Andy over at Fandango Groovers’ Blog was inspired by the latest Captain America: The Winter Soldier trailer in which we see Steve Rogers make a note in a pocket note book. It’s a list of things he missed out on in the time he was frozen that people have recommended he should catch up on. So the idea is to list ten movies we’d recommend to a person who had been frozen between 1943 and 2011.
Greetings all and sundry! When one receives an invitation from Ruth to aid in a Blog-A-Thon. Due diligence, patience and thought is required in the assembly of, layout and dissertations of probable, then solid selections.
Being a fan of the late, great Jack Kirby. And his handling of the recently thawed out Captain America/Steve Rogers. And his association with the eye patched, Jack Kirby and Steve Streranko. Robert Culp like Colonel (formerly Sgt.) Nick Fury and S.H.I.E.L.D. (Supreme Headquarters, International Espionage, Law Enforcement Division) of 1965..
I opened up vast volumes and tomes of cinematic history. For both entertainment and acclimatization’s sake. Since I’m sticking with the cinematic premise of finding Cap frozen outside the Arctic Circle by a new and improved, contemporary S.H.I.E.L.D. (Strategic Homeland Intervention, Enforcement and Logistics Division) of the Samuel L. Jackson.
To that end. Allow me to align my selections in chronological order and introduce:
Ten Films for Captain America: (1943-2011)
#10: The Best Years of Our Lives (1946)
Very possibly the best film focusing around returning veterans of World War II. And their adjusting to a world they had left only years before.The film focuses on a decorated bombardier (Dana Andrews), an Army Infantry Squad Leader (Frederic March) and an enlisted sailor (Harold Russell) who lost both of his hands when his ship was shot out from under him.
The tale is not just restricted to the men returning to their Ohio home towns. The director (William Wyler) goes out of his way to see the points of view of their wives (Who give and get as good as their men!) and families are examined as well.
A near perfect film for either Rogers or Cap to enjoy. While understanding that he is not so unique or alone after all.
#9: The Graduate (1967)
Few films describe the given everything, lazy and spoiled “Baby Boom” generation and the changing mores, culture and morals of the 1960s than this touch stone, Buck Henry comedy.
A well fleshed out and executed thumbnail of the next generation Cap fought for. And what many believe is the decade that changed the world.
#8: The Night of The Living Dead (1968)
The crème de la crème of low budgeted, back yard horror films! That introduced the mystique of slow moving, cannibalistic, brain eating zombies just under a half century ago While creating a fairly decent analogy for Cap’s arch nemesis, Hydra in regards to ever increasing opposing numbers in a never ending war of attrition.
No frills? You bet! Claustrophobic? Absolutely! In a film that slowly builds, fear, suspense, tension and “Bang for the Buck!” into a finale no one sees coming!
#7: 2001: A Space Odyssey (1968)
The richly opulent and wondrously detailed look at what might have been. Had not “The Great Society” and its first steps of income redistribution been given precedence.
More science fact of the day, than science fiction. Director Stanley Kubrick and author/scientists, Arthur C. Clark go to great lengths in authenticity in this cinematic landmark. A distinctly possible double bill with director, Ron Howards’ Apollo 13, from 1995.
#6: The French Connection (1971)
This gritty little gem provides one of the most unflattering look at the five boroughs in film. Becoming an uncredited player in a Cat and Mouse game of veteran narcotics cops trying to get ahead of and nail down a then record breaking amount of high grade, near pure heroin as it comes into New York City. In one of the first and best “partner films”to grace the big screen.
Both Steve Rogers and Cap should appreciate and empathize with detectives Doyle (Gene Hackman) and Russo (Roy Scheider) working against the bureaucracy, feds and a god awful winter in their pursuit of the elusive, elegant Frenchman, Charnier (Fernando Rey).
#5: Vanishing Point (1972)
This would be a pleasantly intriguing pallet cleansing road trip with a mission film. Wrapped around a fully blown 440 big blocked 1970 Dodge Challenger R/T piloted by the stoic, near silent Kowalski (Barry Newman in his first film role). Former Congressional Medal of Honor recipient, uniformed cop and recent Benzedrine aficionado delivering a black Chrysler Imperial to a garage in Denver, Colorado. Then wagering that he can deliver the Challenger to San Francisco in 18 hours.
While offering some superb on location racing between the Charger, Jaguar and other road trekking competitors. The film also reveals an interesting loo at the American Midwest, post Woodstock. As Kowalski and his Dodge elude motorcycle cops and speed traps with the aid of blind African American disc jockey, “Super Soul” (Cleavon Little).
In an impeccable tale of the classic anti-hero going against the system as more and more people hear of Kowalski and his trek through “Super Soul”. And the local police set up a large and unique roadblock outside Cisco, California.
#4: Pat Garrett And Billy the Kid (1973)
A Western is called for. Though not your John Wayne, John Ford or Howard Hawks kind of Western. One has its roots in history and lore. And told in a slower, more sedate than most.
With the master of the “South of The Border” tales, Sam Peckinpah spinning his sweeping book balancing, payback and redemption yarn in a near Antonioni pace. Amongst a “Who’s Who” of veteran supporting actors sharing action with lush and splendid backdrops. As James Coburn delivers his best underplayed role. Opposite a younger, equally talented Kris Kristofferson.
#3: Young Frankenstein (1974)
What “kid from Brooklyn” wouldn’t jump at the opportunity to see a cleverly comedic take of a the film that starred Colin Clive as the doctor with a “God Complex” and Boris Karloff as his creation. No doubt seen in countless matinees.
Mel Brooks sticks with the original B&W and used several laboratory sets from the 1935 classic. While pulling out the stops for Gene Wilder, Madeline Kahn, Terri Garr and Cloris Leachman as “Frau Blucher”. And Peter Boyle as the intelligent, opinionated monster. Where no classic scene is beyond lampooning and the patter between Wilder and the cast is inspired.
#2: The Usual Suspects (1995)
Cap may need a refresher in the ancient saw: “Nothing is as it seems!”. In a subtly executed crime film. Told mostly in flashback during an impromptu, recorded interrogation between sole survivor, Verbal Kint (Calmly confident Kevin Spacey) and U.S. Customs Agent David Kujan (Chazz Palmenteri in peak form!). As the “Who?”, “What?” and “Where?” of criminal mastermind, Kayser Soze.
In a film that demands attention as proven and just starting out actord and their characters are introduced and do what they do best. At possibly the behest of the enigmatic, invisible Mr. Soze.
Leaving the Number One spot open for a different and somewhat more historic take on a possible contender to add to Cap’s list of Rocky and Rocky II.
#1: Cinderella Man (2005)
With Russell Crowe as New Jersey lightweight champion turning heavyweight, James J. Braddock during the Depression of 1929. Suffering from a broken hand and finding work in unions and heavy machinery. Doing what his can to make ends meet for his wife, Mae (Renee Zellweger) and his sons and daughter.
Salvation takes place when Braddock’s old manager, Joe Gould (Paul Giamatti) sets up a bout that Braddock wins in a third round knockout. Which blazes a trail to fight heavyweight contender, Max Baer (Craig Bierko).
In a deftly executed period piece that will have the audience cheering in the final reels!
What do you think of Jack’s recommendations?