It’s a wrap! ‘Moonlight’ and MN-made ‘Blood Stripe’ won TCFF 2016 top awards

It’s a wrap!!

tcfflogoThe 2016 TCFF has concluded Saturday night with a festive closing night party.

I saw four films Saturday night. Starting with two great documentaries Actors Of Sound and Free Cece, followed by two powerful emotional dramas, Lion and Moonlight.

I had been crying so much watching Lion, a wonderful depiction of an incredible true story, and Moonlight was an even more emotional experience. It was a well-written, well-acted and simply powerful film about Black sexuality, featuring the kind of deep emotional intimacy I haven’t seen in many films, regardless of race and gender.

I also enjoyed the short film that preceded Actors of Sound called Boom Up!, it was hilarious! I won’t have the reviews of the films I saw in last two days of TCFF until later in November, but let’s just say I recommend all the four films I saw on closing night!

Concluding a star-studded showcase that featured more than 100 films spanned over 11 days, this is perhaps the largest-ever Twin Cities Film Fest ever with over 130 films, including shorts and documentaries! Top awards went to the critically-acclaimed coming of age drama Moonlight, which had been hailed by critics as the best film of the year and will hopefully gain more traction until the Oscars next year. Just like Room and Brooklyn last year, TCFF continues tradition in screening critical darlings that went on to win accolades at the Oscars.

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Here are the winners from Twin Cities Film Fest 2016:

Best Short Film: Lend a Hand For Love, directed by John and Amy Thompson

Audience Award – Short: Waabooz, directed by Molly Katagiri

Best Documentary: I Do? directed by Joe Brandmeier

Audience Award – Documentary: Iron Will, directed by Sergio Valenzuela

Indie Vision — Breakthrough Non-Fiction Film: They Call Us Monsters, directed by Ben Lear

Indie Vision — Breakthrough Feature Film: No Light and No Land Anywhere, directed by Amber Sealey

Indie Vision — Breakthrough Performance: Kate Nowlin (Blood Stripe)

Best Feature Film: Moonlight, directed by Barry Jenkins

Audience Award – Feature Film: Blood Stripe

I’m so thrilled for Remy Auberjonois and Kate Nowlin who won the Audience Award in the Feature Film category. As you know from my review of Blood Stripe, I was so impressed with this film. It’s so well-written, well-directed AND phenomenally-acted by Kate Nowlin, who deservedly also won Best Breakthrough Performance this weekend. I certainly think Kate’s performance is Oscar worthy!

Kate & Remy receiving the award from TCFF exec director Jatin Setia
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Kate with TCFF artistic director Steve Snyder

Another well-deserved award, that is the TCFF North Star Award goes to the massively talented indie actor Dominic Rains. You may not know who he is yet folks, but mark my words, you will! He’s already won Best Actor in a U.S. Narrative Feature Film at Tribeca Film Festival earlier this year for his performance in Burn Country (originally named The Fixer), which also screened at TCFF, along with two others, Funeral Day and The Loner.

Dominic Rains with Steve + Jatin

I have seen two of the three films he’s in and was really impressed by his strong screen presence and versatility as his role in the thriller/drama Burn Country (as a former Afghan journalist) and the comedy Funeral Day (as a rather obnoxious American realtor) couldn’t be more different from each other, but yet he pulls off both roles effortlessly. Stay tuned for my in-depth interview with Dominic on his career, as well as with Funeral Day‘s director Jon Weinberg!

As I’ve mentioned in this post, I’m glad to see quite a few female filmmakers as well as female-driven films represented at TCFF! One of the finalists for Breakthrough Feature Film that I was really impressed with was Claire In Motion, which was directed by a pair of female filmmakers, featuring a terrific performance by Betsy Brandt.

It was already close to 11pm by the time I came out of the Moonlight screening, TCFF’s final film, but I couldn’t miss the award ceremony at TCFF lounge. I was only there for an hour or so and I had a blast hanging out with my friends, Kirsten Gregerson and Emmylou Barden.

me with Emmylou & Kirsten
me with Emmylou & Kirsten

I don’t know how long the party went on but clearly everyone had a great time! I’m glad I got a chance to congratulate Kate Nowlin for her award, my interview with her and her husband/collaborator Remy Auberjonois are certainly one of the highlights of covering TCFF, not just this year but of all seven years I’ve been with the film fest! Just before I left for the night, I even got a chance to chat with Remy about the enigmatic ending of Blood Stripe. Once you see it, I think you’ll know what I mean!

Thanks to my darling hubby for taking pictures of the closing party festivities! Check out his Instagram for his awesome travel photography (and I’m not just saying that ’cause I’m his wife) 🙂


Congrat Jatin, Bill, Dani, Steve and Naomi for another great year!
It was so gratifying to be a part of TCFF once again… watching, discussing & celebrating indie films and the art of filmmaking.


Musings on the TCFF 2016 Award finalists … championing indie films & women in film

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I haven’t had even an hour to blog all day today as I was watching films, interviewing talents and socializing at the mixer at the beautiful festival lounge at the Shoppes at West End. My head is still spinning as I’m writing this… my body is exhausted but my spirits are high from the exhilaration of meeting so many great people. My day started with an a delightful interview with actor Dominic Rains, and got to meet Jon Weinberg (the director and star of Funeral Day) whom I had interviewed the night before. Then in the afternoon I got to meet the director of The Babymoon Bailey Kobe, as well as Kate Sloate who’s in the film’s producing team. I will post more pictures in my wrap post!

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I stopped by TCFF lounge for a couple of hours, which was even busier as the night went on. For sure the closing night party tomorrow will be a blast, and I sure wouldn’t want to miss the Award Ceremony!

Speaking of award, Twin Cities Film Fest has announced the TCFF award finalists a few days ago here. I’m so thrilled for so many of these indie filmmakers, whether it’s shorts, features or documentaries, that their hard work are being recognized. For many of them, their indie films are their sweat, blood and tears… as most of these films are made with shoestring budgets. This is why I LOVE covering TCFF, as I get to see more indie films than I otherwise would in a given month! As I meet filmmakers and talents, it’s apparent to see that the limited budget/resources just made them more innovative and creative! This is why I will always support indie films and indie filmmakers!!

2016 TCFF FINALISTS

Best Feature Film:

  • “Blood Stripe,” directed by Remy Auberjonois
  • “Burn Country,” directed by Ian Olds
  • “First Girl I Loved,” directed by Kerem Sanga
  • “Lion,” directed by Garth Davis
  • “Moonlight,” directed by Barry Jenkins.

