New Trailer + Poster Spotlight: Wes Anderson’s The French Dispatch

Something super fun just arrived in my inbox today! I was in the middle of a rather long, tedious training for my new job, but upon opening this email, a huge smile formed on my face!

Ooooh!! I absolutely adore this poster, I wish I could have it to hang on my wall right now! Wes Anderson‘s upcoming movie has The Adventures of Tintin vibe to it, the comics series by Belgian cartoonist Hergé that I grew up reading religiously as a kid.

Here’s the premise…

THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.

What a cast!! I know lots of [thirsty] people are going nuts over ‘it boy’ Timothée Chalamet writing naked in a bath tub 🤣 – I didn’t even notice him until an article specifically mentioned about it in the headline! In any case, I wonder if he’ll actually be speaking French in the movie? The internet would probably spontaneously combust!

Upon further reading, the Tintin vibe seems intentional given Tintin is a globe-trotting reporter. Per Wiki, the film has been described as “a love letter to journalists set at an outpost of an American newspaper in a fictional 20th-century French city”, centering on three storylines.

When speaking to French publication Charente Libre last year, Anderson noted: “The story is not easy to explain, [It’s about an] American journalist based in France [who] creates his magazine. It is more a portrait of this man, of this journalist who fights to write what he wants to write. It’s not a movie about freedom of the press, but when you talk about reporters you also talk about what’s going on in the real world.”

Per tradition of Wes Anderson’s movies, it’s another awesome ensemble cast, many of whom have worked with the Texas-born filmmaker. The screenplay was written by Anderson, Roman Coppola, Hugo Guinness, and Jason Schwartzman.

Now here’s the trailer! 

It’s classic Wes w/ his usual visual flair, distinct camera work and quirks! I love it!! It looks so much like Grand Budapest Hotel and I saw some of the cast are back as well. I can’t wait to step into this world of global journalism filled w/ intrigue and idiosyncrasies.

It’s scheduled to be released on July 24.


What do you think of The French Dispatch?

Bond 25 – NO TIME TO DIE first trailer + character posters!

I’ve been waiting for this!! After revealing the new title last August, No Time To Die finally has its first trailer… and as a longtime Bond fan, color me excited!!


I personally can’t wait to see what director Cary Fukunaga would do with this 57-year-old franchise, and from what I’m seeing here, it certainly looks promising!

The one I’m most curious about is Lashana Lynch’s character, and this trailer confirms that she is indeed has been assigned as a Double-O while Bond’s away from active duty. Oooh and she’s fierce!

Stay in your lane. You get in my way, I’ll put a bullet in your name.

She also reminds Bond that the world has changed… a way the studio reassure moviegoers that ‘this new Bond movie is woke, guys!’ I had to chuckle a bit seeing how reluctant Daniel Craig says the name ‘Bond… James Bond.’ He doesn’t look too happy to come back from retirement… just like Craig himself who can’t wait for his Bond contract to expire, ahah.

So Christoph Waltz is back as Blofeld, let’s see if they’d redeem his character here after what they did in Spectre where he’s basically playing a clichéd psychopath. And now Rami Malek is the new Phantom of the Opera er, Bond villain named Safin, complete w/ a preposterous accent to go with his eeee-vil plan. Looks like Safin will be one of those baddie with a more global ‘vision’ for his malevolent schemes… not simply a guy on a personal vendetta w/ Bond.

“… your skills die with your body. Mine will survive long after I’m gone.”

Nice to see Léa Seydoux back as Dr. Swann. So is she supposed to be new Vesper? Blofeld said ‘you gave up everything for her’ but there’s talk about her  knowing Safin’s secret… hmmmm, are they alluding to a Stockholm syndrome of some kind as Dr. Swann was kidnapped (presumably by Safin) and Bond had to rescue her? Not sure yet who Ana de Armas is playing, but hey she looks fabulous in a low-cut dress firing out two guns, so that’s all that matters, right? 😉

The cinematography looks gorgeous, plenty of cool-looking shots here. DP Linus Sandgren has worked with Damien Chazelle in La La Land and First Man. Composer Dan Romer is also new to the Bond franchise,  so far the music sounds good to me.


Ahead of the trailer, they released these new character posters… I’d say they look pretty sleek! I like the vintage, art deco vibe of the font, but yet looks very modern overall. Hey even Ben Whishaw gets his own character poster as the quirky Q, but no Ralph Fiennes as M??

