Thursday Movie Picks: TELEVISION EDITION – BOOK TO TV ADAPTATIONS

ThursdayMoviePicksHappy almost Friday everyone! I’m a bit late to the TMP party but I love this week’s topic that I still want to participate. The Thursday Movie Picks blogathon was spearheaded by Wandering Through the Shelves Blog.

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… TELEVISION EDITION: BOOK TO TV ADAPTATIONS.

It’s been a month or so since I participated in TMP, but when I saw this week’s topic I decided to do a post since I’ve actually been reading books about the MEDICI family, as I’ve just finished season 2 and 3 of Medici The Magnificent on Netflix.

I’m not including it here as I don’t think the show is based on a certain books/novels, most of it is based/inspired by historical events. I LOVE the last two season and will be sure to blog about them at some point.

In any case, here are three of my fave books-to-tv adaptations in the past few years:

WESTWORLD

Set at the intersection of the near future and the reimagined past, explore a world in which every human appetite can be indulged without consequence.

This HBO science-fiction series is based on a novel by Michael Crichton. Per IMDb Trivia, apparently Warner Brothers had been trying to remake the 1973 Westworld movie since the 90s, Crichton even wen to J.J. Abrams who later in 2013 pitched the idea of a TV series to creators Jonathan Nolan and Lisa Joy. Well, I think the show runners did a terrific job and making it a series certainly is a wise move given how complex the story is and the number of opportunities to explore the world-within-world and various characters, from the robots (er, hosts) to humans.


A Discovery Of Witches

Diana Bishop, historian and witch, accesses Ashmole 782 and knows she must solve its mysteries. She is offered help by the enigmatic Matthew Clairmont, but he’s a vampire and witches should never trust vampires.

This series is based on All Souls Trilogy, a three-book series written by Deborah Harkness. I was immediately hooked because of the lead cast Matthew Goode and Theresa Palmer. I know the forbidden romance storyline’s been done to death (no pun intended), but the setting in England and Venice are pure escapism stuff. The series’ pacing can be much improved and some parts can be quite cheesy. The two leads were still able to keep me engaged however, and having Lindsay Duncan as mother vampire (Goode’s mother) is inspired casting! I do enjoy vampire movies/shows so long as they’re not too gory. I’m glad there’s season 2 that’s reportedly going to be set in Elizabethan times!


KILLING EVE

Eve is a bored, whip-smart security services operative whose desk-bound job doesn’t fulfill her fantasies of being a spy. Villanelle is a talented killer, who clings to the luxuries her violent job affords her. These two fierce women, equally obsessed with each other, will go head to head in an epic game of cat and mouse, toppling the typical spy-action thriller.

The BBC America/AMC show was adapted from Luke Jennings’ Codename Villanelle novellas. I got to this series a bit late, but hey better late than never! I love the London setting, perfect for any spy thrillers, and the two lead actresses are amazing! Sandra Oh is such inspired casting and she immediately hooked me. The chemistry between Eve and Jodie Comer as Villanelle is truly what makes the show works so well. I also love Fiona Shaw as Eve’s mysterious boss. It’s definitely the best cat-and-mouse thriller out there, with a healthy dose of humor thanks to show-creator Phoebe Waller-Bridge’s witty writing!


What do you think of my picks? Have you seen any of them?

What I’ve Been Watching During Self-Quarantine

Hello everyone! Happy Friday! Hope all of you are coping as well as can be expected during this strange and difficult time. My hubby and I have been working from home this past week until the end of the month, who knows it could be longer. Despite all this, I’m counting my blessings and keeping my spirits high as we ride out this Coronavirus pandemic!

Well, thank goodness we live in a world where we have streaming services available! These in-home entertainment helps during a time where social distancing has become the new normal. We have been watching a lot more shows/movies since we have been cooped up at home. I saw on TV Guide that some streaming services even extended their FREE TRIAL to 30 days!

