I had never even heard of this film before until I saw the first trailer with a robot resembling a fluffy Pillsbury doughboy and I was immediately won over. My pal Prairiegirl who isn’t normally into animated features suddenly couldn’t wait to see the movie. There’s something so captivating about the big, puffy marshmallow creature and its backstory definitely appeals to both my brain and my heart.
The film starts out with two brothers, Hiro (Ryan Potter) and Tadashi (Daniel Henney), as Hiro’s participating in a back alley robot fights in a town called San Fransokyo. Tadashi thinks Hiro’s just wasting his genius potential with all fun and games, and he takes his younger brother to the robotics lab at his university. There Hiro’s introduced to Tadashi’s brainiac pals: Wasabi (Damon Wayans Jr.), Honey Lemon (Genesis Rodriguez), GoGo Tomago (Jamie Chung), Fred (T.J. Miller)… and Baymax. He may look like nothing more than a big fluffy toy, but Baymax is actually an advanced personal healthcare bot that’s been Tadashi’s passion project for years. “On a scale of 1 to 10, how would you rate your pain?” Baymax asks in his soothing mechanical voice, and he won’t deactivate until the patient is satisfied with his care. Tadashi hopes that his creation will help millions of people some day.
The lab visit inspires Hiro to want to enroll at the school, and he worked tirelessly to come up with an imaginative thing on his own to wow Professor Callahan (James Cromwell), head of the robotics program. Just as Hiro reaches a milestone with his own creation of microbots, the film soon takes a tragic turn at the university. It’s following a personal loss that Hiro forms an unlikely friendship with Baymax, who in turns help him find out just what really happens at the university expo that night.
The second and third act of the film pretty much become an action adventure as Hiro gets help from Tadashi’s friends to find out who took Hiro’s microbots. These swarms of tiny robots that can link together to form any kind of shape/arrangement is evidently something that can easily be manipulated for both good and bad purposes. Now, I didn’t know Big Hero 6 is based on a Marvel comics until after I saw the film. So that explains the superhero-flavor of the action sequences, and the quirky band of heroes definitely remind me of the Guardians of the Galaxy team, yet another lesser-known Marvel heroes. The third act with all the high-flying adventure is beautifully crafted, but it also feels a bit too frenetic and familiar. I have to say that it’s the hilarious moments between Hiro and Baymax that truly made the movie for me. The scene at the police station and a set of plastic tape featured in the trailer is even more hilarious!
I kind of wish the movie spend more time with Baymax in his um, birthday suit as it were, he’s far more adorable than when he’s wearing a protective metal suit that makes him look like a bloated Iron Man. The process of getting him into the suit is absolutely hilarious though, but just the way Baymax looks lends itself to slapstick hilarity, especially when it’s running out of battery. It’s a hoot to watch just watching the thing move or do simple things such as walking up the stairs or cuddling Hiro’s fat kitty. It also provides for genuine emotional moments that doesn’t feel forced at all. He’s programmed to heal and he more than delivers in terms of both physical and emotional remedy. As I’m watching it, I’d want my own personal Baymax. His big fluffy hug alone would guarantee to boost your morale no matter how crummy your day’s been.
Disney’s done it again. In the past five years, it seems that they’ve managed to somehow match Pixar in crafting a story that’s not only highly entertaining but with a high emotional quotient as well. I have to say this is one of the most fun I had at the movies this year, rivaling The Lego Movie early in the year. The 3-D visuals are incredible – the quality of animated features these days have been amazing and it just gets better and better. The aerial view of the city in the flying sequences are jaw-dropping-gorgeous and worth seeing on the big screen.
I love how the story inspires kids to explore their imaginations and relish their youthful creativity. But it’s how much it appeals to the heart that leaves a lasting impression on me. Altruistic notion is not uncommon in the age of superhero stories, yet when that moment appears here, the sense of loss feels all too real. But then again, I’ve found that animated features can be as poignant and moving as any live-action dramas, if not more.
Kudos to directors Don Hall and Chris Williams for making a character that’s so easy to root for, and a movie that’s both delightful and inspiring. The voice cast are great too, and they’re refreshingly diverse as the ethnicity of the characters have been changed from the comics version. I could easily watch this again and I don’t mind seeing the sequel that’s surely to follow. So Baymax, I’m definitely VERY satisfied with your care 🙂
Have you seen this one? Did you enjoy it as much as I did?