Everybody’s Chattin’ + ‘Professor Mars & The Wonder Women’ Teaser Trailer

Hello folks! What’s happening in your world? As you can imagine my life is still pretty much consumed by my short film… and will be so for at least the next year.

Hearts Want is currently on post production now, specifically in editing… where most of the magic of filmmaking happens. In the meantime, I’ve been busy working on getting the page up on IMDb, as well as planning our Kickstarter campaign that would hopefully launch sometime in mid June.

We need to get the word out about our film, and I do believe social media is a big part of that. So would you be so kind as to LIKE our FB page…

… and follow us on Instagram, too! 

Well, suffice to say I haven’t got much time for anything else. So pardon my lack of visit and comments to your blogs folks. But I do miss doing the community blogging thing on here, so I think this is as good a time as any.

So let’s get to those fine links now shall we?

I’m so thrilled that Wonder Woman is resonating in a big way w/ both critics and audiences alike. Over $100mil box office take, people, woot woot!!

Well, I’ve reviewed it earlier this week. Read on what Margaret, Chris, Brittani and Steven say about it.

Mark wrote about 12 Angry Men (1957) for the Decades Blogathon

Cindy‘s posted some gorgeous pics of cacti blooming in her hometown of Arizona

In honor of Roger Moore’s passing, Alex posted anecdotes from the late 007 actor

Nostra reviewed one of my fave films from last year, Hidden Figures

Last but not least…

Michael has a new entry of his ‘Same Song Different Movie’ series featuring Sinnerman by Nina Simone

Professor Marston & the Wonder Women Teaser

Well, talk about perfect timing. A few days after Wonder Woman opened with a box office smash, Annapurna Pictures, which unsurprisingly is founded by a woman (Megan Ellison) released this teaser…

Per SlashFilm, Professor Marston and the Wonder Women is a biopic about the three people responsible for creating DC’s most famous female hero.

Professor Marston & The Wonder Women is the story behind the creator of Wonder Woman and his unusual relationships that inspired the iconic super heroine. In a superhero origin tale unlike any other, this is the true story of 1940s Harvard psychologist Dr. William Moulton Marston (Luke Evans), the inventor of the lie detector and creator of the iconic Wonder Woman, who defends his feminist superhero against charges of ‘sexual perversity’ while at the same time maintaining a secret that could have destroyed him. Unknown to others, Marston’s inspiration for Wonder Woman was his wife Elizabeth Marston (Rebecca Hall) and their lover Olive Byrne (Bella Heathcote), two empowered women in the field of psychology who defied convention, building a secret life together with Marston that rivaled the greatest of superhero disguises.

I’m really curious about this one, and I quite like the cast too. Check out the awesome teaser poster!

 


What do you think of this teaser trailer?

Guest Review: CHRISTINE (2016)

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Written/Directed By: Antonio Campos
Cast: Rebecca Hall, Tracy Letts, J. Smith-Cameron, Michael C. Hall
Runtime: 1 hr 59 minutes

Depression and suicide do not make pretty subjects for a film. It is easy to produce a voyeuristic essay that exploits someone’s despair and self-destruction, but portraying tragedy without sensationalising or trivialising it is as tough as it gets for directors and actors. While most suicides are silent and private, TV journalist Christine Chubbuck chose the most public stage available when in July 1974 she shot herself in the head, live and on-camera. Christine (2016) is her story.

At 29 years of age, anxiety-ridden over a career that stalled, still a virgin and living with her mum, Christine (Rebecca Hall) faces a daily struggle with herself and everyone around her. She is a serious journalist who believes her main role is to tell the truth about important issues but she is also a very difficult person to be near. Hyper self-critical, she needs constant stroking and clashes frequently with her TV station boss who is under pressure to improve ratings. He wants sensationalist coverage of human interest stories, so she is side-lined while others get the breaks. She has long had a crush on another announcer, but he is wary of getting involved with someone so intense. When she finds out he is dating someone it adds another layer of despair; her divorcee mother brings home a date and it feels as if life could not rub enough salt into her wounds.

The tension across this story rises incrementally, with each episode triggering another outburst but not serious enough to push her over the edge. While the episodes subside they do not disperse, and their cumulative effect is to store increasingly volatile fuel that slowly approaches flashpoint. The storytelling imparts a sense of us intimately knowing Christine, seeing what she is going through, feeling her waves of emotion and knowing that she cannot take much more of this. Whether its empathy, curiosity or voyeurism, there is no mistaking our proximity to her when, in the film’s closing moments, she looks straight down the camera lens and says “bringing you the latest in blood and guts, and living colour, you are going to see another first”, and then shoots herself.

This film is not for viewers who are looking for action-based drama. It offers little of that, but loads of dialogue and characterisation. Rebecca Hall is brilliant as Christine, tip-toeing the fine line between appearance of normality and deep despair. It is extraordinary that in her final minutes we can almost feel what it is like to have no hope and see no other way out. This is one of the most high-voltage female lead performances of the year, and begs the question why Christine (2016) was overlooked at the Academy Awards.