So last weekend I binged on …

BEECHAM HOUSE

I’ve been a huge fan of Tom Bateman and had been waiting for quite some time for this UK show to finally make it to the US! It’s not available on broadcast, but I had joined PBS Passport member in order to watch Sanditon a month ago, so I’m thrilled this one’s finally available to watch in early March!

A look at the lives of residents living in a Delhi mansion during the cusp of 19th century.

Check out the trailer…

Set in the 1795, amidst the clashing forces of British and French militaries and the decline of the centuries-old Mughal Empire. It’s billed as Downton Abbey India, and it’s also got Lesley Nicol who played Downton’s longtime cook Mrs. Patmore, this time she’s playing one of the masters of the house as the protagonist John Beecham’s mother. Bateman is perfect as John, the conflicted former soldier who’s left the ruthless East India Company and made a living as an art trader.

I’m a big fan of filmmaker Gurinder Chadha as well, the creator of the show. I love that Beecham House is partly filmed in the UK and India, the sets in the latter is especially sumptuous, all the costumes, set pieces, actors, etc. all lend to authenticity of the show. Not to mention the opulent house itself with its magnificent details. I love the diverse cast, too! I’ve been crushing on Tom Bateman for some time (he’s terrific in Vanity Fair) and here, his charismatic yet mysterious presence has proven himself ready to be a major leading man.

Glad to see Leo Suter once again after seeing him in Sanditon… thankfully he’s got more screen presence on this show as I had complained how wasted his talents was there. He’s proven to be a versatile actor as his character is quite different from Sanditon, but I definitely fancy him more as a bit of a rascal! The Indian actors are equally fascinating. Pallavi Sharda and Shriya Pilgaonkar are both stunning as two headstrong ladies who refuse to be a shrinking violet (I say that as the English woman named Violet here is a rather silly woman). I love Viveik Kalra in Blinded By The Light, here he’s playing the house caretaker who’s loyal to John Beecham. I hope to see more of him in future projects!

I might dedicate a blog post for this show, but for now, let’s just say it’s absolutely binge-worthy!


The Mayo Clinic: Faith – Hope – Science

If you like documentaries, here’s one you should check out. It’s particularly intriguing to me because I live just an hour away from Rochester where the Mayo clinic is, but given their impact all over the world, it’s worth learning about just how they got started. It’s truly inspiring stuff!


Yesterday I wanted to see something light and funny, so we watched The Secret Life of Pets 2 on Netflix. It wasn’t as funny as the original, but still entertaining for the most part. My favorite bit is the one with the farm shepherd dog Rooster voiced by Harrison Ford. He’s so perfect for the part, a grumpy, adventurous veteran who’s teaching the city dog Max on how to overcome fear.


Thanks to that TV Guide link, I can finally watch this show on SundanceNow!

A DISCOVERY OF WITCHES

Diana Bishop, historian and witch, accesses Ashmole 782 and knows she must solve its mysteries. She is offered help by the enigmatic Matthew Clairmont, but he’s a vampire and witches should never trust vampires.

 

It’s been around since 2018 and I remember really wanting to watch it when I saw the trailer… I mean hello, Matthew Goode!! 😍He sure makes one heck of a sexy vampire, oh la la! Interesting that the series about vampires and witches are set in the field of academia, Oxford University to be exact, and it’s actually filmed on location in various parts of the world… Oxfordshire, Scotland, and Venice. It’s definitely a great escapism for the time being since we cannot be physically traveling to any of those countries until this outbreak dies down.

I quite like Aussie actress Teresa Palmer as well, interestingly enough the first time I saw her in was in Warm Bodies, a zombie comedy. She must have a thing for movies about the undead. She looks so much like Kristen Stewart too, and she’s on that massively popular vampire movies. Apparently this one is also based on a novel, The All Souls Trilogy, by a woman writer, Deborah Harkness. I wonder why they didn’t just keep that title, , rather than what the have now that’s so long and clunky.

