Everybody’s Chattin’ + John Wick: Chapter 2 trailer

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Happy Tuesday, or if you’re an eternal optimist, happy-three-more-days-until-Friday! 😀 My hand is still not well yet, apparently it’s NOT Rheumatoid Arthritis, it’s something w/ a fancy name: Extensor Tenosynovitis. Heh, it’s really annoying, I have to wear a splint daily which makes typing a chore. I might have to do MRI in a couple of weeks if it’s still not better by then.

In any case, it’s time for some community links… so here we go!

Ahhh I love Autumn… it’s my fave season. That’s why I LOVE Alex‘s latest quiz post

Michael reviewed the classic Hitchcock Strangers On A Train

… whilst Keith just reviewed the New Zealand comedy I can’t wait to watch: Hunt for the Wilderpeople

A new blog I recently discovered, The Double Take, just reviewed Deepwater Horizon

Jenna & Allie reviewed Bridget Jones’ Baby which I also enjoyed (my review should be up later this week!)

The latest HBO show Westworld has got everyone talking, check out Margaret‘s recap of episode 2 (we’re gonna binge on it in November when most of the episodes are available!)

Speaking of TV, Getter just posted about The Fall season 3.

Since it is Halloween month, lots of sites are dedicating a month of horror…

Dell just reviewed Scouts Guide to Zombie Apocalypse which actually sounds like a hoot…

… and Steven just reviewed Bride of Frankenstein


Now on to the sequel I can’t wait to see…

Though generally I prefer new, original stories, once in a while came a movie so fun I can’t help wishing for a sequel. Well, John Wick is such a movie and it seems that people are quite um, taken by this action franchise as there’s reportedly John Wick 3 in the works even as the first trailer just dropped!

Well, you don’t mess with Keanu, the seemingly meek and mild-mannered man who can spontaneously combust whenever his beloved dog is threatened. The trailer promises even more action and Keanu being as lethal as well as bulletproof as Neo! We’ve got the same director, Chad Stahelski, as the first one, and the movie looks just as stylish done on a modest budget (reportedly the first film was done for only $20 mil). Oh and speaking of The Matrix, gotta love the Neo + Morpheus reunion w/ Laurence Fishburne, woo hoo!

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I love the teaser poster of the hero being measured for a suit. Per HitFix, Keanu told the New York Comic-con crowd that “I really liked putting this suit back on and doing what John Wick gets to do… He’s a guy that’s really fighting to be free.” He’s just so perfect for the role and he makes John Wick so watchable!

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The Rome scenery looks gorgeous too. Not quite a Roman Holiday though… no rest for the wicked I suppose. Well let’s hope John gets a bit of some relaxing vacation in the Eternal city before all hell break loose and he puts an end to his enemies’ dream of an eternal life on this earth.

John Wick Chapter 2 is out a day before my birthday on February 10, so hey, nice to see something exciting released in the *dead months* of Winter!

 


What do you think of the John Wick 2 trailer? Are you as psyched as I am? 

Question of the Week: What’s your favorite sophomore directorial films?

Since I just posted a review of Ralph Fiennes’ second film that he directed, The Invisible Woman, I thought I’d turn the focus on other sophomore directorial efforts over the years.

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Interestingly, as I was working on this post, I came across this article that talks about the slump of directorial sophomore efforts in 2013. The article argues that a lot of the second films released this year didn’t live up to the director’s debut. The first thing that came to mind for me was Neill Blomkamp’s Elysium, which I thought was just ok, but a downgrade from the excellent District 9. On that list, the writer listed some less-than-stellar second films, but one thing that surely is even better than his first (The Company Men, which I actually like) is John Well’s August, Osage County. Another sophomore film that’s released this year is Oblivion, now I think the sci-fi actioner slightly better than Joseph Kosinski’s sleek–but–disappointing debut TRON: Legacy.

Now, over the years, there have been a ton of great sophomore films that not only beat the director’s first film, but has become a classic in its respective genres. Many of the films pictured above fit that category, some have become my personal favorites. It astounds me what those filmmakers have achieved with their second film, as the level of proficiency makes it seem as though these directors have been making movies for years! Some of these films also launched the filmmakers’ career, proving that they’re a force to be reckoned with. In fact, the likes of Tarantino, Fincher, Cameron, Nolan, etc. have now become cinematic icons in their own right. Now, I don’t know much about sophomore efforts from classic directors, so perhaps you can enlighten me of some of those I should check out?


So folks, I’d love to know which sophomore directorial films are YOUR favorites? Surely you have more than one, so feel free to make a list if you’re so inclined.