Everything in this film leads inexorably towards what we know is going to happen. One effect of this is that we readily interpret all that we see as causally linked symptoms of acute depression. It would be easy to say that now, more than four decades later, this could not happen again because we know so much more about the causes and treatment of this debilitating condition. But of course, this is not true; and that is why this is such an important film.

cinemuseRichard Alaba, PhD
CineMuse Films
Member, Australian Film Critics Association
Sydney, Australia


Have you seen ‘CHRISTINE’? Well, what did you think? 

Five for the Fifth: First of the Year (2014) Edition

Hello folks, welcome to the FIRST edition of 2014 Five for the Fifth!!

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As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. As I was thinking for all the questions for this post, I was humming some of the songs from FROZEN so naturally my mind turns to soundtracks. I listen to basically only a couple of genres: classical and soundtracks, with other genres I listen to only when I come across to on the radio. I haven’t decided whether I want to make a top 10 list of favorite soundtracks yet, but if I did, I think these five will surely make the list: The Great Gatsby, The Sapphires, Pacific Rim, Gravity, and of course, FROZEN. That last one is especially addictive, just like a lot of other Disney music, I just can’t get ’em out of my head! The Kristen Bell & Idina Menzel’s version of The First Time of Forever is my absolute favorite.

So my first question is: What’s your favorite soundtrack/song of 2013?

……
2. I’d like to single out an actor/filmmaker whose birthday falls on Five for the Fifth Day. Well today’s Bradley Cooper‘s birthday, and he and I are apparently only a month apart in age [I’ll let you Google it yourself how old that is, ahah].

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I haven’t always been fond of Cooper, though with his tall, lean figure, dark hair and beautiful blue eys, you’d think he’d be my type. The thing is, I kind of find him to be a little too pretty, which actually has the opposite effect. In any case, ever since Silver Linings Playbook, and most recently American Hustle, I’ve warmed up to him more. At least he has a pleasant countenance, though not the most charismatic actor in my opinion.

So what do you think of Bradley Cooper? Are you a fan?

3. The trend in Hollywood with film adaptations is they come in twos. And so is this year with two Biblical epics, one for Easter (NOAH – March 28) and the other just before Christmas (EXODUS – December 12). As much as I LOVE stories from the Good Book getting some attention, granted there are a bunch of them that are worth exploring, I’m more curious rather than excited about these two. My hope is that they’d stay true to the source material and that God doesn’t end up simply being an afterthought.

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Russell Crowe w/ Jennifer Connelly in NOAH & Bale as Moses

Last week we got a FIRST LOOK of Christian Bale in the role of Moses. So apparently it’s not enough that he’s played the Ultimate Savior of Humanity (as Jesus in the TV movie Mary, Mother of Jesus) back in 1999. Not the greatest casting call ever IMO. Now, as much as I love Bale and he’s a terrific actor, I feel that he’s rather ill-suited for this role as well, it’d be nice to see Hollywood at least attempt to cast someone ethnic looking even if they couldn’t find an actual Jewish actor. I’d think Guatemalan-descent Oscar Isaac would’ve been a better choice and he’s a very good actor in his own right. Yes I know he doesn’t have the star power yet, and something with a huge budget like this is unlikely to get greenlit without a major star.

Anyway, that official photo shows Moses still leading a comfortable life as the adopted member of the Egyptian royal family. But here are some set photos with lookie here… Aussie Joel Edgerton as Ali Baba, er I mean Rhamses! In the photo of Bale with Ridley Scott, the costume look like it’s a recycled version from his Robin Hood film. Mr. Scott hasn’t captured the glory that was Gladiator since its release 14 years ago, we’ll see if he’d finally do so with this one.

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Well, what do you think folks? Thoughts on the EXODUS film?

4. I heard about A Promise a couple of months ago and being a fan of period dramas, naturally it piqued my interest. But with a cast that include Alan Rickman, Rebecca Hall AND former Game of ThronesRichard Madden (this ultra gorgeous hunk of a man happens to be Scottish, natch!), I definitely want to see this! Check out the trailer:

A romantic drama set in Germany just before WWI and centered on a married woman who falls in love with her husband’s protégé. Separated first by duties and then by the war, they pledge their devotion to one another.

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Ok so I’ve read some not-so-stellar reviews from Venice Film Festival that mentioned the lack of chemistry. Heh, I guess I’m willing to give this one the benefit of the doubt, I mean, being torn between Rickman and Madden? A girl can only be so darn lucky! Ah well, I doubt this movie will make it to my city anyway, but I’ll be sure to rent it when it comes out.

What do  you think of this one, folks?