I’ve seen four episodes so far as of today, and I like it more and more. Story-wise, there’s enough going for it to keep me watching… there’s the enigma and mystery surrounding the Congregation which is comprised of representations of demons, vampires and witches (though the person who takes care of the location is a human, ha!)… and these species live under some strict rules.

The acting is a bit uneven, but the two leads Goode and Palmer are great and they have a good chemistry. An important factor given the core of the story is a forbidden romance, a bit like Romeo + Juliet but with warring species, not just families. I do have some issues with directing choices and the use of modern songs that kind of cheapen the show a bit, it just doesn’t jibe with the elegance of the setting. Oh, and what’s with these vampires not being affected by sunlight or even Crucifixes, and they go about like humans in their daily activity… eating, drinking, playing with their cellphones, etc. Seems all too convenient to me since they can live for hundreds of years!

In any case, I have four more to go in season 1, and I just learned that season 2 has been greenlit but according to this article, they have wrapped filming. But given some of the filming is in Italy, there might be a major delay if they have to do some more shooting done over there given the Covid-19 situation.


So that’s just a sampling of what I’ve been watching the past week and a half… 

How about you? What have YOU been watching during self quarantine?

 

FlixChatter Review: OFFICIAL SECRETS (2019)

I’m glad I got to see this film on National Whistleblower Day last July. It was a very early screening to coincide with that day, which I think is appropriate as many whistleblowers are unsung heroes in my opinion, and they risked a lot to do what they do.

As did Katharine Gun, a British translator working for GCHQ (Government Communications Headquarters) in which this film is about. The film’s storyline is based on the book The Spy Who Tried to Stop a War: Katharine Gun and the Secret Plot to Sanction the Iraq Invasion (a mouthful and very descriptive title!) In 2003, she leaked a secret memo to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the invasion of Iraq. Some of the illegal activities involve US National Security Agency eavesdropping on diplomats from countries (the ‘swing nations’ as it were) tasked with passing a crucial UN resolution in favor of the invasion.

The film begins with Katharine leading an ordinary day, cuddling romantically with her husband in bed, watching TV, etc. Filmmaker Gavin Hood (who directed Eye in the Sky, an effective drone warfare thriller) made a point that Katharine vehemently opposed the Iraq invasion—she commented about Tony Blair while watching him on TV. As you recall, he was deeply unpopular when he backed George W. Bush’s foreign policy at the time. Then came the day Katharine stumbled upon that secret memo, and the film shows how she was outraged by that email. There is quite a bit of political jargon and national security info that get over my head a little, but most of the film focuses on Katharine’s journey… how she wrestles with the idea of leaking the confidential memo, thus breaking the Official Secrets Act 1989.

This film could easily be one of those humdrum BOATS (based on a true story) film, but I’m glad to say it’s pretty intriguing. There are some slow parts, and some scenes were overly dramatized, but overall I was invested in Katharine’s story. She sees the Iraq invasion as illegal, and she’s a headstrong woman that she maintains her ground, and her innocence throughout the whole ordeal. She acted to prevent imminent loss of life in a war that she deemed unlawful. There are a few suspenseful scenes, notably the time Katharine was interrogated when GCHQ got wind of the ‘leaked memo’ and another one involving her husband Yasar (Adam Bakri) who’s from Turkey. The fact that he’s an immigrant is being exploited by the UK authorities to get Katharine to yield. I have to admit that deportation scene is highly resonant to what’s going today and it sends a chill to my heart.

The film boasts a terrific British cast. I thought Keira Knightley, who looks nothing like the blond Katharine (they didn’t even make Keira’s hair lighter in the film) delivers a pretty convincing and affecting portrayal. It’s perhaps a less flashy role, yet one of her most nuanced performances I’ve seen so far. It’s quite a nice break to see her being rather deglamorized here. As for the all-star supporting cast, there are Ralph Fiennes as Katharine’s human-rights attorney, Matthew Goode (wish there were more scenes of him) and Matt Smith as journalists for The Observer, and Rhys Ifans as another British journalist. Though they each play a small role, I think they all provide a memorable turn as the people Katharine came in contact with. I find the whole correspondents between the supporting cast quite entertaining, perhaps because I have such a penchant for these fine British thespians!

