TCFF 2021 Documentary Reviews: After Antartica + A Fire Within

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After Antartica

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The title of Legendary Polar Explorer is not a title easily earned. Minnesota-born educator, author and lecturer Will Steger earned that title when in the years between 1989–1990, he was the first to dogsled traverse Antarctica, and the International Arctic Project. Then in 1995, he became the first and only person to dogsled traverse the Arctic Ocean from Russia to Ellesmere Island in Canada.

After Antarctica is a feature-length documentary that follows Will Steger’s life journey as an eyewitness to the greatest changes in the polar regions of our planet. Thirty years after his historic coast-to-coast expedition across the coldest continent on Earth, Steger is not only known for being the first in history to complete this historic feat – he is also the last. The documentary, directed by Tasha Van Zandt in her feature debut, goes along with Steger as he revisits the frigid continent, deftly weaving his contemporary journey with rare, dynamic footage of his original, treacherous seven-month odyssey.

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After Antarctica is “a journey across both poles [that] follows legendary polar explorer Will Steger’s life journey as an eyewitness to the greatest changes to the polar regions of our planet.” The part of coming out to this documentary is that there will be a Q & A after the movie with the Legendary Polar Explorer himself – Will Steger – who came to St. Louis Park from his home in Ely, Minnesota.


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Check out my recommendations of which TCFF films to watch


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A Fire Within

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This documentary tells a harrowing, emotional, but ultimately triumphant story about a subject matter I have not heard about before. In the mid 1970s, a violent political repression campaign called Ethiopian Red Terror, organized by council of military members known as the Derg against competing Marxist-Leninist groups in Ethiopia and Eritrea that killed over 700,000 people.

Edgegayehu “Edge” Taye, Elizabeth Demissie, and Hirut Abebe were jailed and tortured in their teens by Kelbessa Negewo, a Derg official nicknamed the “The Nightmare of Addis Ababa.” They managed to survive that ordeal and found refuge in North America, settling in Atlanta, New York, and Canada. Edge later found out that Kelbessa was working in the same hotel she did in Midtown Atlanta, as he was seeking political asylum after the fall of the Derg. The three women decided to finally bring Kelbessa to justice, which meant confronting something so brutal it made me shield my eyes a few times.

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There’s often a rather clichéd statement ‘you can’t escape the past’ that you see in an action movie trailer. Well, in the case of these three women though, having to confront such a distressing past is not something banal or trite, but a very real thing. Director Christopher Chambers employed re-enactment technique of the vicious tortures the women endured, which was really difficult to watch. Combined with the personal testimony of the women themselves as they recount their harrowing experience, we get to see their emotional struggles in a visceral way.

The film is produced by Liya Kebede, a renowned Ethiopian-born model and actress. It provides a good political context of Ethiopia that led to the Red Terror campaign, with the helps of political lecturers and their legal team (who worked on their case pro bono). But what really made the film effective is the firsthand account from these three brave women. It’s a powerful human rights documentary that packs an emotional punch.

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This film is screening online throughout the entire TCFF run… plus

FREE SCREENING ON SATURDAY!

October 30th, 12pm
Showplace ICON Theatres 

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PRODUCER/DIRECTOR – Christopher Chambers in Attendance!
To obtain free tickets, simply come to the TCFF Office at least 30 minutes prior to the screening to obtain vouchers.

TCFF OFFICE LOCATION
1633 West End Blvd. St. Louis Park, MN 55416


We’re halfway done with TCFF 2021, but there are still more great films to watch this week!

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To learn more about TCFF or get tickets visit twincitiesfilmfest.org


TCFF 2021 Reviews: A Northwest Passage + Everything In The End + Drunk Bus

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These film are currently available online throughout the entire Twin Cities Film Fest – Oct 21-30. 

