TCFF 2014 Wrap Up & Final Awards: The Imitation Game, Time Lapse, Stray Dog Doc, Solitude & More!

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Oh boy, what a thrilling, fun and exhilarating 10 days it’s been!! Pardon the late Closing Night recap, I stayed up pretty late last night at the Closing Night party, as I missed the past few years’ festivities. It’s so awesome that this year we’ve got a great spot for our Nightly Mixer at the Shops at West End, just a few doors down from The Showplace ICON Theatres! It’s definitely been a great success once again, woot woot!

This is the fifth year I’ve been covering TCFF and I have to say this is truly the BEST year I’ve had. Of course it seems that I say that every year but this year is absolutely amazing. I’m so glad I got the chance to chat with many great filmmakers and talents who are all gracious and friendly that made every interview such a joy. Special thanks to Haley Lu Richardson, Rik Swartzwelder, Drea Clark, Jonathan Ehlers, Patrick Ward-Perkins, Molly Ryman, Tyler Noble, George Finn & Bradley King for taking the time to chat with me during the Film Fest! I’ve always got butterflies in my stomach before I go into any interview, but my qualms/nervousness quickly disappear as soon as I met each talent. It’s been a blessing to be a part of this great organization, so Jatin, Bill, Steve, Dani, Naomi, etc. I really mean what I said in my tweet last night …


I also want to thank all the blogging contributors Sarah Johnson, Josh Petitt and Adam Wells. I wouldn’t have been able to do all those interviews AND do every single review, so MASSIVE THANKS for all your help, guys!

So here are this year’s winners of TCFF 2014 Awards!

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The Twin Cities Film Fest bestowed eight films, two artists and one local community leader with awards late Saturday evening during a star-studded ceremony in downtown St. Louis Park. Leading the roster of winners was The Imitation Game, the World War II espionage thriller starring Benedict Cumberbatch as mathematician Alan Turing that is widely considered to be a frontrunner for the year-end awards race. The film took home the festival’s trophy for Best Feature Film. (See the festival’s complete list of 2014 finalists, which were announced Oct. 23)

Also honored: Keira Knightley, winner of the TCFF North Star Award for Excellence for her performances in two official festival selections: Laggies and The Imitation Game. “When you see this body of work paired together, there’s no denying the acting force that is Keira Knightley,” said TCFF Artistic Director Steven Snyder. “There’s such a range of talent on display here – funny, heroic, vulnerable, defiant, haunted, and always compelling. She breathes life into personalities and perspectives that are worlds apart – and yet proves charming, charismatic and irresistible every time out.” Hear, hear!

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The independent sci-fi thriller Time Lapse walked off with the festival’s Indie Vision: Breakthrough Film award. Debra Granik’s Stray Dog – the director’s follow-up to her Oscar-nominated narrative film “Winter’s Bone” – won Best Documentary. And Andrew Kightlinger’s Destroyer was selected as the year’s best short film.

Local film industry legend Al Milgrom was also honored Saturday evening, bestowed with a star on the Minnesota Walk of Fame, in recognition of a career spent importing and celebrating world cinema for the Twin Cities film community. Milgrom founded Minneapolis’ University Film Society in 1962 and later launched the Minneapolis/St. Paul International Film Festival in 1983.

Dani Palmer with Al Milgrom at Closing Night Party
Dani Palmer with Al Milgrom at Closing Night Party

Saturday evening’s ceremony marked the culmination of the 10-day festival, which screened more than 75 titles – a mix of independent premieres and Hollywood sneak peeks – at the Showplace ICON Theatres. In addition to the annual October festival, the Minnesota-based non-profit organizes year-round programming, as well as industry networking events and educational opportunities. Learn more at twincitiesfilmfest.org.

The complete list of 2014 winners:

Best Feature Film: The Imitation Game (dir. Morten Tyldum)
Runner-Up: Ink & Steel (dir. Jonathan Ehlers and Patrick Ward-Perkins)
Audience Award – Feature: Solitude (dir. Taylor Scott Olson and Livingston Oden)
Runner-Up: The Last Time You Had Fun (dir. Mo Perkins)
Audience Award – Short: Sad Clown (dir. Jason P. Schumacher)
Runner-Up: My Last Breath (dir. Cy Dodson)
Audience Award – Documentary: Scouts Honor: Inside A Marching Brotherhood (dir. Mac Smith & Tom Tollefsen)
Runner-Up: The Syndrome (dir. Meryl Goldsmith)
Indie Vision Award – Breakthrough Film: Time Lapse (dir. Bradley King)
Runner-Up: BFFs (dir. Andrew Putschoegl)
Indie Vision Award – Breakthrough Performance: Haley Lu Richardson, Actress “The Well” and “The Young Kieslowski”
Runner-Up: Eliza Coupe, Actress, “The Last Time You Had Fun”
Best Short Film: Destroyer (dir. Andrew Kightlinger)
Runner-Up: My Last Breath (dir. Cy Dodson)
Best Documentary: Stray Dog (dir. Debra Granik)
Runner-Up: The Immortalists (dir. David Alvarado and Jason Sussberg)
TCFF North Star Award for Excellence: Keira Knightley, for performances in “The Laggies” and “The Imitation Game”
TCFF-Minnesota Walk of Fame Award: Filmmaker Al Milgrom
Twin Cities Community Change Maker Award: Vednita Carver, executive director of Breaking Free. (BreakingFree.net)

 


Well the film fest may be over but I’ve still got a few more reviews I’ll be posting (The Imitation Game, Wild, Time Lapse, etc.) as well as my interview with The Last Time You Had Fun producer Drea Clark + George Finn & Bradley King from Time Lapse!


