My 2016 Oscar recap… in tweets, gifs and clips

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Ahhh the morning after… So did you see the telecast last night? I went downstairs to my entertainment room at 6:30 and was hoping the whole thing would just start at 7pm, but heh of course we had to get through all the red carpet stuff first. Someone tweeted that the Oscars is really just a whole bunch of commercials interrupted by an award show, heh isn’t that the truth!

Anyway, it must’ve been quite a whirlwind night for these four acting winners.

poses in the press room during the 88th Annual Academy Awards at Loews Hollywood Hotel on February 28, 2016 in Hollywood, California.
Photo courtesy of ABC.com

I did live tweet last night, but honestly I just didn’t have the energy (nor desire) to do a full writeup as I usually do, so I figure why not just do it w/ social media?

Red Carpet Stuff






The monologue & things…

For the most part I enjoyed the telecast, despite being so award fatigue by now. I have to say I was most curious to see how Chris Rock would fare as host. Well, I kind of have mixed feelings about it, though I did laugh at his no-holds-barred approach to the whole #OscarsSoWhite issue.

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Right away he addressed the massive elephant in the room full of industry folks…

“You realize if they nominated hosts, I wouldn’t even get this job! You’d all be watching Neil Patrick Harris right now.” 

In response to those who called for him to quit the hosting gig…

I thought about quitting. I thought about it really hard. But I realized they’re gonna have the Oscars anyway. They’re not gonna cancel the Oscars because I quit. And the last thing I need is to to lose another job to Kevin Hart, okay?”

He didn’t just roast The Academy and Hollywood however, he took some jabs at his own Black peers which I thought was hilarious!

“Everybody went mad [this year] … Jada [Pinkett Smith] got mad. Jada said she’s not coming. Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties. I wasn’t invited.”

“I understand you’re mad. I’m not hating. … Jada’s mad her man Will [Smith] was not nominated for Concussion. I get it … It’s not fair that Will was this good and didn’t get nominated. You’re right. It’s also not fair that Will was paid $20 million for Wild Wild West, okay?”

Double ouch! It didn’t stop there for Jada and Will as later on there’s a whole segment about Black History Month and it’s as if Angela Bassett was talking about Will Smith, but it turns out the person the Academy was honoring was Jack Black. ha!


I gotta say that the skit spoofing how hard it is for black actors to land a role in white Hollywood had me in stitches! Especially this one w/ Tracy Morgan spoofing The Danish Girl. Even Eddie Redmayne was laughing when the camera panned to him.


But the most discombobulating and cringe-worthy moment of the night goes to:

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“I cannot wait to help my people out, Happy Black History Month!”

Rock introduced Stacey Dash, who’s known for her role in Clueless and is now a Fox News commentator, as the “new director” of the Academy’s “minority outreach program.”

Yes I knew about her controversial remark back in January when she declared that there should be no Black History Month or BET, but somehow the joke just didn’t jibe and it seems off the mark as most people are baffled by the appearance.

So what does Rock really think about Hollywood?

Is Hollywood racist? You’re damn right Hollywood is racist. But it’s not the racist you’ve grown accustomed to. Hollywood is sorority racist. It’s like, ‘We like you, Rhonda, but you’re not a Kappa.’”

Rock certainly didn’t shy away from tackling the race issue head on, though all of this diversity stuff seems to be more about black vs white, whilst there are a slew of other races under-represented in Hollywood… and of course it goes beyond race as women still don’t get anywhere close to the same opportunities as men.

I do hope that as much as it’s uncomfortable and perhaps annoying to some that this diversity issue keeps coming up, perhaps it’ll signal change in the ‘inclusion crisis’ (which is a more accurate term to describe this whole diversity issue) that started long before any Oscar ballot was cast.


Now about those awards…

If all you care about is the four main categories…


Best Original & Adapted Screenplay Awards

I had put these two down as the who WILL and SHOULD win the two writing awards, so yeah I’m happy w/ the results!