A Northwest Passage 

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Shot entirely in the neighborhood of Northeast Minneapolis, A Northwest Passage tells the story of its residents, neighbors, business owners & employees, and activists who call that part of the largest city in Minnesota their home or place of business. Shot by Gregory Alan Paape and Tyler Paul Hudson during the four months between September and December 2020, the documentary deals with how people of various ages, faiths, skin color and sexual orientations have dealt with the events that came together in Northeast Minneapolis, in Minnesota and in the United States as a whole.

The COVID-19 pandemic, the unrest following the murder of George Floyd, the Presidential Election and  the ramifications of those events coming together made the year 2020 unique for everyone including the residents of Northeast Minneapolis. Paape and Hudson take us throughout one of the oldest neighborhoods of Minneapolis, as people are ordering takeout, catching a bus, shopping at Target or Cub Foods, or shooting hoops with their friends. The interviews they conduct with these strangers show that these people are more connected than they might realize. Even though they might not realize it, they share the same hope, fear and desire to make their community a better place.

I would strongly recommend this documentary for everyone who wants to learn about how one community survived the events of 2020 and came out stronger together.


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Check out my recommendations of which TCFF films to watch


Everything In The End

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The premise is quite simple; Paulo (Hugo De Sousa) has travelled from Portugal to Iceland, while still grieving from the recent death of his mother, a trip they were supposed to do together. While there, news the world has been waiting for finally arrives – earth will cease to exist in a matter of days. Unable, and somewhat hesitant to go back home to Portugal, Paulo is stranded in a small Icelandic village where not everyone speaks English, and he spends his last days wandering a delicate foreign land and encountering the people he will spend his final hours with. He makes intimate human connections with a mother and her son, bonds with another younger man with the help of a bottle of alcohol, and uses the help of a middle-aged man, who assists Paulo find his way around the Icelandic countryside. Each brief moment of human connectedness helps Paulo process his grief as he comes to accept the end.

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Everything In The End is directed and written by Mylissa Fitzsimmons, in her feature directorial debut. It was shot in Iceland with a crew of seven people and beautifully showcases the quiet natural wonder of waves crashing along the shores, while also exploring subtle themes of climate change and Earths destruction through meaningful visuals. Also, the character of Paulo is written as a relatable, vulnerable and charming young man who shares in film’s main theme; who are we, as humans, as members of society and as inhabitants of this planet? The answers to those questions may not be easily told in words but the film does so by showing us that it’s the small details in life that make us human.

Everything In The End is one of my “can’t miss movies” of the 2021 Twin Cities Film Festival!


Drunk Bus

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This equally funny and outrageous film follows the life of Michael (Charlie Tahan), who recently graduated from college. In his mid-20s, Michael’s futures plans get derailed when his girlfriend leaves him for a job in New York City, and he is left stuck in Ohio without a new plan of his own. The only thing left for him to do is to continue the endless loop of driving the “Drunk Bus,” the debaucherous late-night campus shuttle that ferries drunken college students from parties to the dorms and back. After several physical altercations with drunken college students, the bus service hires a private security guard named Pinnacle (fun fact: his real life name is Pineapple Tangaroa) to watch over the night shift and keep Michael safe.

The 300-lb punk rock Samoan, whose tattooed face is impossible to forget, gives Michael a good ass-kicking to try to force him to break from his “Drunk Bus” loop and start living his own life or risk driving in circles forever. Partly a coming-of-age journey, and partially a crazy, wild night of partying, the movie finds the perfect balance between a rowdy, indulgent comedy and a poignant and heartfelt drama.

Interestingly, this movie would fit well in this year’s TCFF change maker series topic of mental wellness; because Michael’s mental state in the movie really changes 180 degrees from start to finish.


One Time Online Screening Tonight!

Check out the details + get your ticket!

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Director: Iman Zawahry
Runtime: 91 Minutes

Set in Jackson Heights, Queens, New York, the film follows a relatable and endearing storyline offering a fresh perspective on classic rom-com tropes. Americanish delves into the complexity of trying to both honor and break from cultural traditions while balancing personal values and career goals in a society that does not always accommodate both.