Thanks so much to all who have been reading my TCFF coverage!

TCFF 2014 Day 3 Reviews: These Hopeless Savages, 3 Nights in the Desert, The Well and House of Manson

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The festivities continues at Twin Cities Film Fest! Weekends are always super busy at the Showplace ICON Theatres at the West End, but even more so with all the hustle and bustle of the TCFF crowds. A bunch of Midwest Premieres took place last night, featuring Q&A following films such as These Hopeless Savages, Old Fashioned, BFFs, The Well, and a huge cast & crew in attendance for the first of two sold out screening of House of Manson.


The second screening of House of Manson on Monday night at 9:30pm is already SOLD OUT … but, no fret, TCFF will have a RUSH LINE available for every “sold out” screening. We typically are able to accommodate anyone waiting in line. So, before you decide not to come, please do consider the Rush Line! The Rush Line is located across from the TCFF Offices on the Main Level of the Shops at West End, right below the theater lobby.


Now here are the reviews from Day 3…

These Hopeless Savages

Similar to Alexander Payne’s Nebraska (2013), These Hopeless Savages is a road movie doubling as a relationship drama. In this case, the focus is on Shawn (co-director/co-producer/co-writer/star Sean Christopher Lewis) and Greg (co-writer/star Matt Delapina), childhood friends who have lost touch over the years. Shawn believes he’s won $50,000, which he can claim by traveling from New York to Iowa, and he wants Greg’s help. Though Greg doubts the money’s authenticity, he agrees, for personal reasons, and the two embark in Shawn’s sedan. These Hopeless Savages documents their cross-country journey, along which they encounter several eccentric characters.

In so doing, the film is often funny, particularly in scene’s including Greg’s girlfriend, Nicki (Mackenzi Meehan). Meehan’s deadpan delivery and her chemistry with Delapina are both striking, indeed so much so that she is the film’s greatest merit. Which is saying something, because the cast is universally strong. The picture’s visual style is impressive, as well; directors Kaitlyn Busbee and Lewis use minimalist camera movements and wide image frames to create a realistic tone, one which helps push forward the plot.

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Unfortunately, These Hopeless Savages stumbles at various points. First, we never understand why Shawn believes the $50,000 actually exists. Unlike Nebraska’s Woody, Shawn’s mental faculties are not deteriorating, so what gives him such confidence? It helps that Lewis and Delapina, as writers, hint, at various points, that the money isn’t Shawn’s actual motivation, but the idea is undercooked and then contradicted when the protagonists reach their destination. Moreover, neither of these characters change. They start emotionally damaged, and they end that way. They start with particular character flaws, and they end with the same. Their stories feel unfinished, even in a picture less about individuals than relationships.

For all of that, These Hopeless Savages has enough humor, good acting and quality directing to make it immersive and entertaining. It is far from great, but it is also far from bad.   

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The Well

Though too predictable and too faithful to genre, The Well, is filled with enchanting cinematography and even more atmospheric intensity. The picture, which is written by Jacob Forman and director Thomas S. Hammock, depicts an apocalyptic world fatally short on water. Living in this world is Kendal (Haley Lu Richardson, excellent), who struggles to rebuild an airplane while simultaneously caring for her ill childhood friend, Dean (Booboo Stewart, even better than Richardson) and a youth named Alby (Max Charles, underused), whom she’s found living alone. She must also fend off many rivals, some of them in search of water, and some of them employees of a nefarious company.

In part because of the actor playing her, Kendal makes a compelling protagonist, but she is not the most interesting character here. That is the primary villain, Carson (played empathetically by Jon Gries), who is layered by love for his daughter, Brooke (Nicole Fox) and remorse. When Carson and Kendal finally speak to each other, it is a riveting scene, indeed, one that rewards the viewer with fascinating dialogue between two multi-dimensional characters.

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Hammock’s visuals are just as rewarding, as is his ability to create tension, both through audio and image frames. At times, The Well’s obviously low budget hurts the picture, especially when Hammock uses CGI to create blood or fire, but mostly the director overcomes financial limitations.

A handful of exposition-heavy scenes between Carson and Brooke prove bigger flaws. As does Brooke’s characterization. She is so underdeveloped as to be almost senseless. Finally, during what should be the film’s most impacting moments, Kendal successfully hides from her enemies, but only because Carson doesn’t follow previous patterns of behavior. In another should-be-impacting sequence Kendal behaves differently than she has before. These moments border on character breaking, and thereby disengage the viewer, at least for a time.

Still, The Well succeeds far more than it fails. It deserves a recommendation.

