FlixChatter Review: ENOLA HOLMES (2020)


When I first saw the name of this film, I didn’t think right away that it’s somehow connected to Sherlock Holmes. Well, the trailer sure revealed she is indeed the teen sister of that famous literary sleuth. Apparently it’s also based on a book series by Nancy Springer called The Enola Holmes Mysteries.

Well, let’s just say the cast for the role of Enola is spot on! Millie Bobby Brown, who at 16 is exactly the age of the character she’s playing (at least by the time of its release) is the kind of smart, spunky heroine that can carry a movie on her own able shoulders. Even with co-stars such as Helena Bonham Carter as her mom, Henry Cavill as Sherlock and Sam Claflin as Mycroft, Millie is the one who commands attention and I was immediately invested in her journey.

The movie shows young Enola (Sofia Stavrinou) who grows up with her mother Eudoria in an English cottage as her two older brothers are off studying abroad. Naturally the two are close and Eudoria practically teaches her gifted daughter everything she knows, from literature, art, physics, to martial arts. With a mother who’s also her best friend, things are rosy for Enola… until one day, her mother goes missing.

Now, as someone who actually lost a mother at the exact age of 16 (actually my mother passed on my sixteenth birthday), the film resonates with me in a strong way. In fact, I remember tearing up a bit as Enola is in distress when she can’t find her mother. Naturally, Enola isn’t going to be in mourning for long, her mother didn’t raise her to simply wallop in self pity.

Soon she summons her older brothers, and the meet-up by the train station is quite amusing as neither of the brothers recognize her. Granted she was just a baby when they went away. I love that the movie emphasizes the sleuthing aspect in a fun way, and I cheer every time Enola figures out a clue left by her mother. The playful way of Harry Bradbeer‘s direction, where Enola often breaks the fourth wall and address the viewers, made for a fun, entertaining family movie. Though there are certain intense fighting moments, this is a safe movie to watch with the whole family, especially young girls, given the uplifting message of female empowerment.

I don’t want to give too much away with the plot, but given election time is near in the US, the film’s message is perfectly-timed. Yet it doesn’t feel preachy, but comes organically as Enola discovers more revelations about her mother’s disappearance. Along her journey, she encounters a mysterious young Lord Tewkesbury (Louis Partridge) who somewhat distracts her from her mission to find her mom. But the one person I find the most memorable, and also essential in Enola’s personal growth, is when she meets Edith (Susan Wokoma) at a martial art class.

If you want to stay in London, be tough… be tough! Live the life. But don’t do it because you’re looking for someone. Do it because you’re looking for yourself. – Edith

Wokoma sure has some of the feminist-friendly quotes in the film. Upon meeting Sherlock himself, she astutely points out this observation…“Politics doesn’t interest you because you have no interest in changing a world that suits you so well.” Touchè!

I wish there were more interactions between Millie and Bonham-Carter, but certainly, the few times they do meet feels quite special. Much has been made about Cavill’s softer, more emotional portrayal of Sherlock (Netflix was sued by the Arthur Conan Doyle’s estate for this exact reason). I actually laughed when I read that. Yes, Cavill’s Sherlock portrayal is certainly ‘nicer’ here, but compared to Claflin’s callous and overbearing Mycroft, naturally he seems far more sympathetic. I was actually more distracted by Cavill’s ginormous torso that threatens to bust out of that form-fitting Tweed suit. Sorry but I prefer skinnier/leaner Cavill before he bulked up as Superman. His acting skills is pretty average that his Sherlock isn’t really anything special (nowhere near as fun as Benedict Cumberbatch’s version). It’s no hyperbole to say that Enola doesn’t just outwits her highly-educated older brothers, but Millie also runs circles around those two actors effortlessly. But Claflin at least manages to act and portray a character quite different from his usual roles. Oh and despite playing Cavill’s older brother, Claflin is actually 3 years younger than him.