Best Documentary:

  • “Denial,” directed by Derek Hallquist
  • “The Eagle Huntress,” directed by Otto Bell
  • “Free CeCe!” directed by Jacqueline Gares
  • “I Do?” directed by Joe Brandmeier
  • “IRON WILL: Veteran’s Battle with PTSD,” directed by Sergio Valenzuela.

Best Short Film:

  • “Duffy’s Jacket,” directed by Brian Hoesing
  • “I Want You Inside Me,” directed by Alice Shindelar
  • “Lend a Hand For Love,” directed by John and Amy Thompson
  • “The Story,” directed by Cameron Digwall and Carolyn Pender
  • “Twinsburg,” directed by Joe Garrity.

Indie Vision — Breakthrough Feature Film:

  • “Claire in Motion,” directed by Annie J. Howell and Lisa Robinson
  • “The Eyes of My Mother,” directed by Nicolas Pesce
  • “Girl Flu,” directed by Dorie Barton
  • “June Falling Down,” directed by Rebecca Weaver
  • “No Light and No Land Anywhere,” directed by Amber Sealey

Indie Vision — Breakthrough Non-Fiction Film:

  • “In Pursuit of Silence,” directed by Patrick Shen
  • “IRON WILL: Veteran’s Battle with PTSD,” directed by Sergio Valenzuela
  • “Prison Dogs,” directed by Geeta Gandbhir and Perri Peltz
  • “Tarkovsky: Time Within Time,” directed by PJ Letofsky
  • “They Call Us Monters,” directed by Ben Lear

Indie Vision — Breakthrough Performance:

  • “Blood Stripe,” Breakthrough: Actress Kate Nowlin
  • “Donald Cried,” Breakthrough: Actor Kris Avedisian
  • “First Girl I Loved,” Breakthrough: Director Kerem Sanga
  • “Hunky Dory,” Breakthrough: Actor Tomas Pais
  • “The Other Kids,” Breakthrough: Director Chris Brown
  • “Lend a Hand For Love,” Breakthrough: Directors John and Amy Thompson
  • “Moonlight,” Breakthrough: Writer Barry Jenkins.

Lifetime Achievement Award: Lea Thompson

I’m so glad I got to chat with Lea when she was in town last month for TCFF gala. I also got to interview Jim Hemphill whose wonderfully-crafted drama The Trouble With The Truth was screened at one of TCFF’s Insider Series!

In addition to the staff and audience awards, the 2016 event is also bestowing two North Star Awards to visiting actors Tim Guinee (in town to celebrate the 10th anniversary of “Sweet Land”) and Dominic Rains (starring in three TCFF films now touring the festival circuit — the James Franco-Melissa Leo mystery “Burn Country” screening Saturday night, the neo-noir thriller “The Loner” screening Friday, and the dark comedy “Funeral Day” showing Saturday morning).


Now, I haven’t seen all of the films nominated, as there are only so many hours in a day and I still had to work at my full time job the first week of TCFF. But of the ones I have seen, I definitely agree with most of the choices! I’m especially thrilled to see SO may female filmmakers and talents being represented AND recognized. I think people who read my blog and connected w/ me on Twitter know that I’m not only a big champion of indie films, but also women in film! It’s clear that indie films are the place for women and diverse talents thrive… so I’m glad I got to see many of them thanks to TCFF!

Whether in front of or behind the camera, it always perks me up to see women storytellers, creating and/or portraying multi-dimensional, fully fleshed-out female characters and bringing their stories to life. One of my all time favorite performances is Kate Nowlin in Blood Stripeand having chatted with her in person, she is an inspiration both on and off screen!

Both Prison Dogs and The Eagle Huntress have become two of my all time favorite documentaries! I can’t review the latter until mid November where it’s released here in Minnesota, but I can’t recommend it enough. I guarantee you’d fall in love with 13-year-old Aisholpan who defied the odds to become a champion eagle huntress!

mnwiftIt’s always a blast hanging out with friends and new people you meet at TCFF lounge. But tonight is especially awesome as I got to hang out with two ladies from Minnesota Women in Film and Television (MN WIFT), Joanne Liebeler and Deborah Fiscus. I love their positive energy and warm personality, it’s always encouraging and inspiring to be around such wonderful people!

I feel so blessed to have met to these smart, accomplished, yet warm & lovely ladies, so thank you to my pal Kirsten Gregerson for introducing us! I’m definitely going to join the organization and learn from local women who work in film, television, and new media in Minnesota.

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with MN WIFT’s Joanne, Deborah and my pal Kirsten Gregerson

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Well, tomorrow is the last day of TCFF already! It’s a jam-packed closing day with three gala screenings: LION, Moonlight AND Burn Country, with its star Dominic Rains attending!

I’ll be seeing FOUR movies tomorrow, starting with the documentary on foley artists, Actors Of Sound at 10:15AM, which ends with the closing film Moonlight at 8:30PM! I’m writing this past midnight and in dire need of sleep, but I’m excited for what’s in store for me tomorrow!

 


TCFF 2016 Short Film Reviews: ‘The Clubhouse’ + ‘Hookin’ Up’ + ‘The Mermaid Story’ + ‘Twinsburg’

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Can’t believe we only have two more days of TCFF! It’s been quite a whirlwind couple of weeks for me, and I’ve been running pretty much on adrenaline! It’s been so awesome meeting new people, from filmmakers, talents, producers, etc., it’s been so exhilarating and inspiring! I’ll be sure to include pictures in my closing night post!

Today we’ve got some reviews of short films that played during TCFF. I think it’s great there are plenty of short films being screened at the film fest, which feature innovative stories that talented filmmakers capture within a short amount of time. Thanks again Sarah for all your great reviews!

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Club House

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“The Clubhouse,” a seven minute short film directed by and co-written by Dan Delano, tackles one of the vexing issues of a boy’s youth – what to do when a girl moves into the neighborhood and wants to join your game of Dungeons and Dragons? “Girls don’t have any battle strategies,” one boy says dismissively.

I’m always impressed when filmmakers can present a fully fleshed out story in such a short amount of time and this effort is no exception. What ensues is a fantastical “Game of Thrones” inspired thriller that allows the warrior princess to prove her mettle. As many might remember from their youth, she receives acceptance in the most unassuming of ways – an invitation to get ice cream. How does this all come together in seven minutes? Take a “short” break and find out for yourself.

