Directed by: James Wan
Written by: Akela Cooper (screenplay)
Story by: James Wan, Ingrid Bisu
It’s officially spooky season! Okay, maybe it’s a little early to start carving pumpkins or hanging up fake cobwebs, but for me, as soon as September hits and the weather dips below 75 degrees, I go into full Halloween mode. To kick that off, I decided to check out the new James Wan horror film, Malignant, and while it was very different than what I was expecting, it was still a great way to start my favorite time of year.
In Malignant, Madison (Annabelle Wallis) begins having visions of violent murders following a traumatic event of her own. She quickly realizes the visions are not just in her head but actually happening in real life- and could be connected to a terrifying repressed secret from her childhood.
Based on the few commercials I saw before seeing this movie, I never would have expected Malignant to be campy, but that’s the word that kept popping into my head the whole time I was watching it: the acting is melodramatic, there are lots of borderline-cheesy zoom-ins on characters’ faces and overblown musical stings, and the big reveal toward the end of the movie feels like something straight out of a 1950’s horror/sci-fi B-movie. It’s a unique combination with the modern setting, the dark glossy style we’re used to seeing in a lot of today’s supernatural horror, and the industrial score, but I liked the mash-up of styles. There are a couple moments where the camp feels unintentionally funny, but for the most part, it’s effective in keeping the tension high and bringing a new tone to a modern horror movie.
Despite the camp, there’s plenty for lovers of modern horror to appreciate. The movie doesn’t shy away from blood and gore, and there are some very creative and shocking kills throughout the film- unsurprising, considering Wan is the writer/director who brought us Saw. Despite there being some especially violent scenes, it doesn’t feel gratuitous. There’s some CGI that feels a little dated in a big fight scene toward the end, and there’s a bit at the movie’s big reveal that looks a little silly, but overall the special effects look great.
Lastly, the cast is stellar. Annabelle as Madison and Maddie Hasson as her sister Sydney have excellent chemistry, as do George Young and Michole Briana White as cop partners Kekoa Shaw and Regina Moss. Ingrid Bisu as CST Winnie is funny, likable, and memorable despite having such a small role. And Marina Mazepa, the physical performer for Gabriel, must be made of rubber, because the way she contorts her body in this movie is impressive and horrifying.
I know a lot of people didn’t enjoy the unusual tone in Malignant, and while I can understand that, I personally loved the blend of styles. It’s not like any other horror movie I’ve seen, and in the wrong hands, it could have felt like a bad straight-to-streaming movie, but with excellent writing, directing, and acting, as well as plenty of creative body horror, this might be one of my favorite new original horror films, and I’m already looking forward to watching it again.
Have you seen MALIGNANT? Well, what did you think?