There is as much battle of wits and actual physical battle here, especially for Millie. There are at least two really intense fights between her and Burn Gorman who plays a hired assassin. Given Millie is also a producer in this movie, she must have wanted to do more action-y roles. It’s quite a feat to watch her fight not only a much older man + a skilled fighter, but she does it in a Victorian dress! I recognize that one of the locations used in the final action scene, also involving Frances de la Tour as the Dowager, which is the Hatfield House. I immediately remember the Armoury’s black and white checkered floor as it’s also used in various movies, most recently Pride and Prejudice and Zombies.

I thoroughly enjoy this movie and as I mentioned before, Millie’s portrayal is definitely a huge factor. I love that she fully embraces her fearless spirit, but her rebellious nature isn’t simply to get attention, but it’s part of who she is. Yet she’s also not heartless, and I appreciate certain moments where she gets emotional. Now, I am glad the movie resists a full-on romance between her and Tewkesbury, while there’s obviously a hint of a crush between the two attractive teens. It’s definitely a beautiful movie for the senses, thanks to cinematography by Giles Nuttgens and music by Daniel Pemberton. The witty script by Jack Thorne and Bradbeer’s energetic direction sure makes for a delightful adaptation. I don’t even mind seeing more of Enola Holmes’ adventures!

4.5/5 stars


Have you seen ENOLA HOLMES? Well, what did you think?

Trailer Spotlight: Ocean’s 8

It’s the last week before Christmas and the present comes early! I’ve been excited for this all-female Oceans flick for some time. Normally I’d say we don’t need another reboot/sequel/spinoff what-have-you… but y’know what, this year (well, any year really), an extra dose of girl power is extra awesome. 2017 is the year of Wonder Woman, and 2018 will be the year of Wonder Women. I mean this is as close as we’re probably gonna get to an all-female Avengers flick!

This is the one to watch just for the cast. Bullock + Blanchett + Bonham Carter … just those three alone is enough to shell out full price cinema ticket (if I had to pay that is). My hubby and I watched this right after dinner and he’s as pumped as I am to see this [is it any wonder I love my man?]

So Sandra Bullock is playing Danny Ocean’s sister Debbie, I wonder if this all-female Oceans flick idea happened when she and George Clooney were filming Gravity four years ago. In any case, buh-bye Clooney, Pitt, Damon & co. and hell-o ladies!! Fresh out of prison, Debbie Ocean plans a big heist at the Met Gala in NYC. What a team she’s put together: Lou (Cate Blanchett), Nine Ball (Rihanna), Amita (Mindy Kaling), Constance (Awkwafina), Rose (Helena Bonham Carter), Daphne Kluger (Anne Hathaway), and Tammy (Sarah Paulson). Too bad Elizabeth Banks dropped out of the cast, though I don’t mind Jennifer Lawrence isn’t in this (apparently she was offered a part).

Per IMDb, the eight main cast has won four Oscars, two Emmys, eight Grammys, six Golden Globes, five BAFTAs, and 10 SAGs combined. Woo wee! #girlpower

I totally forgot about Richard Armitage in this, he didn’t have a single line in the trailer so I have no idea who he’s playing. I barely noticed James Corden either until I saw it a second time. No matter though, forget the boys, it’s all about the ladies whoopin’ it up!

Not sure how involved Steven Soderbergh is on this spinoff, but given his track record with bad ass female in his movies I’d imagine he’d approve. This time we’ve got Gary Ross (Hunger Games, Seabiscuit) in the director’s chair and he wrote the script with Olivia Milch (one of Variety’s 10 screenwriters to watch in 2016).

I’m always up for a heist flick and this seriously it looks like a riot! The worst thing about this is the wait… June 8 can’t come soon enough. Well now I now what I’ll be anticipating come Summer movie season!


What say you? Thoughts on Oceans 8’s first trailer?