5. Now lastly, since the first week of the New Year isn’t over yet, some of you are probably still working on your New Year’s resolution. Some might’ve actually broken one too, am I right? 😉 I actually don’t really have one, I just never bothered with it, but this year, as it relates to my blog and my love for movies, my resolution is to catch up on more classic movies. I’ve been saying that a lot in the past but this time, I’ve got a plan! I’ve signed up for the BlindSpot blogathon, as you can see on my list I posted last week, I’d at least hit 12 of them I’ve been meaning to see. Perhaps you have similar goals, i.e. tackle a certain genre/filmmaker or maybe you want to catch all of AFI’s Top 100 Movies, etc.

So, what’s YOUR movie-related goal in 2014?


Well, that’s it for the first-of-the-year edition of Five for the Fifth, folks.

Now, please pick a question out of the five above or better yet, do ‘em all! 😀

Five for the Fifth: JUNE 2013 edition

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Hello folks, welcome to the 6th Five for the Fifth of the year!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

Wahlberg_2Guns1. Today Mark Wahlberg turns 42! It’s funny how I first noticed this Boston-native when he was still Marky Mark & The Funky Bunch. Well, he’s certainly has come a long way from that as he’s now been quite a force to be reckoned with as a movie star, even garnering critical reception with not one but TWO Oscar nominations for The Departed and The Fighter.

Now, I haven’t seen any of his latest films, I mean Broken City and Pain & Gain just didn’t appeal to me. I might rent the later as it looks pretty hilarious. Interestingly enough, Wahlberg’s latest films have consist of him being paired with another movie star. Russell Crowe in Broken City, Dwayne Johnson in Pain & Gain, and now he’s paired up with Denzel Washington in what appears to be an action comedy where he & Denzel played A DEA agent and an undercover Naval Intelligence officer being set up by the mob.

Check out the trailer:

Looks like it’s more of a rental for me. I’ve only seen about 10 of Wahlberg’s movies so far, and I think my favorites are The Fighter and The Other Guys, yes I know, it couldn’t be more different from each other, but I actually think Wahlberg’s quite fun to watch in comedies, though generally he doesn’t really have much range, ahah.

So what’s YOUR favorite Mark Wahlberg’s movie? Will you be watching 2 Guns?

……


2. Now, for my second question, I’m actually borrowing from the Twitter #MTOS series (Movie Talks on Sunday) which you should absolutely follow if you haven’t already. This past weekend, the focus was on Christopher Nolan, hosted by @Pandadeer. I particularly like this question:

Nolan is known for returning to the same pool of actors; who would you like to see added to it?

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Nolan with his Batman posse

I like Andrew’s answer below, esp. one about Lazenby:

Recently Matthew McConaughey and Jessica Chastain have joined Nolan’s upcoming sci-fi film Interstellar. Though of course he still has his regular go-to actor Michael Caine in his cast. Now these would be my top 5 wishlist for Nolan to consider: Richard Armitage, Clive Owen, Cate Blanchett, Benedict Cumberbatch and Helen Mirren.

What about you? Which actors would you like to see working with Chris Nolan?


3. It’s been a while since I talk about Bond on this blog! Well, there have been some developments on Bond 24. As you might’ve read on Terrence’s Movie News Monday, Sam Mendes is expected to return in the director’s chair for both Bond 24 and Bond 25, so probably until the end of Daniel Craig’s reign as Bond.

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Now, we’ve also got news that Spanish beauty Penelope Cruz has been cast as Bond girl! Wow, so they’re upping the ante as far as getting more quality performers in Bond movies. I mean, Cruz is an Oscar winner for Vicky Cristina Barcelona and has been nominated three times for an Academy Award. Funny that Daniel Craig is probably the first Bond ever to be seduced by a team of husband and wife, ahah. Cruz’s real-life hubby Javier Bardem sort of put the moves on Bond in Skyfall, remember? 😀

Well, most of you might not know this, but this won’t be Cruz’ first time appearing with a Bond actor. As a Timothy Dalton fanatic, I also noticed her brief appearance as Dalton’s girl in the British miniseries FRAMED back in 1992. As Lola Del Moreno, her character name is almost Bond Girl-ish too, no? It’s a great crime/thriller series if you haven’t seen it, fantastic performance by Dalton and David Morrissey.

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In any case, what’s your thoughts on Mendes coming back and Cruz as the next Bond girl?


4. Now this is a film that wasn’t on my radar previously but boy, I love the pairing of Eric Bana and Rebecca Hall in this intriguing crime drama CLOSED CIRCUIT.

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Martin and Claudia are lawyers — and ex-lovers — who find themselves put at risk after they join the defense team for an international terrorist’s trial.

I was quite impressed with director John Crowley, who did this great indie Boy A with Andrew Garfield (which could be his breakthrough role) and Peter Mullan. We’ve also got the script by Steve Knight (Amazing Grace, Eastern Promises) and a slew of great character actors Ciarán Hinds, Riz Ahmed, Anne-Marie Duff, Julia Stiles and Jim Broadbent. I was VERY impressed by Ahmed in The Reluctant Fundamentalist, so I’m looking forward to seeing him in another film.

