Award season chat: Musings on 2017 Golden Globes Nominations

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Award season is in full swing! There are a plethora of awards already announced, but in years past, I normally only talk about a few of them, SAG, Golden Globes and of course, the Oscars. By the time I got to Twitter on Monday morning, people were already chiming in on their thoughts on the noms. It’s no surprise that La La Land and Moonlight are frontrunners, with seven and six nods, respectively.

Well, I had planned on going to see Jackie tonight but I had to cancel as it’ll snow again this afternoon… and my week has been filled to the brim so tonight is the only night I could actually be home and do some household chores. But I am seeing La La Land tomorrow night, followed with Rogue One on Wednesday.

The head-scratching nom last year was The Martian being nominated under Musical/Comedy category. This year, it seems like the nomination of Aaron Taylor-Johnson in Nocturnal Animal (whilst Jake Gyllenhaal and Michael Shannon were both snubbed) seems puzzling to me, just based on the reviews I’ve read so far.

Anyway, here’s the full noms of the 74th annual Golden Globe Awards… and my short commentary on who I’m rooting for (in bold)… mostly on the FILM categories as I barely watch any TV (hoping to catch Westworld soon!):

Best Motion Picture – Drama:

“Hacksaw Ridge”
“Hell or High Water”
“Lion”
“Manchester by the Sea”
“Moonlight”

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As you’ve read in my glowing review, Moonlight is the one I’ll be rooting for all the way to the Oscars! I’m so 100% behind that film. A masterpiece of filmmaking, tackling a subject rarely seen in such a graceful, elegant and emotionally heart-wrenching way. It’ll be tough to beat that one as of now, even with a handful of other award contenders I have yet to see.

I so want this film to win not because it’d somehow *make up for* the #OscarSoWhite controversy last year, but because the outstanding work absolutely merits it.

Best Motion Picture – Musical or Comedy:

“20th Century Women”
“Deadpool”
“La La Land”
“Florence Foster Jenkins”
“Sing Street”

Where is Hunt For the Wilderpeople?? I’d nominate that over Florence Foster Jenkins or Sing Street. I’ve finished my review of Wilderpeople and that’s one of the rare 5/5 rating I’ve given in a long time. I don’t know which from the list I’d root for, I’ll update it after I see La La Land tomorrow night.

Best Performance by an Actor in a Motion Picture – Drama:

Casey Affleck – “Manchester by the Sea”
Joel Edgerton – “Loving”
Andrew Garfield – “Hacksaw Ridge”
Viggo Mortensen – “Captain Fantastic”
Denzel Washington – “Fences”

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This is Viggo’s third Globes nomination. Boy I can’t believe he hasn’t won a single one!! I sure hope his well, fantastic performance in Captain Fantastic finally earns him one this time around. I’m sure glad Edgerton’s got recognized for his quiet, soulful performance in Loving.

Best Performance by an Actress in a Motion Picture – Drama:

Amy Adams – “Arrival”
Jessica Chastain – “Miss Sloane”
Isabelle Huppert – “Elle”
Ruth Negga – “Loving”
Natalie Portman – “Jackie”

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This is Adams’ seventh Globes noms and she’s won two. There’s some tough competition here, especially from Natalie Portman, but I’d love to see Adams nabs the statue. Glad to see Chastain being recognized for her confident, powerhouse performance in Miss Sloane.

Best Performance by an Actor in a Motion Picture – Musical or Comedy:

Colin Farrell – “The Lobster”
Ryan Gosling – “La La Land”
Hugh Grant – “Florence Foster Jenkins”
Jonah Hill – “War Dogs”
Ryan Reynolds – “Deadpool”

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Wow Jonah Hill again?? I like Reynolds, Grant and Farrell out of the ones I have seen, but I’m definitely rooting for Farrell for his understated but hilarious performance in The Lobster. I’d have loved to see the film recognized, and it could pretty much fit in either drama or comedy.

Best Performance by an Actress in a Motion Picture – Musical or Comedy:

Annette Bening – “20th Century Women”
Lily Collins – “Rules Don’t Apply”
Hailee Steinfeld – “The Edge of Seventeen”
Emma Stone – “La La Land”
Meryl Streep – “Florence Foster Jenkins”

Heh, I have only seen Streep’s performance so far, which I knew for sure will nab a nomination. After all she’s gonna pick up the Cecil B. Demille award. Now I don’t know if that means it lessens or increase her chance of winning in the individual award category, but I don’t really care for her winning again to be honest.

