When I heard Ari Aster had a new horror movie coming out, I was excited, especially since he described it as a companion piece to last year’s Hereditary. While I didn’t want to go in comparing it too much to last year’s hit, I still had high expectations.
Following a heartbreaking family tragedy, Dani (Florence Pugh) tags along with her boyfriend, Christian (Jack Reynor), and his friends Josh (William Jackson Harper), Mark (Will Poulter), and Pelle (Vilhelm Blomgren) to an idyllic commune in a remote part of Sweden to experience their mysterious summer solstice festival. The longer they stay, however, it becomes more evident that there is a more sinister meaning behind the celebration.
This movie is nearly TWO AND A HALF HOURS LONG and my goodness, it does not need to be. A slower pace can work in creating an unsettling, suspenseful tone (it was super effective in Hereditary), but it this movie goes beyond that, and it’s not like the plot is complex or dense enough to warrant that long of a run time. The movie has serious Wicker Man vibes-the 1973 one, not the baffling 2006 remake (although weirdly enough, this movie also has a man in a bear suit). That’s partially good-both films have these hauntingly beautiful soundtracks and a unique aesthetic for a horror movie-but Midsommar doesn’t do anything particularly new or creative with the “unsuspecting outsiders are lured to a strange, rustic community for nefarious purposes” plot, despite having a ridiculous amount of time to do so.
Fortunately, this film gives us a lot to look at over its long run time; it is absolutely gorgeous. Midsommar is full of creative editing and camera work and beautiful set and costume design. Even the gory parts are fascinating. The cast is solid too; lead Florence Pugh is easily the standout, although Will Poulter gives an enjoyable performance as well, despite his character being a one-note frat bro-type.
While I was mostly underwhelmed with this movie, I would still watch it again, just to see if I missed any interesting details or clues in the lush visuals. If you were curious about Ari Aster’s style after hearing about Hereditary’s success but aren’t a huge horror fan, Midsommar might be worth checking out- as long as you have a decent amount of time to kill.
Have you seen Dead Don’t Die? Well, what did you think?
Sorry ehm, now that I got my giddy enthusiasm out of the way… [well just enough so I can actually do a post, ahah]
Well if you’ve visited my blog long enough you’ll know how much I’ve been crushing madly on Sam Riley… and he deserves every bit of my love… and then some. Anyway, today we’ve got three trailers, two of which has two Batmans AND a Scarecrow too 😀
Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.
I’ve been waiting for this trailer since the day I heard Sam was cast in it… so that was about a year ago! I mentioned it here, can’t believe it’s been four months since we got its first official photo!
Well, today we didn’t just get ONE but TWO Free Fire trailers… the top one is the official UK trailer and below is the RED BAND trailer… more blood
Some lucky folks got to see this at TIFF Midnight Madness last night w/ the cast and crew… yes including my Sam!!
The main reason I’ve super excited for FREE FIRE is because Sam Riley‘s in it… but of course the cast is amazing! Besides Sam we’ve got Brie Larson, Cillian Murphy, Armie Hammer, Sharlto Copley, Michael Smiley, Jack Reynor, and Noah Taylor.
I know Sam isn’t in the movie much, heck he’s not even mentioned in the trailer (what a travesty), but he’s been mentioned quite a bit in the early reactions of the movie on Twitter!! I have a feeling he isn’t gonna survive in this movie, and neither is many of the cast, but from the reviews sounds like director Ben Wheatley isn’t killing people off so soon. It’s a game of survival so I guess it wouldn’t be fun if everyone dies in the first act, ahah.
People are saying it’s as violent as the promos made it out to be, but also a lot of fun. Nothing like a good sense of humor to break all the tension of a group of trigger-happy gangsters stuck in a warehouse full of guns! There’ll be gunfire alright!
I hope we get this one on the big screen, no US release date yet but the lucky UK folks will get this in March 2017. …
Live By Night
A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.
