Thanks to FC blog staff Laura Schaubschlager for conducting the interview with writer/director Michael Ferrell. I figure since her name is Laura and she has a cat, it’d be fun for her to watch the film and ask the interview questions 🙂
Laura Gets A Cat is a fun, relatable movie that makes some creative choices with the ‘young person trying to find direction and purpose’ storyline.
Laura is a talented yet unsuccessful writer in her early 30’s living in New York City. She has a boyfriend who provides little excitement. Her two best friends who seem to have achieved all their hopes and dreams, if only to spite her. Good thing she lives mostly inside her head, daydreaming about all the wonderful things happening in her imaginary life. After she starts an affair with Ian, the performance artist and local barista, real life proves too complicated. She packs up a suitcase and moves to a small beach town in North Carolina. Even as she gets involved with some guy who lives on a mattress in his buddy’s garage, she hopes that Ian will bolt from his life in New York and chase her down. Through this series of troubled relationships and disconnected friendships, Laura learns that peace of mind is not necessarily found by chasing it.
Q: How much of this movie, if any, is inspired by real-life experiences?
The best way to explain it is: all of it. And none of it. It’s totally fiction. What’s most inspired by real life are the themes explored in the film. Laura and the people around her are in their 30’s mostly and dealing with the things that people in their 30’s are dealing with. There’s a thing I’ve heard often for writers; make it specific and truthful and it will be relatable. I strive for that. But still it’s all made-up make-believe.
Q: Why did you choose Wisconsin as Laura’s home state? How do you feel having a character who is a Midwestern transplant in NYC resonates with audiences?
Interesting that you picked up on that because it’s just mentioned in one line! Here’s the thought process when I’m making up something like that, my inner monologue as I remember it:
Hmmm, her childhood was probably somewhere specific. But not southern. Not California. Somewhere midwestern. But she threw off her accent a long time ago. She never quite fit in or felt at home. Somewhere she wanted to leave behind, but also somewhere that was encouraging, stimulating in some way. Maybe somewhere she took for granted. How about Wisconsin?
And there ya go, she was from Wisconsin. Also when I was younger I dated a couple girls from Wisconsin so maybe it was just that.
Q: The soundtrack for this film is excellent. What kind of work went into choosing which songs to include? What kind of music did you look for regarding creating a tone for the movie?
Thanks! The music we use in the film is entirely musicians that we know personally. We have my friend Melvyn Brown playing guitar and singing a song in the film. My friend Jeff Laughlin’s voice running throughout the film. David Mosey, who is friends with Chris Prine, our editor and co-producer. And Devin Sanchez, co-producer and actor, found the closing credits song from a friend in our neighborhood in Jersey City who heard the young woman playing on the subway platforms!
Even the background music in the various locations are all friends’ songs. So being able to collaborate with them and take their music around the country is a real honor for us.
Chris Prine is also the music supervisor. So the credit is his. He was also editor and music supervisor for our first film “Twenty Million People,” also featuring some great music. (Which you can watch online now: twentymillionpeople.com).
I think maybe the music fits the tone of the movie because it’s a lot of indie rock ballads. And if our film were a song, it would be an indie rock ballad. It’s probably just that simple.
And if it were a style of craft beer, I’d say it was a pale ale. Not too hoppy, but not super light either. I can think of these all day, this is fun.
Q: At the beginning of the film, Laura vents to her friend Heidi about how people seem to expect her to be more stable, exclaiming “I don’t even have a cat!” Why does having a cat represent stability or direction?
Well, it’s probably the first step for a lot of people, right? Being able to take care of a cat is like the bare minimum of adult responsibility. There’s also a line in the film that explicitly states that adulthood is NOT “steps on a ladder, like this, this, this, then this.” But if it were steps on a ladder, it might go:
Move in together
Of course some people just don’t like pets. Or kids. Or houses. Or marriage. So there is no normal, and that’s definitely one of the themes of the film. But just because there is no normal doesn’t mean that when the time is right, one shouldn’t embrace these, or other, aspects of adulthood. Ah, the things people in their 30’s are thinking about.
Q: In addition to writing and directing Laura Gets a Cat, you also co-star as Ian, the coffee shop manager with whom Laura has a relationship. Did you write the role specifically intending to portray it yourself, or did you consider casting someone else first?
It was the easiest role to cast! No, actually, it’s kind of hard to explain how I write for myself as an actor. But I’ll try anyway.
I always intended to play the role of “Ian” after I wrote the screenplay. But usually, if I’m writing something and think “This could be a part for me,” I’m not glued to that idea. I could keep writing and it evolves into, “Oh, actually this part would be better for my friend Josh,” or Ryan Gosling, or whomever.
Even after writing though, it doesn’t mean that the role is cast. Along with Devin and Chris, we have to make sure we’re objectively making the best decisions for the film. (Ryan Gosling is always the best decision).
But I grew up as an actor and have been acting in my own work for almost 20 years, so for me it seems natural. This will sound really pretentious but it’s how I express myself, artistically. I write and I act. A lot of my role models; Woody Allen, Ed Burns, Julie Delpy, Spike Lee, they write and they act in their movies. Not out of vanity or because they think no other actor could do it, but because that is how they tell stories, for whatever reason.
Laura Gets A Cat is playing at Twin Cities Film Fest on
Wednesday October 25th – 5:10 PM
If you haven’t got your tickets yet, get it here
Thanks Michael for chatting with us!