What do you think of this  movie? Does it appeal to you?


5. Now, last but not least. Time for some TV updates. Yes, I know I’m quite terrible with keeping up with TV shows, but with Karl Urban, this just might be the new show I’d be [trying] to watch regularly this Fall.

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We’ve got some detailed synopsis from Teaser-trailer.com:

The year is 2048. John Kennes (Urban), a cop who survived one of the most catastrophic attacks ever made against the police department, wakes up from a 17-month coma, he can’t remember much – except that his partner was killed. Because of the attack he lost one of his legs and is now outfitted with a highly sophisticated synthetic appendage.

Now by mandate, every cop must partner with a robot. And despite his passionate aversion to androids, John is paired up with Dorian (Michael Ealy), a discontinued android with unexpected emotional responses. Although such responses were deemed flaws, it is in these ‘flaws’ that John relates to Dorian most. After all, John is part-machine now, and Dorian is part-human. John and Dorian’s understanding of each other not only complements them, it connects them.


This definitely looks very promising and the set pieces looks pretty sleek. I do realize that with a lot of these shows, the premise and promo seems to be more compelling right off the bat. The show’s created by the same folks behind the popular FOX sci-fi Fringe, J.H. Wyman & J.J. Abrams.

I’ll definitely give this one a shot. I mean a futuristic sci-fi + Karl Urban already sounds like a winner to me 😀

Well, now my last question to you is two-fold: Are you excited about this show? Otherwise, what’s the TV show you’re looking forward to most this coming Fall season?


That’s it for the JUNE 2013 edition of Five for the Fifth, folks. I’d love to hear your thoughts on any of these subjects.

10 Reasons Iron Man 3 Exceeds My Expectations

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Truth be told, this is one superhero film this year I wasn’t really  looking forward to. I mean I LOVE the first film, and I didn’t even hate the second one even with its set of flaws. But I guess I’m just a bit worn out with the character of Tony Stark himself, his snarky cool edge that was so fun to watch before is just getting stale. But thanks to writer/director Shane Black, somehow he manages to win me over with his direction style. Here are just some things he did right:

1. Black and co-screenwriter Drew Pearce came up with a thrilling story that doesn’t dwell too much on the rich-billionaire syndrome. I mean we’ve seen all that, so no need to keep rehashing that fact. We see the frivolous party-animal part of Tony Stark in a flashback at the beginning, but shortly after that, he’s plucked out of his elements. It’s a fish-out-of-water story of sort, as Tony ends up being stranded in a snowy small town in Tennesse.

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Shane Black on the set with RDJ

2. The burning question for this particular superhero, perhaps more so than any other Marvel superhero is this: Does the suit make the man or the man made the suit? In the Film School Rejects interview Shane Black and exec. producer Kevin Feige, the interviewer said, “…you seem as interested in having Tony out of the Iron Man armor as in it”. Here’s Black’s answer:

I want the Iron Man stuff to have impact. And if he’s always in the suit doing stuff, it doesn’t have any impact. If every once in a while he gets just a piece of the suit and POW! he launches a bolt and somebody goes flying 20 feet through the air, but it burns him to do it, that has impact.

I think that’s a wise move right from the get go, having such a strong vision for the character and make him the primary focus once again. I think Black succeeds in creating that delicate balance of seeing both persona of Tony Stark, making the most of Robert Downey Jr.‘s undeniable screen charisma that seems to only get better with age.

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Now, THAT’s the money shot

3. Going back to basicsbut somehow makes the old feels new again. The reason I like the first film was because we see Tony as a real genius who’s seemingly thrive under even the most desperate circumstances with his ability to build something out of nothing. We see that MacGyver side of Tony here, how he somehow can still rise to the occasion outside of his state-of-the-art lab and without his loyal robotic butler Jarvis. Tony Stark actually has to shop at a Home Depot type of store like the rest of us, ahah. The ‘relationship’ between the hero and his Iron suit gets an even more amusing play here, which seems even more hilarious than ever before.

4. Shane Black is no stranger to buddy action-comedies. After all, he was the writer behind the Mel Gibson/Danny Glover action franchise Lethal Weapon. He’s also worked with RDJ in the wacky thriller-comedy Kiss Kiss Bang Bang, where RDJ and Val Kilmer made a droll and quirky pair.

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Here RDJ still has a great rapport with General Rhodes (Don Cheadle), that whole bit about War Machine having a more nationalistic name Iron Patriot delivers some laughs. But when Rhodes is not always around to swap snarky banters with, Black cast a precocious whiz boy (Ty Simpkins) as his sparring partner. The 11-year-old Simpkins is able to hold his own against the veteran actor, and their banter is fun to watch. I love how Tony is still being Tony regardless who he’s dealing with, not allowing anyone—no matter how old—to wallow in self-pity, including himself. It was an unlikely duo that works in the story.