Now this one I’m actually surprised to see a trailer so soon! But hey, I love pretty much everything Ben Affleck‘s directed, especially Gone Baby Gone, so I’m excited on that front. Now that he’s Batfleck, I do keep thinking that his gangster character Joe Coughlin looks as if Bruce Wayne’s dark past prior to him finding a conscience and becoming Batman to save his city from gangsters, ahah. It looks intriguing, though I’m not crazy about Scott Eastwood’s casting. I mean everyone else is great… Brendan Gleeson, Chris Cooper, Zoe Saldana, Elle Fanning, etc. I only wish his screen time is small [I didn’t see him in the trailer but that could be my selective perception, ahah]
Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.
Seriously there’s barely ANY buzz on this movie! Aside from that super boring generic title, it’s got Christian Bale AND Oscar Isaac?? Bale is sporting a similar beard as in The Dark Knight Rises for some reason, and Isaac is doing a Turkish accent? Y’know what, I don’t know what to make of this trailer… it’s a love triangle set in the Ottoman Empire… sounds really juicy but somehow the trailer is just… okay. What was the promise in the title? I must’ve missed it in the trailer. Y’know generally I’m always wary of love triangles, it’s prone to clichès and schmaltziness, which is what I detect here too despite those two great actors. Montréal-based actress Charlotte Le Bon plays the woman in the center of the triangle, I’ve just seen her in Anthropoid. I’m not as impressed w/ her there as I was in The Hundred-Foot Journey. Well, I might go to the press screening if there’s one, otherwise more like a rental.
What are your thoughts on any one of these new trailers?
Ahhhh… the 80s. Duran Duran, A-Ha, Spandau Ballet, The Cure, etc. I grew up with the bands featured in this movie, which adds the enjoyable quotient tenfold for me. I discovered John Carney a bit late as I saw Begin Again first a couple of years ago, then rented Once after that. I absolutely loved both of them, though Begin Again felt a bit more Hollywood given that it’s got bigger stars like Keira Knightley and Mark Ruffalo, so I’m glad he returned to his Irish roots in his latest.
Set in Dublin in the mid 80s, Sing Street‘s tagline says ‘Boy meets girl, girl unimpressed, boy starts band’ and the movie is exactly what it says on the tin. The boy is Connor (Ferdia Walsh-Peelo), a 15-year-old boy who turns to music to escape his strained family life as his parents are going through a divorce. It’s certainly a story anyone can relate to, I mean we’re all teenagers once too. It’s especially tough when teens have to switch schools and that’s what happens to Connor when he’s sent to an inner-city public school to save money. That’s where he meets the mysterious girl Raphina (Lucy Boynton) with big dreams of becoming a model in London.
The whole process of Connor and his new pal Darren forming the band is such a joy to watch. Of course being a movie it all feels fairy-tale-ish how it came together, but it’s got such an infectious charm that got the whole theater in a jolly mood. The boys in a band have such quirky personalities, one of my fave parts was in Eamon’s (Mark McKenna) house when he showed off his abilities to play multiple instruments. But all of the music videos they’re filming are such a hoot, as the boys assumed different personas of famous bands from that era. I think my fave look is when the boys were rockin’ the guyliner and teased hair inspired by The Cure. The young actors (except for Boynton who I had seen in BBC miniseries of Sense & Sensibility) are all unknown. In fact, this is 16-year-old Ferdia’s acting debut, though he had stage and opera experience. The fact that the actors did their own singing certainly adds to the authenticity of the story.
All the musical performances are definitely the highlight, though there are poignant moments throughout. Kids get bullied in school from fellow students and strict teachers (which I could relate to as I went to an all-girl Catholic high school) and of course, dealing with the broken heart of first loves. The romance between Connor and Raphina is sweet despite being rather mawkish at times. I think the relationship between Connor and his down-on-his-luck older brother Brendan (played affectingly by Jack Reynor) is more memorable. Connor looks up to Brendan who teaches him all there is to know about rock ‘n roll ‘No woman can truly love a man who listens to Phil Collins.’ Ha! Yet in a way, Brendan also lives vicariously through his naive-yet-driven younger brother and in the end was inspired by him.