Best Performance by an Actor in a Supporting Role in a Motion Picture:

Mahershala Ali – “Moonlight”
Jeff Bridges – “Hell or High Water”
Simon Helberg – “Florence Foster Jenkins”
Dev Patel – “Lion”
Aaron Taylor-Johnson – “Nocturnal Animals”

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Mahershala Ali is one of my fave talent discoveries of 2016, so you bet I’m rooting for him!! I also adore Helberg’s and Patel’s performances, nice to see Patel being recognized for his rare dramatic performance.

Best Performance by an Actress in a Supporting Role in a Motion Picture:

Viola Davis – “Fences”
Naomie Harris – “Moonlight”
Nicole Kidman – “Lion”
Octavia Spencer – “Hidden Figures”
Michelle Williams – “Manchester by the Sea”

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I’m so impressed w/ the entire ensemble cast of Moonlight, so I’m glad Naomie got a nod! To think that she did this role during the undoubtedly glamorous press tour of the mega-budgeted Bond flick Spectre. She’s virtually unrecognizable (who’d believe she’s Money Penney!), but it’s not just the looks, but it’s a deeply-emotional performance that makes this indie gem shines.

Best Director – Motion Picture:

Damien Chazelle – “La La Land”
Tom Ford – “Nocturnal Animals”
Mel Gibson – “Hacksaw Ridge”
Barry Jenkins – “Moonlight”
Kenneth Lonergan – “Manchester by the Sea”

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Ah, so it seems Gibson’s officially back on Hollywood’s good graces again? Well, I think based on how I feel about Moonlight, it should be no surprise who I’m rooting for. An impressive sophomore feature film effort from Jenkins, I sure hope he continues to make movies.

Best Screenplay:

“La La Land”
“Nocturnal Animals”
“Moonlight”
“Manchester by the Sea”
“Hell or High Water”


I’m gonna sound like a broken record here but I’m rooting yet again for Moonlight. It’s a coming-of-age drama with a real emotional punch. That revelation of adult Chiron in the end killed me… I literally gasped and sobbed in that scene. A great screenplay has the ability convey strong emotions with little words spoken. I aspire to be able to write that well one day.

Best Motion Picture – Foreign Language:

“Divines” – France
“Elle” – France
“Neruda” – Chile
“The Salesman” – Iran/France
“Toni Erdmann” – Germany

Sadly I have not seen any of these 😦 I missed the press screening of Elle as it was at 10 o’clock in the morning. It’s too dark a film to see so early in the day anyway, but I’m so curious to see it.

Best Motion Picture – Animated:

“Kubo and the Two Strings”
“Moana”
“My Life as a Zucchini”
“Sing”
“Zootopia”

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I missed Kubo and the Two Strings and gonna miss the press screening of SING as well, as it conflicts with another film. But I adore Zootopia, so I guess right now that’s what I’m rooting for. Judy Hopps FTW! 🙂

Best Original Song – Motion Picture:

“Can’t Stop the Feeling” – “Trolls”
“City of Stars” – “La La Land”
“Faith” – “Sing”
“Gold” – “Gold”
“How Far I’ll Go” – “Moana”

Hmmm, where’s Shakira’s Try Everything from Zootopia? It’s actually written by SIA and it’s a really fun, catchy tune that fits nicely w/ the film’s topic. I have a feeling I’d enjoy the music of La La Land though, just based on some of the featurettes and trailers I’ve seen so far.

Best Original Score – Motion Picture:

Nicholas Britell– “Moonlight”
Justin Hurwitz – “La La Land”
Johann Johannsson – “Arrival”
Dustin O’Halloran, Hauschka – “Lion”
Hans Zimmer, Pharrell Williams, Benjamin Wallfisch – “Hidden Figures”

Wow, I had no idea Hans Zimmer is one of the co-writers of Hidden Figures! I can’t wait to see that in January. Well, my fave here that I remember most is Moonlight. For some reason I didn’t really remember much of Arrival‘s score, I should definitely take a listen again as I LOVE Johannsson’s work in Sicario.

Best Television Series – Drama:

“The Crown”
“Game of Thrones”
“Stranger Things”
“This Is Us”
“Westworld”

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Can’t really comment on any of these as I’ve only seen Stranger Things. I don’t know if it’s the BEST of the bunch but sure glad it’s got a nod.

Best Television Series – Musical or Comedy:

“Atlanta”
“Black-ish”
“Mozart in the Jungle”
“Transparent”
“Veep”

Haven’t seen any of these.

Best Performance by an Actor in a Television Series – Drama:

Rami Malek – “Mr. Robot”
Bob Odenkirk – “Better Call Saul”
Matthew Rhys – “The Americans”
Liev Schreiber – “Ray Donovan”
Billy Bob Thornton – “Goliath”

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I actually have only seen a handful of episodes of season 1 of The Americans. But I was so impressed w/ Rhys’ performance and he’s generally a massively-underrated actor anyway. So even though I think Malek’s terrific in his breakout role in Mr. Robot, I feel like Rhys’ work as a Russian spy deserves equal recognition. Malek’s won an Emmy already though, so he probably wins this one as well.

