I saw No Time To Die two days ago so pardon me, I still have Bond on my mind. I know embargo has passed for this film, but I need to mull this over a bit so I’ll review it this weekend. Per customary with new Bond movie released, the internet is filled with new Bond film ranking. I probably should do that at some point, but ranking 26 films takes a bit of time, so for now I’m just going to rank five of Daniel Craig’s movies.
Before I do that, I thought I’d share this trailer of Being James Bond, a brief 46-min retrospective doc where Craig candidly reflects on his 15-year tenure as James Bond. It includes never-before-seen archival footage spanning from Casino Royale (2006) to No Time To Die (2021). It’s available to watch for free on Apple TV+ and a must-see for Bond fans!
There’s really no ‘science’ in these ranking of course, it’s based on instinct and well, personal taste.
So here they are in the order of WORST to BEST:
QUANTUM OF SOLACE
This is perhaps the only Bond movie in the last 20 years that I’ve seen only once and I haven’t had the desire to rewatch it. Even the worst of Pierce Brosnan’s Bond, namely Die Another Day, I’ve watched 2-3 times as there are still some fun, albeit idiotic, moments. When I first saw Quantum I just thought it’s such a dull movie, with a truly lame villain (totally miscast Mathieu Almaric) and a rather meh Bond girl (Olga Kurylenko). It’s even more of a letdown considering it was a continuation of an excellent Bond movie, so the buildup was much more intriguing than the actual movie.
Speaking of having a lame villain, the fourth Craig Bond film somehow the same fate as Quantum despite having Oscar-winning Christoph Waltz, whose huge Hollywood breakthrough was playing a phenomenal Nazi officer in Tarantino’s Inglourious Basterds. I had just mentioned about that in this post where the henchman (Dave Bautista) is actually more memorable. It’s a bad sign when the best spectacle is the opening action sequence, as the entire film just never quite match up its intensity and entertainment value.
It doesn’t help that another big-budget spy thriller franchise Mission: Impossible – Rogue Nation is released the same year and it features plenty of phenomenal, highly memorable action sequences… the exhilarating Vienna Opera House scene alone definitely gives the Bond action set pieces a run for their money!
NO TIME TO DIE
Well, this is definitely one of the most somber Bond film I’ve seen to date… which marks the end of the era, so to speak. Is it a proper send-off for Craig? In short, yes. It certainly also marks a progressive step for the 50+ year old franchise build on the male patriarchy. I do think Cary Fukunaga‘s direction is quite impressive and he made some intriguing, bold choices… I’ll have more on that in my full review, so for now I’ll leave it at that.
I had just rewatched this a couple of days before I saw No Time To Die, so it’s still fresh in my mind. Bond returns home in this one… though not exactly under a happy circumstance. There are plenty to like about this one and centering the story on M (Judi Dench) as one of the major plot makes it stand out from the pack. For once Bond isn’t the primary target, heck Silva would probably let Bond go as his wrath is for ‘mommy’ who he thinks betrayed him (certainly an interesting moniker for a former MI-6 boss). Javier Bardem is a memorable villain and the relationship between Bond and M reaches penultimate point in a dramatic and emotional way, I actually still teared up watching that scene at the church.
What a phenomenal Bond debut for Craig! I absolutely LOVED this film, it ranks in my top 5 amongst all 26 films. When I first saw it though, I didn’t think it would stand as my favorite out of all of Craig’s Bond films… but it definitely stands as the one I’ve seen the most out of his 5 films. I know that the poster shouldn’t determine the quality of the film itself, but even judging from that, Casino Royale‘s poster with Craig at the card table with a smoldering look is absolutely fetching.
It’s got everything you want in a Bond movie – great villain, captivating love interest who’s more than a damsel in distress (Eva Green), dynamic action, gorgeous locations… plus the score by David Arnold is so lush and beautiful, evoking John Barry who’s my fave Bond composer.