IronMan3_TheMandarin5. Surprising twist on the villain that I didn’t see coming. Having a more realistic ‘real world’ adversary with the terrorism angle works well here instead of simply having another suited-armor nemesis. But there’s more than meets the eye here about the eccentric psychopath The Mandarin that still hit me out of left field. I think comic readers might not necessarily appreciate the alteration but I consider it to be a pleasant surprise that’s sooo entertainingly zany.

Perfect casting of Sir Ben Kingsley in that role, stealing scenes whenever he appears on-screen. The scene of him, Stark and Rhodes is definitely one of the major highlights, but the less I say about the character the better for the sake of your viewing enjoyment.

6. Guy Pearce looking cool and hunky for a change, instead of looking like 200 years old (Prometheus) or some follicly challenged gangster (Lawless). He’s not the kind of villain that takes himself too seriously, Aldrich Killian is a pretty cool name and Pearce plays him as a charming baddie that could easily match Downey’s quick wits. There’s a scene towards the finale that somehow reminds me of his breakthrough role in Memento, I don’t think it’s an homage or anything, it’s just something I picked up on. Pearce seems to have had a good time filming this and it shows!

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7. Fun action set pieces but yet they’re not just some over-the-top and vapid bombastic shoot-em-ups (*cough* Die Hard 5 * cough*). The most memorable one, that you’ve likely seen in the trailer, is the relentless attack on Tony’s Malibu mansion. I remember marveling at that sprawling beach-front property in the first movie, and seeing it being destroyed to bits was wow, I’ve got to admit my heart sank a bit as I watched it.

The eye-popping special effects are to be expected. I still enjoy watching our armored hero shooting off to the sky, but this time, the flying sequence isn’t so much about Iron Man looking hip and cool on the air, but more about what he can do with that gift. Ultimately, it’s Tony’s sharp thinking that does the saving, not simply the power of that suit itself.

8. Robert Downey Jr.’s consistent dedication to the role is one of the main factors the franchise hasn’t lost its juice. Everything we’ve come to know and love about the character is all there, Tony’s flair for the theatrics, his nerdy obsession with his robotic toys, and his snarky prowess is still firing on all cylinders. Yet somehow under Black’s direction, it feels fresh, sprightly, and endearingly self-deprecating. I think the key here is showing the character’s vulnerability and contrast that with his larger-than-life billionaire antics.

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There are countless hysterical scenes where things don’t go according to plan for Tony. Even in the moment he needs it most, his invention can still let him down, and that sense that our hero isn’t always so invincible makes him more human, and in some ways more relatable.

9. But also not ‘too relatable’ as we go to see a superhero movies for escapist entertainment. Iron Man 3 is by no means a dark and gloomy affair (I don’t know why some reviewers equate this with The Dark Knight) as I don’t think it would fit the essence of Tony Stark if they go that route. There are dark moments to be sure, but the mirthful tone is intact and plenty of geeky gadgetry to keep the superhero geek massively entertained. Black & co. never forgets that at its heart, Marvel superhero movies are popcorn entertainment and on that front, it certainly delivers!

IronMan3_RebeccaHall10. The returning characters are given a bit more to do here. Retiring from directing duties (but still serves as exec. producer), Jon Favreau is quite amusing as the head of security of Stark Industries. I wish Rebecca Hall has more screen time but still, it’s nice to see her here alongside Gwyneth Paltrow (who’s not even the most beautiful woman in this movie, let alone the world, heh). That said, I kind of like that Stark’s love interest is not just a damsel in distress in this one which makes Pepper Potts a bit more interesting than in the previous installments.


Perhaps having a tepid expectations helps me enjoy this more than I otherwise would, as the movie is definitely not without flaws. Just to name a few, the motivation of the super-villain’s descent to madness is too much of a stretch and the loud clanging and bombastic mayhem of the third act can be quite dizzying. But overall, those who haven’t become too cynical or jaded by superhero movies would be hard pressed not to enjoy this one.

Though the iron suit sometimes run out of juice in this movie, thankfully the Iron Man franchise still has plenty of that in its third installment. I wouldn’t rate this as high as other stellar “threequels” like the Bourne Ultimatum, Indiana Jones & the Last Crusade, or Toy Story 3, but it’s certainly a solid addition to the lucrative Marvel canon.


4 out of 5 reels

What did you think folks? Does this one meet YOUR expectations?

Hollywood Movie Draft Pitch IV: A Crime Drama by Kenneth Branagh

The 2012 Hollywood Fantasy League is now upon us! This extremely fun and addictive blogathon is created by none other than my friend Castor (who sadly has now disappeared from the blogosphere). This is my fourth time I’m participating  in this blog-a-thon, you can find links to my previous three pitches in this post.