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Check out FlixChatter’s exclusive interview w/ Haley Lu Richardson as she discussed getting her part in her feature film debut, and the challenges of filming The Well.


3 Nights in the Desert 

A middling drama about old friends/bandmates reuniting after several years without contact, 3 Nights in the Desert neither impresses nor offends. It simply exists.

Tax attorney Barry (Vincent Piazza) and musician Anna (Amber Tamblyn) travel to the California desert, where their defunct band’s former guitarist, Travis (Wes Bentley), now lives. Ostensibly the three are fulfilling a long-ago promise to collectively celebrate their thirtieth birthdays, but Travis has a manipulative motive, Anna has personal issues never fully explained, and Barry doesn’t want to admit he pines for the past, even while he also rages at it.

All three actors do well with what they’re given, especially Tamblyn, who makes an underdeveloped character feel almost real. Unfortunately, writer Adam Chanzit and director Gabriel Cowan don’t give them much. First, the characters are sketches, not multi-dimensional figures. Second, the plot is boilerplate, offering a standard love-triangle, and equally standard reflection on idealism versus pragmatism. Some forced symbolism and a repeated metaphor (a supposedly mystical cave) don’t help either.

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Yet, 3 Nights in the Desert isn’t bad. Sure the opening voice over explains relationship dynamics Chanzit and Cowan would have been wise to show us, and sure nothing here surprises or enlightens, but the actors still capture attention, the occasional music is quite good, and the picture’s pacing (a run time just over eighty minutes) is crisp enough to ensure the narrative never grows stale. Plus, the director and his crew skillfully photograph some gorgeous California scenery.

In the end, do I recommend 3 Nights in the Desert? Not really. But it needn’t be avoided either.

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House of Manson 

House of Manson is a film that chronicles the life of Charles Manson and focuses in on the events leading up to and including the Sharon Tate murders of 1969. Unlike other Charles Manson biopics that focus in on the sex or the over the top nature of the Tate murder, this one focuses in Charles Manson’s influence and connection with his followers, the Manson family as they call themselves.

Charles Manson is portrayed by Minnesota born actor Ryan Kiser, who returns for the second year in a row to Twin Cities Film Fest. Last year Kiser co-starred in the horror film Truth or Dare and this year he brings the fest the world premiere of House of Manson. Kiser approached the character in a very serious tone and does a fantastic job conveying the crazy yet brilliant way Charles Manson was able to draw followers into his cult.

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Devanny Pinn co-stars as one of Manson’s followers Susan Atkins and gives a chilling performance as her screen presence is freaky. Pinn truly becomes Atkins on screen as the facial reactions make you think this women is completely off her rocker and has no moral compass at all.  An overall amazing performance by Pinn.

This film does suffer from some technical flaws as the sound isn’t completely smoothed and could use some more attention by a sound mixer. The filmmakers even admitted in a Q&A following the world premiere that some of the sound transitions were going to need to be looked at. The film also has a saturated look that doesn’t look completely intentional. The image doesn’t pop off the screen as some movies do that have a more crisp and sharp look to it.

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Overall, the film is a great portrayal of the events surrounding the infamous Charles Manson. It doesn’t get too crude or violent as previous films about the same subject matter, it takes the source material as it is and conveys the story in a very tasteful matter. With a great cast and direction by Brandon Slagle, House of Manson is definitely worth checking out when it later finds distribution.

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Stay tuned for reviews from Day 4!


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Individual tickets are on sale now at twincitiesfilmfest.org


Have you seen any of these films? What did you think?

TCFF 2014 Day 2 – Interview with Haley Lu Richardson

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One of my fave parts of blogging for TCFF is the opportunity to meet talents whose films are playing at the film fest. Most especially when you meet someone as talented, vivacious and gracious as Haley Lu Richardson.

She has two VERY different films, one is an apocalyptic thriller, The Well, and the other is a teen pregnancy comedy, The Young Kieslowski. That alone is a major accomplishment, but even more so the fact that The Well is her feature film debut. Now, I have seen the latter and no doubt the 19-year-old is a talented young actress poised for stardom.

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Haley in The Well and The Young Kieslowski

Screen charisma is not something an actor can really train for and Haley’s got that in spades. What impresses me most is her versatility, which is what every good actor should have in their arsenal. So check out how Haley got her start and what role she’d like to tackle on next.


FCInterviewBannerI arrived about 10 min early and she was already there as her previous interview got done early. Even at 9:30 in the morning, she’s already looking fresh and bubbly that I immediately feel comfortable chatting with you. I knew it’d be a fun interview, but of course life is not complete without snafus once in a while right? Well, I might’ve had too much fun chatting with her that for whatever reason, either I didn’t turn on my iPhone recorder properly or I accidentally deleted our conversation but that’s what happened. Ah well, so I had to do my best transcribing from my notes and memory 😉

Q: So Haley, ow did you get into acting?