Some say the Katharine Gun story as a morality tale of the 21st century, as her legal battle ends up exposing the highest level of government in both UK and US. Katharine was asked if she was ‘anti-war’ and she replied ‘no.’ She said some wars serve a purpose, and in hindsight, we know that the Iraq invasion shouldn’t have taken place. I for one am not a political person nor am I into overly political movies that are one-sided, but that’s not what Official Secrets is about. This thought-provoking film certainly made me ponder what I would do if I were in Katharine’s shoes, would I dare to stand up for what I believe in when it really mattered, risking everything I hold dear when the easiest to do would just to keep quiet.

I’m glad I saw this film as I didn’t really remember the actual events. As far as films about whistleblower goes, this one isn’t quite as gripping as say, The Insider (one of my fave from Michael Mann boasting an Oscar-worthy turn from Russell Crowe). Nonetheless it’s still a pretty solid drama in which the cast made it well worth a watch. I appreciate that they show the real Katharine Gun at the end of the film. I know people don’t usually go to the movies to see smaller dramas like this one, but I highly recommend it and I think you’d be pleasantly surprised.


Have you seen OFFICIAL SECRETS? I’d love to hear what you think!

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Advanced Screening Giveaway to OFFICIAL SECRETS

Happy Friday! We have another giveaway for this coming Tuesday!

Thanks to Allied Global Marketing, you + a guest are invited to an advanced screening of OFFICIAL SECRETS in honor of National Whistleblower Day:

Tuesday, July 30
Alamo Drafthouse Twin Cities at 7:30 pm

RSVP using the link below, while supplies last.

rsvp here

Seating is based on first come, first serve and is not guaranteed.

Witness the untold true story of one woman’s fight for truth. 

She risked everything to stop an unjust war. Her government called her a traitor. Based on world-shaking true events, Official Secrets tells the gripping story of Katharine Gun (Keira Knightley), a British intelligence specialist whose job involves routine handling of classified information.

One day in 2003, in the lead up to the Iraq War, Gun receives a memo from the NSA with a shocking directive: the United States is enlisting Britain’s help in compromising information on United Nations Security Council members in order to blackmail them into voting in favor of an invasion of Iraq. Unable to stand by and watch the world be rushed into an illegal war, Gun makes the gut-wrenching decision to defy her government and leak the memo to the press. So begins an explosive chain of events that will ignite an international firestorm, expose a vast political conspiracy, and put Gun and her family directly in harm’s way.

The film also stars Ralph Fiennes, Matthew Goode and Matt Smith. Official Secrets is directed by Gavin Hood (Eye in the Sky)

The film hits select Twin Cities theaters on September 13.


FlixChatter Review: The Guernsey Literary and Potato Peel Pie Society


When this movie came across my screen as I fired up Netflix, I knew this is the kind of movie I’d enjoy. Billed as a ‘celebration of literature, love, and the power of the human spirit,’ it’s a charming film set in an English island during WWII. It certainly helps that I’m an Anglophile and British period dramas are my cup of tea, plus this is based on a historical novel written by two women, Mary Ann Shaffer and Annie Barrows.

I adore Lily James since Cinderella, Pride & Prejudice & Zombies and Mamma Mia: Here We Go Again. She’s an instantly-likable actress and it’s easy to warm up to her character, Juliet Ashton a young London writer living in the shadow of the war. Despite the fact that she’s pretty successful, lives in a gorgeous Chelsea flat, her dashing publisher Sidney (Matthew Goode) is also her bestie, and she’s courted by a handsome American soldier (Glen Powell), Juliet doesn’t seem to be as happy as one would think. But her life is about to take a different turn when she gets a letter from Dawsey Adams (Michiel Huisman), a member of The Guernsey Literary and Potato Peel Pie Society. Yep, the mouthful title is a book club that inadvertently got started on a fateful night involving Nazi soldiers in the occupied island of Guernsey. As the correspondence goes on, Juliet is set on writing a book about the book club, and so off she goes to an island in the English channel off the coast of Normandy.