Birthday Tribute: Top 5 Favorite Keanu Reeves’ Roles & Trailer Spotlight: 47 Ronin

Today is Keanu Reeves’ Birthday and I almost missed it! Can you believe it he’s 49 years old?? He’s nearing 50 but he doesn’t look a day over 35!

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Keanu in Point Break (1991) and this year at Cannes

Keanu Charles Reeves was born in Beirut on September 2, 1864 in Beirut, Lebanon. His father is Hawaiian Chinese and his mother English, his first name means “cool breeze over the mountains” in Hawaiian. My pal and fellow Keanu fan Mark and I sometimes call him Chuck 🙂 Keanu strikes me as the type of actors who aren’t in it for the fame or money. He seems like a nice guy in real life too. Perhaps you’ve seen this video of him giving his seat to a woman on the subway that went viral. Dan at Top 10 Films recently posted Top 10 Random Acts Of Kindness From Actors and Keanu came in at number 1 as he donated his lucrative back-end deal for The Matrix franchise to the crew of the films, saying they were the unsung heroes, the ones who made the films so good. He has been quoted as saying, “Money is the last thing I think about. I could live for a few hundred centuries with what I have made already.” WHOA! Now, THAT’s real charity folks, nice to see celebs who actually walk the talk and that is a rarity in ANY industry.

I’ve been a fan of his ever since I saw him in Speed, and though he’s not the most expressive actors out there, he more than makes up for it in screen presence and that inherent movie star quality that an actor can’t really train for. There’s also a certain earnest demeanor about him that makes me root for him instantly, and he’s got that cool factor without appearing smug. Plus, Keanu not only looks good but sounds good as well with his deep, manly voice.

Keanu’s quite a prolific actor, with 70 films/TV projects under his belt since his start in the early 80s. His big break came with Point Break in 1991, but Speed and of course The Matrix made him a household name. I’ve seen just a little over a dozen of his films, both small and big-budgeted films, and though he certainly isn’t going to nab any acting awards, I’ve always enjoyed watching him. I actually own some of his films that I don’t mind seeing over and over again. If I were to rate my top 5 favorite roles, it’d look like this:

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5. Kevin Lomax – The Devil’s Advocate

4. Johnny Utah – Point Break

3. Paul Sutton – A Walk in the Clouds

2. Jack Traven – Speed

1. Neo – The Matrix

Honorable Mentions: John Constantine in Constantine + Shane Falco in The Replacements

I think he’s more versatile than people give him credit for. He’s obviously great as an action hero, but he’s got the sensitivity and vulnerability to play a romantic lead or a down-on-his-luck kind of guy like he did in Henry’s Crime. I haven’t seen the comedy Something’s Gotta Give and The Private Lives of Pippa Lee where he had supporting roles, but it proves that he does seek out a variety of roles in his career. He’s also ventured into directing, in the fascinating documentary Side By Side.

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Now, the one film I’ve been anticipating for quite some time is 47 Ronin. I actually mentioned this back in 2010 when I featured its director Carl Rinsch‘s short sci-fi film The Gift which was at one point optioned to be made into a feature film. Besides Keanu, who looks like he’s in his element, I quite like the Japanese cast: Hiroyuki Sanada (who was sadly wasted in The Wolverine) and Pacific Rim‘s Rinko Kikuchi. Check out the trailer:

Here’s the synopsis per EMPIRE:

After a treacherous warlord kills their master and banishes their kind, the leaderless samurai vow to seek vengeance and restore honor to their people. Driven from their homes and dispersed across the land, this band of Ronin must seek the help of Kai (Reeves), a half-breed they once rejected, as they fight their way across a savage world of mythic beasts, shape-shifting witches and wondrous terrors.

Ok, despite the rather blah trailer, I’m still intrigued by this. Visually, it looks pretty cool but let’s hope this won’t be another case of style over substance as we could use a truly epic Samurai movie. Per IMDb, this is the seventh cinematic adaptation of the Japanese folktale of the 47 Ronin, after The 47 Ronin, Chûshingura, Chushingura, The Fall of Ako Castle, 47 Ronin (Japanese film) and The Last Chushingura. But this is the first out of Hollywood. Even though Keanu is a Western actor, his Asian heritage makes him look like he belongs in this film. I haven’t been following it closely but it seems that it’s been in development hell for years with budget and creative differences issues. There were even rumors last year that Universal fired Rinsch as the budget ballooned to $225 mil (from the already massive $175 mil). That’s just ludicrous even for a 3D film, and such a huge risk for the studios to give it to a first-time director!