I have drafted my director and actors last December, so you can read the rules and rationale on this post. Just to reiterate, this time around there’s a bit of a twist beyond simply assembling our favorite set of thespians. Besides limiting the cast to 3 actors and 3 actresses, there is also a competitive component to the HFL game where each player’s score is measured by the events affecting the filmmakers/actors of their choice. So if an actor I pick is cast in a mega-blockbuster or end up getting thrown in jail for a DWI, I may gain or lose points based on those events. Anyway, without further ado, let’s just get on the pitch, shall we?

LOGLINE:

A crime drama about a former gangster turned crime novelist who’s dragged into his dark past by his former aide looking to avenge the death of his brother. This is not an action film but more cerebral and suspenseful in nature, set with moody music and beautiful cinematography. My inspiration is Road to Perdition.

BACKGROUND:

Story is set in Boston in the mid 60s. I’ve always liked a period film with all the retro set pieces, cars, clothes, etc. and the characters will be mostly Irish-Americans. The protagonist is Vincent Moran, a crime novelist under a pseudonym Connor McEarleane (combining the last names of his grandparents) who’s given up his criminal lifestyle for 15 years. What starts out as an innocuous way to alleviate his writer’s block ends up being much bigger than any of the players had originally anticipated.

DIRECTOR: Kenneth Branagh

Originally I drafted Branagh as I wanted the story to be set in Ireland, but I think he’s still going to be a good fit for this film as the characters are mostly Irish-American and Branagh’s done a noir film before, Dead Again. I’m thinking he could work with someone like The Departed screenwriter William Monahan (The Departed) to create a compelling noir drama that’s heavy in character development. Branagh would also go well with a lot of actors with theatrical background like Gabriel Byrne, Tom Hiddleston and Rebecca Hall.

The Irish thespian would also have a cameo as Moran’s editor in the film.

CAST OF CHARACTERS:

Gabriel Byrne is Vincent Moran, a 53-year-old chain-smoking, fedora-wearing Irish-American who’s left his life as a gangster 15 years ago. He’s penned several best-seller crime novels under a pseudonym Connor McEarleane (combining the last names of his grandparents), but is currently suffering from a massive writer’s block.
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Tom Hiddleston is Eddie Stokes, 37-year-old railroad engineer who was one of Vincent’s men. His brother Mike was Vincent’s former aide who’s killed by Vincent’s former rival, Liam Winter. Eddie’s been trying to get away from the crime business for years, but he just couldn’t let go of his brother’s death.
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Rebecca Hall is Evelyn Dillon, 34-year-old aspiring actress who works part time at Emerson College as an associate drama teacher. She’s Eddie’s girlfriend, but also caught in an affair with the charming and persistent Danny. Evelyn’s also a victim of the Mob as her dad was accidentally killed during a shootout at his factory.
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Richard Armitage is Daniel ‘Danny’ McGrath, 38-year-old childhood friend of Eddie who’s an undercover cop investigating a corruption involving the Irish-American Mob. As a youngster, he watched his family members rise and fall under them so this mission is a personal one.

Kristin Scott Thomas plays Vincent’s loyal wife Sylvia, who has chronic heart disease. When she almost died of heart failure 15 years ago, she pleaded with Vincent to leave the Mob and live peacefully for the sake of their family. She’s now serves at the board of a local Heart Foundation.

Saiorse Ronan is Claire Moran, Vincent’s only child who’s the apple of her dad’s eye. She’s 19 and is a drama major at Emerson College. She was rebellious in her early teen years, hanging out with the wrong crowd and had bouts of drug addiction. But ever since Evelyn befriends her, she’s much calmer and has become closer to her parents.

\;.;

Special thanks to my friend Stella K. @ Byrneholics.com for helping me with some of the plot points.

PROLOGUE:

Flashback of a disheveled and swollen-eyed Vincent at the hospital next to his ill wife Sylvia after an open heart surgery. Vincent tells her to keep his promise if she lives this time, that is he’d leave the Mob business, something Sylvia has pleaded with him repeatedly. The scene then changes to Vincent smoking profusely in his study, surrounded by crumpled paper all around him and cigarette butts piling up on his ashtray. He’s having a major writer’s block for months and he thinks being away from the crime underworld is making him dull.

THE SET UP:

ACT I

It’s a crisp late Autumn evening, suddenly Vincent receives a call from his former employer Eddie who demands to see him at once. Eddie has been trying to track him down for the past two years for he wants Vincent to help him bring down his former rival Liam Winter [I’m thinking someone like Terrence Stamp in this role] to avenge his brother’s death. Eddie’s brother Mike was Vincent’s former aide.

At first Vincent was reluctant to get back into the criminal underworld he’s left behind so long ago, but Mike was a loyal employer to him, plus this might help him get his creative juice back. But Vincent makes Eddie promise that he’d be patient with this plan as they have to be very careful to bring down someone like Liam.

