Three of my most highly-anticipated films at TCFF premiered on Saturday. Two of them are studio features, Youth & Brooklyn and one is a small indie drama The Dust Storm, which I have reviewed here along with my interview w/ one of the director and cast members.
It was quite a whirlwind day starting with the Future of Film panel at 1pm with Rob Nelson from National Society of Film Critics, Ryland Aldrich from Twitchfilm.com and Emma Griffiths, Emma Griffiths PR. It’s great getting insights from film experts on the changing landscape of film promotion/distribution and various film trends. I also got to meet director Samuel Hathaway before his red carpet (check out my interview w/ him on The Old, Old Story), as well as David Spaltro whom I met a couple of years ago at TCFF. Great to see him back in town for his psychological horror film In The Dark (review & interview post coming next week!)
So here’s one of the reviews from Day 4:
I’ve been waiting to see this film since it premiered at Sundance and so imagine how thrilled I was when I saw it on TCFF lineup!! I’ve been a fan of Irish thespian Saoirse Ronan since Atonement, Hanna and How I Live Now, which also premiered at TCFF two years ago. Suffice to say her casting was the main draw for me to see this and she did NOT disappoint.
As an immigrant myself, naturally the story of a young Irish immigrant moving to the United States resonated with me. Of course our circumstances are very different, but I identify with the feeling of homesickness and the challenges of navigating a whole new environment. Brooklyn is set in the 1950s. It opens with Eilis Lacey, the youngest of two Irish sisters living in a small town in County Wexford, Ireland. She’s offered a chance to move to New York City by a priest, for a chance of a new life. Her older sister Rose strongly supports that idea, even if that means she’d have to be the only one looking after their mother.
The journey on the boat is quite excruciating for Eilis, but somewhere along the way she always ended up finding a friend to help her through it. The same way when she arrived in Brooklyn to stay in a Mrs. Kehoe’s Catholic boarding house along with four other girls. I LOVE Julie Walters here, she’s definitely the comic relief with her comments like ‘no talking about the Lord’s complexion at dinner!’ or ‘giddyness is the eighth deadly sins!’ She’s strict but not without a sense of humor. The always reliable Jim Broadbent provides an excellent supporting turn as the compassionate priest Father Flood who arranged for Eilis’ immigration.
Homesickness is like most sicknesses. It will make you feel wretched, then will move on to somebody else…
I love the quote above from Father Flood to Eilis, and sure enough, soon Eilis’ able to overcome her homesickness as soon as she finds romance with an Italian boy Tony (Emory Cohen) who’s handsome and effortlessly charming. There’s a James Dean-esque vibe in his performance and perhaps that’s intentional. Soon he invites Eilis home to meet his very Italian family. I love the cultural aspects of the film, showcasing the different lives of American immigrants from different countries. There are amusing scenes such as when Eilis’ fellow boarding house friends teach her how NOT to splash spaghetti all over her blouse during dinner, and Iarla O’Lionaird as Tony’s smart-aleck-y 8-year-old brother Frankie was definitely a scene stealer!
Life doesn’t always go according to plan however, and Eilis’ life changed abruptly that compels her to return back to Ireland. Life if full of tough choices, and that’s what happens with Eilis when she finds herself back in her home town. Suddenly there’s a decent life waiting for her in Ireland that she didn’t find before she moved to Brooklyn. A tentative romance also develops with a friend from her high school Jim (Domhnall Gleeson) that complicates matters. There’s nothing like two romantic prospects on both sides of the Atlantic that would get any girl torn, but there’s also more to it than that.
I love how the seemingly-simple story of an immigrant girl can be so deeply poignant and moving. I remember liking John Crowley‘s British indie Boy A with Andrew Garfield, and he’s certainly has a way for capturing the anguish and torment of young people. The same with screenwriter Nick Hornby who penned About A Boy in crafting a heartfelt character-driven piece.
It’s definitely Saoirse Ronan‘s best work amongst her already illustrious career. At twenty, she’s the right age to portray Eilis, and she infused such gravitas into her role. She’s able to convey internal battle within her with just her eyes or a subtle smile, as there’s a great deal of economy of dialog in this film but everything has a purpose. Visually, the set design of 50s Brooklyn and Ireland are believable, captured beautifully by cinematographer Yves Bélanger. But to me, it’s the story that I will remember most of all. Lest Hollywood forget, well-written story is the greatest special effects of all.
Have you seen BROOKLYN? Well, what did you think?