Five for the Fifth: JUNE 2015 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Well, gotta start with the most exciting casting news I’ve heard in a good long while. My dahling Stanley Weber has just been cast in Outlander season 2 – Dragonfly in Amber! Yippeeeeeeeee!!! [happy dance]

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Apparently a great deal of the second book takes place in Paris during King Louis XV era, which is interesting considering Stanley’s played the French monarch in the Le Soleil Noir documentary. His character is called Le Comte St. Germain, dayum even his character’s name is sexy. Now, I don’t read the books, but per Outlander Wiki, Le Comte is a French nobleman who seeks retribution against Claire after she costs him an entire shipload of goods, and who may be involved with even more sinister activities. I wonder if he’ll be speaking in his native tongue or French-accented English, which hardly matters as he’s swoon-worthy no matter what language he’s speaking.

I’m so over the moon for this casting and you can bet I’ll be watching season 2 religiously! I just hope now that he’s noticed by a major US TV series this will lead to more prominent roles here in the States.

So what TV/film casting news excited you lately? 

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2. On related news, well I think 2015 just might be the year we say sayonara to cable subscription as more channels are offering stand-alone services. I know one of my co-workers has just canceled his cable and got the HBO streaming service for $15 bucks/month.

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Well, Showtime will offer its programming over the Internet via a standalone service starting in July for 4 dollars less, $10.99. No doubt other premium cable service will follow suit. I’m just waiting for Starz to do the same, hopefully soon so by the time Outlander Season 2 comes out I can definitely watch it on its premiere day!! Not sure why it hasn’t happened yet as they’ve been reporting about it as far back as October of last year.

What are your thoughts about this a la carte premium channel? Have you gotten rid of your cable subscription recently?

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3. A couple of brand new trailers caught my attention this week. First one is this upcoming British drama SUFFRAGETTE starring Carey Mulligan, Helena Bonham Carter, Meryl Streep and Anne-Marie Duff

The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

The trailer gives me all the feeeels. But seriously, it’s such an important story to be told and we’ve got an amazing female-led cast to bring it to life. It’s definitely got Oscars written all over it with Meryl’s involvement, but I’d love to see more attention for Mulligan, as Drew would agree. Anne-Marie Duff is an underrated actress as well. Duff was good in Nowhere Boy and The Last Station where she shared some scenes with her hubby James McAvoy.

Speaking of films I’d watch just for the cast, this one just hit less than 24 hours ago: EVEREST. That’s quite an ensemble!

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Per IMDb, this movie is based on the worst disaster to ever occur in the Mount Everest region in Nepal but a striking coincidence occurred when this movie was being shot in Nepal. An avalanche on April 18, 2014 killed 16 people on Everest and the casualty was higher than the 1996 disaster which this movie is based on. The shooting had to be postponed and the disaster took the most lives ever taken in an Everest Disaster mostly Sherpas (all Nepalese) who were preparing ground work for the upcoming climbing season.

What’s your initial thoughts of Suffragate and Everest?

4. Ok I’ve sort of been tuning out all the Star Wars news because well, there are just too many of them. Well, the one rumor that’s now swirling around again is one involving Ewan McGregor reprising his role as Obi-Wan Kenobi in not just one movie but a trilogy.

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Per Cinemablend, “the Scottish actor is reportedly in talks with Disney for an unknown project… the discussions are specifically about him reprising his role as the venerable Jedi Knight… A trilogy of films like this could serve to fill in some knowledge gaps in the franchise, which is something many of the new Star Wars properties seek to accomplish, as well as give fans more from one of their favorite characters.”

Well, I honestly don’t really have an opinion personally, as I’m not really into Star Wars generally. I just think they’re just milking this franchise for all its worth, but I suppose if they can find an audience, there’s always money to be made.

What are your thoughts about this Obi-Wan spin-off trilogy rumor?

5. This month’s Five for the Fifth’s guest is Chris from Movies and Song 365 blog!

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The Australian action series Mad Max just got rebooted with Mad Max: Fury Road. The movie’s made $285 million worldwide so far, and I think George Miller has promised more Mad Max films, yay!

So in Mad Max honor, which is your favorite Aussie movie?