Meanwhile, Danny’s mission to infiltrate Liam’s fast-growing empire is made even trickier as Eddie constantly pesters him for information. Danny insists that he’d help Eddie bring Liam to justice but his mission is to bring the Mob boss alive so the force could use him to arrest the others, but of course Eddie just wants Liam dead. Eddie’s always got a complicated relationship with Danny as there’s always a trace of rivalry between them, and to make things worse, they both fall for the same woman when both of them met Evelyn as she’s waiting tables at a local bar.

ACT II

The Eddie + Vincent’s collaboration is far from smooth. They’re always at each other’s throats whenever they meet to go over their plans of attack. Before long, Vincent realizes that Eddie’s so consumed with his vengeance that he’s become reckless and impulsive that his behavior puts both of them in danger. This plan also puts a strain on Eddie’s relationship with Evelyn as he’s become volatile. One minute he’s sweet as can be, taking her on the town and showering her with love, but the next he’s irritable and insolent. A few times Evelyn runs into Danny when Eddie’s suddenly gone missing for days and she vents to him. Danny made a promise to Eddie never to reveal any of his plans involving the Mob to Evelyn as they both know that is the one thing Evelyn would never tolerate. Danny tries his best not to be overcome by his jealousy towards Eddie but at the same time he can’t suppress his feelings for Evelyn.

Weeks go by and Vincent’s getting restless that his dark past is creeping up on him and he suspects that Eddie has something to do with it. Vincent’s editor Gus Foshay (possibly Branagh doing a cameo in this role) has been pestering him about Vincent missing the deadline for his next novel and he comments about a rumor that Vincent was involved in some shady stuff in the past, and whether the publishing company need to be worried about that. Vincent assures Gus it’s all just hearsay, but he realizes that in this business, one can never be too trusting or too careful, which means that everyone who knew about his past ought to be silenced. Talking to Sylvia that night, not only does she concur that idea, but that she urges her husband to do whatever it takes to ensure their family’s well-being.

ACT III

Claire comes home for Christmas and brings along her drama teacher Evelyn who’ve become good friends ever since Claire takes her classes. Evelyn’s supposed to spend Christmas with Eddie but he cancels at the last minute, saying he gets call off to work. As Evelyn has no clue who Vincent is nor his scheme with Eddie, she casually mentions about how spending time with the Morans helps her get over her disappointment of not spending Christmas with her boyfriend. Vincent eventually figures out that her boyfriend is Eddie and this makes him even more convinced that getting rid of Eddie would also mean protecting Evelyn from such a reckless personality who might also endanger Claire’s life if Evelyn ends up marrying him.

Before returning home that evening, Evelyn drops by Eddie’s house to grab something she had left there but finds Eddie lying on the floor with blood all over. It turns out that he’s got a tip that Liam was going to be at some Christmas dinner and decides he’s going to take him out on his own instead of waiting for Vincent. But he ends up in a shootout with some of Liam’s men and got shot in the upper arm.

Evelyn confronts him and so he has no choice but to tell her everything. Evelyn’s furious that Eddie’s been lying to her and so after treating his wounds, she leaves the house. Danny’s heard about the shootout and is on his way to Eddie’s when he runs into Evelyn. Danny takes the distraught Evelyn home and she tells him she’s breaking up with Eddie. Danny tells her he’s been in love with her for years and they end up sleeping together.

Early in the morning Liam and three of his men find out where Eddie lives and enter the house to kill him but Eddie’s already on the way to Vincent’s. They ransack the house and found an address written taped on a piece of paper. That address turns out to be Vincent’s home.

ACT IV

Eddie tells Vincent what happens so before Liam gets to his house, Vincent promptly takes Sylvia, Claire and Eddie into his 1963 Cadillac DeVille to his safe house in the country. Once he drops his wife and daughter there, he and Eddie heads back to the city that same night. Unbeknownst to Eddie, Vincent has made a call to Liam and told him that it’s Eddie who wants him dead. He made up a story that Vincent has no choice but to help Eddie because he threatens to kill his daughter. Vincent offered to personally deliver Eddie himself if Liam promises to leave him and his family alone. Liam sees no reason not to believe Vincent as he has been away for so long.

Back in the city – When Evelyn wakes up in the morning, she tells Danny she’s worried about Eddie. So the two heads over to Eddie’s and find the house torn to pieces. They immediately presume that Eddie’s been kidnapped by Liam. Danny calls for backup to Liam’s compound and then takes Evelyn to one of his trusted colleagues.

By the time Danny and the police get there, Liam and two of his men had been shot point blank in the head. They also find Eddie’s dead body in the same room with a gunshot to his head and a .22 cal pistol in his hand.

EPILOGUE:

Vincent drives back to his safe-house to be with his family. A brief flashback to Vincent and Eddie taking out Liam and his men, which ends with Vincent taking Liam’s pistol and aiming it at Eddie, saying “I’m sorry Eddie, but you did get your vengeance. Liam won’t ever kill again,” and pulls the trigger.