Even in his poster Craig looks like he absolutely can’t wait to be done w/ his Bond stint, ahah. Well, I like him in the role, but honestly, I’m pretty ready to see a new Bond myself.

In any case, I am excited for Bond 25. There’s no shortage on the writers apparently… Cary Fukunaga also wrote the script which started with Neil Purvis, Robert Wade, then Scott Z. Burns and Phoebe Waller-Bridge were brought in to make some updates. Release date in North America is April 8, while the UK and its territories will see it first on April 2.


What do you think of NO TIME TO DIE trailer? Let’s hear it!

FlixChatter Review: The Lobster (2016)

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When I first heard of the premise of this film, I was already sold. Then I saw the trailer and I knew it’d be a bizarre film, but nothing could prepare me for how bizarre it turned out to be. The film is set in a dystopian near future where it’s unlawful to be single according to the laws of The City. So they’re taken to The Hotel where they have to find a romantic partner in 45 days or they’d be transformed into a beast of their choice and sent off into The Woods. You’d think that’d be easy but they have to find partners who share their unique characteristics.

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We first see David (Colin Farrell), a recently divorced architect and his dog who’s actually his brother who didn’t make the strict 45-day rule. Even the conversation with the hotel clerk is so off the wall you can’t help but laugh. Later on I realize that David is the only one who has a name in this film, the other characters are only credited with their unique traits, or you could also say affliction. Ben Whishaw is the Limping Man, John C. Reilly is the Lisping Man and so on. The fact that the film is played straight with the actors delivering the weirdest dialog in a deadpan way makes it so hilarious. I find myself chuckling at the sheer peculiarity of it all, but yet I know there’s more to this than just a series of outlandish scenarios.

The film is inherently a comedy but it’s not just frivolous silly movie, but it’s a clever and unique way to make you think of relationships. The first half of the film shows the strict rules and customs of The Hotel, managed by the always-entertaining Olivia Coleman. Then the second half takes place in The Woods where single-dom is celebrated and romantic/sexual activity is severely punished. I have to admit that the film seems to lose its footing a bit in the second half as it’s not as engrossing. It also grows more sinister and there’s a pretty violent scene that made me wince. In the Woods is where we meet its leader (Léa Seydoux) and the Short-Sighted Woman (Rachel Weisz) with whom David forms an attachment.

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Now, to say more would be a disservice to those who haven’t seen this. I think it’s best going into this not knowing much about it other than the basic premise. The way things unfold is so amusing and it’s open to your own interpretation. Greek writer/director Yorgos Lanthimos who co-wrote the script with Efthymis Filippou doesn’t spoon-feed you what he thinks about relationships. He doesn’t take sides on couple-dom vs single-ness, but he presents things in such a way that make you ponder about it for days. I really don’t know how I could survive in either scenario as there are dire consequences for your actions in both places. I appreciate Lanthimos’ style and this is certainly one of the most original concept I’ve seen. I’ve loved sci-fi concepts that’s more grounded in its presentation and the world the characters inhabit in this movie certainly looks plausible. The cinematography is beautiful with natural light and has a rather somber ambiance that stops just short of being morose. 

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The acting is brilliant all around. I’m most impressed with Farrell who’s perhaps at his most understated here. He looked so pudgy with a huge belly, a physical look I haven’t seen before as he’s not quite the shape-shifter like say, Christian Bale. His character is mostly passive and reflective, as he internalizes everything as he observes everything that’s going on around him. It’s quite interesting to watch his journey through the film, going from compliance to defiance to rebellion, right down to its ambiguous conclusion. Rachel Weisz is wonderful as always, she’s got many intriguing projects recently and she’s an actress I’ve grown to respect even more.

The finale proved to be rather frustrating and I think that’s what the filmmaker intended. It seems as if David was set out to do something really drastic, but the film ended before we know if went through with it. [SPOILER ALERT – highlight text to read the following sentence] As David brought a fork and knife, it seems to suggest he was going to blind himself so he’d share the same characteristic as the now blind Rachel Weisz, though I wonder why as he’s already escaped the strict confines of both The Hotel and The Woods.