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To learn more about TCFF or get tickets visit twincitiesfilmfest.org


TCFF 2021 Horror Reviews: Night at the Eagle Inn + The Curse of Raven Heights

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One of my favorite things about Twin Cities Film Fest is that it always takes place close to Halloween, so it’s the perfect time to check out independent horror movies I might not have heard of otherwise. While there aren’t quite as many this year as there have been in previous years (thanks, Covid), there are still some great ones to check out.

Even if you’re still trying to avoid large social  gatherings, there are several films, including a couple I recently watched, that are available for streaming. 

Night at the Eagle Inn

Director: Erik Bloomquist

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My first film was Night at the Eagle Inn, in which twins Sarah (Amelia Dudley) and Spencer (Taylor Turner) visit the mysterious and secluded hotel in Vermont where they were born, their mother died, and their father disappeared 24 years earlier. While horror stories taking place in hotels is nothing new (this one even has one fun homage to The Shining), it’s still a great setting if it’s well done, and fortunately for this movie, it is. There’s plenty of suspense and genuine scares without any need for special effects, proving that simple horror tropes can be effective when done well.

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Both the score and set design are excellent. The lead actors have great sibling chemistry, and Beau Minniear as Dean, the handyman, gives a really fun performance, especially toward the end. My one gripe is that some of the dialogue between the siblings, especially when they meet the eccentric night manager (Greg Schweers) comes across as awkward and unbelievable at times. Overall, though, this is an incredibly enjoyable horror movie. 


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Check out my recommendations of which TCFF films to watch


The Curse of Raven Heights

Director: Blair Smith

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My second film was The Curse of Raven Heights, which follows a widowed father, Kyle (Paul Economon), and his young daughters Robin (Sally-Anne Hunt) and Angela (Hannah Rae Theisen) as they travel to the home of his deceased Aunt Ginny to settle her affairs. They soon discover that Ginny and her sister were part of a coven, and a tragic event may have set in motion a curse affecting the family generations later. While this film isn’t quite as solid as the previous one- the writing is a little unevenly paced, and they try to fit a bit too much into its hour and twenty minute run time- there’s still a lot to enjoy.

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It’s beautifully shot, the score is lovely, and the family dynamic between the father and daughters is really nice. Some of the performances are a little melodramatic, but it mostly works with the tone of the movie. While the writing is a little messy at times, this is still an engaging, unique horror film.

Night at the Eagle Inn has screened at TCFF on Saturday, October 23rd at 9:30 PM and The Curse of Raven Heights is screening on Friday, October 29th at 9:30 PM, or you can stream either of them on twincitiesfilmfest.org.


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Check out the Film Fest Daily Recap on TCFF YouTube Channel !


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To learn more about TCFF or get tickets visit twincitiesfilmfest.org


TCFF 2021 Reviews: Paradise Strong + Pretty Boy

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Paradise Strong

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This film is available both in person at the Showplace ICON Theaters on Friday October 22 at 4:30 PM and online throughout the entire run of TCFF – Oct 21-30. 

This is the true life story of the Camp Fire, a wildfire that devastated the community of Paradise, California on November 8, 2018. Minnesota-based director Jonathan Vinson went out to California to interview the families directly affected by the Camp Fire. He showcased the courage of the survivors, which radiates not only in their efforts to save their neighbors and themselves, but also in their unwavering resolve to heal, to care for their neighbors, and to hold onto hope for the future. Search and rescue efforts turned out to be only search and recovery.

The Red Cross had to stay for longer than usual to accommodate individuals displaced by the fire. This would turn into the deadliest wildfire in California history, burning most of the homes in the community. After the fire, thousands of people in the Paradise area were trying to figure out how to rebuild and if it can ever be the same as before. Many families had to make the painstaking choice to leave Paradise forever, while others found a way to stay in the area and even attempt to rebuild. Needless to say, some families would never be able to return to Paradise as the adults and kids suffered PTSD from the flames of the Camp Fire that chased them out of town on that terrible day.