I had such a blast watching this movie, in fact it’s one of the most joyful films I’ve ever seen. This is apparently semi-autobiographical for writer/director John Carney and it’s the perfect love letter to the 80s and the power of music. For anyone who’s used music or other forms of art to escape the harsh realities of life will be swept away by the infectious optimism of this movie. The way he integrates music into the storyline is unlike any other filmmaker working today. I definitely will do a Music Break post with my favorite tunes from the movie. In fact, I was listening to the songs as I was writing this review and can’t wait to re-watch this movie again.
Have you seen ‘Sing Street’? Well, what did YOU think?
Hello hello! How is this only Wednesday? I feel like I’ve been at work all week. Well, here in the States we’re anticipating a three-day weekend with Labor Day on Monday. YES!!
Well, I was gonna do this community blogging post last week but somehow time ran away from me so I made sure I do it this week.
So about those links…
Horror maestro Wes Craven died this past Sunday, Rodney said his farewell, while Dan posted a top 10 tribute.
Katy posted a bunch of awesome artwork of Summer movies, what a great find!
Abbi reviewed a book she REALLY loved, see if it’s something you should pick up.
As it’s back-to-school week for a lot of you, Jay posted two uplifting movies just in time for that time of the year.
Khalid paid tribute to the FX series THE SHIELD, which premiered 13 years ago.
Woo hoo!! Brittani reviewed the Scottish rom-com Not Another Happy Ending, which launched my current obsession on the French Adonis Stanley Weber ♥
Now a few reviews of movies I haven’t seen yet but will definitely rent…
Keith reviewed Z For Zachariah | Josh reviewed Testament of Youth | Tom reviewed Straight Outta Compton
I can’t believe I haven’t talked about this film on this blog much. I also thought we’ve seen a trailer but what we got a few months ago was just the teaser, so we finally got an official one. Behold…
Heh, after the high of watching this comes the agonizing wait. Hey at least folks in the UK only has a month to wait when in opens on Oct 2 but this film doesn’t come out until December 4 in the US. WTF??!!
Macbeth, a duke of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
You probably sneered why I even put the film description here but hey, not everyone has the privilege of studying Shakespeare growing up or even see this play live on stage. Wish I had, but I’m not wholly familiar with this story even though it’s been adapted on screen multiple times. So this feels fresh to me, and boy is this going to be an eerily-gorgeous film. I read somewhere that it’s as if the entire film was shot in Instagram, ahah well, it IS rather somber & gloomy looking but it does fit the subject matter which isn’t exactly a sunny, cheerful story.
In the Summer we had Mad Max and in the Fall/Winter, we’ve got Mad Mac!
All that cunning, deceit and treachery set against such a lush panorama and stylistic slo-mo… a cross between Braveheart + 300 in the battle scenes… lest we forget Michael Fassbender was quite memorable as Stelios in 300, who died alongside King Leonidas and said ‘It’s an honor to die at your side.’ Boy, the career trajectory of Fassbender & Gerry Butler is enough to make one pause doesn’t it? But then again, Fassy certainly is one w/ the chops and he’s much wiser in his film role choices.
In any case, another main draw for me here is Marion Cotillard‘s casting as Lady Macbeth. The French actress can do no wrong in my eyes… and she looks positively radiant in this trailer. I’m also curious to see Jake Reynor who plays Malcolm, the elder son of the slain King Duncan. I interviewed him last year for the latest Transformers movie and really, I wish I could just ask him all about THIS film instead.
I don’t usually say this to many movies, but this one does have that epic quality about it. Reviewers have hailed this film from the film festival rounds, though I try not to read many of them at this point. I haven’t seen anything the Aussie director Justin Kurzel‘s done, but he’s one got one feature film under his belt. Yet he’s working with BOTH Fassbender and Cotillard again in Assassin’s Creed.
After a three year absent, the Transformers are back on the big screen. They still have to deal with annoying human characters, fight the bad Transformers and destroy every big city as much as they could.