Despite my frustration with some aspects of the film, I still have to give it top marks for originality and thought-provoking ideas. This is the first film from Lanthimos I’ve seen so far, but his previous films (Alps, Dogtooth) also have a peculiar concept. This is definitely unlike anything I’ve ever seen and I’m glad we have a filmmaker like him that pushes the envelope. I’d say if you don’t have an aversion to strange films, I highly recommend this one and you’d be glad you did.

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Have you seen ‘The Lobster’? I’m curious to hear what you think!

FlixChatter Review: SPECTRE (2015)

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I wonder if the way I feel about the Bond song somehow impacts how I feel about the film itself. Some of my least favorite Bond songs are The Man with the Golden Gun, Die Another Day, and Quantum of Solace, and those are also my least favorite Bond films. I already mentioned in this post how much I abhorred Sam Smith’s latest, Writing’s on the Wall which sounds more like fingernails on a chalk board. Unfortunately for me, during the press screening, I had to endure that song not once but twice as they played Sam Smith’s music video before the movie, so I had to suffer through THAT song once again during the opening title [sigh]

Of course it’s ludicrous to judge a Bond movie from the song, so I was prepared for an awesome Bond film. To be fair, the melody of the song itself is actually not bad, with Thomas Newman back scoring this again after Skyfall. Well, the first 15 minutes is certainly promising. It’s tradition that Bond films open with a bang and this one is no different, starting with a foot chase through a throng of huge crowd during the Day of the Dead festival in Mexico City. It’s followed by a spectacular fight scene aboard a helicopter flying above the main square. If we’re to judge a movie by cinematography alone, Spectre is excellent, thanks to Hoyte van Hoytema whose done amazing work in Her and Interstellar recently.

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Plot-wise, Spectre has a lot going for it, at least on paper. The parallel conflicts that Bond and M are facing in the film also promises an extra layer of intrigue, in addition to the personal vendetta that runs through the vein of Daniel Craig‘s Bond films. A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization and somehow he ends up going rogue. Meanwhile, his boss M (Ralph Fiennes) is dealing with a crisis of his own as the head of Joint Intelligence Service (which merged MI5 and MI6) threatened to shut down the double-O section. It’s an intriguing set up and as a massive Bond fan, I expect once again to be bowled over.

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Alas, after that spectacular opening, the film seems to lose momentum and never quite claim it back. All the high-octane action didn’t have quite the adrenaline rush I expected from a Bond movie. Even the car chase through the streets of Rome feels rather stale, it’s like I’ve seen a far more exciting car chase scene in previous Bond movies and recently in its rival franchise, Mission Impossible 5. Then there’s the unintentional humor that makes it hard to take the film seriously. The two times Bond wooed two of the beautiful Bond girls, Monica Bellucci and Léa Seydoux, the scenes elicit laughter from the audience. It feels so obligatory and cringe-worthy, a far cry from the intriguing AND sexy love affair between Bond and Vesper in Casino Royale. Vesper was a complex character with a compelling story arc, but here the two Bond girls aren’t given the same courtesy. It’s sad to see an actress of Bellucci’s stature be utterly wasted here.
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The film also promises a massive super villain, the mother lode of all villains Bond has encountered in his past, “I’m the source of all your pain,” Oberhauser tells him once Bond gets to his lair. So it’s quite a let down that this supposedly fearsome, ultra-powerful mastermind turns out to be not so menacing at all. Remember how sinister Christoph Waltz was in Inglourious Basterds? Well, here he’s nothing more than a clichéd psychopath throwing tantrums at Bond because of… a childhood feud. Huh? No less than FOUR screenwriters credited here, three of whom also worked on Skyfall, and all they could come up with is THIS half-baked story? [spoiler alert] I find it hard to believe that Mads Mikkelsen’s Le Chifre, who was effortlessly menacing AND intriguing in Casino Royale, actually worked for this lame, petulant nutjob.

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Sam Mendes and his team of writers seems to have recycled a lot of what’s been done in previous Bond films with nothing new to add to the franchise. In fact, in terms of the treatment of the Bond girls, it’s a step backward. The film seems to aim for a darker story but the execution feels light and even unintentionally comical. I realize that Bond films aren’t expected to be too deep or poignant, but even the fun, escapism factor seems to be missing in this one as Mendes can’t decide what kind of Bond movie he wants this to be. At times it harkens back to the Roger Moore era, which is a jarring contrast to the more pensive and grittier tone established in Craig’s films.