But hey, you never know, it may still make money. I mean, look at World War Z. We’ll see if this turns out to be a good one. The film comes out on Christmas day, 2013.


So, what’s your favorite Keanu role and what do you think of 47 Ronin?

The Flix List: Pompous Jerks in Cinema

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Having seen many hours of cinematic entertainment, I’ve developed a rather discerning pallet in regard to actors and the various roles they play. And have noted a few here for mass discussion and dissertation. Tough guys. Femme Fatales. Saps. The Superb Louse and the like. There is one classification the has both eluded and annoyed me for some time. To the point where over time, a vast array has been whittled and winnowed down to a mere single digits.

To that end. Allow me to reminisce. And possibly vent while noting with dignified praise.

Pompous Jerks in Cinema:

Everyone has seen at least one example of this variant of this petty annoyance in one film or another. The overbearing boss who has to have things done his way. As with Everet Sloane’s heartless, hard as nails Walter Ramsey in Rod Serling’s Patterns. Or Louis Calhern’s scheming, almost high society bank roller of diamond heists in John Huston’s premiere The Asphalt Jungle. Even William H. Macy’s Vice Principal, and later Principal Wolters in Steven Herek’s Mr. Holland’s Opus comes close but does clear the bar I’ve set quite high.

This time I am skimming the crème de la crème from the top of this petulant June bug of characters. And the actors who proudly wear its mantle of ill timed and impolite words, arguments and actions as a second skin and custom fitted suit. Waving their shortcomings for all to see. Not caring if you wince or not. And sometimes creating a lucrative cottage industry from their less-than-attractive labors.

#3: Joe Pantoliano

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Caught my attention two decades ago as a guest star on NBC’s superb cop show, Hill Street Blues. Where Mr. Pantoliano played a rather sleazy, low level fence paying protection to two dirty cops from another precinct. Forced to wear a wire to entrap the corrupt cops in an intervention that doesn’t end well. Mr. Pantoliano’s resulting beat down and visit to a clinic whining to the Hill’s plain clothes detectives, Washington and LaRue marked this rising upstart as one to watch.

And he didn’t disappoint. Turning in a memorable role as Bail Bondsman, Eddie Moscone. Whose store front business holds the $100, 000 paper (Bail Bond) on Mafia accountant, Charles Grodin’s Jonathan Mardukas in Martin Brest’s Midnight Run, four years later. A laid back, yet born conniver, Eddie has his best bounty hunter, Jack Walsh (Robert De Niro) jump through hoops on a cross country jaunt from New York to L.A. to collect the full sum. Unbeknownst to Walsh. Eddie has also sold the paper to a competing bounty hunter, Marvin. (John Ashton) as the Mafia and FBI strain at the leash to intercede. In one of the best road trip comedies of the 1980s!

A respite of sorts was needed as Mr. Pantoliano honed his oily sleaziness in television as obnoxious grown up street punk, turned informant, Vinne Greco in N.Y.P.D. Blue after making his mark in 1993. As Tommy Lee Jones’ wizard Tech Guy, Cosmo Renfro in The Fugitive. Full of himself, yet constantly seeking vindication from Jones’ Deputy Sam Gerard. Mr. Pantoliano is a wonder to watch as he is constantly, effortlessly put in his place. Only to return for more of the same.

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Leaving Mr. Pantoliano wide open for his role as family flunky, money launderer and never to be right hand man, Caesar. In the Wachowski’s Bound from 1996. Wrapping himself in the robe and garments of pompous jerk-dom, Pantoliano’s Caesar is forever stuck as a central cog in a lucrative machine. With no chance at all of advancement and enjoying the illegal, protected fun that his rival, Johnnie Marzzone (Christopher Meloni. Even more spolied and sleazy!) indulges in as the Boss’s ‘made’ and only son.

An opportunity arrives in the form of $2,000,000 in just laundered cash. Which Caesar wishes to make a gift of to his Boss, Gino. (Noisily played by Richard Sarafian). In the hopes of buying some esteem. While being nervously unaware that his stunningly sexy, clever and loose wife, Violet (Jennifer Tilly. Enough said!) and her ex-con girlfriend, Corky (Gina Gershon. Rarely better!) have other plans for Caesar’s big night.

Boys will be boys. And have their own little formalities and rituals for greetings and drinks and such. And Violet has a rough idea of how long each will take. As Corky finds and steals the Samsonite cased money. Violet watches from a safe distance. As Caesar, already a bit hammered, is asked by Gino to give obnoxious Johnnie the same respect he gives him. Things start heading south in a hurry from there. As arguments ensue, egged on by Johnnie. As words, then fists fly and pistols are drawn. Johnnie is dropped first. Then Gino. And Caesar is left to in a panic to clean up the mess.