Hookin’ Up

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In “Hookin’ Up,” Jessica (Katie Cunningham) and Peter (Timmy L’Heureux) attempt to have a “perfectly normal Tinder date.” I’m not sure if either have any personal experience with the popular dating app but they do a fine job tackling the awkward conversation that follows. “Oh you like to travel? How orig…too bad your haircut isn’t allowed out of the country,” Katie muses.

“In my last relationship we bought a printer together and when we broke up it was just awkward,” says Peter. The nine minute short film directed by Michael Busch is an unassuming ode to the sometimes bizarre world of relationships…and Scattergories.

The Mermaid Story

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“The Mermaid Story,” the 14 minute short film from Director James Snapko, would have fit in well at the Twin Cities Film Fest in previous years as one of the educational subjects the festival has tackled is the issue of bullying. Although short, this movie’s narrative proves what can happen when people are pushed too far and constantly told that they are stupid or not good enough.

The story centers on two brothers, Curt (Max Giles) and Ace (Chase Hammond), who own a bar in Northern Minnesota. (As the movie was shot on location in Outing, some might recognize local landmarks.) When Curt comes in after a day on the lake and tells of seeing a mermaid in the water, his bar tale is met with skepticism. “What an idiot,” they say.

Giles does a good job of conveying the hurt and anger someone can feel when they are dismissed indifferently. When his brother says angrily, “Okay, show me your water whore” a day on the lake turns into something much more sinister. This film is a good reminder that words do matter.


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Twinsburg

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I grew up with fraternal twin brothers, so I’m immediately intrigued by the premise of identical twin brothers reunited for the largest twins gathering at Twinsburg Ohio. It’s a semi-autobiographical tale from director Joe Garrity, who stars in the film with his real-life twin Phil Garrity. They both have a certain deadpan delivery that’s really a hoot to watch.

Joe plays Jerry, who’s still sentimental about his twin identity and thus more excited about attending the festival than his reluctant brother Paul. It’s amusing to see them riding a tandem bike in their matching costume-y suits, and participate in multiple festival competitions from talent show, most-alike contest to singleton hunt in the woods.

Filmed at the 2014 Twins Days Festival, it’s a quirky, funny yet bittersweet tale of coming to terms with how their childhood tradition no longer fits their changing adult lives. There’s a hint of romance with fellow twins who seem more comfortable doing things apart. Joe Garrity is certainly a talented filmmaker with comic talents, I’m curious to see what else he’d come up with in the future. 

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What’s in store for closing day!

Stay tuned for more TCFF reviews with Harold Mintz (of 1-800-Give-Us-Your-Kidney short), actor Dominic Rains (who’ll receive the TCFF North Star Award tomorrow night), and director Jon Weinberg (Funeral Day).

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Jon & Dominic in ‘Funeral Day’

FUNERAL DAY’s second screening:
Saturday, October 29 – 10:30am 

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TCFF 2016 Reviews: ‘Oxenfree’ + ‘The Eyes Of My Mother’

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‘Oxenfree’ Review

oxenfree Many of us may remember that expression we used at the end of our games of Hide and Seek – “Olly, Olly, Oxenfree!” The longing to return to juvenile games and stories is a theme in “Oxenfree,” the feature film that had its world premiere at the Twin Cities Film Fest last night. I had the pleasure of being in attendance with the director (Dan Glaser) and actors Steven Molony (Aaron), Paul Vonasek (Roy) and Timothy Lane (Benjamin). Undoubtedly there were many family and friends in attendance as the cast and crew received loud applause when the ending credits rolled.

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Oxenfree tells the story of three estranged foster brothers who return to the family cabin to rediscover the ruins of their childhood kingdom “Oxenfree.” Shot in the Fargo/Moorhead area, I appreciated the beautiful fall scenery throughout the movie. As it only features three actors (aside from a brief appearance of Kelli Breslin as Katie, Aaron’s girlfriend), the strength of this movie really comes from the actors’ camaraderie. It’s obvious these young men enjoy working together and their affinity for each other makes their characters more believable.

The one quibble I had with the film was that it didn’t seem to be able to decide whether it was a comedy or a drama so at times it seemed stuck in a muddling middle. (Even the actors at times looked confused about how to play a scene.) After Roy reclaims his “throne” (an old toilet) in the middle of the forest, he takes a cell phone call from his wife. And then moments of levity like this diverge into a medical drama concerning one of the other brothers. The production value of this movie was there, it just seemed like the script needed a little more work.

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Am I saying I didn’t enjoy the film? I am not. One of the strengths of a film fest is to see movies at many different levels of development. During the post show Q&A, Timothy Lane (Benjamin) talked about how this was the first film he has acted in and discussed the technical side of learning to act on camera. Paul Vonasek also shared how they came up with part of the plot – “We didn’t really look alike but we wanted to do a movie together so that’s how we came up with the idea of being foster brothers.” Oxenfree isn’t going to change your life but was it an enjoyable way to spend a cold and rainy evening? Yes.


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‘The Eyes Of My Mother’ Review

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Writing and directing a film that is both beautiful and horrifying isn’t easy- especially on the first try, and especially at the young age of 26 (which makes me, at 28, feel like a total underachiever). But newcomer Nicolas Pesce has managed it with his already critically-acclaimed movie, The Eyes of my Mother. While it has its flaws, it is an incredible debut, and it’s a promising start to what will hopefully be an illustrious career for Pesce.

The Eyes of my Mother is about Francisca (Kika Magalhaes), a young woman who tragically loses her mother an early age, and, through the trauma and following isolation, develops an unnerving hobby. I won’t say much more, for fear of spoiling the plot, but I will say that Francisca’s mother used to be a surgeon, and the two of them would practice dissections on cows, so the girl knows how to use a knife. I’ll let your imagination fill in the rest from there.

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The movie begins on a tense note, and is able to hold that suspense throughout most of the film, thanks to both Pesce’s skillful directing and the cast’s strong acting. There is very little background music, which creates an unnerving atmosphere. There are frequent shots from the first-person perspective and just over the actors’ shoulders, obscuring their faces, creating both an air of uncertainty and an opportunity for the actors to demonstrate their acting abilities by relying solely on their line delivery. Shooting the film in black and white was an excellent choice as well; it enhanced the shadowy scenery, and the starkness made the tone even more unsettling.

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That’s not to say the movie is without flaws. It’s a relatively short film, clocking in at only an hour and sixteen minutes, which doesn’t allow much time for character development- and in a movie where so much of the film centers around one character, it was especially needed. The short runtime also meant certain plot points weren’t properly explained. Ambiguity in horror movies can be a powerful tool, but too much can confuse the audience and take them out of the experience.