Best Performance by an Actress in a Television Series – Drama:

Caitriona Balfe – “Outlander”
Claire Foy – “The Crown”
Keri Russell – “The Americans”
Winona Ryder – “Stranger Things”
Evan Rachel Wood – “Westworld”

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Wow, talk about a comeback role for Winona Ryder! I feel like she’s either scared or worried in the entire show though, but I guess it’s a memorable performance. I personally would like to see Keri Russell win in The Americans. How awesome would it be if the pair playing married KGB spies win ’em this year!

Best Performance by an Actor in a Television Series – Musical or Comedy:

Anthony Anderson – “Black-ish”
Gael García Bernal – “Mozart in the Jungle”
Donald Glover – “Atlanta”
Nick Nolte – “Graves”
Jeffrey Tambor – “Transparent”

Can’t comment here as I haven’t seen any of the performances. Never even heard of Graves before, either.

Best Performance by an Actress in a Television Series – Musical or Comedy:

Rachel Bloom – “Crazy Ex-Girlfriend”
Julia Louis-Dreyfus – “Veep”
Sarah Jessica Parker – “Divorce”
Issa Rae – “Insecure”
Gina Rodriguez – “Jane the Virgin”
Tracee Ellis Ross – “Black-ish”

Ditto in this category, though I have seen a few episodes of Veep and Louis-Dreyfus is such a hoot!

Best Television Limited Series or Motion Picture Made for Television:

“American Crime”
“The Dresser”
“The Night Manager”
“The Night Of”
“The People v. O.J. Simpson: American Crime Story”

Gah, I really want to see The Night Manager and The Night Of!! Been hearing great things about both.

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television:

Riz Ahmed – “The Night Of”
Bryan Cranston – “All The Way”
Tom Hiddleston – “The Night Manager”
John Turturro – “The Night Of”
Courtney B. Vance – “The People v. O.J. Simpson: American Crime Story”

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Again no comment here, but nice to see Brits Hiddles and Ahmed in the same category (their shows’ titles sound so similar too!). I’m really glad to see Ahmed getting more recognition (especially after Rogue One). Been a fan of his since The Reluctant Fundamentalist.

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television:

Felicity Huffman – “American Crime”
Riley Keough – “The Girlfriend Experience”
Sarah Paulson – “The People v. O.J. Simpson: American Crime Story”
Charlotte Rampling – “London Spy”
Thandie Newton – “Westworld”

Can’t comment on the performances yet, but I find it baffling that Newton is nominated here under the ‘Limited Series or Motion Picture Made for Television’ category, whilst Evan Rachel Wood is nominated under ‘Television Series – Drama’ Huh?? Again, bonkers categorization of the HFPA.

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

Olivia Colman – “The Night Manager”
Lena Headey – “Game Of Thrones”
Chrissy Metz – “This Is Us”
Mandy Moore – “This Is Us”
Kerry Washington – “Confirmation”

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I haven’t even seen The Night Manager yet but I’m already rooting for Olivia Colman! She’s another underrated actor I wish would get more recognition. I LOVE her in Broadchurch in which she won a BAFTA for Best Leading Actress.

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

Sterling K. Brown – “The People v. O.J. Simpson: American Crime Story”
Hugh Laurie – “The Night Manager”
John Lithgow – “The Crown”
Christian Slater – “Mr. Robot”
John Travolta – “The People v. O.J. Simpson: American Crime Story”

Wow, Slater again for Mr. Robot? Yes it’s a good performance but is it that good? He already won one for the same show last year, so I would like to see someone else win in this category.


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Quick thoughts on Snubs and Surprises:

  • Surprised to see Martin Scorsese‘s SILENCE got snubbed. It sounds like one of those films the HFPA and Academy would be into, especially given it’s a Scorsese’s picture, too. I guess one of the biggest surprises is seeing Mel Gibson‘s name… and Aaron Taylor-Johnson‘s (as I’ve mentioned above).
  • Seeing Simon Helberg‘s name up there is a pleasant surprise though, he’s such a hoot in Florence Foster Jenkins!
  • Boy I feel like it’s been ages since Deadpool came out, but I’d think it warrants its nom in the comedy category. It sure has been a good year for Ryan Reynolds!
  • I know lots of people are dismayed not seeing Tom Hanks nominated for Sully, but really the man has won numerous accolades over his career. I’m not saying he wouldn’t be deserving it, but sounds like there are some really strong performances in that category as it is.
  • Hmmm, no Michael Keaton in The Founder? There’s virtually zero buzz for that film, too.
  • Based on what I’ve seen even in the trailers, Taraji P. Henson killed it in Hidden Figures. Looks like an extremely different role from her hit TV show EMPIRE.
  • Last but definitely not least, as Vulture astutely pointed out, where’s the female-led films?? They’re all pretty much snubbed in the drama categories… I mean, not even Arrival?? I’m no Gibson hater but is Hackshaw Ridge better than Arrival? Really?Snubbing both Jackie AND Hidden Figures… I agree w/ this sentiment “For the HFPA to snub two films that center on pivotal women in American history, in favor of hypermasculine narratives, feels especially icky this year.” 😦

Well, what are your thoughts on the Golden Globes nominations? Let’s hear it!