Creating another window of opportunity for Mr. Pantoliano to ply his craft in another Wachowski project, The Matrix. As the always wise cracking, constantly under appreciated, treasonous, Cypher. Who knows the inner working of The Matrix intimately, but still has dreams of a much more affluent, better life within it. As he feeds information and plots with the much smarter and glib, Agent Smith. Only to lose it rather messily in the third turn before the big subterranean showdown between Neo and Agent Smith.

Leaving the middle slot open for:

#2: Steve Buscemi

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A long suffering Sensei of Pompous Jerkdom. Who started getting noticed in small roles in King of New York, Miller’s Crossing and Barton Fink. Mr. Buscemi firmly planted his feet into this realm of character as Mr. Pink within the first ten minutes of Quentin Tarantino’s updated, 1992 French New Wave heist gone bad premiere, Reservoir Dogs. Going above and beyond in his ridiculous, roundabout, and verbose refusal to add to the crew’s collected tip for their waitress. Only to finally concede to the crew’s money man and boss (Lawrence Tierney) , Joe Cabot’s demand to “Cough up a buck you cheap bastard.”

Setting the stage for a long day’s journey into darkness. As the proposed diamond heist turns into a shooting galley that sends the crew’s five members scattering in all directions with the police close behind. Buscemi’s Mr. Pink has a close quarters shoot out with two foot patrolmen. Takes a car and gets away with the satchel of diamonds. While novice, Mr. Orange (Tim Roth) and veteran. Mr. White (Harvey Keitel) abandon their getaway car and the recently deceased Mr. Brown (Quentin Tarantino). Make their way on foot. Ambush and blast a responding patrol car in a hail of bullets. Steal another. Only to have Mr. Orange be gut shot for their efforts.

It is in the following passage of time where Mr. Buscemi revels in his character. More than a bit scared and coming off an adrenaline rush. Not really caring as Mr. Orange slowly bleeds out. Comparing notes with Mr. White while trying to figure out what went wrong and why? As Mr. Orange pushes his oily hair away from his face. Continually claiming to be “a professional” while his words and actions reveal otherwise. As a shouting contest become a fist fight and devolves into a pistols drawn standoff before Mr. Blonde (Michael Madsen. Never more psychotic!) makes his entrance. And things start to get really interesting!

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Mr. Buscemi’s next sojourn into the realm of the annoyingly absurd would be under the Coen brothers guidance in Fargo four years later. As three time loser and criminal klutz, Carl Showalter. Who has the bad luck of teaming up with Peter Stormare’s psychotic, homicidal hockey fan, Gaear Grimsrud. While constantly falling prey to rapidly running his mouth while his brain is not engaged. Often in a ‘rat-a-tat-tat’, circling around the point, but never getting to it fashion that would make Jack Lemmon smile. All signs of a damaged schlub who has achieved the zenith of his pitiful existence. Trying to make sense of and hold together a kidnapping gone wrong and collect its ransom. While the light at the end of the tunnel recedes and glows ever dimmer.

A tolerable enough situation. Especially opposite Stromare’s Gaere Grimsrud. Who speaks, if ever; in monosyllabic brevity. Until Carl gets shot in the face and events slowly spiral out of control from there.

Mr. Buscemi’s next drive into the deep end of the pool, as “Map of the Stars Eddie” in John Carpenter’s Escape from L.A. later that year. A role that leans far more towards pomposity than being a jerk. With the former writ large. In that Mr. Buscemi’s Eddie knows every inch of post-quake L.A.. And Kurt Russell’s “Snake” Plissken does not, and needs a road map. Eddie’s inner jerk comes out as well. Oil glazed and adorned in a snap brim fedora and two bit, chili mac pimp shark skin. Giving Snake a verbal, never ending run around the razed L.A. city scape. While constantly scheming to sell Snake to the highest bidder as the clock ticks down.

Setting the table for probably Mr. Buscemi’s most memorable role. As Theodore Donald “Donny” Kerabastos. The annoying third wheel, friend and bowling buddy of Jeff Bridges’ incredibly laid back and and equally unwitting “The Dude” Jeffrey Lebowski. And John Goodman’s noise and bluster, Walter Sobchak. In the Coen brothers’ The Big Lebowski two years later. A masterpiece of mistaken identities. A kidnapping often too convoluted to follow. Low rent, new wave L.A. culture wars. A stolen rug that really tied The Dude’s room together, and of course. Bowling.