Well, that’s it for the June 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! 😀

FlixChatter Review: Cinderella (2015)

CinderellaPosterGrowing up watching Disney fairy tale movies, I have to admit Cinderella wasn’t my favorite heroine. Over the years though, as there are more and more adaptations of this quintessential underdog story (more so than any other Disney “princesses” it seems), the more I appreciate the animated classic. Lately the cinematic trend is reinvention, giving a classic tale a new twist or perspective, such as Snow White & the Huntsman and Maleficent, and so naturally I thought we’d see the same thing with Cinderella. Well, it turns out that this film stayed true to its classic story, you could even say it paid tribute to the animated film, with some surprises thrown in. But by going the conventional route doesn’t mean it’s dull and boring, in fact the opposite is true. There’s something so lively and refreshing about Kenneth Branagh‘s vision that even some of its most sentimental moments aren’t without charm.

Being that it’s the origin story of Cinderella, the movie begins with young Ella whose blissful existence is cut short when her dotting mother suddenly fell ill. Before she passed away, she instilled in her daughter to ‘have courage and be kind,’ a life motto young Ella takes to heart. And so, as life kept coming at her with one terrible blow after another, especially after the arrival of her stepmother and two step-sisters, Ella never gives up hope. I was skeptical at first about Lily James‘ casting in the titular role, but I quickly warmed up to her. There’s a pleasant countenance about her that makes her believable as a benevolent and sweet-tempered girl equipped with inner strength to face the cruelty inflicted upon her by her new *family.* Instead of running away from her problems, she choose to endure.

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Ella’s no damsel in distress either. I love how the sweet and swoon-worthy meet-up with the dashing Prince, who refers to himself as Kit to hide his true identity, reveals her independent spirit. “Just because it’s done doesn’t mean it’s what should be done,” she tells Kit in protest of him hunting deer for sport. The prince was immediately smitten by her, perhaps he’s also impressed that she rides her horse without a saddle! Richard Madden effortlessly steals Ella’s heart, and every maiden in the audience, with his impossible good looks and almost indecent sex appeal. As if the filmmakers weren’t sure of that, they had to outfit him in those distractingly tight white pants! I don’t know why they need to digitally enhanced his blue eyes though, I mean he’s already hunky enough with his eyes the way God made ’em!

Cinderella_PrinceCharming cinderella_prince_firstmeetIn any case, I like that he fell for her whilst Ella’s still dressed as a maid, though I actually think she’s the most attractive this way, so fresh-faced and full of life. Unlike the animated version, the Prince also gets a back-story here, and the father/son relationship depiction is quite moving. The Ella-Kit meet-up is my favorite scene of the entire movie! Yes, more so than the entire ball scene or even the transformation scene. In fact, I’m not too fond of Cinderella’s look for the ball — her hair is huge, the ball gown is huge, it’s just overwhelming. Overall there’s more chemistry between her and the Prince in that brief meet-up.

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Of course, it wouldn’t be Cinderella without the wicked stepmother and Cate Blanchett is an absolute delight to watch in the role. Looking as stunning and regal as ever, the great Cate was scene stealing all the way through with her elegant icy-ness. The Aussie thespian is obviously having fun with the role, there’s a twinkle in her eye and sense of mischief as she relish in being bad.

Holliday Granger and Sophie McShera are ok as the two vile stepsisters, they’re a bit over the top at times, yet not nearly as memorable as Cate was even when she was standing still. It’s fun seeing Helena Bonham Carter being the comic relief as the fairy godmother and the film’s narrator. Derek Jacobi adds Shakespearean gravitas as the Prince’s ailing father, whilst Ben Chaplin is affecting as Cinderella’s doting father. In attempt to making the cast a little more diverse, Branagh cast Nonso Anozie as Captain (who’s in his previous movie Jack Ryan: Shadow Recruit) and the guests at the ball are racially-diverse.

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The production design is really something to behold. This is easily one of the best looking movie I’ve seen in a while, and I’m not just talking about the beautiful cast. The costume design by Sandy Powell is simply amazing, especially Cate’s jewel-toned, richly-embroidered dresses, blending 1940s with 19th century style. Everyone’s talking about Cinderella’s gorgeous ball dress – and Lily James’ teeny-tiny waist – but I think Cate’s outfits are equally breathtaking to look at. Oh and those glass slippers… well, that’s fairy tale for ya, the funniest bit was when the fairy godmother say they’d be comfortable, ha! Apparently they’re made of real Swarovski crystals fit only for mannequins. So the scene of Cinderella having those on is made possible by the magic of CGI.