The movie picked up about 5 years after the last one, we’re introduced to some new human characters Cade Yeager (Mark Wahlberg) and his daughter Tessa (Nicola Peltz). Yeager is a failed inventor and he’s close to being broke and lose his farm. One day he found an old truck which happens to be Optimus Prime, he’s hiding from the government. Apparently after the events of the last movie, all of the Autobots are being hunted down by the CIA. The mission is being spearheaded by a high level CIA executive Harold Attinger (Kelsey Grammer). When Attinger finds out that Optimus Prime is hiding out at Yeager’s farm, he sends his operatives including its leader James Savoy (Titus Welliver) to bring Prime in. Of course things didn’t turn out well as they’d hoped and Yeager, his daughter and Optimus were able to get away from the agents. I was going to write more about the “plot” of the movie but let’s face it, no one go to see this movie for its plot, which by the way didn’t make a lick of sense. If you’re a fan of the previous three movies and enjoy all the explosions and robots fighting then you’re going to love this one. For anyone who can’t stand this franchise, I’d advise you to stay far away from it!
Wahlberg stepped in as the new leading man this time and I didn’t think he was as annoying as Shia LaBeouf but he didn’t really add anything much to the movie. Since he’s done many action movies prior, the writers did write in scenes where he’s part of the action instead of just running and screaming like LaBeouf did in the previous movies. Young actress Nicola Peltz became the new eye candy in this one, when I say eye candy, I meant it literally. Bay pretty much focused the cameras on every part of her body, just like he did with the other pretty girls in the previous movies. Another young actor (Jack Reynor) showed up as her boyfriend and I think he’s supposed to play LaBeouf’s part because I found him quite annoying. Then later in the movie, Stanley Tucci showed up as this Steve Jobs type of a character. Grammer was pretty much your typical one dimensional villain, he’s bad, he’s greedy and he doesn’t about anyone but himself.
Now let’s talk about Michael Bay and his Bayhem. I don’t know if it’s possible but this movie might have had more climatic action scenes than any other movies I’ve ever seen. Bay kept blowing things up and robots smashing into one another for close to 3 hours! The man has no restrain and as long as people keeps paying to see this franchise, he’ll never stop. I remember a while back he said he’s done with the franchise but I guess the studio probably offered him money more than any average person would ever see in their lifetime.
Now I do have a couple of good things to say about this movie. First, it’s the first movie to have been shot with the new IMAX 3D cameras and since I’m a big fan of IMAX, it’s nice to have seen it on the biggest screen. If you’re going to see it on IMAX, know that it will have aspect ratio switching. Second, the 3D effects were quite impressive, maybe one of the best I’ve seen. There were scenes where I felt like I was in the movie, Bay did a good job there with the 3D. Of course the 3D supposed to enhance the story and not be the story, so it gets tiresome about an hour into the movie.
The movie is expected to be the summer’s biggest hit and I have no doubt that it will be a big hit. If you’re a fan of the franchise then you’ll love it, but for me it’s another bloated piece of turd from a director who only cares about making money and not quality films.
Ok so this is not so much a straight-on review as my rant reaction to this movie [if you can even call it that]. I’ve only seen the first movie [only because I was at a friend’s party and everyone wanted to watch the Transformers movie], and frankly I had no interest in seeing any more from this franchise. The only reason I went to this press screening is because it was at the IMAX theater and this was supposedly the first film shot with IMAX 3D Digital Camera. Silly reason really, and definitely NOT a worthy one to waste three whole hours on (more if you include the bazillion trailers before the movie starts).
Pretty much the only thing one needs to know about the Transformers universe is this: the Autobots are the good alien robots and the Decepticons are the evil ones. The humans are disposable creatures, as interchangeable as the parts in a kid’s toolbox. So supposedly an epic battle had happened in the previous film that left the world in pieces, though you wouldn’t know that from looking at the shots of Chicago and Beijing as they look pretty much unscathed with all of the skyscrapers intact. For some reasons, the Autobots are now being hunted down by the CIA, whilst the top level CIA agent (Kelsey Grammer) happily makes deals with another group of alien robots as they agree to leave earth. Meanwhile, a lowly farmer inventor Cade Yeager (Mark Wahlberg) inadvertently discovered that a beat-up old truck is actually the leader of the Autobots, called Optimus Prime. So of course soon enough Yeager and his daughter Tessa (Nicola Peltz) become fugitives themselves as they want to keep Optimus from getting caught. That’s pretty much the gist of it.
