We have passed the halfway mark! What a hectic, whirlwind week it has been. I spoke to TCFF Managing Director Bill Cooper the other day and he said something about all the staff having ‘festival brain’ and that’s definitely how I feel. I’ve watched so many films it’s kind of a blur!
Thankfully I have awesome guest bloggers to help me out… such as Sarah Johnson who’s helped me with reviews of the short films, as well as the Legends of the Road documentary. Being a huge baseball fan, that’s the one Sarah couldn’t wait to see!
So here are her reviews:
Full disclosure: I am a big baseball fan and love the game’s history so am not the most unbiased person to review “Legends of the Road” and therefore I will not be giving it a rating. However, as soon as I saw this movie on the schedule I knew I wanted to see it. As a reviewer often has to see and objectively review movies that may not be appealing to them personally, I felt the opposite could also be true.
The film itself is well done, directed and edited by award-winning documentarian Gary Thomsen, who also happens to be a former Seattle teacher. It tells the extraordinary story of Thomsen’s students from Chief Sealth High School in Washington and their classroom project: to uncover the history of barnstorming, a baseball phenomenon from the early 20th century where all black teams traveled throughout the country playing in money tournaments against local white town teams for a cut of the gate. The project then culminated in a summer long re-creation of this era with a 5,100 mile, 71 day trip done on bicycle while playing 33 games along the way.
These ballplayers (some may have heard of the most famous ones including Satchel Paige and Josh Gibson because they also played in the more well known Negro Leagues) helped dispel the notion of white supremacy, not just on the field, but in society, leading Martin Luther King to say that “they laid down the first plank in the civil rights movement.” This is where the film really shines – the story is about much more than baseball. Former Negro Leaguer Buck O’Neil, who came to national prominence with his vivid descriptions of black baseball in Ken Burns’s PBS documentary “Baseball,” is also one of the stars of this film. “This is about the history of our country,” O’Neil says at one point.
One of the other large aspects to the film is another thing that is not new: adults underestimating what kids can accomplish and bureaucrats not in classrooms dictating how students should be taught. “This is not part of the curriculum, nor is it part of anything I’ve seen in vocational education. I don’t understand why you want to do this,” June Rimmer, the chief academic officer for Seattle Public Schools, said. I’d like to check back with the students involved in this project in 20 years and hear their memories on their breadth of work that was “not part of the curriculum.”
For this project, students conducted all of the research, honed public speaking skills to make presentations to companies in the hopes of securing sponsors for the trip, managed logistics of food, lodging and game preparation…as well as shot footage to be used in the documentary. There were two distinct groups of students involved with the trip – those on the logistics and production side and the baseball players who rode bicycles from town to town (often covering more than 100 miles per day) and then played in games throughout the trip. “It was incredibly challenging logistically,” Thomsen says at one point. Gee, you think? At one point I began to wonder if young people could have been the only ones to pull this off – the movie doesn’t mention anything about how (if at all) the bike riders went about training for this adventure. Perhaps that’s something you don’t need to worry about when you’re in high school – oh, to be young again.
The film is very comprehensive in covering all aspects of the project, from the origination of the idea to the celebration at the Negro Leagues Museum in Kansas City at the end of the trip. Just because I’m a fan of baseball history, the one thing that left me wanting more was the end product of all of the research – where did all of that information end up? I’m assuming it was sent to the Baseball Hall of Fame but even a mention of this at the end of the film would have helped. Baseball fans will certainly appreciate “Legends of the Road” but other audiences should also enjoy this addition to our nation’s ongoing conversation on race and education.
SHORT FILMS reviews
“Humbug,” the short film highlighting those with no holiday spirit, will appeal to those who greet that time of the year with dread. As I am one of those people, I appreciated the premise of this seven minute piece. When Scarlet (Jessee Foudray) crushes a gingerbread cookie offered by her peppy neighbor Betty (Milly Sanders, also the writer), Betty decides to embark on a series of steps worthy of a horror film to change her mind. “We’ll have to do this the hard way,” Betty calmly tells Scarlet.
The scenario is well played by both actresses and the mix of over-the-top Christmas imagery and ghastly bodily functions will satisfy those who have had enough December cheer to last a lifetime. The ending was a little too convenient for me but overall this short film is an entertaining one.
Girl Meets Roach
I have reviewed full length and short films for the Twin Cities Film Fest for several years and sometimes I come across a piece of work that I’m not sure if it was meant to be reviewed. Such is the case with “Girl Meets Roach,” the 17 minute short film by brother and sister team Alison Zatta (Writer and Lead Actress) and Christopher Zatta (Director). In his bio, Christopher writes that he formed King Fish Productions as a platform to write and direct independent material.
I can only hope that they are using “Girl Meets Roach” as practice to hone their skills. The premise and execution of this story are entirely cliché – girl gets dumped by her boyfriend, we cut to obligatory scenes of her listening to old messages while moping around her house, the best friend comes over, the jilted girlfriend plans revenge…it just goes on. I appreciate the role of film festivals to support new work by independent artists and hope “Girl Meets Roach” was merely a practice turn to get experience in this field.
Describing “Afterword,” Director and Co-Writer Boris Seewald explains it as “A film about loneliness, self-discovery and one person’s pursuit of glory. It examines not only the wider journey of appreciation, but also the need to be heard by those who love and loved you, and the need to be heard by yourself.” Lofty goals for a ten minute short film.