While The Eyes of my Mother isn’t a perfect movie, it is still a stunning first film from a promising young talent, and I look forward to seeing more from him.



TWIN CITIES FILM FEST ANNOUNCES AWARDS FINALISTS!

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Moonlight,’ ‘Blood Stripe’ and ‘Iron Will’ lead 2016 awards contenders…
many finalists are set to screen during TCFF’s closing weekend!

Check out the full list of finalists here


Check out some of the studio features
playing in the final days of TCFF!

Stay tuned for more TCFF reviews and talent interviews!


TCFF 2016 Indie Horror Spotlight: Lake Runs Red – interview w/ director Jason Riesgraf + producer Jeff Fuller

Those who read my blog regularly knows I have such feeble nerves that I can’t handle most horror movies. But I’m always up for supporting indie films, especially Minnesota-made films! So when I got the chance to interview the filmmakers behind Lake Runs Red, I jumped at it. It’s a home-invasion horror + psychological thriller produced & filmed in the state, specifically in Atkins, which is about 2 hours north of the Twin Cities.

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Two college girlfriends go to their parent’s secluded northern Minnesota lake cabin to prepare for final exams. An uninvited visitor stops by. He isn’t there to study.

Director: Jason Riesgraf
Writers: J. Dan Moores and Jason Riesgraf
Cast:
 Kaci Wegleitner, Lauren Morris, C.J. DeVaan
Runtime: 66 min

Check out the trailer:


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Q: First of all thank you Jason and Jeff Fuller for chatting with me about your film. Talk about that title. I love that it has the word ‘lake’ in the title, the fact that we’re in the land of 10000 Lakes. So how did you come up with that?

Jason:  Yeah it was a very difficult process to come up with it. When I started writing it was actually called Panic, and that was kind of the title. And then that ended up sticking for a while. And then we did we kind of did with Jeff, our marketing director. We kind of did some you know some Google searches and realized that that wouldn’t be the best way to hit a target audience. So we kind of we kind of left it at that for a little bit and as we left it, we spent a while coming up with what would signify this film…  you know, lake is an obvious choice. You know in Northern Minnesota, everybody knows that… and then you know it’s because it’s a horror movie, we kind of played some with some words and then we came up with Lake Runs Red.

Jeff: Yes, in fact I spent about nine hours researching and coming up with those titles. We have this gigantic list, but yeah, this one works well in our favor. We love it.

Pictured: Lauren Morris | Photo Credit: Mike Ascher
Pictured: Lauren Morris | Photo Credit: Mike Ascher

Q: Indeed it’s a great title, I love it too. So what inspired you to this story?

Jason: The biggest inspiration, I mean the [sub] genre of the film is actually home invasion, and home invasion to me is my biggest fear. Home is where he feels safe home is where you feel comfort, and when somebody invades that it’s not a fun feeling. And so I kind of played out my own fears and wrote it you know, from my perspective of what a home invasion would feel like. And coincidentally enough we actually, my wife and I had our house broken into while we were filming. So it kind of you know, I actually lived that what that fear is. And I’m hoping that that’s what the audience sees when they see it in the picture.

Q: Is this from the perspective of the invader or the invadee, if there’s such a word, I mean the people who were invaded?

Jason: Well, it’s not really from anybody’s perspective. It follows two college seniors and what happens after these traumatic events happen to them at the cabin.

Jeff: But the invader is one of the main characters.

Jason: So yeah, we have one main villain and then we have two college seniors.


Q: The reason I’m asking is the recent box office home-invasion horror/thriller Don’t Breathe starring Stephen Lang was from the perspective of the invaders. 

Jason: Yes I saw and it was worked very well. So yeah you can kind of use that spin on it if you want to. Except that this is in a cabin, so ours is a lot more secluded.

Q: Which in a way is scarier I think. I was just telling someone earlier, I’m actually not a big horror fan. I don’t have nerves of steel like most people, I get scared very easily. I also get really a headache if I watch those found-footage type movies. So what’s the filming style of this one?

Jason: We had very minimal very minimal tripod, we only used tripod where it was appropriate. We we don’t have the found-footage, shaky cam, we do run on a steady cam. So the steady cam we use was weighted, but it still showed kind of traumatic camera shots.

Q: So you wouldn’t categorize this film as a found-footage film then? 

Jason: No, no, I won’t categorize it as that at all. It’s not like Blair With where the shots are very shaky. You know my plan going into this is I don’t want to make people sick by the camera. It can take too much focus out of the story. You have to be wired for that kind of stuff.

Pictured: Kaci Wegleitner | Photo Credit: Mike Ascher
Pictured: Kaci Wegleitner | Photo Credit: Mike Ascher

Q: Ok, make sense. Now my question for you Jeff. You wore multiple hats here, you were the producer, art director, camera department and editor. What’s that experience for you?

Jeff: It’s been an amazing experience. You know I’m so glad to do this with one of my best friends Jason. And he was nice enough to bring me on this film. It’s a funny story, like when we started this it was like ‘Oh, so we’re really doing this! Let’s go for it!’ I think it’s probably the best experience to wear these different hats, from editor to producer to all that, you get such a ingratiated role into the whole process. It’s just been absolutely tremendous.

Q: Now, question for both of you. What’s your most memorable experience from making this, whether good or bad moments from filming?

Jason: Well, probably the most memorable is when we were actually at a production meeting and my house was burglarized. I mean that’s life imitating art you know. That was probably the most traumatic for me, and most unique experience that we had while filming.

Jeff: Oh, relive that experience when you drive home from the shoot one night and you got stopped…

Jason: That’s a great one too yeah. We actually we’re wrapping up from a quick little couple pickup shots up in Northern Minnesota. Getting up there you actually take a lot of very secluded roads, which if anyone knows northward it’s always the case. You know you take a left here and you go out the gravel road for 14 miles and that’s kind of it. And it turns out for some reason that night, it was I think it was maybe mid August, beginning August. My alternator went on my car and I was stranded on a the world’s most disgusting road, literally next to a barn for three hours waiting for a tow truck. I’m by myself and I had no cell service to look anything up. So all I had was my dying battery because I had no battery left in my car enough to call my wife and tell her you’ve got to give me a tow truck and I’m in the middle of nowhere and trying to explain to them where I am. I mean if it’s going to happen to anyone, it’s going to happen to me.