Chris Weitz‘s script might seem simple and conventional, but it’s quite challenging to somehow make the story fresh without making it unnecessarily dark or edgy just for the sake of it. I’ve been a longtime fan of Patrick Doyle‘s gorgeous music and Branagh’s longtime collaborator once again delivered! The music fits the genre perfectly, it has that elegant, sweepingly lush feel to it, but also with a bit of whimsy.

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But the biggest kudos has to be given to Kenneth Branagh and his impeccable directing style. He somehow made something *old* feels new again. I think it starts with his vision for the main characters, with an empowered Cinderella who, despite being mistreated, remains true to her moral principles. In this article, “[Branagh] likened it to the nonviolent resistance of Martin Luther King Jr., Nelson Mandela, and Mahatma Gandhi.” Ok so that might’ve been a bit of a stretch, but I get the point. The love story feels richer and more emotionally involving because you believe there’s more than just the obvious physical attraction. Branagh’s quoted in the article as saying, “When you watch this film, you see Cinderella is such an amazing woman. My biggest thing was how do I create a man that is worthy of her?” I came away from the movie thinking that Cinderella rescues the Prince just as much as he rescues her.

I enjoyed this movie so much I just might see it again on the big screen as it’s such a visual treat. But I wouldn’t say it’s style over substance, there’s a nice balance of drama, humor, and even action to please the young and the young-at-heart. Though the movie is infused with such an infectious sense of optimism with its bright, lush colors and lavish set pieces, there are genuine poignant moments to keep it grounded. The scene when Ella receives news of her father’s sudden passing is one of those scenes that made me tear up.

If you’re on the fence about this one, I’d say give it a try. You just might be pleasantly surprised. I think I’d get the Blu-ray as I could see myself enjoying this for years to come.

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Have you seen Cinderella? Well, did you like it more or less than I did?

Music Break: Disney’s Animated Classic CINDERELLA (1950)

CinderellaPrince_posterOne of the screenings I’ll be going to later this week is the live-action adaptation of Cinderella. Now, I mentioned in this post that having grown up watching all those Disney Princess movies, naturally I’m curious to check it out.

I know what you’re thinking. Do we have to have a live action version of this? Probably not, but whether we like it or not, that’s the trend we have here. We’ve seen a live-action reimagining of Snow White, so you know other Princesses would soon follow. I have a feeling I’d enjoy this one, especially with Kenneth Branagh directing, Helena Bonham Carter as fairy godmother and Cate Blanchett as the wicked stepmother, not to mention the eye candy factor with the dashing Glaswegian Richard Madden as Prince Charming. You know I have a thing for the Scots 😉

I doubt that it’d ever replace the animated classic as my favorite though, so in light of the new movie, I thought I’d highlight the wonderful music by Paul J. Smith and Oliver Wallace. Even sixty five years after its release, this quintessential classic fairy tale still retains its magical charm. To this day I still fondly remember the songs and would often find myself humming to them, even though it’s been years since I saw the movie.

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Now I’m not exactly fond of this silly mice voice singing, but this scene is just so darn cute and heartwarming. It’s so quintessentially Disney but I can’t help being swept away by Cinderelly’s adorable creature friends 😉

Now here’s the new Cinderella‘s trailer music by Nick Murray which is quite pleasing to the ear, but I can’t wait to hear the official soundtrack by Branagh’s longtime collaborator Patrick Doyle. I LOVE Doyle’s work as he made one of my favorite soundtrack ever, Sense & Sensibility.

https://soundcloud.com/switchtrailermusic/cinderella-trailer-music-aeon-nick-murray-ft-juliet-lyons


Hope you enjoy this Music Break. Have you seen this Disney classic?