As if the obtuse storyline wasn’t enough, Michael Bay‘s execution and directing style makes this fourth installment so unbearable in every sense of the word. At 165-min long, it’s overstuffed yet hollow, loud and verbose with nothing to say. As the end credit rolled, my hubby and I just shook our head. Yes I know it’s not the first time Hollywood studios spent a mind-boggling $180 mil budget on such a stinker, but this one is especially horrid with barely any redeeming quality whatsoever. Now, I’m not saying I can’t enjoy a movie about monstrous alien robots. After all, I LOVE Pacific Rim, which I’ve rewatched several times and still entertained by it. Funny that the lead character’s name is Yeager sounds just like Pac Rim‘s robotic weapon Jaeger. If only this movie is even half as entertaining!
Bay’s Transformers franchise should go down in film history as the quintessential piece of garbage, as it represents the worst thing that one dreads from a Summer blockbuster… vapid, trite, overindulgent, overwrought, plus a dose of self-satisfied smug-ness. After all, Bay remains defiant, here’s his response to those who are critical of his *masterpiece*: “They love to hate, and I don’t care; let them hate … They’re still going to see the movie! [per mtv.com]. Wish he were wrong but he’s not. As I’m writing this, the movie has made over $40 mil in one DAY, on track for a $100+ mil weekend [sigh] It’s ironic that the title tagline is ‘age of extinction.’ Well, it seems that creativity in Hollywood is on the verge of extinction [if it isn’t already]. The best line of the movie comes early in the movie, inside a ruined vintage cinema, when an older man lamented how all movies these days are sequels and remakes. Was Bay poking fun at himself and what he represents? Highly unlikely, considering his comment above.
You know something is out of whack when during watching a movie, you’re thinking about why so many good actors sign on to this and wonder how much money they made for it. That is if you’re not busy counting how many product placements are scattered during the action scenes [hint: it’s too many to count]. Every actor here is utterly wasted, Wahlberg is not immune to bad movies [The Happening, anyone?] but I’m still baffled as to why he signed on to do this. You would think he’s got enough cash that he never need to do a project only for monetary reason. Talented young actors like Sophia Myles and Jack Reynor probably just want the exposure one could get from mainstream blockbusters, but it’s still painful to see them in something THIS bad. Let’s hope they pick better roles in the future. As for Peltz, she is an exact embodiment of a damsel-in-distress, yet another eye candy type for the purpose of Bay’s unabashed female objectifications. As Wahlberg’s character complained about her daughter’s skimpy outfit, Bay set up a shot from between her thighs as she stood with her short shorts that barely covered her behind. Peltz was only 18 during filming, Bay’s nearing 50. It’s really a new low even for Bay.
I don’t know what’s worse, the wooden acting or the clichéd dialog coming out of their mouths. Even Stanley Tucci who’s always watchable even in a bad movie made me cringe here. His character is a multi-billionaire Tony Stark-type inventor who has been making man-made robots from the remains of the evil alien robots Decepticons. For someone who’s supposedly a brilliant scientist, his character does the most idiotic things throughout. In the third act, the main characters resort to dragging an alien *seed* that can turn organic material into metal. You’d think they’d be more careful with something THAT lethal, but it’s as if they’re dragging a body bag. It’s like watching a slapstick comedy except that it’s neither funny nor entertaining.