Not a fan of Ryan Gosling/Russell Crowe combo, but…


Ugh, Sam Smith is singing that awful Spectre song!


Alicia Vikander won Best Supporting Actress!


First of SIX awards for ‘Mad Max: Fury Road’

Best Costume Design

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In the end, ‘Fury Road’ won the 6 Oscars in these categories:

  1. Film Editing: Margaret Sixel
  2. Costume Design: Jenny Beavan
  3. Makeup: Lesley Vanderwalt, Elka Wardega and Damian Martin
  4. Sound Editing: Mark Mangini and David White
  5. Sound Mixing: Chris Jenkins, Gregg Rudloff and Ben Osmo
  6. Production design: Production design by Colin Gibson; set decoration by Lisa Thompson

This i09 article describes my sentiment perfectly…

i09_FuryRoad_Oscars


So… Best Cinematography went to Emmanuel Lubezki.
He’s won THREE years in a row. Poor Mr. Deakins.


Best Film Editing


Best Visual Effects


Best Animated Feature


Best Supporting Actor

Ok so I was rooting for Sly Stallone to win this but I can’t really be disappointed by Rylance win though, it’s not like he didn’t deserve it.


Best Documentary Feature

It goes to AMY. I haven’t seen it yet but Asif Kapadia did the excellent doc SENNA. I have only seen ONE from the five docs nominated!


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Best Presenter Duo of the Night

Beasts of No Nation‘s Abraham Attah and Room‘s Jacob Tremblay, hands down. Both delivered Oscar-worthy performances in their own right, too!

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Lady Gaga performed a powerful and emotional rendition of her Oscar-nominated song Til It Happen To You from the sexual assault documentary The Hunting Ground. It gives me goosebumps watching it and it deservedly received a standing ovation.


But WTF, it’s followed by one the most underserving wins of the night, ugh!

Best Original Song


Best Director

It went to Alejandro González Iñárritu once again [sigh] Soooo bummed for George Miller 😦

THIS.


Best Actress

I thought Brie looked radiant in a blue gown last night… and she gave a gracious speech, thanking everyone from her co-star Jacob Tremblay & boyfriend Alex Greenwald to the moviegoers who saw it.


Best Actor

So Leo DiCaprio finally catches a break! 😉


Best Picture


My Oscar predictions tally

Well, out of the 16 categories I predicted, I got 11 right, so not bad!

Of ALL of the categories I put down for SHOULD WIN, I’m most disappointed by George Miller losing and Roger Deakins losing yet again for the 13th time. Sheesh!!

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The legendary Mr. Deakins hard at work


Some of my fave gif-worthy moments of the night:

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Methinks Jacob Tremblay would like to be in the next Star Wars movie. How ’bout that Disney?

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LOVE that whole girl scout cookies thing, it always makes for some amusing gifs afterwards!

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LOVE Keaton’s performance in Spotlight, I suppose if Fury Road didn’t get it, I’m glad it went to this film!


That’s it folks, the culmination of Hollywood award season is now over… thank goodness!


So what did you think of last night’s ceremony? Glee, gladness & gripes? Let’s hear it!

The obligatory Oscar predictions post: Who will win & who should win

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Well, it’s that time of the year again… tax season and the Oscars. We’re in fact doing our taxes just before I worked on this post. Both are unavoidable and obligatory, well for most of us blogging/writing about movies anyway.

This is the first year I’m actually looking forward to the opening monologue more than the main event. I can’t wait to hear what Chris Rock‘s going to say about the whole diversity issue. But hopefully the whole thing won’t be too heavy handed and we get to see him poke fun at a bunch of celebs, as to be expected.