I love the idea of a young woman setting of on an adventure, especially in a time when it wasn’t as free for women to do so. And I also love the fact that Juliet isn’t too eager to marry a seemingly too-good-to-be-true prince charming. Naturally, Juliet was treated like a celebrity once they meet the members of the Society, and that first meet-up where she was presented with the potato peel dish is a group meet-cute. I adore every single member of the Society, Amelia (Penelope Wilton), Elizabeth (Jessica Brown Findlay), Dawsey, Isola (Katherine Parkinson) and Eben (Tom Courtenay), the cast is a bit of a Downton Abbey mini-reunion with Goode, Findlay, Wilton and James herself were all part of the popular period drama cast. But despite their warm welcome, the group (especially Amelia) is vehemently opposed to the idea of Juliet writing an article about them for the Times.

The setback didn’t send Juliet immediately back to London. Instead she’s set on doing research about the German occupation on the island. As the group opens up to her more, she soon finds out about what has happened to Elizabeth. The less said about Juliet’s discovery the better, but it’s safe to say she has fallen in love with the town and the people in it. There’s a lovely tentative romance between Juliet and Dawsey (Huisman is sort of been type cast as romantic lead in period romances and he does well in these roles), but the bonding scenes between Juliet and the female members of the book club is equally delightful to watch. I have to say that Penelope Wilton is particularly memorable as the grieving mother. She’s a terrific character actress who can balance drama and comedy seamlessly.

Director Mike Newell (Four Weddings & A Funeral, 2012 Great Expectations) kept the tone pretty light despite some of the serious war-related scenes, he puts the focus more on the relationship between Juliet and the people she encounters. It sometimes feels like a rom-com, but with more at stakes given the time it’s set in. But it doesn’t quite escape the trappings of the genre in that the romance is completely predictable. Fortunately, there’s enough of a surprise surrounding the lives of the people involved and the poignant history they’ve been through that I’m still swept up and moved by it.

Visually and thematically, it feels something out of Jane Austen movies. It’s even more enchanting for me personally as the movie make some references Austen, as well as Wuthering Heights and Jane Eyre. The set pieces are gorgeous, there’s something so immensely charming about the small, coastal English town. It wasn’t filmed in Guernsey however, but instead the coastal exterior was shot in various UK locations such as Cornwall, Bristol, etc.  I also love the 40s period clothing that makes everyone so vintage chic.

This is definitely ‘comfort food’ for fans of period dramas like me, but fortunately a nutritious one. Interestingly, this was supposed to be a Kenneth Branagh production with Kate Winslet in the title. As much as I’m intrigued by that prospect, I have to say I like Lily James as Juliet and I appreciate Newell’s old-school, unabashedly-sweet approach. I would have liked to have seen more of [bespectacled, Clark-Kent like] Matthew Goode, but I enjoyed seeing every bit of him every time he’s on screen.

I’m glad this movie is on Netflix as I’d readily watch it again. As a writer, one of the biggest appeal for me is how the movie is practically a wonderful love letter to the written word.


Have you seen The Guernsey Literary and Potato Peel Society? I’d love to hear what you think!

FlixChatter Review: ALLIED (2016)

alliedbanner

So this is a film that has quite a pedigree. Starting w/ the director Robert Zemeckis, who have made some of the best films like Back To The Future, Romancing The Stone, Forrest Gump, Contact, etc. plus the two A-listers, Brad Pitt and Marion Cotillard. I have to admit my main draw was Zemeckis and Cotillard, as I’ve never been a Pitt fan. Well, my instinct is right the first time around as Cotillard is certainly the more interesting to watch out of the two.