There are some glimmers of hope for those families, as some of them discovered precious and cherished items that the fire didn’t destroy. It is these little moments that make Paradise Strong an unforgettably touching documentary.


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Check out my recommendations of which TCFF films to watch


Pretty Boy

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This film is only available in person at the Showplace ICON Theaters on Friday October 22 at 9:00 PM.

In 2019, Director Marcel Walz and Minnesota-born writer Joe Knetter’s film Blind, starring Minnesota born and raised actress Sarah French, was shown at the Twin Cities Film Fest and was well received by the Minnesota horror crowds. Two years later, the team of Walz, Knetter, and Fresh are back with their new film Pretty Boy, a follow up to the 2019 slasher. French reprises the female lead character Faye in Pretty Boy as does Jed Rowen, who plays the title character. The new film starts as a Hollywood Hills Valentine’s Day party is wrapping up.

The host, a record producer named Preston, and an aspiring singer and songwriter guest at the party named Rayna, are in talks about her future while other guests have found other parts of the house to hook up. The masked slasher Pretty Boy shows up carrying Faye, a famous blind actress that he has kidnapped from her home. While the masked slasher begins killing everyone he meets in order to have Faye all to himself, she escapes the Valentine’s Day party only to be taken in by a mild-mannered couple that seem a little off. This sets up the dramatic reveal or who Pretty Boy is and where he comes from. The only thing unresolved is whether he stays with Faye or if he will end up all alone.

The film is full of glam, glitter, pink lights and the ‘80s sounding tune Love is Blind by Mirko Hirsch. Hopefully the Midwest Premiere of Pretty Boy will be just as fun as the 2019 screening of Blind, which featured an appearance by Sarah French, Joe Knetter and masks for everyone in the audience. Be warned, there is plenty of blood, guts and gore in this glamorous horror slasher film.


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To learn more about TCFF or get tickets visit twincitiesfilmfest.org


FlixChatter Review: The Electrical Life Of Louis Wain (2021)

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Benedict Cumberbatch has built his career on quirky roles, and he once again plays an eccentric genius. This time it’s an English artist Louis Wain whose surreal cat paintings, um, catapulted his career at the end of the 19th century. Now, I never thought there was a time when cats weren’t household pets, well apparently part of Wain’s legacy was change the image of cats as distrustful creatures into something cute and cuddly.

Louis’ life however, isn’t quite warm and fuzzy. As the first of six children and the only boy, Wain ends ups supporting all his sisters and his mother following his father’s death. So undoubtedly Wain has a peculiar upbringing and he seems to be willing to put up with a lot, especially the constant berating from the eldest of his five sisters Caroline (Andrea Riseborough). But his spirits perk up upon meeting Emily Richardson (Claire Foy), a governess his family hired for his younger sisters. The romance is frowned upon by the family, particularly Caroline, as Emily is 10 years his senior. But despite their objections, the two are quickly married and moved to Hampstead. It’s there that his love for cats blossomed after they adopted a stray kitten they named Peter.

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There seems to be no shortage of amazingly-gifted artists with tragic lives, and Louis faces tragedy in both love and career despite reaching a certain degree of fame and notoriety. He didn’t get to live a long married life with the love of his life due to cancer, which made him even more prolific with his cat drawings during Emily’s illness. At one point she woke up to a room literally filled with cat paintings Louis had drawn. The relationship between Louis and Emily is quite sweet, and Foy has such a lovely presence on screen, so it’s too bad her screen time is pretty limited here.

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In terms of career, one can’t help but see the similarities between Louis and Nikola Tesla, one of the most brilliant inventors with the brightest minds who somehow didn’t have the business smarts and faced poverty during his lifetime. Louis confessed to his sisters that he didn’t sign copyright of his work, which caused him to constantly face financial difficulties. For a while Louis was employed at Illustrated London News by its owner, Sir William Ingram (Toby Jones), who became a close friend, but he became sort of a freelance artist throughout his career.