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Q: Oh my, well I’m glad to see you are okay! Now, last question… I was on your Twitter and you have a huge following on social media (12.3K followers). Is that a big part of your marketing and how did you build that huge following prior to the film opening?

Jason: I knew more about the physical parts of making a film. Marketing I didn’t know much about it. When I talked to Jeff about how we’re going to market this film, it’s like I don’t know. Then he said, I tell you what, I’ll take care of your marketing for you. I think within a year we were already have like 6 or 7000 followers. And I don’t know how he did it or what he does, but he handles most of that. I don’t watch him do it because that’s not really my thing.

Q: I feel like Twitter is sort of the water cooler, the internet water cooler, so it’s good to have that presence for your film. 

Jason: I’d say Twitter is our biggest success, by far.

Jeff: Yeah, I would say that social media has been the cornerstone of our marketing right there. It’s kind of the greatest equalizer on the Internet which Twitter was smarter our number one just because you can have conversations with the fans directly. Correct. We’ve had so many friends and some of the particular fans who still to this day constantly ask us hey how’s the movie going and stuff.

Jason: We’ve been on YouTube channels doing interviews me and some of the cast and crew, my co-writer and some of the cast and crew we’ve been on. We were featured on some humongous horror websites, Modern Horror, Movie Pilot, etc. So that was all Jeff, he took what we talked about marketing with a grain of salt and he took it as far as he could with it.

Q: So are you both horror fans yourself?

Jason: I am. I’ve been since my first four movies and really when I was nine or so, Nightmare On Elm Street, it has been in my blood. I mean there’s nothing really that I can’t handle. I mean there’s some stuff that makes me squirm, which is what I love. So Jeff, I actually brought him, so the last one he ever saw was when he saw with me and he couldn’t really handle it.

Q: What is it?

Jason: It was Hostel. After he saw that he kind of like you know what, I’m done watching horror movies with you. Yeah, you have to take that on your own.

Q: Oh slasher flick is a whole other genre entirely that I avoid.

Jason: Ours is more psychological thriller. It’s the home invasion aspect, about not knowing really what’s going on in our head.


THANK YOU Jason and Jeff for chatting with me about Lake Runs Red!

Check out some behind-the-scenes photos of the film:

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What’s in store for Day 10 of TCFF!

Stay tuned for more TCFF reviews and interviews…
and the finalists of TCFF Awards!


TCFF Indie Film Spotlight: ‘The Architect’ + Interview with writer/director Jonathan Parker

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When I saw the trailer for this indie film, I was immediately intrigued! Firstly, I LOVE Parker Posey AND James Frain, and the premise sounds ripe for an offbeat comedy.

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When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs. Parker Posey and Eric McCormack played the affluent suburban couple Drew and Colin and James Frain plays the title role, Miles Moss.

Billed as a comedy, it’s not quite a slapstick in style but more about amusing situations and dialog. I love Parker Posey and she’s her usual fun, quirky self here. The story does have some darker moments, especially towards the end. If you’re watching this movie as you’re thinking about building a home, it’d certainly make you more cautious about hiring your next architect  😉 I think the funniest moment is when the couple AND their builder Conway (John Carroll Lynch) saw the model of their house for the first time at Miles’ office. Their expressions, especially Conway’s, is hilarious!

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I don’t think the film paints architects in a bad light, it’s more about an overly-ambitious man who happens to be an architect, not necessarily a commentary about the profession. I do think it made for an interesting commentary about a privileged suburban life set in a gloriously scenic Seattle, WA area. It’s another film that practically doubles as a tourism video of the region it’s filmed in. True to its title, it also features some very interesting architecture, including the house their building. But I think the most impressive architectural style is Miles’ architecture studio, it’s so strange but beautiful at the same time.

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Check out my Q&A below with filmmaker Jonathan Parker whose work include Bartleby, The Californians, and (Untitled).

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Behind the scene – Production designer Trae King, producer Deborah Parker and director Jonathan Parker
Behind the scene – Production designer Trae King, producer Deborah Parker and director Jonathan Parker

1. I read in an article in Conversations.org that you had an interesting path to becoming a filmmaker from being a musician for years, and that you grew up in an artistic family. Would you share a bit about that and what inspires you to be a filmmaker?

I was playing in a band in the 80s and we made a couple of self-directed music videos that did better than the band was doing. I felt I needed to put the pictures with the music so I shifted from songwriting to screenwriting. Yes, I come from an artistic family. My mom is an artist and my dad was a musician, among other things. My mother founded the Museum of Craft and Folk Art in San Francisco, which closed a couple of years ago after a 30-year run.

2. The Architect isn’t the first film you did that deals with the world of art and design (i.e. (Untitled)). How did you (and or your collaborator Catherine DiNapoli) come across the idea for this film?

I had the idea of an architect who considers himself a visionary genius, without any evidence of that, and without any thought of serving a client. The story deals with the art vs. commerce theme that I’ve used in all my films, in some fashion. Meanwhile, Catherine, my-co-writer, was suffering through a relationship that had the same dynamic as Parker’s and Eric’s characters, so we used that.

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Drew, Colin and Miles at construction site

3. There are quite a lot of architectural jargons and quotes from famous architects. Did you consult many real architects for this movie?

Yes, we consulted a few architects and I did a lot of research.

4. I really like the trio of cast. Both Parker Posey and Eric McCormack are such great comedians and I’m a big fan of James Frain’s work as an excellent character actor. Would you talk about the casting process, especially how you come to cast Frain as the architect?

Both Eric McCormack and James Frain came to our attention from the casting director. Parker and I have a mutual friend, who helped facilitate our meeting. I agree the three of them had great chemistry together.

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5. The scenery around Seattle Washington is absolutely stunning. How did you end up choosing that particular area for your film?

We came to Washington for the tax credit and also received a grant from Snohomish County, where most of the film was shot. When we got there, I was struck by the physical beauty of the area and decided to feature it.

6. I have to ask how Lars Ulrich is one of the associate producers, did you know him from your days as a musician?

Lars reached out to me after he saw (UNTITLED) and we’ve been friends ever since. We both live in Marin County. He was helping me produce another movie before THE ARCHITECT, which we put on hold and are now working on again.

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7. Lastly, have you shown the film to some architects? I’m curious as to their reactions to the title character Miles Moss.

Many architects have seen the film. Most really like it. Some feel I’ve set the profession back fifty years. Thankful to have that power! I could have created a more realistic architect character who is congenial, responsive and service oriented, but it may not have been very funny.