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To be honest with you, even though it’s Oscar week, I hadn’t really been thinking much about the Oscars. In fact, I hadn’t been seeing anything Oscar-related the past couple of weeks, though we wanted to see Shaun of the Sheep movie last night, which was nominated for Best Animated Feature but there’s a connection issue so we watched another episode of Jessica Jones instead.

oscar-ballot-2016I’ve posted my thoughts on the nominations, but now that the big event is near, I thought I’d pick who will and SHOULD win the Oscars this year. I’m not predicting ALL of the categories though, just the ones that I have actually seen. Click on this handy Oscar ballot from EW.com if you want to see the full nominees.

So here we go:

BEST PICTURE

Who will win: The Revenant

Who should win: Mad Max: Fury Road

No doubt The Revenant is the frontrunner this year in many categories, but once the dust of award season’s settled I think Fury Road is one people will remember more in the end. It’s such a singularly unique film that’s spectacularly-crafted all around.

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ACTOR IN A LEADING ROLE

Who will win: Leonardo DiCaprio, The Revenant

Who should win: Leonardo DiCaprio, The Revenant

Even without having seen his performance in full as I have yet to see the film, I think it’s safe to say this is Leo’s year.

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Methinks we’ll see a repeat of Leo-Brie pairing in the leading performance category

ACTRESS IN A LEADING ROLE

 Who will win: Brie Larson, Room

 Who should win: Saoirse Ronan, Brooklyn

Having won pretty much every other award in this category, I think Brie will be this year’s Jennifer Lawrence. I still want to see Ronan win it though, as I think Ronan’s understated performance leaves a more lasting impression to me. It’s not a flashy role which takes an astute performer to pull it off so beautifully.

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ACTOR IN A SUPPORTING ROLE

Who will win: Sylvester Stallone, Creed

Who should win: Tom Hardy, The Revenant

I had been championing Stallone from the get go and I’m not surprised he’s the frontrunner in this category. However, part of me thinks that Hardy’s been overlooked in general despite his astonishing performance in no less than three films: Legend, Mad Max: Fury Road and The Revenant, which I read is just as compelling as Leo’s and that his character is actually more complex in the film.

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ACTRESS IN A SUPPORTING ROLE

Who will win: Kate Winslet, Steve Jobs

Who should win: Kate Winslet, Steve Jobs

I have only seen two performances in this category and I for one don’t think Rachel McAdams is THAT great to be nominated. I mentioned before that I actually wished for Kristen Stewart to be recognized for Clouds of Sils Maria instead of McAdams. So I’ll pick Winslet in this lot as I was impressed by her performance.

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DIRECTING

Who will win: Alejandro González Iñárritu, The Revenant

Who should win: George Miller, Mad Max: Fury Road

I’m going to borrow Variety‘s Justin Chang’s reasoning for what he called ‘a tour de force visual storytelling’… “[Miller] gave us far more than just a master class in how to block, frame, shoot and edit action.” Amen to that, let’s hope he’s properly recognized.

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CINEMATOGRAPHY

Who will win: The Revenant

Who should win: Sicario


Fury Road
and Sicario are both spectacularly shot. But I give Sicario the edge because Roger Deakins’ visual mastery has been overlooked time and time again. This is his thirteen nominations with not a single win so far. I read this article on Deakins and his approach to his work and how his imagery is done to serve a larger purpose is why he is such a legend.

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ANIMATED FEATURE FILM

Who will win: Inside Out

Who should win: Anomalisa

Though I wasn’t blown away by the story of Anomalisa, I think it deserves to win for being such a unique piece of art. It’s one of the most lifelike claymation and the story is unconventionally dark and moody for this genre.

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COSTUME DESIGN

Who will win: Mad Max: Fury Road

Who should win: Cinderella

I think Fury Road has won many awards in this category and I certainly won’t be fuming if they win again at the Oscars. But I’d LOVE to see Sandy Powell win in either category, especially Cinderella, given the incredible amount of gowns she has to design. I’m more enamored by Cate Blanchett’s dresses, though of course Cinderella’s sparkly ballgown in iconic in its own right.