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As a narrative feature, director Will Sharpe (show-runner of the Flowers UK series) is a curious one with a rather bizarre directorial choices that feels experimental and at times psychedelic and overly sentimental. It also uses a narration by Olivia Colman, which feels like a crutch to help us understand what’s going on at certain points of Louis’ life. As the title suggest, there’s also Louis’ pre-occupation with electricity, which I find quite amusing given Cumberbatch played Thomas Edison in The Current War in 2017. Some of his electric-cat drawings reflects this period, shifting from the more anthropomorphic style where the cats are drawn behaving like humans. 

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The depiction of schizophrenia that plagued Wain’s family is at times too manic or too whimsical. Starting with one of his sisters who ended up in a mental hospital, Louis too, suffered from that chronic brain disorder, depicted vividly in the film where he imagines himself drowning and screaming for help from his father. Perhaps the frenzied style is meant to showcase Louis’ mental state, which also tends to succumb to sorrowful mood. Speaking of drowning, I feel like the film often drowns in sadness. The moment Louis lost Peter, the cat he and Emily adopted, Louis is absolutely crestfallen that he sobs for a long period of time as he’s lying on the floor. Then in his later years when Louis is in his 70s living in a mental institution, the gray-haired, weary-faced artist is visited by an old friend whom he first met on a train decades prior. He laments about the harsh life in the psychiatric hospital and how he misses his cats.

The performances are as uneven as the film itself. The usually terrific Andrea Riseborough delivers a strange one-note performance that’s almost grating as she’s screaming all the time, usually directed at poor Louis. Claire Foy has a nice chemistry with Cumberbatch and she has kind of a wide-eyed curiosity as his love interest. I enjoy seeing character actor Adeel Akhtar in a prominent role as Mr. Rider, one of Wain’s biggest allies who helps him secure a more pleasant place to call home, complete with a garden and plenty of cats. As for the two famous cameos, well Taika Waititi’s appearance is largely unmemorable, while Nick Cave’s H.G. Wells is also a blink-and-you-missed it moment.

As for Cumberbatch, though he’s played too many similar characters in his career, he’s still quite good in the role. In fact, he’s competent enough to rise above the uneven direction and still makes a compelling portrait of a true artist that you can’t help root for. I’m glad I got to know a bit about Louis Wain and his work/legacy. The biopic isn’t quite um, electric as it wishes to be, but there’s enough going for this to warrant a recommendation.

3/5 stars


What did YOU think of The Electrical Life of Louise Wain?

TWIN CITIES FILM FEST unveils 2021 lineup + my recommendations

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BENEDICT CUMBERBATCH HEADLINES OPENER THE ELECTRICAL LIFE OF LOUIS WAIN; KENNETH BRANAGH’S FESTIVAL HIT BELFAST NAMED 2021 CLOSING NIGHT SELECTION


October is always a special time of year for me. No, not because it’s Halloween season, but because Twin Cities Film Fest is upon us!

TCFF returns this year with a hybrid program showcasing a wide-ranging catalog of acclaimed studio award contenders, memorable shorts, thought-provoking documentaries and exhilarating independent feature films. The 2021 program will showcase Minnesota-connected productions, BIPOC voices, female filmmakers and includes a special “Changemaker Series” spotlight on projects that address mental wellness.

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More than 100 movies set to screen and stream in a hybrid format that will run Oct. 21-30. The festival’s in-person program will return to the Showplace ICON Theaters at The Shops at West End, with some 45 screenings set to take place at the St. Louis Park venue. More than 50 films will simultaneously debut online via the TCFF STREAMS platform at twincitiesfilmfest.org. 2021 marks the 12th anniversary for the nationally recognized non-profit, celebrating independent stories and diverse voices through film arts.

Amazon Studios’ The Electrical Life of Louis Wain starring Benedict Cumberbatch is set to open the festival on Oct. 21st, telling the story of the Victorian-era artist whose widely published drawings of anthropomorphized cats transformed them from mysterious to irresistible. Director Will Sharpe’s masterful visuals and creative use of color convey Louis’s complicated mind, immeasurable talent and consuming love and loss.

