Everybody’s Chattin’ & SPECTRE Honest Trailer

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It’s almost Friday everybody!! Woot woot! It’s only a four-day work week for me but it felt like time was ticking so s-l-o-w-l-y I felt like I had worked a 6-day week already!

What’s happening in your world? Well for me, it’s just two words: SAM. RILEY. I’m falling even deeper under his spell after seeing the rock biopic Control.

I’m going to see Pride and Prejudice and Zombies again this weekend before it’s yanked from theaters and I can’t freakin’ wait!!!! I’ve been collecting all kinds of stuff for my Sam Riley tribute but now I’ve waaaay too many articles I have no idea where to start!

In any case, let’s get to those fine links now shall we?

Margaret has been making fabulous top 10 lists this week, check out this one on 15 Best shots of 2015 

Wendell just put together The Acting Black Blogathon to coincide w/ Black History Month of February. Check out the latest links from Day 3

Chris is continuing his list of Best 80s songs, all the way to Part 12! Speaking of great music, Andrew continues his Tuesday Tunes Tastings series by reviewing a set of four new albums w/ an awesomely creative rating system!

Steven reviewed Cabaret (1972), Nostra reviewed Season 1 of Jessica Jones, and Top 10 Films UK posted a review of Anton Corbijn’s Life.

Last but not least, my dear friend Paula is hosting 31 Days of Oscars Blogathon again this year. I’m unable to take part but check out the links from a bunch of fine bloggers!

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SPECTRE’s Honest Trailer

Boy, the Screen Junkies folks absolutely nailed everything I hated about Spectre. Heh, now that I think about it, my 2.5/5 rating seems far too generous for this poorly-written and lazily-acted movie.


It’s really embarrassing that in a year where there are at least four good spy-themed movies, the granddaddy of this genre is the worst one of the lot. I LOVE that bit about re-watching Captain America: The Winter Soldier instead. I didn’t realize their plots are pretty much identical, but The Winter Soldier actually has genuine character arc AND a compelling story. I for one am ready for a new Bond so I hope this rumor that he’s quitting 007 is true!

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So what are you gonna be watching this weekend, folks?

Everybody’s Chattin + Trailer Spotlight: Finding Dory

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Happy Midweek all! [just three more days until Friday] I’ve been thinking of taking a brief blogging break after the whirlwind film festivities of TCFF at the end of October. Well, I figure I should do that before the rush of holiday movies. I do have a top 10 TCFF picks to do still, so expect that at the end of the week before my temporary hiatus.

Before we get to that, let’s get to those links shall we? 

I haven’t got around to reviewing this but I agree with Josh‘s and Tom‘s take on the excellent Steve Jobs movie.

Some of you already know what I think of Spectre, well it’s interesting to read reviews of opposite spectrum from fellow bloggers. Check out what Mark and Keith think of the latest Bond movie.

SufragettePosterI missed Suffragette at a recent press screening, so check out what Natalie and Jay think about the historical drama. I also missed The Intern screening, but I’m in no hurry to watch it. Based on Mike‘s review however, it sounds like it might still be worth a rent.

One of my top five films from TCFF is Brooklyn, glad to hear that Adam feels the same way.

Margaret reviewed Bone Tomahawk, a horror Western that I’m pretty sure I won’t be able to handle.

TheAssassinPosterJordan‘s been covering Adelaide Film Festivals and posted his review of his martial arts drama The Assassin.

Nostra‘s still keeping up w/ the BlindSpot series, and he recently posted his thoughts on Werner Herzog’s Aguirre the Wrath of Gods, whilst Cindy posted her musings on the absurd (but entertaining) work of Wes Anderson

Some fun music-related posts: Dan did a list of Top 10 films about musicians, Michael posted one of my favorite Bond song Skyfall, and Chris reminisces on the best songs of the 1980s

Last but not least, Chris E. reviewed the pilot of Supergirl, a show I wasn’t all that interested in despite my love for superhero stuff.