The returning characters from Skyfall are still good in their roles. I do like Ralph Fiennes as M but yet he still can’t hold a candle to how fantastic Judi Dench was in the role. Moneypenny and Q (Naomie Harris and Ben Whishaw) have bit more to do in supporting 007, though not so much that would make any real impact in the movie. Andrew Scott, who’s excellent in the Sherlock series, is just serviceable here, but Dave Bautista certainly lives up to other big, burly but taciturn henchmen of Bond’s past. The fight scene on the train is certainly an homage to From Russia With Love and The Spy Who Loved Me with my favorite henchman, Jaws.

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As for the titular hero, I still like Craig as Bond, but more often than not he looks bored in this movie. It’s as if he’s weary of the same old types of shenanigans and hollow sexual escapades in various exotic locations. Yes I know Bond’s supposed to have this devil-may-care attitude but I think there’s a sense of fatigue that the actor can’t quite conceal. Perhaps it’s telling when Craig said in an interview recently how he’d rather slash his wrist than play James Bond again. It’s tacky to bite the hand that feeds you, but I can’t say I blame him for feeling that way.

It’s a pity because this could’ve been a truly great swan song for Craig if he were to retire as Bond (though I think he’d be back for at least one more). I like the fact that four of his films are connected in some way, though the constant throwback to his previous films also invites the inevitable comparison. If I were to rank Craig’s Bond films now, Spectre is just slightly more watchable than Quantum of Solace, but falls far short of the greatness of Casino Royale and Skyfall.

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Spectre might’ve topped the box office, but it’s nowhere near the top of the best Bond films for me. So I guess that awful theme song is sort of a warning about the movie. Bond’s most personal mission barely evoke any emotional response as the protagonist himself didn’t even seem to care. There’s just no compelling human drama here in this largely soulless affair. Overall the payoff just doesn’t live up to all that build-up and frankly, the film is just forgettable. I saw it four days ago yet I barely remember anything about it. It’s such a bummer really, this movie even made this loyal Bond fan think that perhaps I’ve outgrown this franchise a bit.

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Well, what did you think of Spectre? Did you like it more or less than I did?

007 Chatter: BOND 24 is now called SPECTRE

Boy it’s been a while since I posted anything about Bond and this morning a press release came to my email that I simply had to do a post! “Welcome back commander!” 

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[you can see the motion poster over on 007 Facebook]

LONDON, UK, December 4, 2014 – 007 Soundstage, Pinewood Studios, London. James Bond Producers, Michael G. Wilson and Barbara Broccoli today released the title of the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film as Ian Fleming’s James Bond 007. SPECTRE begins principal photography on Monday, December 8, and is set for global release on November 6, 2015.

The launch of SPECTRE was streamed live on 007.com and Facebook.com/JamesBond007, and here’s the video if you missed it:

Along with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz, Léa Seydoux, Dave Bautista, Monica Bellucci and Andrew Scott. Mendes also revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for the movie.

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Official synopsis:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Bond’s going back to the classic Aston Martin too, which is by far one of my favorite of all Bond’s fantastic rides. Man, the DB10 is going to be specifically built for the film and it’s absolutely drool-worthy!! Heck, I’d rather take his car home than Bond himself, ahah.

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The 007 production will be based at Pinewood Studios, and on location in London, Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the snow once again, this time in Sölden, along with other Austrian locations, Obertilliach, and Lake Altaussee.

Commenting on the announcement, Wilson and Broccoli said, “We’re excited to announce Daniel’s fourth installment in the series and thrilled that Sam has taken on the challenge of following on the success of SKYFALL with SPECTRE.”.

Per EMPIRE, the evil organization has not had a presence in the Bond universe thanks to a long-running copyright battle between MGM and the estate of Kevin McClory, the producer of Thunderball and the unofficial Connery Bond, Never Say Never Again. That, however, was resolved in 2013, paving the way for SPECTRE to return to the Bond movies. People have been speculating that Christoph Waltz will be playing Spectre’s leader, Ernst Stavro Blofeld, but according to the UK mag, his character’s name is Oberhauser [??]

Man, I’m super excited for this!! What a cast, too, woo hoo!!! I LOVE Christophe Waltz, the Austrian thespian really impressed me in Inglourious Basterds and he has been working steadily in Hollywood ever since. He’d be great as the villain, with Bautista as his henchmen I presume. Not sure who Andrew Scott is playing, but he’s playing another baddie named Denbigh. They’re playing it *safe* this time in casting actors who’ve won accolades playing bad guys previously, as Scott won BAFTA for portraying Sherlock‘s nemesis Moriarty in the BBC series.