The film is set in 1942, with Pitt as an intelligence officer Max in North Africa where he encounters a female French Resistance fighter, Marianne, in Morocco. The opening shot is striking, with an aerial shot of the desert and a wide shot of Pitt walking under the hot Sahara sun. Then he gets picked up in a car à la James Bond (the scene is reminiscent to when Bond and his girl get picked up by a Rolls-Royce in the middle of the Moroccan desert in Spectre). It plays out like some kind of retro GQ commercial with Pitt looking clean-cut and debonair, as he’s dropped off at a party to meet his pretend wife. Again it’s as if he’s playing Bond to his Bond girl, complete with the him speaking in French in front of Marianne’s friends.

allied_pitt_cotillard

I love spy romances, it’s a sub-genre I wish Hollywood would make more of. Well, Allied certainly has all the ingredients for a great WWII romance drama. It’s definitely more drama than thrillers as you can count with one hand the amount of action in this film, which suits me just fine. What I do expect is a compelling story, great suspense and a sweeping romance worth rooting for. Unfortunately, the film falls short on all counts. The main thing for me is that it feels so insincere. Yes I know the actors are pretending to play pretends in the film, and it was rather amusing to watch at first. I especially enjoyed the scenes of them at the roof with Cotillard playing up her flirtatious side. But after a while it becomes kind of repetitive.


There’s not much espionage stuff going on in this film, but the first part was definitely much more engaging than the second. After an action-heavy scene at a top-ranking Nazi officer’s swanky party, the film then transitions from North Africa to the UK, where pretty much all the intrigue and flair fizzles almost instantly. Max and Marianne are now happily married with couple. When suspicion arises that Marianne is perhaps not who she says she is, the dramatic tension just isn’t there. I feel that Pitt is sort of sleepwalking his way through the film. Perhaps he aims to look poised and unruffled, but he comes across looking bored. Cotillard fares much better though she overacted a bit in parts, but her immense screen charisma is always a treat to watch. Then there’s the lack of chemistry between the two. Even the sex scenes lack any real heat, heck I was paying attention more to how they do that dust storm effects whilst they’re in the car! Overall I just don’t feel invested in their love affair. It’s really too bad as the story certainly has potential for a real heart-wrenching wartime romance.

allied_still1

The supporting cast don’t really get much to do. Even the great Jared Harris, who was simply astonishing in Kelly Reichardt’s Certain Women, was perhaps the most memorable one here as Pitt’s boss. Matthew Goode is barely recognizable and his cameo appearance seems like a waste of his talent. Lizzy Caplan is grossly-underutilized as her character doesn’t seem to serve much purpose at all.

Now, the Mr & Mrs. Smith comparison is inevitable given both leads are spies (not to mention the recent commotion of Brangelina), but the Morocco setting also instantly conjures up memories of the much, much more compelling WWII romance drama Casablanca. Watching this actually made me want to rewatch it and so I did. I convinced my hubby, who hadn’t seen it before, to rent it on Thanksgiving eve. Well, Allied could barely hold a candle to that masterful classic, no matter how visually dazzling it looks. Which brings me to the stunning cinematography by Zemeckis’ regular Don Burgess. The visuals, costumes and set pieces are definitely a plus here, they’re more authentic than the performances of the leads.

allied_casablanca

Overall, this is quite a disappointing effort from Zemeckis. The film is more style over substance… an elegant, sleek but utterly superficial affair. I’d think this type of film would make me cry buckets, but my eyes were dry the entire time. What’s more, for a film about espionage, the utter lack of edge and suspense is indefensible.

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Have you seen ALLIED? I’d love to hear what you think!

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Weekend Viewing Roundup: Mr Robot, ‘A Hologram for the King’ & The Wine Show

weekendroundup

How’s your weekend everyone? It’s another glorious weekend weather-wise… Summer is so fleeting here in MN so we’ve got to make the most of our time being outside.

I didn’t go to the cinema this weekend, trying to finish up Mr Robot Season 1 and we’ve got four more episodes to go. I’ll defer my final judgment until I finish all episodes of the first season, but I’m impressed w/ it so far. It keeps me guessing just what the heck is going on and it always ends on a suspenseful cliffhanger.