 


Check out some of the Minnesota-connected films playing this year


We’ll have another interview post coming soon!
Stay tuned for my Q&A with the director and producer of MN-made horror film Lake Runs Red!


TCFF 2016 Documentary Reviews: ‘In Search Of America’ + ‘Beyond The Thrill’ + ‘The Unrelenting Charlie Davies’

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There’s no shortage of great documentaries at TCFF! Today we’ve got a trio of reviews, thanks to FC contributor Sarah Johnson, my awesome reviewing partner during the film fest. Check out her bio page here, she’s a MN-based freelance writer who also writes for City Pages.

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‘In Search Of America’ Review

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Haven’t gotten enough of the presidential campaign over the past year? Throughout In Search of America, Marc Kornblatt, a former elementary school teacher from Wisconsin, crisscrosses the United States asking people from all walks of life about the issues of the day.

In one scene, Jonathan Katz, a professor of physics at Washington University, says, “Unless someone is a criminal or a terrorist, we should welcome immigrants.” In another scene, Heather Creighton from Toomsuba, Mississippi says, “I try to avoid politics and express what I believe in, which is the good Lord above.” As the camera pans out, you can see she is sitting under a Confederate flag. “It’s not a bad flag…I don’t know why everyone thinks it is?” She wonders.

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So this documentary definitely has a point of view but the more I watched it and listened to the people being interviewed the more I felt like it was not about what political party you belong to or where you live, it was just a very human portrait of people struggling along in this country as best they can. “My father was in the military so I grew up overseas,” said Joanne VanDeusen. “I wish every American could have the opportunity to travel outside of the United States and meet the real people of the world.”

A quote from Edith Neimark, a diminutive white haired lady from South Brunswick, New Jersey, summed up the angst of many Americans when she gave her opinion on the bloodshed around the world. “Kill someone because you don’t like them? What’s that going to solve? But how do you stop it? I have no idea.” “As we say in the Badger State,” Kornblatt opines near the end of the movie, “Forward.” What other choice do we have?

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‘Beyond The Thrill’ Review

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Mixed with creative camera work and a frank discussion about what draws them to such a risky endeavor, “Beyond the Thrill” is an intriguing look at the world of competitive skydiving. Director Jason Schumacher (some Twin Cities Film Fest regulars may remember him from winning the Short Film Audience Award for his Sad Clown in 2014) finds some beautiful scenery as a backdrop to showcase a four person team at terminal velocity.

“That feeling in your stomach after you jump…I was kind of afraid of it but I loved it,” says one skydiver. “You could be a doctor or you could be a garbageman…it doesn’t mean much at the drop zone,” says another. Schumacher does a good job highlighting some of the work the team does (in one scene they are rolling around on skateboards to practice their routines) and also interviews United States Parachute Association Regional Judge Jon Goswitz on how each team gains or loses points for completed formations.

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It doesn’t shy away from the inherent danger either: in one scene, Andy Junghans, wearing a Skydive Twin Cities hat, tells the story of a fellow skydiver who didn’t react quickly enough when his chute got tangled up while in the air. “When other divers reached him, they saw that his femurs were shoved up into his rib cage and he was gurgling blood…he stayed like that for about five minutes until he died.”

While it would have been interesting to learn more about what these people do in their “day jobs” or how their family and friends feel about their hobby, Schumacher ably brings us into this intense world of adrenaline.

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‘The Unrelenting Charlie Davies’ Review
(documentary short)

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Given what he has gone through in his life, The Unrelenting Charlie Davies, the 17-minute short film directed by Bryan Reisberg that premiered earlier this year on ESPN2, feels like a missed opportunity. It features Charlie Davies, once called “the most promising striker in American soccer,” and his recovery from a horrific car accident that nearly took his life.

Davies was a popular athlete who went on from Boston College to play for the US national team. In 2009, he got into a car with two women he didn’t know well and was injured when the driver smashed into a metal guardrail. With a shattered femur and a fractured skull, one of his friends said “he looked like he was dead.” The movie seems to skip ahead to his first game after the accident where he, despite having a right leg 1 ½ inches shorter than his left, scored two goals.

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It would have been interesting to learn more about the aftermath and psychology of the accident: What was it like to survive that? To what do you attribute your ability to go through that and come back to play soccer at a high level? What has changed in your life as a result of the accident? It was well done (I’m not a soccer fan but I enjoyed his biography) but it just felt like the filmmakers could have dug a lot deeper.

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What’s in store for Day 8 & 9!

Stay tuned for more TCFF reviews and interviews!


TCFF Indie Film Spotlight: ‘Miles Between Us’ + Interview with lead actor Dariush Moslemi

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I love road movies and Miles Between Us is an engaging mix of road trip + inspirational family drama. It’s a Minnesota-made production, and most of the scenes shot around the Twin Cities, so it’s cool to see a sold-out screening of it on Sunday. It also has a Minnesota crew, including one of TCFF staff members Briana Rose Lee who was the assistant director and wardrobe person!


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My review:

The fact that I didn’t grow up without a father, this film certainly resonated with me quite a bit. Interesting too that the father, Scott Dauer, is a film producer, just like my late dad was who was a screenwriter. The relationship of father and daughter (played by Dariush Moslemi and Anna Stranz, respectively) is pretty compelling, starting out testy but they slowly bond as they spend more time with each other.

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The dialog feels natural, peppered with comic moments as well as profound spiritual conversations that is organic to the story. I enjoyed the performances from both leads. There’s humor and touching moments, which makes the road trip far from boring. The only part that I find a bit awkward is the scenes between the daughter and a film star her dad’s pursuing for his film. Overall though, it’s a well-crafted and well-acted Minnesota-made indie drama that should appeal to teens, families and the faithful communities. Props to writer/producer Scott Peterson and director Andrew Hunt, it’s a lovely little story of pain, hope, healing, and redemption.

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Five questions with Miles Between Us‘ lead actor Dariush Moslemi:

Q: Ok so my first question is how did this project first come together for you. It sounds like you’ve met producer Scott Peterson before?