I better end my rant now as I’m running out of adjectives to describe this movie. This FilmInk reviewer sums up my sentiment perfectly: “Transformers: Age of Extinction has appalling dialogue, deplorable representations of women, un-self-aware action sequences, very little humour and racial stereotyping. In other words, it’s a Michael Bay movie.” Suffice to say, this is by far the worst movie I’ve seen in a long time, rivaled only by Die Hard 5 but even that one is still more watchable as it’s only about half as long. I actually had to make a new rating graphic for this one as I’ve never given a rating this low before. I don’t care what state-of-the-art equipment is used to make this or even how good the visual quality is. I actually took my 3D glasses off a few times just to give my tired eyes a break. It’s really a sensory overload in the worst possible way.
Well, what do you think of the latest Transformers movie?
Hello everyone! Earlier this month, on June 8th to be exact, I got a chance to interview a couple of cast members from TRANSFORMERS: AGE OF EXTINCTION: Nicola Peltz & Jack Reynor. It’s part of their press tour around the country and they showed clips from the movies as well as signed autographs for fans. Surely most of of you already know what the movie is about, after all it’s the fourth one in the franchise. I personally have only seen the first movie which was years ago, so I’m not exactly well-versed in the Transformers universe. So here’s what to expect in this latest movie:
TRANSFORMERS: AGE OF EXTINCTION begins after an epic battle left a great city torn, but with the world saved. As humanity picks up the pieces, a shadowy group reveals itself in an attempt to control the direction of history…while an ancient, powerful new menace sets Earth in its crosshairs. With help from a new cast of humans (led by Mark Wahlberg), Optimus Prime and the Autobots rise to meet their most fearsome challenge yet. In an incredible adventure, they are swept up in a war of good and evil, ultimately leading to a climactic battle across the world.
Thanks ALLIED for co-ordinating the interview roundup at Mall of America. There are seven interviewers in the roundtable so below are all the questions, I marked MY questions with an (*) in front of it.
Here’s the transcript from the interview with Jack Reynor and Nicola Peltz:
Q (for Veronica): With a lot of the strong female leads in entertainment films these days, does your character continue the strand of [being] strong female character in this movie?
Nicola: Tessa is definitely… you know how in the beginning of the movie she lives a normal life day to day, and she’s suddenly thrust into this extraordinary situation where she has to fight for her life and get back with her family. But she’s definitely a tough girl, she lives in a farm. She definitely gets her butt kicked a lot… a lot, but she has her moment.
Jack: I think she’s probably more of a bad ass than a lot of the other franchises that are around right now, in all honesty. She’s not the sensitive wilting flower [Nicola: she’s no wilting flower]… more of a bad ass, I mean she’s going out with a race car driver so she better be [laughs]
Q:So what scene do each of you guys enjoy shooting the most?
Nicola:I don’t know if you guys saw the trailer but when we were running, Jack, Mark and I were running in slow motion and there’s this huge explosion…well that was real. We found out about it like four minutes before. We got on set and we had no idea. We saw all these explosives, twelve cameras and we’re like ‘What is going on?’ Michael does add random scenes so we’re very pleased. So he got on set and said: you have to run from here to here in 4.6 seconds and we had our practice runs and then he said, ‘Ok are you ready?’ And we’re like ‘Ok, yeah.’ And so we just did it and he said, ‘Well don’t mess it up ’cause we can only do it once.’ It was so exciting though, I mean your adrenaline was going crazy, it was really fun.
Q: To follow up on that… could you just talk about the different challenges about doing television or independent films versus doing a monumental blockbuster film like this one?
Jack:Well for me at least, independent films and films like this aren’t really that different in terms of my approach to my character and a performance. You still have to try your best to suspend your disbelief and draw on your imagination and your emotion and invoke certain thoughts for yourself to invest in your character. The real differences are that with a film of this kind of budget and scale is that there are so many more people around all the time. And the effects are so heavy and the wait time between shots are kind of substantially longer. So things like that are really different. Y’know people ask all the time how does it feel like to star opposite a giant imaginary robot, well I think it’s not so different from any other films you try to do. Like I said it’s about drawing from your imagination, so it’s an extension of that from the world of independent film and television.