A: I grew up in Phoenix, Arizona, got into competitive dancing and was into that for a while. [per IMDb, She was a member of Cannedy Performing Arts competitive dance company for 8 years and has won prestigious titles such as ‘National Dancer of the Year” and the ‘Peoples Choice Award’ at the Young Artist’s competition.] And with dancing, there’s a bit of emoting required as you’re performing, which makes me think about going into acting. So I had a long talk with my parents over the dinner table. I even made a Powerpoint citing the pros and cons about going into the acting business, etc. Fortunately they’re quite supportive and in 2011, my mother and I moved to LA so I could pursue acting. I was also lucky that I was able to secure an agent that got me into some projects. I did a TV movie called Christmas Twister and a few TV projects before I got the chance to audition for The Well.

Q: How was that audition process go for The Well?

A: Normally the audition goes through casting agents and/or through a talent agency but at the time I was so hungry for work that I submitted my tape to an online casting site and though they normally don’t go that route in finding talents, somehow they found me.

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Q: Your character Kendal rarely says what she’s thinking. She is a doer, not a talker. How do you come to approach that kind of character?

Tom [Director Thomas S. Hammock] and Jacob [writer Jacob Forman] and I had a long chat about the story and character, they really took the time to help me get into Kendal’s head. Plus the setting in a barren landscape of the Mojave Desert [about 4 hours north of LA] looks like a real dystopian place so that definitely helps me get into the mindset of a girl trying to survive.

Q: How much training did you do for the action sequences, was that hard to get to do all the fight scenes? 

Yes, it was pretty intense. I had never held a gun before in my life and it’s really quite scary. I had to practice in the shooting range and even though you’re shooting blanks, I’m still fully aware what a dangerous weapon it was. It’s also quite heavy and I had to shoot several rounds. Whenever I’m walking around though, I usually just carry the plastic thing, but when I’m filming a scene, I had to use a real gun with blanks.

Q: There have been several dystopian young adult movies produced over the last several years. Apart from The Well doubling as a revenge tale, what did you do to make sure The Well was different from the other projects?

I think there are definitely similarities in that movies like Hunger Games, Divergent, etc. deal with a young person being put into a situation where they have to fend for themselves. But I’d say that The Well is a quieter movie. There’s not non-stop action or explosions, but a lot of time for the character to reflect on things and the music is also understated to help set the mood. I think it’s a more intimate and even personal film, as it’s more about Kendal’s journey and how she must protect the last remaining well in order for her to survive

Q: Now moving on to your second film The Young Kieslowski, how did you get this part, did you have to audition for the role of Leslie Mallard also?

Fortunately, the same producer [Seth Caplan] that did The Well offered me the part as I was working on that film. And since the stories are so different, that appealed to me. I then met with the writer/director Kerem Sanga and he agreed to cast me, so that was great! Then it took some time for us to cast the role of Brian Kieslowski so it’s cool to be on the other side, the fact that I was already cast. So I had to read with these other actors. I don’t think I had much say in the casting of Brian but I think we knew early on Ryan Malgarini was perfect for the part. He had the right look, down to his hair and everything.

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Q: The Young Kieslowski is centered on Ryan Malagrini’s character, Brian. You are given significantly less screen time. Yet, you make Leslie as multi-dimensional as the male protagonist. What did you focus on doing as you played Leslie?

If I think too much about a certain character then I think it would screw me up. I don’t know that I’ve ever totally become someone else I’m playing, there’s always a bit of me in that character, even if I had never been in her situation, y’know, I never went to college nor have I ever been pregnant. It’s a pretty emotionally challenging role but I just tried to imagine what it’d be like being in her shoes, having to grow up faster than normal given the circumstances. 

The story is actually a personal one for [director] Kerem as his parents had him and his twin brother in college. So he definitely helps me a lot in processing the story and what he wants out of the character.

[SPOILER ALERT]

Q: How was filming that childbirth scene like? Were you nervous about filming that?

No actually that’s one of the main reasons I signed on to do this film. I saw it as kind of a challenge, wow I got to give birth! My parents and I actually watched all these real childbirth videos for research. Filming the scene itself was also a lot of fun to do. The woman who was helping me in the delivery room was actually a pediatrician so she helped me figure out what to do. My voice was gone by the end of filming as I was screaming so much, but it was a lot of fun filming that scene. 

One of the most challenging part is actually wearing the pregnancy suit as they weigh it to make sure it looks realistic. It was really heavy and Kerem had me go up and down the stairs so I get the wobbly walk right and everything.

Q: Ok, last question, but I’m curious that now that you’ve done a futuristic dystopian thriller, a drama and comedy, so what genre or certain role are you interested in tackling next?

A: I like stories that felt real, playing someone you can relate to. So not something too out of this world or improbable. I’d love to play a drug addict, a transformative role that I can really sink my teeth into. 

 


 Check out Haley’s Films at TCFF

The Well

Sat Oct. 18th, 8:30pm


The Young Kieslowski

Sun, Oct. 19th, 3:00pm


Thanks so much for taking the time to chat with me, Haley.
I wish you all the best in your career!

RuthHaley


Hope you enjoyed the interview. Stay tuned for Day 2 reviews tomorrow!