And now on to the trailer spotlight…

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Ooooh, what a treat we’ve got here! I’m a huge Pixar movies fan and Finding Nemo is one of my all time faves. So naturally I’m looking forward to its spin-off Finding Dory! I LOVE everything I’ve seen so far, even the poster is so fun, witty and whimsical.

“Finding Dory” reunites the friendly-but-forgetful blue tang fish with her loved ones, and everyone learns a few things about the true meaning of family along the way. Featuring the voices of Ellen DeGeneres, as Dory, Albert Brooks as Marlin, Diane Keaton as Dory’s mom Jenny, Eugene Levy as Dory’s dad Charlie and Ty Burrell as Bailey.

Check out the brand new trailer that just dropped earlier today:

I LOVE Ellen’s voice as Dory, and great to see some of the same cast back. But I’m looking forward to hearing Idris Elba and Dominic West as new voice cast members! Not sure what roles they’d be playing but it doesn’t matter, love those guys, esp Idris whose voice is as sexy and smooth as the Brit himself.

Man, now the worst part is the long wait. Finding Dory‘s released next June 2016!


What do you think of Finding Dory trailer?

 

FlixChatter Review: SPECTRE (2015)

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I wonder if the way I feel about the Bond song somehow impacts how I feel about the film itself. Some of my least favorite Bond songs are The Man with the Golden Gun, Die Another Day, and Quantum of Solace, and those are also my least favorite Bond films. I already mentioned in this post how much I abhorred Sam Smith’s latest, Writing’s on the Wall which sounds more like fingernails on a chalk board. Unfortunately for me, during the press screening, I had to endure that song not once but twice as they played Sam Smith’s music video before the movie, so I had to suffer through THAT song once again during the opening title [sigh]

Of course it’s ludicrous to judge a Bond movie from the song, so I was prepared for an awesome Bond film. To be fair, the melody of the song itself is actually not bad, with Thomas Newman back scoring this again after Skyfall. Well, the first 15 minutes is certainly promising. It’s tradition that Bond films open with a bang and this one is no different, starting with a foot chase through a throng of huge crowd during the Day of the Dead festival in Mexico City. It’s followed by a spectacular fight scene aboard a helicopter flying above the main square. If we’re to judge a movie by cinematography alone, Spectre is excellent, thanks to Hoyte van Hoytema whose done amazing work in Her and Interstellar recently.

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Plot-wise, Spectre has a lot going for it, at least on paper. The parallel conflicts that Bond and M are facing in the film also promises an extra layer of intrigue, in addition to the personal vendetta that runs through the vein of Daniel Craig‘s Bond films. A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization and somehow he ends up going rogue. Meanwhile, his boss M (Ralph Fiennes) is dealing with a crisis of his own as the head of Joint Intelligence Service (which merged MI5 and MI6) threatened to shut down the double-O section. It’s an intriguing set up and as a massive Bond fan, I expect once again to be bowled over.

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Alas, after that spectacular opening, the film seems to lose momentum and never quite claim it back. All the high-octane action didn’t have quite the adrenaline rush I expected from a Bond movie. Even the car chase through the streets of Rome feels rather stale, it’s like I’ve seen a far more exciting car chase scene in previous Bond movies and recently in its rival franchise, Mission Impossible 5. Then there’s the unintentional humor that makes it hard to take the film seriously. The two times Bond wooed two of the beautiful Bond girls, Monica Bellucci and Léa Seydoux, the scenes elicit laughter from the audience. It feels so obligatory and cringe-worthy, a far cry from the intriguing AND sexy love affair between Bond and Vesper in Casino Royale. Vesper was a complex character with a compelling story arc, but here the two Bond girls aren’t given the same courtesy. It’s sad to see an actress of Bellucci’s stature be utterly wasted here.
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The film also promises a massive super villain, the mother lode of all villains Bond has encountered in his past, “I’m the source of all your pain,” Oberhauser tells him once Bond gets to his lair. So it’s quite a let down that this supposedly fearsome, ultra-powerful mastermind turns out to be not so menacing at all. Remember how sinister Christoph Waltz was in Inglourious Basterds? Well, here he’s nothing more than a clichéd psychopath throwing tantrums at Bond because of… a childhood feud. Huh? No less than FOUR screenwriters credited here, three of whom also worked on Skyfall, and all they could come up with is THIS half-baked story? [spoiler alert] I find it hard to believe that Mads Mikkelsen’s Le Chifre, who was effortlessly menacing AND intriguing in Casino Royale, actually worked for this lame, petulant nutjob.

