, but the incredible access director Annie Eastman was able to get to shoot this film gives it a uniquely intimate portrait of the individual stories of poverty shown in the film. …
This is a documentary that follows the lives of five immigrant farm worker women over a ten-year period as they labor in the apple orchards and fields of rural western New York, migrate seasonally to Florida, raise their families, and try to hide from the Bush-era immigration raids that were conducted in response to September 11, 2001. This doc is more of an investigative journalism of sort, which illuminates a community that is nearly invisible to most Americans. Director Nancy Ghertner will be in attendance.
These two documentaries are also my picks I’ve listed on this post. …
Two estranged women tread cautiously into each other’s lives and their newfound friendship creates a mirror of self-discovery in this character-driven indie drama. I actually have had the pleasure of seeing this one earlier this month and I absolutely agree with Steve that this one is definitely worth checking out. It’s rare to see a meaty role written for a woman, let alone two in one film. Both Ryan Driscoll and Elise Ivy are both fantastic here, and the revelation for both characters are quite intriguing to watch. Don’t miss Ryan Driscoll and director Scott Tanner Jones in attendance for Q&A. …
When their dad dies unexpectedly, estranged siblings Russell, Jane and their adopted brother, Alex, come home to tend to his remains. Don’t be put off by the title, even though it deals with the loss of a loved one, it’s also about a celebration of family and how they come together to achieve a proper goodbye. Steve said he’s very impressed how the actors could pull off such complex characters. He even went so far as calling it some of the best acting performances of this year. Trailer below:
TCFF is just four days away and I’ve finalized the movies I’ll be watching during the 9-day film fest. I’m just thrilled that there’s quite an eclectic lineup we’ve got this year, practically there’s something from every genre. I’ve blogged about some of them on this post, but below is my full schedule of what I’ll be watching.
Before we get to that though, here’s TCFF’s Preview Video with our hosts Amanda Day & Joe Kessler.
The perk of blogging for the film fest is that I could watch as many films as I could (yay!). Of course it’d still not be possible for me to see every single film, but heck I’m certainly going to try to see at least a dozen films or more if I could help it. This year, I’m also getting some blogging help from fellow Twin Citians (I actually never ever use that term before but seems kinda appropriate here, ahah): June from Girl Producer blog and Emery, a U of M Film Student and aspiring film reviewer. So expect to see TCFF movie reviews from all three of us starting this weekend.
So here are the list of films I can’t wait to see:
This important documentary narrated by Jeff Bridges shines a light on the 30% of American families that don’t know where their next meal is coming from, there are plenty of other compelling docs playing at the film fest. I’ll be highlighting those later this week. …
I like Julia Stiles, and I always think she should get more leading roles! Well, she’s got a starring role in this quirky apocalypse comedy, along with David Cross and America Ferrera. Directed by actor/director Todd Berger (The Scenesters). Here’s a clip from the movie:
I just re-watched the trailer again and I’m even more excited about it now. Dustin Hoffman in his directorial debut has assembled quite a cast (Maggie Smith, Billy Connelly, Michael Gambon, etc.) in what looks like a delightful comedy about retired Opera singers. Sponsored by The Minnesota Opera. ///
Normally I wouldn’t think of someone being paralyzed from polio as being funny, yet somehow director Ben Lewin seems to have crafted a heartwarming comedy on that topic. The cast is a winner, I’ve always loved William H. Macy and he’s poised to be the scene-stealer here. John Hawkes is one of those instantly-likable actor, plus it’s been a while since I saw Helen Hunt in anything. Check out the trailer if you haven’t already. …
I actually saw this trailer before I saw it on TCFF schedule, and I’m intrigued by the story. I’ve been hearing Olivia Thirlby‘s name being mentioned a lot lately as she starred in Dredd 3D, but this looks like a very different role for her. The cast includes John Krasinski and Rosemary DeWitt.
I’ve mentioned in the lineup post that this film won Audience Award at TIFF. Well, this past week it just received another similar prize at Hamptons International Film Festival Awards. I’m normally not a Bradley Cooper fan but I’m prepared for him to change my mind. I do love Jennifer Lawrence and she’s perhaps poised to get another Oscar nom on this one. …
Feature film debut from the creator of The SopranosDavid Chase. Set in suburban New Jersey the 1960s, a group of friends form a rock band and try to make it big. James Gandolfini also stars in the film. … A LATE QUARTET
This is one of those films you watch just for the cast. I mean, check this out, Christopher Walken AND Philip Seymour Hoffman, plus the excellent Catherine Keener in a string quartet where one of the member receives a life changing diagnosis which threatens the unity of the group. So there are TWO music-themed films with ‘quartet’ in the title that I’m looking forward to playing at TCFF! 🙂 …
Saturday – October 20 THE STORY OF LUKE
27 year-old Lou Taylor Pucci has got over two dozen films under his belt, yet I haven’t seen a single one yet. Well this will be the first then. He stars as a young man with autism who’s breaking free from the shelter of his grandparents and go on a quest for a job and true love. Also starring Seth Green and Cary Elwes.
We don’t get a lot of films being filmed here in Minnesota, so it’s always nice to see it when that happens. Directed by a Minnesota- born director Ted Koland in his first feature film. It stars Justin Long and Jessica Weixler in story about a pair of newlyweds who has to bring their best man Lumpy’s body back to Minnesota for burial and what happens as friends try to reconnect with people who were in the dead guy’s life. …
October is going to be the best movie-watching month for me. If you live in the area, I hope you’ll make time to check out TCFF!
What do you think of these movies, folks, which one(s) interest you most?