What follows is a woman (Marama Corlett) bringing you into her world of philosophical ramblings on…well, pretty much anything. (One line in this film is “if you are a bird, watch where you poop.” I am not making this up.) The only highlight is the performance by Corlett – with her pageboy haircut, red beret and piercing stare she admirably draws you into her stream of consciousness. The rest of it still has me baffled.
“Tagati” Director Bill Haley is upfront about his short film being a sort of trailer for a feature film based on the concept presented at the Twin Cities Film Fest. “The Sopranos” in a roadside diner is how I thought of the opening scene, as Aja (LaTonya Grant) meets with a hitman named only as Badass (Mark Simms) to do away with her husband.
It’s a peek into a stylish film noir thriller complete with pulsating music and expert direction. Trailers are supposed to get audiences interested and excited to see the full length movie – this piece certainly succeeded.
“It’s not just a piece of cheese.” While there have been negative consequences about the advent of the internet and social media, one of the fun things has been the ability for people skilled in a particular niche to connect with others who share their passion. Such is the case in “Marieke,” the seven minute short film by Director/Editor Thomas Johnson, who profiles acclaimed Dutch gouda cheesemaker Marieke Penterman from Thorp, Wisconsin.
I am not a cheese connoisseur but I can relate to one’s appreciation for the finer aspects of a certain hobby or profession. (I am a big baseball fan and could spend all day talking about it.) Penterman cheerfully takes you into her cheese adventures, explaining how her cows have personality and the process that goes into hand painting a skin around the yellowish rounds to preserve it but still let it breathe. “Marieke” was a refreshing look into her world.
High school was a long time ago for me so watching films like “Science Olympiad” give me hope for the next generation. It not only features teenage students, it was also made by a teenage student, 17 year old Elise Tsai from the Twin Cities. She focuses on an extra curricular activity in which teams of 15 students compete in 23 events involving science, technology and engineering. The film focuses on Mounds View High School (a suburb of Minneapolis) and their incredibly successful team – winner of 11 state championships and five consecutive top ten finishes in the nation.
“You have to spend a lot of time looking up parts, trying them out and if it doesn’t work you have to try it again,” one student says. Seems like the work you need to put into anything in life to succeed. (Indeed, at the end of the film it notes that one of the participants is going to be studying Chemical and Biomolecular Engineering at Johns Hopkins University.) Although their creations are fascinating, the kids are really the stars of the show and their positive energy and enthusiasm is infectious. As one student says, “at its core, it’s just fun.”
What a delight this film was on a familiar but rarely highlighted craft! In “Double Talk,” director Jessica Bernstein-Wax features the work of Spanish actor Joan Pera, who has worked as an onscreen dubber for famous actors, most notably Woody Allen. Often denigrated as the ugly stepchild in the film industry, it’s clear Pera takes pride in his craft, especially in the scenes with his son who also works in the same line of work.
He and his son enjoy a friendly rivalry when the father is called in to dub some of his son’s work. “There’s always room for improvement,” the son says, critiquing the job his father did. “In my case it’s hard,” the father replies. I don’t speak Spanish (or Catalan, the regional dialect also featured) but, having seen many Woody Allen films, it’s amazing how Pera replicates Allen’s voice intonation and mannerisms. Bernstein-Wax’s first film has been well received, garnering the Jury Award for Best Short Documentary at the Sonoma International Film Festival earlier this year. I can see why.
The Courtesy of Angels
Created by a French filmmaker, Valerie Theodore, “The Courtesy of Angels” has taken a universal story around the world. It tells the story of Louise (Delphine Theodore), a young caretaking assistant, and her interactions with an amnesic old man, Mr. Vadim (Andre Oumansky). This short film is in French with English subtitles.
The theme of interconnectedness among generations is global and I found myself drawn to one of the movie’s main lines – “well being is the courtesy of angels.” Theodore ably highlights the fragility of life and good health, something that translates in any language.
Tourvall II: Into the darkness
I’ve said before in doing reviews on short films that sometimes I’m amazed how filmmakers are able to create a fully developed plot in under ten minutes. At only seven minutes, at first I felt that Writer/Director Sean Skinner’s “Tourvall II: Into the Darkness” was taking too long to get to the point. After watching the entire piece, I came to the conclusion that there isn’t a point. But to the film’s credit, that didn’t make it any less entertaining.
We see Sven Skarnestad (Mick Karch) visiting former pro wrestler Tourvall “The Terrible” Johannsen (Joe Berglove) on his deathbed and reliving some of his past glory. The film aptly spoofs the crazy world of professional wrestling and the interjection of Jorge Gundersen (Edward Linder), an eager convalescent home employee, was an unexpected and amusing touch. (As Sven is sitting bedside, Jorge hands him a brochure and says, “Please take a moment to fill out the survey. We would love to your Yelp review. We’re also on the Twitter: #notjustaplacetodie.”) Silliness for sure, but what’s wrong with that?
Hearts Want’s premiere
Hearts Want‘s main TCFF premiere is today, Thursday 10/26 at 5pm (with red carpet interview at 4:30). There are a few tickets left for tonight, but act fast before they’re gone. Click on the banner below to get tickets.
Coming up tomorrow…
Two Minnesota-connected films are playing back-to-back tomorrow night… Twin Cities is actually produced by the director of Hearts Want, Jason P. Schumacher!
Stay tuned for interviews with writer/director of Twin Cities David Ash and one of the main actors of Ruin Me, Alex Galick.