It’s certainly one of the most diverse cast of a TV series, with the lead Rami Malek himself of Egyptian descent. No shortage of interesting characters in this series, Mr Robot himself (played by Christian Slater) is definitely an enigma, but the Swedish-speaking Tyrell played by Martin Wallström is the one who gives me the creeps. He reminds me of American Psycho‘s Patrick Bateman with his steely gaze and violent tendencies.

Looking forward to finishing Season 1 hopefully next week!


HologramFortheKing

Saturday night I watched the new Tom Hanks drama set in Saudi Arabia. At first it made me think of Lost In Translation mixed with Learning to Drive, though it’s quite different from either. Cross-cultural stories always appeal to me, though this film is more about a personal journey for the lead character. Alan Clay is a washout American sales rep who’s sent to Riyadh to do a major pitch for his company to a wealthy-yet-elusive monarch.

I have to say I’m not sure what to make of this movie. I was amused one second, discombobulated the next. The novel by Dave Eggers (which Hanks reportedly loved) might have been very interesting, but it feels like it might not have translated as well on screen. Now, it’s not that I wasn’t entertained, there are some amusing moments and Hanks was likable as always, I just felt that the humor felt a bit forced at times. They also hired another White guy (an American) to play an Arab. Alexander Black plays the taxi driver Yousef who predictably becomes friends with Alan. There’s a running joke about him checking the hood of his car for a bomb, not in a terroristic way he said, but from a jealous husband who suspects he’s having an affair with his wife. It was amusing the first time around, but it became repetitive. I feel there’s a lack of genuine rapport between the two actors, but it’s more because of the way they’re written.


There’s a budding romance between Hanks and his female doctor, Dr. Zahra (Sarita Choudhury) who treats him for the cyst on his back. I’m not really feeling the chemistry between them however, just like Alan and the taxi driver. Oh and the scene between the two towards the end is very um, unexpected. Let’s just say I didn’t expect to see a topless underwater scene in this movie, though I don’t think that alone warrants that the R-rating. Interesting that Choudhury was also in Learning To Drive, it seems like she’s got that ambiguous ethnicity where she could play an Arab, an Indian or Italian believably. I like that her character defies the stereotype of what we, in the Western world, think of an Arab woman. There’s another female character, a Danish woman working in the region who came on very strong to Alan, but her storyline seems grossly under-developed.

The pacing of the film seems off, though the story did manage to surprise me a few times. I can’t judge how accurate its portrayal of Arab culture as I’m not from that region, but I feel that the filmmakers did attempt to do it respectfully and not resorting to simple stereotypes. Filmed in Morroco with some exterior shots of Riyadh, it blends the traditional and very modern aspect of the Arab world.  The actual hologram presentation to King Abdullah itself is a non-event, apart from a rather odd cameo from Ben Whishaw playing a Q character of sort.

Once I finished the film, I found out that the film’s director is Tom Twyker. I love his German film Run Lola Run, but his last Hollywood movie is the even more puzzling Cloud Atlas. I did praise it for its valiant effort, though I honestly don’t know if I’m going to like it as much upon rewatch. Now, what I can say for this one is, give it a shot if you’re a huge fan of Hanks (as he’s in virtually every single scene). Overall it’s lacking a certain oomph to make it a memorable movie. But at only 138 minutes, at least it didn’t overstay its welcome.

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WineShow

I saw on Twitter there’s a new reality show called The Wine Show arriving on HULU. It’s got the two gorgeous Matthews, Matthew Goode & Matthew Rhys, who played Mr. Wickham and Mr. Darcy in Death Comes to Pemberley. The show was originally done for British ITV. Filmed in beautiful locations all over the world, The Wine Show is informative, entertaining, humorous and surprising, with something for everyone who enjoys a glass of wine. I love that the wine expert is called Obi Wine Kenobi, ha!

I love this, definitely will be watching all 13 episodes!

 


So that’s my weekend recap. What did YOU watch this weekend, anything good?