Happy Monday all!
Hope you had a nice weekend. Mine was quite busy but in a good way. For our anniversary celebration, we went to see the Addams Family play on Friday night at the Ordway Theater in St. Paul.
Truth be told, I’m not that familiar with the story nor have I seen the 1991 film version, but the trailer looks like a hoot so I thought, why not. Well fortunately, unlike what the critics think of Tim Burton’s Dark Shadows, the show itself is as amusing and fun as the preview. Instead of Nathan Lane and Bebe Neuwirth on Broadway, the touring cast of Douglas Sills and Sara Gettelfinger as Gomez and Morticia are both excellent. Sills practically stole the scenes every time he came on stage with his zing-y one liners and impeccable comic timing. I think I’d like him a lot more than Lane in the role.
I quite like musicals, and this weekend I also got to revisit one of my all time favorite musicals, The Phantom of the Opera. I have seen the stage performance twice and I could easily go a few more times as I’m just so in love with the doomed-romance story and its incredibly beautiful music. I even enjoyed the short-run sequel Love Never Dies when it was still playing in London’s Adelphi Theatre, but no, it still can’t hold a candle to the original. No wonder it’s still the highest-grossing entertainment event of all time!
THIS is the role why I’ll forever be a fan of Gerry Butler and remains one of my top five favorite GB roles. He’s been somewhat off my radar lately for one reason or another, but seeing him as the passionate, emotional tortured soul gets me every time. Now, I’m not a fan of Joel Schumacher’s work in general but I’ll always thank him for casting the then unknown Butler over John Travolta and Antonio Banderas who were vying for the Phantom role. I also like his idea of making it a young romance between Christine and the Phantom. Thus, having 16-year-old Emmy Rossum in her first feature film role is inspired casting. There’s certain beguiling innocence about her that makes it so bewitching to watch as she falls for the dark and irresistibly seductive musical genius.
The powerful combination of Andrew Lloyd Webber’s haunting music, the stunning set pieces and Butler’s sultry performance is why I’m an unabashed POTO phan for life. There are just so many favorite scenes that I may just dedicate a post for it one day, but this steamy rendition of The Point of No Return definitely takes the cake.
On Saturday, I got to see Haywire as well which I wanted to watch back in February but it was no longer playing in theaters. Soderbergh, Gina Carano and Channing Tatum was promoting the film at the Hall H panel in Comic-con last year, which piqued my interest. Review coming later this week but in the meantime, check out this guest review from FC contributor Cecilia Rusli:
DARK SHADOWS (2012)
|3 out of 5 reels
So what did you see this weekend? Anything worth watching?