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I’m loving the female cast, too! I have always been a big fan of Naomie Harris as Money Penny, but now we’ve got gorgeous Italian and French beauties Monica Bellucci & Léa Seydoux. I’m actually surprised they haven’t cast Monica in previous Bond films, but she still looks stunning at 50 so it’s cool to see they don’t just cast young actresses as Bond girls!

SPECTRE is set for a October 23, 2015 release in the UK and a November 6, 2015 release in the US. Can’t friggin’ wait for this!!


So, what do you think of this announcement? Would love to hear your thoughts, folks!

Weekend Roundup: Farewell My Queen, Purple Noon & Wishing I were at San Diego Comic-con!

Well my weekend is pretty uneventful really. I didn’t even go to the cinema nor watched too many movies. Friday night was a fun Movie Night with my girlfriends, which we haven’t done in almost a year since one of them had a baby. We’ve decided on the movie weeks ago, Farewell My Queen, which is fitting since I’ve been obsessing over the French Revolution since my Paris trip in early June.

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The film focuses on the relationship between Marie Antoinette and one of her readers Sidonie Laborde during first days of the French Revolution. The whole movie takes place in Versailles which is beautifully shot. Now believe it or not, I have not seen a single movie about Marie Antoinette nor the French Revolution. Though the film looks authentic and well-acted, the film barely pays any attention to the real issues that led to the revolt. The Revolution only serves as a backdrop, focusing more on the obsession, loyalty and betrayal of the three main characters.

As I’m now watching Downton Abbey, the upstair/downstairs lives of the servants, courtiers and the royals in that lavish palace is fun to watch. The scene when the courtiers find out about the list of the 300 targets of the guillotine is pretty intriguing and you could really feel the tension brimming in that dark corridor. The performances are quite good, I’m especially impressed by Lea Seydoux as Sidonie, who’s really the lead of the film. She has a certain vulnerability about her that makes you sympathize with her right away, and she’s a stunning actress who definitely looks more interesting the more you look at her. Diane Kruger is quite effective as the Austrian-born queen, whilst Virginie Ledoyen is as beautiful as she is aloof, which is fitting as she’s the object of the queen’s affection. Overall though, the film is just ok, perhaps not the best films out there on the topic of the French Revolution, but it’s not a bad one to start with.

PurpleNoonCriterionFor my July Blindspot, I watched Purple Noon (Plein soleil) starring Alain Delon. I’ve seen the remake The Talented Mr Ripley years ago so I knew the gist of it but honestly I’ve forgotten most of the details from that one. One thing for sure Matt Damon is not nearly as appealing as Delon in the role of Tom Ripley, even though it’s funny that Delon barely spoke any English in this film despite being an American character.

Delon with his razor-sharp cheekbones and steely gaze possesses a certain coldness, that dangerous undercurrent beneath such an impossible good looks. I’ll save the full review until Tuesday but suffice to say I’m glad I finally saw this one. I’ve been wanting to see more from Delon after seeing him in a taciturn role in Le Samouraï.


Now, the rest of my weekend is filled with a lot of drooling over Comic-con in San Diego. My dear friend Melissa of Snap Crackle Watch was there with her girlfriend, lucky gal! Here’s her recaps – Part I and Part II. I was following her fun tweets all weekend, can’t wait to read her recaps whenever she gets around to posting it. Man, I could see why it’s getting more difficult impossible to get to SDCC, I mean the kind of films being covered there is incredible! Interstellar, The Avengers: Age of Ultron, Batman vs Superman, The Hobbit 3, etc. Here are my favorite photos from the four-day festivities!

A bunch of trailers debuted at SDCC, but I refuse to post those grainy, shaky-cam versions shot by fans in Hall H. I’ll wait for the official one, thank you very much. But hey, the one I’ve been waiting for, Mad Max: Fury Road, has released its first trailer online!

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I didn’t see any photos of Tom Hardy so he might not have been at the Mad Max Panel but here’s the new trailer. Interesting to see him with his Bane-like mask, ahah. So far it looks very cool though I expect the second trailer to actually show more of the story than just a mash-up of action sequences in dystopian Australian dessert.


Well that’s my weekend roundup, folks. What about you, seen anything good?