Right. So I worked with Scott and Diane Peterson who are the producers of IIFilms several years ago, and my wife was actually good friends with Diane through my wife’s mother’s work. Long story short. And anyway they’re wrapping up getting ready for their pre-production on the first film The Current, and they were still looking for one particular role a man playing in his mid thirties and I played a father and I was in my mid and on his father and so I really thought that I could do this but my brother is a professional actor in L.A. And so I said I’d pass that on to him, so I did. My brother had to pass it, he had other work going on. Then I told my wife, I said for some reason I really want to just audition for this list. Call it a bucket list or whatever. So I called up Scott. I tracked down his phone number because he didn’t give it to me and I said that Look, I don’t mean to bug you but I like to audition for this. He’s like ‘You know you don’t have the experience, on and on.’ And I said ‘Just give me five minutes, I’ll come to you.’

So I drove an hour into his home and audition for that role. And within five hours, he called me and said I had it if I wanted it, which was a supporting lead role on The Current. And so that’s how I met the Petersons officially in the film world. And I worked with them on that project and then I’ve done a feature film in between. And then Scott and Diane let me know they were doing Miles Between Us. And so at that point I expressed my interest, I said I’d like to audition for it. They brought in Andy, Andrew Hunt as the director. And he was the one who really put me through the paces. So Scott and Diane were pretty much set, they liked me for the role but Andrew wasn’t sure, which is ok. You know he was still getting all his options and had me audition and audition and audition. I mean tons of callbacks, it took months and eventually I got the job. So that’s how I came to be the lead in this movie.

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Q: So what attracted you to the script? Did you connect to the story in some ways?

Well, it was fun to play a lead role [laughs] It’s also nerve wracking because if this thing doesn’t do good we kind of knows what it is but it’s the opposite of everything that I have I’ve done it before I’m playing a character who left his family a long time ago. And in the real world I have five kids with my wife. I met my wife. She had already had four children before we got married and we had another baby together so it’s really kind of the antithesis of who I am, you know. And so it was a lot of fun to dive into kind of a darker character somebody who is not so good and has made some pretty selfish choices in life. Not saying I’m perfect in real life but it was just fun to dive into this because on screen I’ve never played that character before, and it was really intriguing to play something comedic, something fun, but at the same time narcissistic and and just kind of just really self-absorbed. But also the growth in the change through the film of going away from that. The ‘growing up’ into this different person, but it’s not so dramatic of a shift…I’m still me being that character, just a little bit different. A little bit a change that’s not so dramatic that it’s not believable. I like that, very much. It was just a realistic ‘Ok this kind of changed me.’ I really enjoyed playing that character.

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Q: Speaking of that, I kind of like spiritual aspect that seems organic to the story. It’s not that they set out to make a certain story with a particular message. Is that something that is deliberate from the beginning?

I would say yes. And I mean Scott and Diane have a beautiful faith and their vision for what they want their films to do is enormous. And it was really great to play it in such a way that it wasn’t force feeding the audience. It’s almost like you get some films don’t trust the audience to get it. And Anna Stranz (who played Scott’s daughter) and I had a great opportunity to still work with Andy, to still work with Scott, and to take some of our lines and alter them just to make slightly just to make sure that it’s really like a true conversation, not something somebody told us to say. And and that is I think what I hope comes across as I see in the film. But our intention was for it to come across as ‘Yes, it’s a faith-based film. Yes, it does speak about this area [of faith and spirituality], however anybody could watch it and won’t be insulted by it. At the same time there’s truth in it. There’s there’s aspects about it that are along those lines, they’re there, but they’re not forced down your throat, but it’s not beating around the bush, either. It’s not a Lifetime film, you know, it really is what it is. Our whole goal we set out as actors, Anna and I myself, and Anna who played Gaby my daughter did an unbelievable job at this being it’s her first time in film. She did such a fantastic job and we were able to play off each other because I’m the one who’s playing the non Christian father who doesn’t care, he doesn’t want to know. Anna’s playing the daughter who’s going to Christian school. And so the debate is between her and I. I think it’s relatable to anybody. Yes. I think you can relate to it. It’s just that really you’re like I’ve had this conversation before and it’s okay to discuss these things.

Q: Yeah, it resonated with me as in the trailer there’s a conversation in the car where your character said something about that it’s too late. And she said, ‘You mean with you and mom or is it with God?’

Yes, it was kind of unexpected. I hope that it’s enough that it gets across, you know, because that’s what you want your audience to feel. You want them to think about and really walk away like ‘Oh yes I feel like I was in that conversation, I feel like it was in that car.’

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Q: So was this filmed here in Minnesota? I wasn’t sure as there are parts in L.A. as well in the film.

Yes, it was all filmed in Minnesota. It was different parts of Minnesota but all within about an hour or two the Twin Cities. So in order to make it look like we’re going through different states we may have to go south through the cities or North East of the Cities or East or West or whatever. Yeah. And there was that part was just kind of fun. I live in Stillwater so you know a lot of it was still far enough away that I would stay in a hotel.

A lot of this 16 hour drive won’t come in and be like you know on the ball by any means. So it felt like I was far away, but in reality it was here all whole time. While certain they did the car scenes like Scott and his dad did a fun road trip themselves. They literally flew out to L.A. got the same picture car that we have for the film at leased it and then drove across all the way from L.A. from the South Carolina, which is the film, they drive from L.A. to South Carolina. It took them about a week or something like that.

THANK YOU Dariush for chatting with me about Miles Between Us!


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Check out a plethora of FREE educational events (PDF) offered by TCFF, as well as other events such as Script Reading, Film Panels, etc.

TCFF 2016 Documentaries Reviews: ‘Denial’ + ‘Prison Dogs’

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We’re now on its halfway point of the 11-day film festivities! I’ve been watching plenty of documentaries back to back, and today we’ve got reviews of two excellent ones we highly recommend.

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‘Denial’ Review

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Our nation’s electrical grid and having a transgender family member. The two don’t seem to be related, do they? They will after you see Denial, the first feature film for director Derek Hallquist. The background for this movie and the story it turned into are as interesting as the film itself.

It starts out as a traditional documentary, with Hallquist’s father, David, the CEO of Vermont Electric Cooperative, attempting to educate his son on the shortcomings of our nation’s power grid and the threat of climate change. It’s a little wonky: “Okay, I lost you there,” the son says at one point.

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During the shooting of the movie, a family secret is revealed: his father has come out to the family as transgender and wants to live as a woman named Christine. One of the things I admired about this film is that it doesn’t sugarcoat the struggles the family goes through. “We didn’t know how to handle it,” Derek says. While he comes out to his family, he struggles to fit his new identity into his work life. “He says he’s Dave at the co-op because he has a contract,” his wife says. “Well, we had a contract too.”