Soul jazz music blares from his stereo as the scene of Vincent driving fades into a montage of him typing away at his typewriter, inter-cut with scenes at a rainy funeral of Eddie, and ends with a close up of teary-eyed Evelyn in Danny’s arms.


Well, what do you think? Would you be interested to see a movie with this kind of story and cast? I welcome your feedback.

Five For The Fifth – February 2012 Edition

Hello folks, welcome to the February 2012 edition of Five of the Fifth!

As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here. So let’s get started, shall we?

1. Well today’s the biggest night of football, I know my hubby will park himself on the sofa and watch Giants and Patriots battle it out at the Superbowl XLVI. You can’t say that I’m a fan of team sporting events nor sport movies for that matter, I can count with my hands how many sports-related or specifically American football movies that I enjoyed. I did like Rudy when I saw it in high school with my brother, but not so much because of the football part, but I just love the underdog story. I also like Jerry Maguire more for the relationship of Tom Cruise’s title role with his client and his loyal assistant-turned-girlfriend.

Another fun one I remember is The Replacements... no I’m not saying it’s the greatest football movies ever, in fact it’s kind of a screwball but pretty enjoyable. Keanu Reeves plays a washed-up quarterback who’s recruited as part of the replacement team during a pro football strike. It even got Gene Hackman as the coach who believe in the unlikely if not preposterous players that include a Welsh former soccer player called ‘The Leg’ (Rhys Ifans) and a crazy defense lineman played by Jon Favreau. This dance scene done to the Gloria Gaynor’s I Will Survive is a hoot, always puts a smile on my face every time I watched it.


So what’s your favorite football movie(s)? 


2. The box office results hasn’t been posted yet but as of last Friday, Daniel Radcliffe’s horror flick The Woman in Black and the superhero-themed sci-fi Chronicle are on a tight race. Chronicle tells the story of three high school friends gain superpowers after making an incredible discovery. It’s done in a low budget, shaky cam movie ala Paranormal Activity, which also has mostly unknown cast. From what I’ve been reading lately, it sounds like an interesting entry into the whole superhero genre, some even call it a deconstruction of the conventional superhero mythology.

My matey Scott @ Front Room Cinema made up a top 10 list of alternative superhero movies last Thursday, and my favorite of all of them remains to be Unbreakable, which is also my favorite M. Night Shyamalan’s work. It’s one of those rare films that despite the ‘whoa’ ending, it’s still rewarding to watch it several times over as there’s always something new you discover and appreciate. I might give Chronicle a rent, I always like a fresh new take of the oft-told plot of ordinary folks acquiring extraordinary superpowers.

So what’s your favorite alternative superhero movie? Or if you happen to see Chronicle already, what did you think? 


3.  Ok time for some casting news. Last week, they announced a couple of duo casting I like. One of them is Rebecca Hall and Eric Bana in an untitled thriller by John Crowley (Boy A, Is Anybody There). I quite like Boy A, it’s an understated indie drama that shows the would-be Spider-man Andrew Garfield that he’s got some serious acting chops.

The plot for this upcoming project is quite intriguing… Hall and Bana will play former lovers who must work together on the defense team during a terrorist trial (per THR). I certainly like the cast, both aren’t A-listers yet, not sure why as they’re both not only gorgeous but massively talented.

So which casting news that you’re thrilled about from the past week?


4. Now, another two duo casting I like feature two actors whose stars are quickly rising: Jessica Chastain and Joel Edgerton. Edgerton is another Aussie on my watch-list after his terrific performance in Warrior, and you already know from this post that I adore Chastain.

Now the projects are quite peculiar, they’re signing on to a double feature films called The Disappearance of Eleanor Rigby: His and The Disappearance of Eleanor Rigby: Hersa New York-based couple going through a rough patch in their marriage. His will follow the events from the perspective of the husband, a restaurant owner; Hers will tell the tale from the wife’s point of view as she heads back to college. According to SlashFilm, these two films are intended as standalone features based on a script by Ned Benson (In Defiance of Gravity).

So what do you think about this project? Would you watch a double feature like this one?


5.The Oscars is taking place in a couple of weeks, and since 1991, the Academy Awards ceremonies has made the Kodak Theater its permanent home. But soon that won’t be the case as the company has since filed bankruptcy and won’t be able to make the $4 million annual payment to retain that name on the building.

Per Reuters, last Wednesday the 131-year company asked a U.S. bankruptcy court judge to allow it to get out of its $75 million naming rights deal with the real estate company behind the complex. THR also reported last December that the Oscar ceremonies might actually move to another spot entirely after 2013. It’s kind of sad what’s happening to Kodak, given their crucial role in the entertainment industry and long-standing relationship with film makers for decades.

So what do you think about the Kodak predicament… and what sponsor do you think would replace the theater name? 


Well, that’s it for the February edition of Five for the Fifth. Now, please pick a question out of the five above or better yet, do ‘em all!