Gearing up for Twin Cities Film Fest 2014 – Indie & Documentary Spotlights + Meet the talents in attendance

Finally! Twin Cities Film Fest (TCFF) is coming tomorrow!! In the next 10 days, movie lovers in Twin Cities and beyond rejoice as TCFF features nearly 80 films, with a fun mix of highly-anticipated studio releases, with a bunch of indie films of various genres, some with homegrown Minnesota flavors! I’m glad TCFF has made a home in Kerasotes ShowPlace ICON Theatres in St. Louis Park, which has been my cinema of choice for the past few years!

TCFF2014posterI have highlighted some of the lineup in this post, including documentaries and short films, broken down by themes in a block of a half dozen or so. There are still many more films I want to highlight, but before that, I’d like to draw your attention to TCFF Membership ….

At Twin Cities Film Fest, members enjoy several events per year that benefit both film lovers and filmmakers alike. The following benefits are available to all members beginning at just $100/year, which you can write off your tax as our organization is a 501(c)3 non profit. There are LOADS of benefits listed here, but I think the best one is the fact that TCFF members will enjoy year around programming with free screenings for members +1 guest. I mean, that alone makes your membership practically pays for itself.

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Great News! The Pohlad Family Foundation has offered a 1 to 1 match for all new TCFF Memberships! Yep, That means they will donate $100 for every new $100 Membership. TCFF Members receive exclusive benefits – like discounted tickets and festival passes in addition to  Members-Only Screenings and special offers from TCFF Sponsors.

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FULL SCHEDULE is now online as well, click the image below to download a handy schedule in PDF format.

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In addition to screening films, Twin Cities Film Fest also have a bunch of great panels where you get to meet and learn from filmmakers and actors in attendance. Here are just a sampling of the actors who’ll take part in the Red Carpet festivities, check out this Red Carpet schedule, and some would also take part in the Actor Panel.

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Saturday, October 18th, 4-5pm ICON Theatre Lobby

The workshop will include working actors with films screening at the 2014 Twin Cities Film Fest.  They will discuss their journey, training, projects, and the ups and downs of establishing and maintaining an acting career in both film and television.

Panelists include:

  • Haley Lu Richardson – Lead Role in The Well and The Young Kieslowski
  • Sean Maher – Lead Role in BFFs
  • Ryan Kiser – Lead Role in The House of Manson
  • Marisa Coughlan – Moderator, Space Station 76, Freddie Got Fingered, Super Troopers

TCFF14BannerI hope you’ll stop by FlixChatter in the next couple of weeks as a team of bloggers bring you TCFF coverage. I’ll be interviewing some of the talents, starting with Haley Lu Richardson on Friday AM. So stay tuned! 😀


Indie Spotlights

On top of the studio releases such as Men, Women & Children, The Imitation Game and Wild, there are a boatload of intriguing indie narratives you absolutely should check out! I’ve highlighted seven of them already [you can see all the trailers here], but there are so many more, starting with this latest addition:

Laggies (Sat, Oct. 25th, 3:00pm)

Director: Lynn Shelton
Cast:
Keira Knightly, Chloe Grace Moretz and Sam Rockell

In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.

Big Significant Things (10/17 – 3:00pm, 10/24 – 2:30pm)

Director: Bryan Reisberg
Cast: Harry Lloyd, Krista Kosonen, Sylvia Grace Crim

A week before they move across the country together, Craig lies to his girlfriend in order to go on his first road trip — to the south. Alone.

Old Fashioned (10/18 – 2:00pm, 10/22 – 4:30pm)

Director: Rik Swartzwelder
Cast:
Rik Swartzwelder, Elizabeth Roberts, LeJon Woods

A former frat boy and a free-spirited woman together attempt the impossible: an “old-fashioned” courtship in contemporary America.


BFFs (Sat, 10/18 – 6:00pm)

Director: Andrew Putschoegl
Cast:
Tara Karsian, Andrea Grano, Sean Maher, Larisa Oleynik

Kat and Samantha have been best friends for years. Kat is given a couples weekend workshop as a birthday gift by her mother (never mind that her relationship with her ex-boyfriend has been over for six months). Samantha never seems to have a problem finding men to date -they just never seem to last. Samantha convinces Kat to take advantage of the idyllic retreat by pretending to be lovers – how hard could it be? They expect some down time by the pool and maybe a few good stories to bring home with them. What they don’t expect is to get immersed in a world where they are surrounded by couples who are fighting to keep their relationships strong, and by default, make Samantha and Kat face their own shortcomings as they find themselves having to work on their relationship that isn’t really a relationship.

 

The Young Kieslowski (Sun, 10/19 – 3:00pm)

Director: Kerem Sanga
Cast: Ryan Malgarini, Haley Lu Richardson, Joshua Malina

Audience Award Winner, Los Angeles Film Festival: Grand romantic gestures need not apply in this comedic tale of star-crossed young love. Instead, freshman Brian Kieslowski displays endless reserves of bumbling awkwardness as he goes home with a girl for the first time… and then learns that he got her pregnant… with twins… all while she’s going through a rather inconvenient Christianity phase. Could it be that being the good guy and doing what’s right are two very different things? With writer/director Kerem Sanga presenting a seriocomic gauntlet for them to negotiate, Ryan Malgarini and Haley Lu Richardson deliver delightfully nimble performances, hitting all the right off-notes as two kids in just over their heads, whose luck seems as bad as their instincts. The fates may have conspired to prematurely drag them into adulthood, but they intend on going kicking and screaming.