CInderellaCostumes

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MAKEUP AND HAIRSTYLING

Who will win: The Revenant

Who should win: Mad Max: Fury Road

I think Leo’s severe flesh wounds from the bear attack will likely garner a win for the makeup artist. But the look of the characters in Fury Road is simply astonishing and unforgettable.

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MUSIC (ORIGINAL SCORE)

Who will win: The Hateful Eight

Who should win: Sicario

One can’t deny the masterful work of Ennio Morricone, who like Deakins have never won a single Oscar for an individual piece of work (he did won an honorary Oscar in 2007). But I was blown away by Jóhann Jóhannsson’s score in Sicario, which adds so much tension and dread to the film.

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MUSIC (ORIGINAL SONG)

Who will win: Writing’s On The Wall, Spectre

Who should win: Till It Happens To You, The Hunting Ground


Anything other than Sam Smith’s song please!! I think the melody of Writing’s on the Wall is fine but the song w/ his whiny voice is more like writhing against the wall. I actually just listened to Lady Gaga’s song Til It Happens To You and it’s a powerful one on an important subject.

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PRODUCTION DESIGN

Who will win: Mad Max: Fury Road

Who should win: Mad Max: Fury Road

war_rig_FuryRoad

It’ll be Fury Road hands down in this category. I mean, the set pieces of Fury Road is unlike any other film I’ve seen. The vehicles alone are incredible, as you can see in this top 10 list. They actually built every single one of those, instead of relying on CGI effects.

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VISUAL EFFECTS

Who will win: Mad Max: Fury Road

Who should win: Ex Machina

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I certainly won’t have any qualms if Fury Road wins again in this category. But I was thrilled to see the ‘little film that could’ Ex Machina, with its $15 mil budget get in the race. I’d love to see it win this thing because it’s a visually spectacular film that looks more expensive than it is. The look of the robot Ava alone is so unique in a plethora of robot movies in Hollywood. This film also happens to boast the first female nominee in the visual effects category in more than a decade!

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WRITING (ADAPTED SCREENPLAY)

Who will win: The Big Short

Who should win: The Big Short

The Big Short won best adapted screenplay at the Writers Guild Awards and also took the top prize at the Producers Guild Awards, so I’d think it has a big chance of taking home the Oscar. It’s really an unconventional take of a financial crisis, but the risk paid off. I wouldn’t mind The Martian or Brooklyn winning either, esp. the latter.

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WRITING (ORIGINAL SCREENPLAY)

Who will win: Spotlight

Who should win: Spotlight

I was simply blown away by this meticulous, sharp and understated film. Powerful without resorting to sensationalism or emotional manipulation. This is my second pick after Mad Max: Fury Road to win Best Picture, and if it won in this category, it’ll have a major chance of winning the top prize.

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I have a feeling this year there might not be a single film that’ll sweep all of the awards, but if that happens, I hope that’ll be Mad Max: Fury Road!

So that’s it folks. I’m only predicting 16 out of the complete 24 categories.We’ll see how many I’d get wrong tomorrow night 😉


Ok, so what are some of your Oscar winner predictions for this year?

2016 Oscar Nominations: The Good, the Bad and the WTF

Normally I’m excited for Oscar nominations, but this year it was overshadowed by a couple of things that happen around the same time. Just before I went to bed last night I heard news of terrorist attacks in my homeland Jakarta in multiple locations. One of the first bombs that went off was so close to my two nieces’ schools!! I immediately texted my brother and he was right in the middle of picking up his three girls from two different schools. Thank God they’re ok. It’s truly a scary world we live in.

And then of course in the morning I heard of the passing of one of my all time favorite actor Alan Rickman 😦 My heart is heavy. I shall do a tribute for Mr. Rickman this weekend.