This year’s closing night gala will celebrate Belfast, Kenneth Branagh’s drama featuring Jamie Dornan, Caitriona Balfe, Judi Dench, Ciarán Hinds and newcomer Jude Hill. The film, which takes place during The Troubles, sectarian conflict between Protestants and Catholics in 1969 Ireland, is a page from Branagh’s own life and his most personal film to date. The film received the coveted people’s choice award at the Toronto International Film Festival, instantly catapulting it into the Oscar conversation.

Other notable entries:

Jesse Moss’s documentary Mayor Pete, which follows Secretary Pete Buttigieg during his 2020 run for president and has been chosen as TCFF’s official 2021 Centerpiece. C’mon C’mon, Mike Mills’s black-and-white production built around a heartfelt performance from Joaquin Phoenix and a notable debut from newcomer Woody Norman; The French Dispatch, Wes Anderson’s newest project featuring an all-star cast including Bill Murray, Timothée Chalamet and Tilda Swinton; Encounter, a sci-fi thriller directed by Michael Pearce and starring Riz Ahmed; The Humans, directed by Stephen Karam in his directorial debut, and based on his one-act play of the same name starring Richard Jenkins, Jayne Houdyshell, Amy Schumer, Beanie Feldstein, Steven Yeun and June Squibb; and Who We Are: A Chronicle of Racism in America, directed by Emily Kunstler & Sarah Kunstler and written by Jeffery Robinson.

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TCFF STREAMS, the festival’s proprietary online platform at TwinCitiesFilmFest.org, will feature premieres of award-winning narratives, documentaries and shorts curated from all across the country in the HER Series (films by/for/about women), MN-Connected Series, EMPOWER Series (focused on BIPOC voices) and the OUT Series (LGBTQ community). Twin Cities Film Fest utilizes the power of film to spotlight a Social Cause each year through its Changemaker Series. In 2021, the focus will be on ‘mental wellness.’ The films in the series will bring attention to our collective emotional, psychological and social well-being.


MY TCFF 2021 RECOMMENDATIONS

I LOVE this year’s lineup! Out of the STUDIO FILMS, I highly anticipate Kenneth Branagh’s BELFAST. Not only does it look really heartfelt and intriguing, and the fact that it’s a personal true story from Branagh’s childhood makes me curious about it even more. At the other end of the spectrum is THE FRENCH DISPATCH, which is described as a love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city. It’s been a while since I saw a Wes Anderson film, and this one just looks really, really good!

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In addition to those, I’m going to choose 10 INDIE FILMS (7 features, 3 docs) that aren’t already mentioned above. I always like to pick out some lesser-known films and highlight those directed by women, I think off-the-beaten path films are why we go to film festivals for!

A Fire Within (doc)

A FIRE WITHIN chronicles the incredible true story of three Ethiopian women who immigrate to the U.S. after surviving torture in their home country, only to discover that the man responsible for their torture is living in America…and working at the same Atlanta hotel as one of the women.

A Hero

Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don’t go as planned.

Americanish*

Welcome to America: Where dreams come true…ish. A break from the traditional romantic comedy, Americanish highlights different layers of womanhood as they intersect with cultural and societal expectations. Americanish invites viewers into the home and lives of three marriage-aged women as they navigate the often turbulent waters of romance, culture, career, and family.

Broken Diamonds

After his father suddenly dies, Scott’s (Ben Platt) plans are put in jeopardy as he discovers his sister Cindy (Lola Kirke) is living in a halfway house for the mentally ill. Despite her wild and unpredictable behavior, Scott puts his life on hold to take her in. BROKEN DIAMONDS poignantly follows these characters as they come to understand the effects of shared childhood trauma on each of their mental health, culminating in life-altering realizations for them both.