Wild Canaries (Sun, 10/19 – 6:00pm)

Director: Lawrence Michael Levine
Cast: Lawrence Michael Levine, Sophia Takal, Alia Shawkat

A Brooklyn couple suspects foul play when their rent controlled neighbor suddenly drops dead.


Solitude (Tues, 10/21 – 8:45pm)

Director: Taylor Scott Olson and Livingston Oden
Cast: 
Armin Habibovich, Victoria LaChelle, Brent Latchaw, Alex Cotant, Glen Stone, Kelly Lavasseur, Amy Correll

After his mothers death, James Erikson discovers an old storage locker she had, that is filled with journals and newspapers of his family’s history. As he researches it, he finds out about the evil that his family has tried to contain for several generations.

 

Comet (Wed, 10/22 7:00pm)

Director: Sam Esmail
Cast: Emmy Rossum, Justin Long

Set in a parallel universe, Comet bounces back and forth over the course of an unlikely but perfectly paired couples six-year relationship.

No trailer available but here’s Emmy’s interview at LA Film Festival:


Ink & Steel (Sat, 10/25 – 5:30pm)

Director: Jonathan Ehlers and Patrick Ward-Perkins
Cast: Marc Basch, Jason Beckmann, Dennis Blazek, Molly Ryman

In this upstate New York drama, when a turf war engulfs the city, aging mob enforcer Michael retrieves the Don’s troubled son from his college partying. After they survive an attempted hit on the road home, Michael seeks refuge at a rural farm, imposing on a single mother and her teenage son living there. As violence escalates in the city, Michael is ordered to wait it out, keeping the boss’ son safe while coexisting as unwelcome house guests. But, when dark pasts threaten to collide, Michael, a man more comfortable solving problems with force, must find a way to keep the peace, and decide if he should break the Don’s son free of the cycle of violence which has haunted the family for generations.


Documentaries Spotlights

I always catch some intriguing docs during film festivals and this year is no different. I’ve mentioned three documentaries I’m planning to see, here are two more exciting ones I’ll be checking out:

Where The Trail Ends (Thurs, 10/23 – 5:00 pm)

Director: Jeremy Grant

“Where the Trail Ends” is a film following the world’s top free-ride mountain bikers as they search for untraveled terrain around the globe, ultimately shaping the future of big mountain free riding. This unparalleled story, told in glorious, gobsmacking high-definition, documents man’s challenge of mother nature and himself showcased through a cast of colorful characters. One of the most ambitious extreme sports documentaries ever attempted.

 

Kumiko: The Treasure Hunter (Thurs, 10/23 – 8:30pm)

Director: David Zellner
Cast: Rinko Kikuchi, Nobuyuki Katsube, Shirley Venard

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Kumiko lives in a cluttered, cramped apartment in Tokyo with her pet rabbit, Bunzo. She works as an office lady, robotically preparing tea and fetching dry cleaning for her nitpicky boss. But on her own time, she obsessively watches a well-known American film on a weathered VHS tape. Rewinding and fast-forwarding repeatedly, she meticulously maps out where a briefcase of castaway loot is buried within the fictional film. After hours of intense research—convinced that her destiny depends on finding the money—Kumiko heads to the United States and into the harsh Minnesota winter to search for it.

[No trailer available yet]

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Meet the TCFF Bloggers!

Both Sarah and Adam are back to contribute reviews for you dear readers. Feel free to peruse the TCFF Archive page to read some of the films they’ve reviewed here, including We Are What We Are and The Liability starring Tim Roth.

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And look who’s the new kid on the block this year! It’s Josh from JJames Reviews who’ve been long absent from the blogosphere [we miss you man!]. Well, he’s helping me review a whole bunch of indie films this year, woo hoo!

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And of course, yours truly 😉

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TCFF’s Silver, Gold & Platinum Passes are now available!

TCFFPasses(Silver and Gold Packages do not include Opening or Closing Tickets).

GET THEM EARLY
(while supplies last)

TCFFtickets

Individual tickets are on sale now at twincitiesfilmfest.org

2014 Ticket Prices are as follows:
General Admission $10; Opening Gala $25 (proceeds going to local charities); Closing Gala $20.

 


Hope you’ll stop by during FlixChatter’s TCFF coverage!

Twin Cities Film Fest 2014 Lineup is here! See what’s playing on Oct 16-25

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Woo hoo!! Twin Cities Film Fest (TCFF) is less than a month away, showcasing some award-season heavyweights that’s been generating tons of buzz! From October 17 – October 26, Kerasotes ShowPlace ICON at The Shops at West End will be the place to be at for movie fans, I know I’ll be there! TCFF and Renters Warehouse, the official theater sponsor, will feature a total of 40 full-length films and 37 shorts. Filmmaker and talent attendance will be announced in the coming weeks. 

I’m especially thrilled that one of my most-anticipated Fall films will be showing in the second week, I think you’ll know which one it is 😀 Here’s a sampling of the awesome lineup this year, for full showtimes & full info, check out the Films page of the TCFF official site.