And with Mark being on set, and Michael, and don’t get me wrong, Stanley [Tucci] and Kelsey [Grammer] as well, these are all veterans of the industry, they’ve all done a movie like this before. So for Nicola and I to be able to observe them in the environment, ehm making a blockbuster film has been an eye-opener for us and it’s taught us a lot on how to relate to the industry and how the industry relate to us. It’s very beneficial for us at our stage of our careers.
*Q (for Jack): Since you’ve done a bunch of independent films like What Richard Did and then this movie. You sort of touched on that a little bit but then you’re going to be doing Macbeth [Jack: I’ve finished Macbeth]. Is there anything that’s particularly memorable in filming this as opposed to those indie films?
Jack:Yeah again, it’s that crazy scale… rolling through f***in’ giant explosion y’know, crazy car chases. I mean driving rally cars having helicopters flying over my head. Cars with cranes chasing me and stuff like that. I shouldn’t be driving behind the wheel of a car like that, that’s mental. But yeah, it’s a really fun experience. It’s great. It’s a massive departure for me from the world of independent films so I enjoyed it, I relished the challenge, certainly.
Q: Transformers is a whole different animal from what the work you’ve done in the past. Have you found that your life changed now with the added exposure that comes with being in the Transformers 4 movie?
Nicola:My life? No, not at all. I still walk around and no one really cares. But then we just started this tour. We haven’t had the premiere yet which I’m super excited for but yeah, it’s been amazing.
Jack:Well on a personal level, for both of us on a personal level, things hasn’t changed an awful lot as of yet. In Ireland for me, a lot of people are really happy there’s an Irish guy as part of a massive franchise like this. We don’t have an Irish character in movies like this ever, this is kind of the first time we’ve actually seen an Irish character kind of in a large supporting role so that’s a real great thing. But professionally, on a professional level I think both of us have certainly noticed that we’re in a position that we can potentially finance the kind of projects that we want to make ourselves and we have a lot more freedom and leeway in what we want to do. And it’s afforded us a lot of opportunities in the industry and we both want to take full advantage of that. So that’s been a definite difference.
Q (for Nicola): Transformers is known as more of a guy film. So what do you think will bring the female audience in.
Nicola:Well I grew up with six brothers so I’ve always been into more of the guy movies and action films, those are the kind of movies I’m excited to go see. But Tessa is really relatable to a lot of girls, I know I can relate to her. Her dad is overprotective, I know I can relate to that definitely with six brothers. She’s in a no-dating household so I get all of that. But she is definitely relatable to a lot of girls. She is a tough girl, I think a lot of girls would be into this. I know I am.
Q: I saw an interview with Mark Wahlberg, and he had said ‘Jack and Nicola’s life is going to change quite a bit when the movie comes out. And it’s something you could deal with so well or it’s going to be a problem.’ Specifically as a mentor and father figure, as you enter huge celebrity, can you tell us a bit what that meant to you and what his best advice was?
Jack: Well the thing is, during filming at least, Mark really lead from the front. And just to be able to observe him in that environment is something that’s very beneficial to us. It helps us to develop a healthy work ethic in this industry.
[ed note: Jack and Nicola has quite a lot to say about working with Mark Wahlberg and their thoughts on fame and celebrity. I figure I’ll let you take a listen to it yourself so you can hear what both of them sound like. Jack still has a pretty thick Irish accent as he still resides in Dublin.]
Q: So going more into the story of the film. What’s at stake for each of your character. What does your character stand to lose if you fail?
Nicola:Our lives [laughs] Well like I said in the beginning of the movie you see them live their lives, how they’re all normal relatable people and they’re thrown into this crazy situation. So in the film my character got separated from my dad and being a 17-year-old girl it’s really scary. And for her to be in this crazy situation and not being with her dad is super intimidating and scary. So she’s definitely scared about her life and also not only worrying about herself but also worrying about her dad. Is my dad ok? Is my boyfriend ok? So yeah there’s a lot of that.