Rental Picks: Get the Gringo & The Lone Ranger

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Get The Gringo

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Remember when Mel Gibson was the king of the box office? Back in the late 80s, 90s and early 2000s, seems like every film he starred in were box office hits. After he starred in the big hit Signs back in 2002, he actually agreed to return as Max in George Miller’s Fury Road (it’s been renamed to Mad Max: Fury Road); if I remember correctly the film was scheduled to come out in the summer of 2004 but when the second Iraq War happened, the film was cancelled. They wanted to shoot the film in the middle east and of course with the war, it’s not possible. Then we all know what happened to his career after he directed The Passion of the Christ, even though I don’t agree with what he said in his personal life, I still think he’s a great talent.

A car chase opens the movie, a getaway driver (Mel Gibson) and a wounded accomplice are fleeing the American police and heading towards the Mexican border. The car crashes through the border fence and Gibson’s character was taken into the custody of the Mexican police, his accomplice died after the clash. Gibson’s character name was never mentioned throughout the movie, he’s only been called by everyone in the movie as The Gringo. After a night in a jail cell, The Gringo was transferred to El Pueblito prison under false charges, there he found out that the prison actually looks like a ghetto town rather than a real prison. Males, females and even young children are all being kept in this so called prison. Being that he’s the only Caucasian in the prison, he realized he has to figured out how to stay alive and escape the place. He was able to study the ins and outs of the prison and later met a kid (Kevin Hernandez) who’s living with his incarcerated mother. The Gringo and the kid formed an unlikely friendship and he also found out that the prison is being run by a powerful crime lord Javi (Daniel Gimenez Cacho). He then came up with a plan that will get him, the kid and his mom out of prison.

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This being a low budget production, most of the movie took place in the prison setting. First-time director Adrian Grunberg was able to keep the pace moving and staged some cool shootout sequences. Being that he was a second unit director on some of Gibson’s previous work and other well know films, he didn’t really established the look of his first gig as a director. That’s not a knock on Grunberg though, the look and feel of this movie reminded me of Michael Mann’s recent flicks such as Collateral and Miami Vice, as typical with a lot of action movies in the last few years, this one was shot in digital and there were too many scenes that looked like home video to me. Sometime it takes me out of the story when I see scenes that looked like someone used a consumer camcorder to record the scene, I wish some director would use some kind of effects in post production to give the movie a more cinematic look to it. Both Gibson and Grunberg co-wrote the script along with Stacy Perskie, they didn’t really come up with anything new for this kind of genre. It tends to get predictable but kept my interest and I was entertained, the movie kind of reminded me of Payback, a very good thriller from 1999.

Gibson is pretty much the star of the movie and I thought he’s terrific in the role. Again, I don’t agree on what he said in his personal life but I think he’s one of the few aging movie stars who’s still giving 100% in his performance, Tom Cruise being the other one. I can’t say the same for some other brand name stars, yes I’m referring to Bruce Willis and Robert De Niro, those two seems to just take whatever role the studio offered them.

Despite it being predictable and has that home video look to it, Get The Gringo was a good action thriller that will satisfy both fans of Gibson and the genre. It’s on sale for cheap on DVD/Bluray or you can stream it on Netflix. I think if you’re in the mood for a good thriller, this one will be worth your time.


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The Lone Ranger

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After reading negative reviews after another I didn’t intend to see this movie but my girlfriend and I couldn’t figure out what to do one Friday night, so we decided to check it out. We saw it at one of the most popular movie theaters in MN and there were only 5 people in the seats, including us and this was a Friday night! Apparently the negative reviews scared off a lot of people. Fortunately, the movie wasn’t as bad as most people made it out to be.