FlixChatter Review: The Lobster (2016)

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When I first heard of the premise of this film, I was already sold. Then I saw the trailer and I knew it’d be a bizarre film, but nothing could prepare me for how bizarre it turned out to be. The film is set in a dystopian near future where it’s unlawful to be single according to the laws of The City. So they’re taken to The Hotel where they have to find a romantic partner in 45 days or they’d be transformed into a beast of their choice and sent off into The Woods. You’d think that’d be easy but they have to find partners who share their unique characteristics.

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We first see David (Colin Farrell), a recently divorced architect and his dog who’s actually his brother who didn’t make the strict 45-day rule. Even the conversation with the hotel clerk is so off the wall you can’t help but laugh. Later on I realize that David is the only one who has a name in this film, the other characters are only credited with their unique traits, or you could also say affliction. Ben Whishaw is the Limping Man, John C. Reilly is the Lisping Man and so on. The fact that the film is played straight with the actors delivering the weirdest dialog in a deadpan way makes it so hilarious. I find myself chuckling at the sheer peculiarity of it all, but yet I know there’s more to this than just a series of outlandish scenarios.

The film is inherently a comedy but it’s not just frivolous silly movie, but it’s a clever and unique way to make you think of relationships. The first half of the film shows the strict rules and customs of The Hotel, managed by the always-entertaining Olivia Coleman. Then the second half takes place in The Woods where single-dom is celebrated and romantic/sexual activity is severely punished. I have to admit that the film seems to lose its footing a bit in the second half as it’s not as engrossing. It also grows more sinister and there’s a pretty violent scene that made me wince. In the Woods is where we meet its leader (Léa Seydoux) and the Short-Sighted Woman (Rachel Weisz) with whom David forms an attachment.

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Now, to say more would be a disservice to those who haven’t seen this. I think it’s best going into this not knowing much about it other than the basic premise. The way things unfold is so amusing and it’s open to your own interpretation. Greek writer/director Yorgos Lanthimos who co-wrote the script with Efthymis Filippou doesn’t spoon-feed you what he thinks about relationships. He doesn’t take sides on couple-dom vs single-ness, but he presents things in such a way that make you ponder about it for days. I really don’t know how I could survive in either scenario as there are dire consequences for your actions in both places. I appreciate Lanthimos’ style and this is certainly one of the most original concept I’ve seen. I’ve loved sci-fi concepts that’s more grounded in its presentation and the world the characters inhabit in this movie certainly looks plausible. The cinematography is beautiful with natural light and has a rather somber ambiance that stops just short of being morose. 

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The acting is brilliant all around. I’m most impressed with Farrell who’s perhaps at his most understated here. He looked so pudgy with a huge belly, a physical look I haven’t seen before as he’s not quite the shape-shifter like say, Christian Bale. His character is mostly passive and reflective, as he internalizes everything as he observes everything that’s going on around him. It’s quite interesting to watch his journey through the film, going from compliance to defiance to rebellion, right down to its ambiguous conclusion. Rachel Weisz is wonderful as always, she’s got many intriguing projects recently and she’s an actress I’ve grown to respect even more.

The finale proved to be rather frustrating and I think that’s what the filmmaker intended. It seems as if David was set out to do something really drastic, but the film ended before we know if went through with it. [SPOILER ALERT – highlight text to read the following sentence] As David brought a fork and knife, it seems to suggest he was going to blind himself so he’d share the same characteristic as the now blind Rachel Weisz, though I wonder why as he’s already escaped the strict confines of both The Hotel and The Woods.

Despite my frustration with some aspects of the film, I still have to give it top marks for originality and thought-provoking ideas. This is the first film from Lanthimos I’ve seen so far, but his previous films (Alps, Dogtooth) also have a peculiar concept. This is definitely unlike anything I’ve ever seen and I’m glad we have a filmmaker like him that pushes the envelope. I’d say if you don’t have an aversion to strange films, I highly recommend this one and you’d be glad you did.

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Have you seen ‘The Lobster’? I’m curious to hear what you think!