Change is hard. Both of these situations are transformative social and moral issues. “We don’t think very much about the amount of electricity we use until it smacks us in the face,” Dr. Courtney Warren, a social psychologist, says in the film. The same could be said for the process the Hallquist family is going through. Through the work of an earnest young filmmaker, he uses his own family’s situation to bring a new voice to something that affects everyone.


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‘Prison Dogs’ Review

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This is one of TCFF’s Changemaker Series’ films playing this year tackling the topic of PTSD, and it’s no doubt one of my favorite docs of the year. The bond of humans and animals are undisputed, but the bond between service dogs and their masters are pivotal. Prison Dogs explores a groundbreaking program that offers the gift of a second chance to prisoners in which they train puppies to be service dogs for veterans with PTSD.

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The film is set in New York’s Fishkill Correctional Facility where the many inmates serve a long sentence for violent crimes such as murder and armed robbery. At the start of the film, a selected number of inmates get assigned a puppy to train, and the joy and excitement is palpable. For them this is a gift of redemption, it’s their chance to pay their debts to society in some ways. The show also shows Gloria Gilbert Stoga, the feisty dog expert who runs the Puppies Behind Bars program and her tough love approach to teach the inmates to train their puppies. It shows an amusing moments where these inmates are intimidated by her, who expects a 100% commitment and responsibilities from the inmates.

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It’s one of the most moving, as well as entertaining documentaries that truly make you fully invested in the subjects’ journey. Whether it’s the inmates, the dog expert or the veterans who gets to keep the service dog in the end, I care about each and every one of them by the end. This is what an amazing storytelling is all about, so I applaud directors Geeta Gandbhir and Perri Peltz, who each have won Emmys and Peabody awards respectively. I’ve never heard of this life-altering program before but I’ve come to believe that it just could be the answer to making a prison a real place of rehabilitation.

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Be sure to bring tissues when you see this one. The scenes between the inmates and their puppies tug your heartstrings, especially the ‘graduation’ scene where the puppies are now certified service dogs ready to go home with their new masters. The inmates kept a journal as they trained the dogs and it’s heart-wrenching to watch them say goodbye to their four-legged friends.

I can’t recommend this enough folks, run don’t walk to see this when it plays near you. It proves that despite the bleak subject matter, the film can be a joyful, inspiring and uplifting experience. It one of those documentaries I don’t even mind watching again!


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PRISON DOGS is now available on @iTunes, Amazon Video and Google Play.
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Get the TCFF App!

The TCFF app is such a lifesaver for me. Instead of futzing with paper that’s easily lost, download the app so you have easy access the film schedule at your fingertips! It’s got all the info for the daily educational events as well as film schedule, which is immensely helpful!

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What’s in store for Day 6 & 7!

Stay tuned for more TCFF reviews and interviews!


Guest Review: Ouija: Origin of Evil (2016)

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I’m going to be honest: my expectations for this movie were not high. This mostly has to do with its predecessor, 2014’s Ouija (brought to you by Hasbro Studios: the same company responsible for next fall’s My Little Pony: The Movie – no, I’m not kidding). Not that Ouija was awful- it was just forgettable: another lukewarm “teenagers getting in over their heads with the supernatural” horror movie. I was also concerned that, because Ouija: Origin of Evil is a prequel to the 2014 film, I would know what to expect and therefore not find anything about it scary. However, after viewing it, I was pleasantly surprised (which I realize is a weird thing to say about a movie featuring the demonic possession of a child). It actually ended up being one my new favorite modern horror movies.

Ouija: Origin of Evil takes place fifty years before the first movie, in the house the original was set in, where recent widow Alice Zander (Elizabeth Reaser) holds fake séances, insisting she is not scamming her customers, but rather helping them find peace after losing loved ones. She is assisted by her two daughters: teenaged Paulina (Annalise Basso) and nine-year-old Doris (Lulu Wilson). Alice purchases a Ouija board to add to her act, and, while testing it out, unwittingly causes Doris to become susceptible to the house’s malevolent spirits and quickly possessed by one named Marcus (played by human chameleon and Guillermo del Toro darling Doug Jones). Alice and Paulina join forces with Father Tom (Henry Thomas), the head of the girls’ parochial school, to free Doris from the spirit’s clutches and rid the house of an evil that has resided there longer than the family has.

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One of the movie’s greatest strengths was that it featured a mother and her daughters rather than a handful of one-dimensional high schoolers. The family focus made the stakes feel higher and the consequences more heartbreaking, especially thanks to the chemistry between the actresses. The movie was also well-paced enough to establish a strong relationship between the characters and give them dimension early on. My one gripe on this subject is that Doris isn’t quite as well-developed as her mother and sister; perhaps it’s because she’s possessed during the majority of the movie and isn’t herself, but getting a better idea of what she was like as a normal little girl could have made the change we see in her after the possession more unsettling (think Reagan in The Exorcist). Overall, though, the family was well-written enough for the audience to actually care about their fate- not an easy feat for a movie genre that often skips character development in favor of jumping straight into the scares.

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And man, were there plenty of scares in this movie. As I mentioned earlier, the first movie was pretty forgettable; there might have been a couple moments that made me jump, but I couldn’t give you any specifics, and I only watched it less than two weeks ago. The prequel, however, had plenty of memorable moments- moments that had me whispering “NOPE NOPE NOPE NOPE” and clutching my armrests in terror. Doris’s CGI’d, gape-mouthed face featured in the promotional material is truly chilling, and, surprisingly, isn’t any less eerie the more you see it. Even the more predictable parts were unnerving, just because they were built up so well. The writer and director, Mike Flanagan, is hardly a horror movie novice, and his experience in creating suspense and atmosphere shines here.

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As of my writing this, Ouija: Origin of Evil has an 84% rating on Rotten Tomatoes. It’s an impressive score for a horror movie, especially for a follow-up to such an underwhelming one, and it’s well-earned. Who would have expected the studio responsible for bringing us the Jem and the Holograms movie was capable of producing something genuinely scary? I would highly recommend anyone who enjoys horror check this out.


laurasLaura Schaubschlager is a Winona State University graduate with a B.A. in English, which is seldom put to use in my health insurance career (outside of cringing at the grammatical errors my superiors make in their emails). I’m an avid horror fan (movies, novels, video games- anything that makes me hesitate when I go to turn off the light at night), and I’m always looking for writing opportunities, although my current portfolio is made up of partially-completed short stories and an occasionally-updated blog: schaublahblah.wordpress.com.


Have you seen ‘Ouija: Origin Of Evil’? Well, what did you think?