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Sam Mendes and his team of writers seems to have recycled a lot of what’s been done in previous Bond films with nothing new to add to the franchise. In fact, in terms of the treatment of the Bond girls, it’s a step backward. The film seems to aim for a darker story but the execution feels light and even unintentionally comical. I realize that Bond films aren’t expected to be too deep or poignant, but even the fun, escapism factor seems to be missing in this one as Mendes can’t decide what kind of Bond movie he wants this to be. At times it harkens back to the Roger Moore era, which is a jarring contrast to the more pensive and grittier tone established in Craig’s films.

The returning characters from Skyfall are still good in their roles. I do like Ralph Fiennes as M but yet he still can’t hold a candle to how fantastic Judi Dench was in the role. Moneypenny and Q (Naomie Harris and Ben Whishaw) have bit more to do in supporting 007, though not so much that would make any real impact in the movie. Andrew Scott, who’s excellent in the Sherlock series, is just serviceable here, but Dave Bautista certainly lives up to other big, burly but taciturn henchmen of Bond’s past. The fight scene on the train is certainly an homage to From Russia With Love and The Spy Who Loved Me with my favorite henchman, Jaws.

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As for the titular hero, I still like Craig as Bond, but more often than not he looks bored in this movie. It’s as if he’s weary of the same old types of shenanigans and hollow sexual escapades in various exotic locations. Yes I know Bond’s supposed to have this devil-may-care attitude but I think there’s a sense of fatigue that the actor can’t quite conceal. Perhaps it’s telling when Craig said in an interview recently how he’d rather slash his wrist than play James Bond again. It’s tacky to bite the hand that feeds you, but I can’t say I blame him for feeling that way.

It’s a pity because this could’ve been a truly great swan song for Craig if he were to retire as Bond (though I think he’d be back for at least one more). I like the fact that four of his films are connected in some way, though the constant throwback to his previous films also invites the inevitable comparison. If I were to rank Craig’s Bond films now, Spectre is just slightly more watchable than Quantum of Solace, but falls far short of the greatness of Casino Royale and Skyfall.

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Spectre might’ve topped the box office, but it’s nowhere near the top of the best Bond films for me. So I guess that awful theme song is sort of a warning about the movie. Bond’s most personal mission barely evoke any emotional response as the protagonist himself didn’t even seem to care. There’s just no compelling human drama here in this largely soulless affair. Overall the payoff just doesn’t live up to all that build-up and frankly, the film is just forgettable. I saw it four days ago yet I barely remember anything about it. It’s such a bummer really, this movie even made this loyal Bond fan think that perhaps I’ve outgrown this franchise a bit.

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Well, what did you think of Spectre? Did you like it more or less than I did?

Five for the Fifth: DECEMBER 2014 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

Since this is the last FFTF of the year and award season has kicked into high gear, the questions will revolve around film awards and your choices of ‘best of’ or favorite in both films and TV. So let’s get started, shall we?

1. First off, I’m going to talk about A Most Violent Year, which was recently voted Best Picture by The National Board of Review. The NBR president Annie Schulhof was quoted as saying “‘A Most Violent Year’ is an exhilarating crime drama with a compelling story, outstanding performances and an elegant cinematic style,” per LA Times. I posted the trailer in the last Five for the Fifth post and it certainly does look VERY good, but also very intense. NBR also awarded its stars Oscar Isaac and Jessica Chastain in Best Actor and Actress category respectively, two extremely talented actors who are fellow Juilliard graduates.

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I was quite surprised by this pick, but at the same time, not really. I mean, sure it hasn’t gained as much traction as other films such as Birdman, Boyhood or The Imitation Game, but writer/director J.C. Chandor was an Oscar nominee for Margin Call so this could very well be Oscar’s dark horse. I read somewhere that this film is like Wall Street meets Scarface, hmmm I probably just rent this later as it might be way too violent for me.