The film starts out with a prologue, took place at a San Francisco sideshow in 1933. A young boy who adores The Lone Ranger radio series ran into an old Native American Tonto (Johnny Depp), Tonto sees the boy and start calling him Kemosabe, seeing the boy with the mask on, Tonto thought the boy was his old pal The Lone Ranger. The boy was curious as to why this old man started calling him by that name and so Tonto decided to tell him the story about the masked man and his sidekick. The film then flashes back years later when we meet a lawyer named John Reid (Armie Hammer), he’s on a train and going to visit his brother who’s a lawman Dan Reid (James Badge Dale). However his train ended up being hijacked by a few outlaws who are trying to free their leader Butch Cavendish (William Fitchtner). Here we’re also introduced to a young Tonto, when chaos ensued, both Tonto and Reid tried to stop Cavendish from escaping but were unsuccessful.

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Shortly after, Dan deputizes his brother, allowing him to join in the hunt to bring Cavendish back to justice, but tragedy strikes as their group is ambushed and left for dead. Tonto comes to the scene and saw bodies everywhere, he decided to bury all the lawmen but then John woke up, so Tonto believed he’s been brought back to life by the higher power. John swears to take revenge on Butch for the murder of his brother and decides to team up with Tonto, who is trying to take his own revenge for another tragic event from several years ago. Their adventure will put them up against not only the violent gang of outlaws, but also against a scheming railroad man, Latham Cole (Tom Wilkinson), who is attempting to amass a great fortune with his plan. There’s also a subplot about the romance between John and his widowed sister-in-law Rebecca Reid (Ruth Wilson) that didn’t really pan out that well.

What worked for me were the great visual effects and action scenes, especially the big climax sequence involving trains was pretty well thought out and exciting, you can tell where all those millions of dollars went to. Director Gore Verbinski and his cinematographer really wanted to capture the look of Sergio Leone’s western films of the 60s and I thought they were quite successful at it. As mentioned earlier, the action scenes were pretty great to watch, you can tell Verbinski and his crew probably spent weeks or months prepping each sequence. Wish they spent more time on the actual plot of the film though.

A few things that I thought didn’t work. First the film tonal shift just felt out of place, it didn’t know if it wants to be a comedy action or dark and edgy action/western. There would be one scene where you’ll laugh and then another where you see people getting slaughtered. By combining all these elements into a film, it just didn’t blend well for me. Also, by trying to tell origin stories of both of the leads didn’t really work either. I mean the film’s called The Lone Ranger and they should’ve just focus the story on him, Tonto’s a sidekick so why not leave his origin for later films? I understand when you have a big star like Depp in that role, you have to make him the main lead. They should’ve just called the film Tonto and The Lone Ranger. Lastly, the bloated run-time was just inexcusable, about 20 to 30 minutes of the film could’ve been edited out.

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Performances wise, I thought Johnny Depp was good as Tonto, he’s basically playing Jack Sparrow again here. I was bit disappointed with Armie Hammer though, I always liked him as an actor but I found him to be lackluster here. I wonder it’s because he’s second fiddle to Depp, he’s been told not to over shadow the bigger star? Whatever it was I just thought he didn’t really sell me as the action hero. Both Fictner and Wilkinson were great as usual since they’ve played villains in other films before. I’m still not sure why Helena Bonham Carter agreed to appear in this movie, her role was so small and didn’t really have much to do, maybe she did it as a favor to Depp since they’re good friends. Ruth Wilson was pretty decent as the damsel in distress.

Even though I thought the plot didn’t work and the film was way too long, I didn’t hate it. I actually enjoyed it for the most part but I’m a sucker for western so it’s an easy sell for me. With a better script that focuses more on The Lone Ranger and shorter run-time, the film could’ve been a fun summer ride. Since the film is officially a massive flop for Disney, we probably won’t see any more adventures of The Lone Ranger and Tonto.

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What do you think of Get the Gringo and The Lone Ranger? 

What I’ve Watched in my First Week on 2013

Happy Monday all! This the first FULL work week I have for a while now, I’m definitely gonna miss the partial work week from the Holiday season, ahah.

In lieu of a weekend roundup, I thought I’d share how my movie watching has been in its first week of the new year. Actually it’s been rather slow and I haven’t been to the movie theater since The Hobbit over a week ago. Not that I miss going to the cinema, though some things are definitely meant to see on the big screen, which is why we’d go see Life of Pi next weekend.