Jack: At the heart of my character. Well he’s a young Irish guy who lands in Texas and he has this incredible ability to race rally cars. It gives him confidence in himself and y’know gives him the ability to assume his position in that world and also in terms of his relationship with Nicola’s character. I think that throughout the course of the film, he’s trying to find his place, he’s trying to prove who he is, what he’s worth. At the same time, his relationship with Nicola’s character is something that helps her to become more independent and to grow and approach the adult world and to diverge her relationship with her dad in a healthy way. So that’s the purpose that my character serves.
Q: So Transformers is like an extremely beloved series. Do you guys feel any pressure to live up to what has become of this franchise?
Nicola:Well we’re not replacing any character, so there’s no pressure to live up to something that we’re not replacing. But as me being a huge fan of Transformers and growing up with boys and being obsessed with it and I knew the whole story… I’m also a huge fan of Michael Bay and everyone involved in this film, so even being able to audition for this film and then to being able to be a part of it is so exciting for me. That’s all I was worried about. I’m just so excited to go on set and to work with such talented people.
And that’s a wrap! 😀 The interview was only 15-min long so that was the last question.
Pardon the blurred photo. I was actually standing to the left of Jack in this photo but it was so blurry it’s best to just cut me off from the picture.
JACK REYNOR BIO
Reynor recently wrapped filming on the human trafficking story Glassland, alongside Toni Collette in Dublin, Ireland. This is the second feature from Irish director Gerard Barrett. Reynor has recently begun filming the upcoming adaptation of Shakespeare’s MACBETH, directed by Justin Kurzel. He will be playing the role of Malcolm alongside Marion Cotillard and Michael Fassbender.
Last winter, Reynor garnered rave reviews for playing the titular character in the Irish independent film What Richard Did. Labeled as one of the best movies to come out of the Tribeca and Toronto Film Festivals, it is a story about a young boy who has to confront the question of who he is and who he wants to become. Reynor delivered a spectacular performance receiving glowing remarks from film critics around the globe. “Mr. Reynor’s portrayal of this man-child is an extraordinary screen performance…,” stated Stephen Holden of The New York Times. Leslie Felperin of Variety wrote “Promising young thesp Jack Reynor particularly impresses as the title character… The climactic scene between Peter and Richard is powerfully thesped, especially by Reynor.”
Proving his multifaceted talent, Reynor made his US film debut in the recently released Vince Vaughn comedy DELIVERY MAN (Dreamworks) which came out in theaters nationwide on November 22nd 2013. Reynor was born in Colorado, but grew up in Ireland.
NICOLA PELTZ BIO
Later this summer Peltz will also star in Kevin Asch’s Affluenza which is set for limited release in July. The film is a coming of age story inspired by The Great Gatsby and is set amongst the upper class in the Long Island suburb of Great Neck during the weeks leading up to the financial meltdown of 2008.
On the small screen Peltz is currently reprising her role as Bradley Martin, a troubled high school student, in the second season of A&E’s critically acclaimed series Bates Motel. The series is a modern reimagining and prequel to the1960 Alfred Hitchcock cult classic Psycho, which focuses on the life of Norman Bates and his mother Norma portrayed by Freddie Highmore and Vera Farmiga.
In 2012, she starred alongside Melanie Lynskey and Campbell Scott in Eye of the Hurricane, a compelling family adventure about a small Everglades community struggling to put their lives back together in the wake of a devastating hurricane. In 2010, Peltz starred in M. Night Shyamalan’s The Last Airbender opposite Dev Patel and Jackson Rathbone. The film was written, directed and produced by Shyamalan and was based on the first season of Nickelodeon’s animated series Avatar: The Last Airbender. Peltz made her feature film debut in 2006 in Deck the Halls with Danny DeVito, Matthew Broderick and Kristin Chenoweth.
A New York native, Nicola made her stage debut in 2007 opposite Jeff Daniels and Alison Pill in the Olivier Award-winning production of “Blackbird” at the Manhattan Theatre Club directed by Joe Mantello. ///
TRANSFORMERS: AGE OF EXTINCTION in out in theaters this Friday, June 27
Hope you enjoy the interview! What are your thoughts on Transformers movies and/or the cast?