So what’s your thought on MBR’s pick of Best Picture? Do you predict it’ll be nominated for Oscar too?

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2. You might not know who she is yet, but I’ve mentioned Gugu Mbatha-Raw quite a few times in my blog based on her two excellent performances I saw this year in Belle and Beyond the Lights. In fact, I’d be sorely disappointed if she didn’t get at least a nomination for BAFTA’s Orange Rising Star Award next year, I mean she should have won one already by now.

I have only heard of her prior to this year from the JJ Abrams’ show Undercover that was canceled pretty quickly. I haven’t seen a single episode but I’d have watched it for Gugu! In fact, she makes my Honorable Mention on my list of 10 Actresses I’d Watch in Practically Anything.

So which actor/actress you’ve never seen prior to 2014 who left a huge impression on you this year?

3. Ok so the ‘Best of’ lists have started to pop up and though I’m still not sure what my Top 10 would look like, there is at least a few that I know WILL make the list: Belle, Captain America: The Winter Soldier and X-Men Days of Future Past.

Say what you will about Wolverine but Xavier + Magneto are what the X-Men prequels are all about for me
Xavier + Magneto are what the X-Men prequels are all about for me

Now my Top 10 is a personal one as it’s usually comprised of films that I both admire AND enjoy watching that I’d buy the Blu-ray, not something I appreciate but won’t ever want to see again. So it’s not always the most critically-acclaimed films out there, though these three are actually on Rotten Tomatoes’ Top 100 so far.

So I’m curious, tell me at least ONE film that surely will end up on your Top 10 of the year?
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4. Now switching gears to those that won’t make your Top 10 list, unless it’s the WORST or Most Disappointing list of the year. I was actually making a list of ‘movies everyone seem to love that leave me cold’ from classic to contemporary movies. I’m excluding 2014 films as the one film that disappointed me most hasn’t even opened yet in most cities. But if I were to include it, WILD would make the list as it just bored me to tears.

WildMovieI was flabbergasted how high the rating is for that one and the fact that it’s been taunted as an Oscar contender just boggles my mind.

Now I’m curious which critically-acclaimed 2014 movie you didn’t enjoy or disappointed you most?

5. This month Five for the Fifth’s guest is Mark from Three Rows Back!

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Inspired by yesterday’s announcement of SPECTRE, Mark has Bond on his mind. Now this topic has been discussed before even though Daniel Craig is still under contract to do one more Bond film after Spectre. I’ve listed some of my – and my pal Ted’s – choices of who we’d like to say play 007, but hey, there’s no reason why we can’t talk about it again. Here’s what Mark’s idea of who he thinks should be considered:

I would rule out a Yank to play the part; Bond is quintessentially British.

Much as I liked him, I would have discounted Tom Hardy until I saw him in ‘Locke;’ an underrated performance full of range in my book, so he would be right up there for me. I’ve always loved Idris Elba too; that guy hasn’t found his true calling yet and Bond could well be it.

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Tom & Idris in Rocknrolla!

I LOVE both Hardy and Elba (hey both are Rocknrolla alums!), but I give Elba the edge as he’s tall. I dunno, I kind of prefer Bond to be at least 6 feet tall. Nothing against Craig as he does a great job in the role, but I wish the next Bond actor would be tower above most people. Heck I don’t care what race, I mean I think the world is ready for a Black Bond (I wanted Colin Salmon as Bond at one point), heck even Asian Bond, someone like British/Korean actor Daniel Henney who’s 6’2″ and is a decent actor. As for the argument that Bond actor should be British, I can see that and I have no problem with that though for me, if another non-Brit can pull off a British accent convincingly, it doesn’t bother me. In fact, I did put Danish actor Nikolaj Coster-Waldau on my wish list.

So, Mark [and I] would like to know … who would you like to see replace Craig after he hangs up his Walter PPK?


Well, that’s it for the last Five for the Fifth edition of the year! Now, please pick a question out of the five above or better yet, do ‘em all! 😀