Ok, well I suppose life must go on. So here’s my thoughts on this year’s Academy Awards nominations…

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Same like last year, I didn’t make a post of my nomination predictions this year, I only tweeted who’d be nominated for Best Picture and a few other categories. Well, I guessed correctly that it’d be 8 nominations, but apparently I got two wrong, but the two films that did get in were two I really like.

So instead of Carol and Anomalisa, Brooklyn (which was in my top 3 of the year!) and Bridge of Spies (which is in my top 20) were nominated.

Anyhoo, at 5:30 PCT, actor John Krasinski, Academy President Cheryl Boone Isaacs, and filmmakers Guillermo del Toro and Ang Lee revealed the nominees. View complete nominees list here.

Let’s start with the positive …

The Good

• YES, prayer answered!! Thrilled to see Mad Max: Fury Road nearly swept the Oscars with 10 nominations! I love hearing its name mentioned over and over as I was listening to it this morning [happy dance] 2 nominations short compared to The Revenant… and both starred Tom Hardy! 😀

• Happy to see George Miller amongst Best Director nod, yes!!!!

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• Speaking of the British hottie – YAY for Tom Hardy getting an acting nomination for Best Supporting Actor in The Revenant, woo hoo!!

• YAY for Spotlight! My #2 film of the year will probably be the biggest competition to The Revenant this year.

Nice seeing Batman and Bane both getting nominations 😉 Their roles couldn’t be more different, and their names were announced one after another this morning, too!

Bale_Hardy_noms
Bale in The Big Short and Hardy in The Revenant

Both Christian Bale & Tom Hardy are the best actors of their generation, they’re such chameleons who look so different from film to film.

• YAY for Saoirse Ronan amongst the Best Actress nominees! I’m rooting for her even though I think it’s going to be down to Cate Blanchett vs Brie Larson this year.

• YAY for Sly Stallone too!

Creed_SlyStallone

I had mentioned in my Creed review that it’d be interesting (and awesome!) if he did end up being nominated for an Oscar, as he did in 1976 for the first Rocky film. I’d think would mark some kind of record that the same actor is nominated twice playing the exact same role.

• Congrats Leo!! I surely believe this is his year. I mean, The Revenant swept the Oscars with 12 nominations and the Best Actor race is arguably not as strong as in previous years and amongst Cranston, Damon, Fassbender and Redmayne, I think DiCaprio is the frontrunner and if I were a betting woman, I’d put my money on him.

• Now, if you think Leo is the Susan Lucci of the Oscars, heh he’s got nothing on Roger Deakins! He’s been nominated 13 times, and every single one has been amazing too which adds even more insult to injury! Cinematography golden boy Emmanuel Lubezki’s nominated again and considered the frontrunner, but he’s got TWO Oscars in the bag two years in a row. Come on Academy, stop yanking Mr. Deakins’ chain and get him his overdue Oscar!

• The only one I haven’t seen out of this list is Straight Outta Compton. YAY for Ex Machina and Spotlight, quite surprised to see Inside Out and Bridge of Spies here, but both are very good films.

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• This is perhaps the rare year where I’ve seen ALL of the supporting actor nominees and  I agree with ALL of the Best Supporting Actor nominations. It’s a pleasant surprise to see an acting nominee from Spotlight, and Mark Ruffalo did get one of the showiest roles in the ensemble.

• I’m glad to see Cartel Land and The Look of Silence shortlisted in the Best Documentary category ! Now I haven’t seen the other four that are nominated so I can’t say who’s most deserving, but what Joshua Oppenheimer did with The Act of Killing was astounding, so no doubt he did an equally brilliant job with its follow-up doc.

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• Lots of GREAT composers amongst the Best Score nominees, wow! I mean Ennio Morricone and John Williams are practically legends. Now, Mr. Morricone is yet another ‘always a bridesmaid, never a bride’ nominee with 5 previous nominations, let’s hope this is his year also!

