Happy Monday everyone!
So it’s been a pretty packed weekend for me but thankfully the weather is practically Summer-like, which definitely adds an extra spring in my step. It’s the opening weekend of MSPIFF too, so I’ve watched a couple of films including Clouds of Sils Maria which was nominated for a Cannes’ Palme d’Or and a Best Supporting Actress win for Kristen Stewart. My review of it will be up tomorrow, but today we have two film fest reviews from Josh. But before we get to that, I just want to give my brief thoughts on Netflix Original Series Daredevil that premiered this weekend:
I actually never saw the Ben Affleck version, but even from the trailer/clips I could surmise that it’s awful indeed. I have to admit that initially I was skeptical of Charlie Cox casting, as he’s such a cute face, and that isn’t exactly a glowing recommendation when you want to play a bad-ass vigilante. But y’know what, right from the get go, my doubts were erased. The British actor is quite convincing both as the blind lawyer + the vigilante.
My hubby & I have only seen 4/13 episodes so far but boy, this is definitely NOT a PG-rated Marvel adaptation. The words ‘dark & gritty’ have been used to describe a lot of stuff but it’s definitely no hyperbole when it comes to this show. In fact, it’s hyper-violent and bloody, I had to avert my eyes during the last 5 minutes of episode 4! But I like the meticulous & slo-burn pacing, the benefit of releasing all the episodes at once is that each episode doesn’t have to be ‘all-action-all-the-time’ and we actually get some character development by showing flashbacks of Matt Murdoch’s past, as well as more time with the secondary characters such as Matt’s BFF & partner in law Foggy Nelson (Elden Henson). They also have two strong female characters, Karen & Claire (Deborah Ann Woll & Rosario Dawson, respectively). I like both of them in the role, especially Dawson who’s always effortlessly appealing. But one thing for sure, people who love R-rated action and fantastically-choreographed fight scenes would NOT be disappointed.
So in short, I’ll definitely keep watching! I might do a review once we get through all 13 episodes. How about you? Did you see it?
Secrets of War (Oorlogsgeheimen)
Fusing two well-known stories and thereby hitting dual-genre notes, Secrets of War is a quality picture. The first, and more successful, of the film’s two stories: the ways a friendship between two newly-adolescent Dutch boys, Tuur (Maas Bronkhuyzen) and Lambert (Joes Brauers), is tested, first by a girl, Maartje (Pippa Allen), they both like, and then by World War Two, something neither child initially understands. The second story, an anti-war treatise, is slightly less successful than the first, but it still relates the ways war tears apart uninvolved lives.
All three young actors are very good, especially Allen who convincingly shows us her secrets long before the screenplay has her tell them to us. But Secrets of War’s scene stealer is Loek Peters, who plays Tuur’s father. Peters (and the other grown-ups in Tuur’s family) is the vehicle through which director Dennis Bots and writer Karin van Holst Pellekaan show the tragedies of World War Two, but they never let him speak all that much, which means he has to communicate the gravity of the situation non-verbally. Thankfully, he does just that.
Pellekaan’s screenplay and Bots’ direction is excellent for the first three-fourths of film, but it slips a little in the final act, when events are rushed, perhaps in an effort to speed to conclusion. A slower, more character-driven approach to the finale would have cemented the picture’s emotion and thereby helped deliver its themes.
The missteps near the end of Secrets of War do not ruin the film, however. It is still well worth viewing.
The Dinkytown Uprising
A documentary about a lengthy 1970’s neighborhood protest against a Red Barn fast-food restaurant entering a beloved Minneapolis community, The Dinkytown Uprising is interesting and entertaining. Interspersing modern interviews of former protestors with on-the-scene 1970 video showing the actual rallies, the film effectively informs the viewer about the protests, the protestors, and their links to the Vietnam War. It makes us care about each of the protestors, as well, ensuring that we remain interested throughout.
But it isn’t perfect, mostly because director Al Milgrom’s secondary goal is to connect the 1970 Dinkytown protests with modern efforts to preserve the historic neighborhood. More than that, it seems Milgrom wants us to agree that the neighborhood should be protected. Here he stumbles, mostly because he never draws a direct link between the picture’s informative intent and its persuasive efforts. The director might have benefited from a closer look at larger corporations’ modern efforts to enter the neighborhood. Given that he doesn’t do so, the few times he intimates concern for the community, it feels out of place with the rest of the film’s content.
So what did you watch this weekend? Thoughts on Daredevil or any of these films?