Feature Films

Men, Women & Children (Thurs 10/16)

Director: Jason Reitman
Cast:  Emma Thompson, Jennifer Garner, Rosemary DeWitt, Judy Greer, Ansel Egort, Adam Sandler

MenWomenChildrenA group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communication, their self-image, and their love lives.

This one definitely looks intriguing and what a great cast! Ok so I never in a million years thought I’d see Emma Thompson and Adam Sandler in a movie together, ahah. But hey maybe in a more serious role, Sandler could be bearable. The premise reminds me a bit of Disconnect which I saw last year, but hopefully not as bleak.

The Imitation Game (Fri, 10/24)

Director: Morten Tyldum
Cast:
Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Allen Leech

ImitationGameBenedict Cumberbatch stars as Alan Turing, the genius British mathematician, logician, cryptologist and computer scientist who led the charge to crack the German Enigma Code that helped the Allies win WWII. Turing went on to assist with the development of computers at the University of Manchester after the war, but was prosecuted by the UK government in 1952 for homosexual acts which the country deemed illegal.

I’m beyond thrilled to see we’ve got this film! As you know it’s on my most-anticipated Fall movies list, and the film’s been getting a ton of buzz lately. Seems like a shoo-in for the awards race from this year. I LOVE the cast [obviously] and it’s such an intriguing and important film, so I’m glad it’ll have a regional premiere at TCFF before it opens in November!
……

Wild (Sat, 10/25)

Director: Jean-Marc Vallée
Cast:
Reese Witherspoon, Laura Dern, Gabby Hoffman

WildMovieA self-destructive woman (Witherspoon) attempts to leave behind her years of drug abuse and reckless sex with a solo, 1,000-mile hike along the Pacific Crest Trail, in this adaptation of Minnesota-native Cheryl Strayed’s best-selling memoir from director Jean-Marc Vallée (“Dallas Buyers Club”).

Given the success of Dallas Buyers Club last year, naturally people are curious if Vallee can continue his critical streak with this one. The premise doesn’t immediately grab me but when handled well, stories like this can be quite powerful.


Indie Narratives

There are a plethora of indie films this year, more than a dozen to be exact. There are a variety of genres featuring new and familiar faces. There’s even a directorial debut from Courtney Cox. Here are just a select few that piqued my interest:

The Last Time You Had Fun (10/17 & 10/24)

Director: Mo Perkins
Cast: 
Kyle Bornheimer, Eliza Coupe, Mary Elizabeth Ellis

When Clark and Will meet Alison and Ida in a wine bar, the foursome struggle to have the most fun that four, bickering, barely married, pre-middle-aged, decidedly dysfunctional adults are capable of having.

The Well (10/18 & 10/22)

Director: Thomas S. Hammock
Cast: 
Haley Lu Richardson, Booboo Stewart, Max Charles

At the edge of a barren valley, all that remains of the Wallace Farm for Wayward Youth is a few hollowed-out husks of buildings and the memories of Kendal, a seventeen-year-old girl who can barely recall when the valley was lush. It’s been a decade since the last rainfall, and society at large has dried up and blown away. Only Kendal and a few others remain, barely scraping by while dreaming of escape. When a gang leader named Carson lays claim to what little precious water remains underground, Kendal must decide whether to run and hide or bravely fight for what little she has left in this post-apocalyptic thriller. 

3 Nights in the Desert (Sat, 10/18)

Director: Gabriel Cowan
Cast:
Wes Bentley, Vincent Piazza, Amber Tamblyn

At a remote desert property, three estranged friends and former bandmates reunite to celebrate turning thirty. Travis, the wild man of the group, obsesses over producing revolutionary new music. So he has a plan in mind for his two friends: Barry, now a married lawyer, and Anna,back from years in Asia as a budding solo act. Travis leads his friends to a cave, promising that if they enter, it has the power to give them what they need. Barry and Anna laugh off Travis, still the mythmaker of the crew, but over the weekend unsettling desires rise to the surface. Soon the friends begin to wonder if it’s the power of suggestion that affects them or if the cave has a real power to threaten all they hold to be true.

House of Mansion (Sat, 10/18)

Director: Brandon Slagle
Cast: Ryan Kiser, Reid Warner, Chriss Anglin, Devanny Pinn, Tristan Risk, Suzi Lorraine

House of Mansion chronicles Charles Manson’s life from childhood up until his arrest following the raid on Barker Ranch months after the infamous Tate/LaBianca murders that sent a shockwave not just through Los Angeles, but throughout the entire world.

The Heart Machine (10/18 & 10/24)

Director: Zachary Wigon
Cast: 
John Gallagher Jr., Kate Lyn Sheil, David Call

This modern mystery tells the story of Cody (John Gallagher Jr., from TV’s “The Newsroom”) and Virginia, who start talking while he is in Brooklyn and she is in Berlin. It is a romance that could only happen online, and they’re happy together, though they’ve never physically met. Once Cody becomes suspicious that Virginia may not be in Berlin at all, he becomes obsessed with finding the truth. Tracking two parallel journeys that show how technology complicates modern love, “The Heart Machine” explores the evolving relationships among physical and emotional intimacy, isolation in the urban hive, and the seduction of hiding behind a screen.