Everything In The End*

Grieving from the recent death of his mother, Paulo has travelled from Portugal to Iceland, a trip they were supposed to do together. While there, news the world has been waiting for finally arrives. Earth will cease to exist in a matter of days. With only these last few days left and unable to get home he finds himself stranded in a small village where he spends his days wandering a delicate foreign land and encountering the people he will spend his final days with.

Land of My Father (doc)

A Korean farmer protests the Japanese government in Tokyo over its claims of the disputed island territory of Dokdo after he finds out his father was abducted and enslaved in a coal mine during the Japanese occupation of Korea. A Korean woman who lived on Dokdo with her father struggles to keep his legacy alive after the Korean government mysteriously erased their history of being pioneering residents.

Playing With Beethoven*

Dedicated classical piano student Josh (Aric Floyd), who rarely leaves the practice room, falls under the spell of a free-spirited beauty, Charlotte (Naomi Druskic). On the day before a life-changing competition, Josh goes against his better judgement, and the wishes of his stern teacher Victor Zabov (Patrick Gorman), and joins Charlotte for a night of music and adventure. Along the way, he meets Charlotte’s sister Bryn (Shannon Elizabeth), who is suspicious of Charlotte’s motives. To further complicate matters, Josh’s estranged father, Ted (Kadeem Hardison), shows up in town hoping to reconcile. Josh’s experiences on the journey teach him that life, like music, is all about taking risks.

The R-Word* (doc)

Filmmaker Amanda Lukoff has grown up advocating for her sister Gabrielle, especially whenever she hears the word retard(ed). The r-word is everywhere – in TV, movies, music, social media, and throughout our public and private communities. The R-Word is a purposeful look into the long-reaching history and lasting implications of the word retard(ed) and current attitudes and perceptions about people with intellectual and developmental disabilities.

Sold Out

John Callahan has one dream — to make a living playing his music. Despite his best efforts and undeniable talent, he’s a down-on-his-luck construction worker who’s drowning in responsibilities. But one night, playing a dive bar in Minneapolis, he meets Kat Revere, a legendary music scout. Kat is edgy, beautiful and a star-maker. Kat sees potential in John and makes him an offer he can’t refuse, to take him under her wing and on the road with her. As they travel across the Midwest, they share their stories of heartbreak, write gut-wrenching songs, fight like hell, and find themselves in the middle of some wild adventures, all while falling hard for each other.

Waikiki

Escaping her abusive ex-boyfriend, KEA, a part-time Hawaiian teacher, hula dancer, and bar hostess temporarily lives out of her van to piece her life back together. One night after a violent beating, she speeds off into the night only to slam into WO, a mysterious homeless man crossing the street. Unwilling to leave him to die, she takes him into her van and life. Their developing friendship and illusions of safety are soon shattered when her van is towed. Her desperation triggers past trauma, driving her towards insanity.


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Tickets are already on-sale at www.twincitiesfilmfest.org. Ticket prices range from $9 online to $12 in-person. Opening/Centerpiece/Closing films will all be $20 with a handful of films available to view at no cost. A ‘Streaming Pass’ is available for $50 and a ‘Hybrid Pass’ for $150.

The passes are such an incredible deal!! Get it soon so you can order your tickets right away. Trust me, it’s SO worth it!!

COVID 2021 UPDATE

TCFF 2021 will be following health guidelines as put forth by the State and CDC. All TCFF employees/volunteers will be vaccinated. All guests/audience members are asked to wear a mask during any in person experiences (in the theater and TCFF lounge) regardless of vaccination status. TCFF wants to ensure and prioritize safety for all attendees and use film arts as a way to continue bringing our community together.

WEAR YOUR PARTY HATS!

There will be a Festival Lounge this year. The lounge is located only a few steps from the main doors of the ICON THEATERS on West End Blvd. Lounge will be open to all filmgoers to relaxation and networking. Regular hours will be 6:30pm-11pm (hours may vary).


To learn more about TCFF, events, film submissions or to donate, visit twincitiesfilmfest.org


So yeah, TCFF 2021. BRING. IT ON!