The Bad

• Well, I think the hashtag #OscarSoWhite will be trending again this year [shrug].

Here’s what the 20 acting nominees look like this year:


Another bad year for diversity. Just like last year, NONE of the acting nominees consist of an actor/actress of color 😦

My daily industry news reading led me to this reaction post by Variety:

But the most disappointing outcome is that, for the second consecutive year, all 20 of the acting nominees are white. No Michael B. Jordan or Tessa Thompson for “Creed”? No Idris Elba or Abraham Attah for “Beasts of No Nation”? No Will Smith for “Concussion”? And despite a best picture nomination, the cast of “Straight Outta Compton” was all shut out. No doubt, yet another year of an all-white Oscars, which is being widely criticized on Twitter, will be addressed by host Chris Rock at the Feb. 28 telecast.


• I was convinced to see Idris Elba‘s name on the list for Beasts Of No Nation, which from what I’ve read should’ve been recognized here. I think Michael B. Jordan was a very strong performer as well in Creed, though I think the Leading Actor category is more crowded than the Supporting one, so Elba surely had a much better shot and it’d be a deserving nomination too, not just to fill a diversity quota!

• Bummed to see Charlize Theron overlooked once again in Mad Max: Fury Road 😦
FuriosaScreams

For some reason there’s no love for Emily Blunt in Sicario. I’m sooooo tired of seeing Jennifer Lawrence, she’s nominated AGAIN this year, sheesh! I sure hope she won’t win this time!

• Not a good year for female talents either it seems. Only ONE female filmmaker gets a nod this year, that is Deniz Gamze Ergüven who directed the French-film Mustang. It sounds similar to Girlhood which is in my top 10 of the year (also a French film directed by a woman) so I should check it out!

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French drama ‘Mustang’

The buzz for Suffragette by Sarah Gavron seems to have sizzled before it even opened in major cities. I also heard tons of great buzz for The Diary of a Teenage Girl by Marielle Heller and got plenty of Critics and Film Festival noms, but it was overlooked by both Golden Globes and Oscars. Apparently 36% of Sundance Film Competition was directed by women according to Indiewire, well that sure sounds like a heck of a lot when female filmmakers are largely absent from major awards.

• Two actors who seem to have been overlooked are Paul Dano in Love & Mercy and Jason Siegel in The End of the Tour. I’ve only seen the latter and thought that Siegel did an excellent performance as David Foster Wallace.

The WTF

• Ok now, Writing’s On the Wall for Best Original Song?? REALLY?? Heh, I think the melody of the song is nice but gah, I can’t stand Sam Smith’s whiny voice and now it sounds like we’d all have to listen to him sing at the Oscars ceremony! Of ALL the years to recognize a Bond song, the Academy chose the most-maligned one that sounds more like writhing on the wall.

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The comedy/musical category is the most baffling thing about the Golden Globes but Oscar’s most baffling category is the downgrading of actors’ role prominence. As in the case with Alicia Vikander in The Danish Girl. Anyway you look at it, her role is a lead more than a supporting, but she’s nominated in the Supporting Actress category.

• Where’s Oscar Isaac?? No offense Mark Ruffalo, I think he’s an excellent actor but as much as I love Spotlight as a film, I feel like I’d rather see Oscar Isaac in Ex Machina who’s sooo much more memorable. Ah well, at least we have this awesome dance sequence to console us 😉

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• Oh and I never thought I’d say this but I’d have loved to see Kristen Stewart gets a nod for her performance in Clouds of Sils Maria. She became the first American actress to win a César Award in the role. I think she gave a far stronger performance than Rachel McAdams in Spotlight. Ok it sounds like I’m ripping Spotlight but I’m not, and if the two acting nods increase its chances to win Best Picture, then I guess I’m happy about that. But still it’s baffling that McAdams get a nod whilst Michael Keaton‘s left out.

• Last but not least, poor Sir Ridley Scott!