Time Lapse (Sat, 10/25)

Director: Bradley King
Cast: 
Danielle Panabaker, Matt O’Leary, George Finn

Three friends discover a mysterious machine that takes pictures 24hrs into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.

 

Just Before I Go* (Fri, 10/19)

Director: Courtney Cox
Cast: Seann William Scott, Kate Walsh, Olivia Thirby

Starring Minnesotan Seann William Scott, Directing debut of actress Courtney Cox. The story focuses on Ted, a man who decides to end his mediocre life. But before doing so, he returns to his home- town to revisit the demons of his past: the cruel school teacher; the relentless bully; the girl who got away. While staying with his brother and his dysfunctional family, he makes an unexpected connection with a girl who decides to document his last few days. A motley cast of characters helps Ted realize that life is complicated for everyone and the memories of the past can be reinterpreted.

* No trailer yet, so I will add that as soon as I have it


Documentaries

I always catch some intriguing docs during film festivals and this year is no different. I LOVE documentaries as they immerse you in a world that are often so different from your own. You’re likely entertained whilst you learn and experience something that’d make a lasting impression.

Hunger in America (10/22)

Minnesota filmmakers will again be featured among award contenders, including 2014 TCFF Centerpiece film Hunger in America, a powerful documentary tackling the hunger epidemic in the US. The film’s produced by Minneapolis’ own Tim VandeSteeg and narrated by James Denton. VandeSteeg and Denton will appear at the special benefit with partial proceeds being donated to ­­­­the St. Louis Park Foodshelf, an organization battling hunger in the Twin Cities Community. 

 

Stray Dog (10/20 & 10/23)

From the director of “Winter’s Bone” — Ron “Stray Dog” Hall lives in Southern Missouri where he owns and operates the At Ease RV Park. After seven years of living with four small dogs as his only companions, he is adjusting to life with his wife, Alicia, who is newly arrived from Mexico. Anchored by his small dogs and big bikes, Stray Dog seeks to strike a balance between his commitment to his family, neighbors, biker brotherhood, and fellow veterans. As part of the legacy of fighting in the Vietnam War, he wrestles with the everlasting puzzle of conscience, remorse, and forgiveness. With Stray Dog as our guide, we experience the restlessness of ex-warriors as he tries to make peace with what he can’t change and weathers the incomprehension of those who have never been to war.

 

Flying Paper (Mon, Oct 22)

Flying Paper is the uplifting story of Palestinian children in Gaza engaged in the fascinating culture of kite making and flying.

The film follows Musa, a charismatic teenaged kite-maker in the village of Seifa, and Abeer an aspiring young journalist in the Jabalya refugee camp. They join a remarkable quest, along with thousands of other children, to shatter the Guinness World Record for the most kites ever flown.

It showcases the creative resilience of these children making and flying kites despite the difficult realities they face in their daily lives. The film has been co-produced with young Palestinians in Gaza trained by the filmmakers through a youth media program called Voices Beyond Walls. Through the perspective of children and young people comes a story of determination and artistic expression as the youth in the film work together to achieve a shared goal.

 …


Shorts Block

I think it’s cool that TCFF gives a venue for shorts filmmaker to showcase their work. I saw a bunch of great ones last year, including one from Conor Holt who’s now part of TCFF staff called A Better Life. The short films are offered in a block of a half dozen or so, grouped together based on its themes.

WomenInChargeShortsWomen in Charge (Sat, 10/25)

Run Time: 77 Minutes
We celebrate the advancement and impact of women in this eclectic group of narrative shorts. All of these films in Women in Charge block are either produced or directed by a woman, have a strong lead female character, or both. Whether it’s a clever romance, ageless love, mystery, or a kick ass heroin, you’ll enjoy this diverse journey lead by women. Films Include:

Apartment 3
Carrot Cake
Run
The Contractor
Zugzwang
Inconscious
Beyond Surveillance
Escape

LoveLustLossShorts

Lust, Love and Lost (Fri, 10/24) 

From the first sparks of attraction to the depths of a long term relationship, Lust, Love, and Loss short block examines the complexities of the significant relationships in our lives with both ourselves and with others. How do we grieve? What is the truth? How often should a couple have sex? Films include:

Destroyer
Evergreen
How ‘Bout Now?!
The Cat’s Cradle
North
Sad Clown
What Cheer?

 


TCFF’s Silver, Gold & Platinum Passes are now available!

TCFFtickets

Silver $50 for 6 films; Gold $70 for 10 films; or Platinum $120 for 12 films + 2 tickets to Opening or Closing; Documentary Pass $45 for 8 select films; Gala Pass $80 for a 5 pack of tickets to one gala film of choice (Silver and Gold Packages do not include Opening or Closing Tickets).

GET THEM EARLY
(while supplies last)

Individual tickets will go on-sale at twincitiesfilmfest.org beginning October 3.

2014 Ticket Prices are as follows:  General Admission $10; Opening Gala $25 (proceeds going to local charities); Closing Gala $20.


What do you think of TCFF’s 2014 lineup folks? Any one of these on your must-see list?