Sci-fi films involving aliens coming to earth is a dime a dozen. So it’s so refreshing to see a film that treads a familiar ground, yet still manages to be original and truly thought-provoking. Based on the short story Story of Your Life by Ted Chiang, the premise of ARRIVAL is deceptively simple. One day, twelve alien ships land all over earth, one of them in is Montana, USA. Linguist Louise Banks (Amy Adams) was teaching at her college when the world came to a standstill watching the breaking news reporting the aliens arrival. Soon Louise is recruited by the military to assist in translating alien communications.
The linguistic aspect is something I haven’t seen before in a sci-fi movie, or not one I remember well anyway. Apparently director Denis Villeneuve and screenwriter Eric Heisserer created a fully functioning, visual, alien language, which is utterly fascinating to see on film. It looks like a circular thing made out of black ink called the logograms. The alien creatures (which they dubbed ‘heptapods’) have a squid-like form with tentacles that they use to ‘write’ these logograms onto a frosty glass wall that separate them from the humans when they visit their spaceship. There’s quite a suspense the first time we saw these heptapods, but as the film progresses, it’s apparent that this film is so much more than an alien movie or stories about aliens. With any great science-fiction, the best ones are those that remind us of our humanity, and that is the case with Arrival.
The story also deals with the notion of time, which I can’t quite begin to explain. I have to admit it took me a while to grasp just what is going on, as Louise’s time decoding the alien language is interspersed with remembrance of Louise’s daughter. To say more about this might get into spoiler territory, but let’s just say that the mother/daughter story is an emotional one. By the end of the film, we’re not asking so much about how and why the aliens got to earth, but it makes us ponder about love, loss, and the ‘choices’ that we make in life.
Amy Adams‘ quiet yet affecting performance is superb here, she is truly the heart and soul of the film. I have seen quite a few of her stellar work and this could be her best performance yet. Perhaps 2017 would be the year the 5-time Academy Award nominee is finally a ‘bride’ instead of the the ‘bridesmaids’ at the Oscar. Jeremy Renner gives a strong supporting performance here as the mathematician partner of Louise, he has a pretty effortless chemistry with Adams and was quite the comic relief in some scenes. I thought the Abbott and Costello reference was quite a hoot. Unfortunately Forest Whitaker isn’t given that much to do in this film, neither is Michael Stuhlbarg.
I have to say that people who have little patience for slow-paced films could be potentially frustrating. In fact, the guy next to me actually dozed off and snored loudly after about a half hour, it’s too bad as he missed out on the best parts of the film. For me, it’s such a treat to see a visceral and emotionally-complex film, especially with a female protagonist at the center, so I was engrossed from start to finish. The eerie music by Jóhann Jóhannsson adds a creepy and mysterious feel to the film, it’s deliberately somber yet enigmatic. I still prefer Jóhannsson’s work in Sicario but this one is certainly excellent in its own right.
Québec-based filmmaker Denis Villeneuve is one of the few emerging directors (like Jeff Nichols, Taika Waititi) whose work have continued to impress me. I love his emphasis on character development instead of wham-bam action. The use of special effects here is utterly fascinating, especially in the design of the alien spaceships and the otherwordly logograms language and how they’re transmitted. I’m now even more psyched about Blade Runner 2 just on account of having Villeneuve at the helm.
Arrival is one of those films that will stay with you long after the end credits, and that’s always a good sign. It certainly has a haunting quality that is always a positive thing in my book. Whether or not this will be a sci-fi classic remains to be seen, but without a doubt this is one of the best films of the year.
What are your thoughts on ARRIVAL?