PoorRidley

The four-time Oscar nominees is overlooked despite his best directing effort in years. The Martian was a return to form for the 78-year-old filmmaker. Heh, let’s hope he gets another shot again as he’s no spring chicken.

 


The 88th Academy Awards will air on February 28 on ABC.


Well, that’s my reaction to the 2016 nominations. What are your Oscar-related delights and gripes?

FlixChatter Review: The Revenant (2016)

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TheRevenantPoster

I have to admit that I’m not the biggest fan of Alejandro González Iñárritu. I think he’s a very good filmmaker but many of his films are way to depressing to me. Heck I have yet to see his awarding winning film Birdman, so I was hesitant to see his latest picture. But after seeing a stunning trailer a few months back, THE REVENANT became of the films I most looked forward to seeing this winter.

Set sometime in the 1820s, frontierman Hugh Glass (Leonardo DiCaprio) is a fur tracker who’s part of a pelt gathering expedition that’s being lead by Andrew Henry (Domhnall Gleeson). As the film begins, Glass and his son Hawk (Forrest Goodluck) are deer hunting in the forest while his group are gearing up to get on their boat. Suddently out of nowhere, a pack of Native Americans starts attacking them. In an intense battle sequence, some of the crew were killed but Glass and the rest of the gang were able to get away. Later the group came to a rest at a camp site. While out scouting for any potential dangers, Glass was attacked by a bear. He’s badly wounded but was able to kill the creature. Moments later, Henry and some of the men found him. They stitched him up but realized he might not live for long.

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One of the crew members named John Fitzgerald (Tom Hardy) suggested that they leave Glass to die on his own since he’s badly wounded. This of course upsets Hawk and Henry refuses to leave anyone behind. As the crew are heading back to their settlement across the mountain, it became clear that they can’t carry Glass all the way back. So Henry offer money to any volunteers who will stay with Glass until he dies and give him a proper burial. Glass’ son Hawk immediately volunteered and so did a young crew member named Jim Bridger (Will Poulter). The third person to volunteer was Fitzgerald, his only reasoning was that he wants the cash. What Henry doesn’t know is that Fitzgerald didn’t care for Glass and he never intended to wait until Glass dies. What follow is a story of vengeance and survival in the harsh winter landscape.


DiCaprio didn’t have a lot of dialogue in the film but his performance really shines as he uses all of his body and emotions to convey a man who’ll do anything to get vengeance at the people who left him for dead. It’s obvious he wants another shot at that golden statue, I’m sure he’ll get nominated again but I don’t know if he’ll win it. Hardy turned in another stellar performance as the antagonist. I wouldn’t call him a “bad” guy, his action and reasoning are quite understandable, although I don’t agree with some of the things he did in the film. The two young actors, Goodluck and Poulter, also shines as sort of the innocent characters in this harsh time.

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Iñárritu directed the film with some interesting camera work, particularly in the battle/action sequences. He also paid a lot of homage to Terrence Malick’s films. Some might call it pretentious but I don’t see it that way. The movie is quite brutal when it comes to violence, the bear attack scene was the most intense and realistic thing I’ve ever seen on screen. Then there’s the eventual showdown between Glass and Fitzgerald, it’s brutal and bloody but believable to me.

The film was shot by the always-great Emmanuel Lubezki and of course it looks spectacular. See it on the biggest screen you can find. Also, I have to mention the sound design, it’s one the best I’ve heard all year. The film was recorded in Dolby Atmos, but unfortunately the advance screening I saw was at a 7.1 surround sound. But I’m planning to see it again at a Atmos theater. So find a nice big screen theater with great surround if you can and be amazed by the sight and sound of this film.

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I don’t pay attention to any award shows but I won’t be surprised if this film get lots of attention from Oscar or Golden Globe voters. It’s one of best films of the year and as of now, it’s my favorite of 2015.

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So have you seen The Revenant? Well, what did you think?