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I miss the movie-going experience, though not the waiting-in-line part

I’ll be going to a couple of advanced screenings this week, but due to the embargo, I can’t talk about ’em yet. Let’s just say one of them is likely going to be in the running for Academy Awards nominations and the other one is a period action film starring a few very popular actors. So anyways, I’ve only seen about three movies so far and three of them were new to me.

  • The Shop Around the Corner (1940)
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    The inspiration for You’ve Got Mail starring Margaret Sullavan and James Stewart is lovely. I didn’t know it was set in Hungary. Though the mail correspondent part wasn’t as prominent a plot as the remake, but the scene at the cafe were pretty much identical.

    I need to watch more James Stewart movies, I think The Philadelphia Story is next! Oh, I also like Frank Morgan as the store owner Mr. Matuschek!

    ..
  • Safety Not Guaranteed (2012)

    SafetyNotGuaranteedPosterI’m so glad I finally saw this. I’ve been seeing a ton of great reviews on this one, glad it was available on iTunes. All of the actors were unknown to me, but I was impressed by Aubrey Plaza and Mark Duplass. The story is wonderfully bizarre and it was full of quirky characters as well. Duplass (who reminds me a bit of Sean Bean) plays Kenneth, a supermarket employee who put a classified ad seeking a companion for time travel, and Plaza plays Darius, one of the three magazine employees who head out on assignment to write a story on it.

    The premise makes for off-the-wall and hilarious scenarios, but yet the story ends up being quite heartfelt, especially when it’s between Kenneth and Darius. It keeps you guessing throughout up until that whoa! ending. It’s the kind of ending that makes you stand up and cheer despite how preposterous it is, definitely one of the most original time-travel stories I’ve ever watched. If you’re looking for great, memorable characters and emotional gratification, this movie is not to be missed. I quite like the music too, my favorite part was when Kenneth sang The Big Machine with a Zither!
  • The Wings of the Dove (1997)
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    WingsoftheDovePosterI’ve been wanting to see this movie for quite a while, especially when someone mentioned about the memorable scene at the London Tube. Well, there’s that and a boat load of memorable rainy scenes in Venice too!

    It’s based on a 1902 novel by Henry James. The tagline says it all: A couple with everything but money. An heiress with everything but love. A temptation no one could resist. Helena Bonham Carter in one of her plethora of period dramas was quite bewitching as a young woman, Kate, who’s torn between love and her privileged life. She’s basically an impoverished girl who’s taken up by her wealthy aunt (Charlotte Rampling), but she’s in love with a penniless journalist Merton (Linus Roache). When she befriends a dying American heiress Millie (Alison Elliot), she concocts a plot to enable her to have her cake and eat it too, but things don’t exactly go according to plan.

    Oh, the things people in the name of love… the chemistry between Helena and Linus was scorching, but man, it’s awful and sad how far Kate is willing to do to get what she wants. It’s really a dark, twisted and poignant love story. It certainly makes for a passionate and ravishing period drama. Both HBC and Linus were captivating, Linus was quite mesmerizing, he’s got such an uncanny resemblance to Christian Bale, no wonder he was cast as Bruce Wayne Sr! Bonham-Carter was nominated for an Oscar for this role. I pretty much love all the performances, down to the supporting roles with thespians like Michael Gambon and Charlotte Rampling.

    It’s the kind of story that lingers long after the end credits. In fact, I kept thinking about it all night all the way until this morning. I feel like this film deserves a full write-up, which I still may do in the future. The cinematography alone is breathtaking… all in all a bewitching adaptation.
  • Indiana Jones & The Last Crusade (re-watch)
    It never fails to entertain. Sean Connery + Harrison Ford pairing is just brilliant, plus there River Phoenix in the beginning as the young Indy. I wish he were still alive today, I’d rather see him than Shia in the fourth installment! Anyway, we also watched the making-of documentary which was pretty cool as Spielberg went almost scene-by-scene on various locations.


Well, glad to report that the three new ones were all very enjoyable. So what movies did you watch in the first week of the New Year?