Giving Mr. Buscemi’s Donny every opportunity to offer often useless advice. When not inanely questioning everything. While resoundingly being told by Walter to “Shut the f**k up, Donny!” A hapless role, but one given an unique kind of terrier tough dignity for his time on the screen. In a subtle mix of drama, mystery, self medicating musical, surrealism and comedy that bears several viewings to completely understand and appreciate.

Now. Many are probably asking, Who could possibly be a bigger pompous jerk than Joe Pantoliano and Steve Buscemi?!!!” And more than a few may disagree, but that is what this site is for. The polite discussion of film. Its characters and execution. And how those films made their marks.

Okay. Here goes!

#1: Richard Dreyfuss

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First caught my attention in a big way as the insufferably conceited, Thompson-sub-machine-gun-toting gangster, Baby Face Nelson in the John Milius written and directed Dillinger from 1973. A film that for its small budget still has more “Bang for the Buck!” and is more faithful to locations and history than Michael Mann’s recent Public Enemies.

For a relatively wet behind the ears neophyte with some television and meager, walk on film time under his belt. To hold his own and make his character memorable against stalwarts Warren Oates, Ben Johnson and Harry Dean Stanton takes courage and confidence. To pull it off takes talent. And Mr. Dreyfuss does have talent. Which will be explored even further in.

George Lucas’ superbly sound tracked and edited, near documentary, American Graffiti later that same year. Mr. Dreyfuss’ Curt seems oddly out of place and playing younger than the rest of the cast as he rides around with his buddies. Contemplating his future when not falling instantly in love with Candy Clark’s mysterious Marilyn Monroe behind the wheel of a classic White T-Bird hardtop. Or pulling off a rear axle yanking prank on a traffic cop’s patrol car and being initiated into Bo Hopkin’s local gang of street toughs, the “Pharaohs”. When not riding around. Watching “Ozzie & Harriet” through a department store window. Or trying to get together with old flames. Curt’s world is all about Curt. And he lets everyone know it. A constant down beat to a final cruise along the L.A. strip before the uncertainty of growing up in the last days of Camelot. Thankfully, Mr. Dreyfuss had the wisdom to avoid a second trip to the well in More American Graffiti six years later.

In the interim, Mr. Dreyfuss drew attention and credibility to himself in Ted Kotcheff’s The Apprenticeship of Duddy Kravitz. Where his younger son, Duddy tries to make a name for himself through land ownership in post WWII Montreal. Chutzpah replaces innate pomposity in a time where Anti-Semitism was still alive and well. As his anger rises and Duddy lashes out and hurts himself and his family’s standing on more than one occasion. In an intriguing, well detailed film well worth its kudos and awards.

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Though there is still room for pomposity as Robert Shaw’s Quint is added to the mix. And the old sea captain goes out of his way to show Hooper that he is not impressed. On land and on the water.

Which brings Mr. Dreyfuss back under Spielberg’s reins for Close Encounters of the Third Kind. Where his pompous jerk rises to the occasion in a few notable, confrontational scenes with the federal government. Commenting on a photo of The devil’s Tower in Wyoming. “Yeah, I have one in my living room just like it.” Before trying to get some answers from those who have no intention of giving any.

Mr. Dreyfuss’ next project. Herbert Ross and Neil Simon’s collaboration in The Goodbye Girl allows his character, Elliot Garfield to positively revel in being a pompous jerk for about two thirds of the film. Being an out of work, often egotistical New York actor is to many that phrase’s definition. And Mr. Dreyfuss runs beyond the bleachers with it. Turning Marsha Mason’s single mom, Paula McFadden and her precocious daughter, Lucy’s (Quinn Cummings) lives upside down without a moment’s notice. Storming through their small apartment in a continuous monologue that leave Paula and Quinn rattled until questions are asked and answered late into the night.

Things improve only slightly as domesticity is sought. Though never really attained until after what is possibly the worst stage adaptation of Richard III is endured and Elliot hits rock bottom. Pulls his head  from his backside. And decides that things can only get better with time, Paula and Lucy.

I’m going to combine Mr. Dreyfuss’ next two outings. The Competition from 1980. And Whose Life Is It Anyway the following year. Mr. Dreyfuss’ penchant for being a pompous jerk actually works to his benefit in both. In The Competition, his character, Paul Dietrich is a very talented concert pianist who’s approaching the end of the line, career wise. A solid competitor for grant money, who always comes in second or third. With one final chance at greatness. The problem is Amy Irving’s Heidi Schoonover, whose equally, if not slightly better. Mr. Dreyfuss dial both back as he falls in love with Heidi. And it all boils down to two memorable piano movements.

While in John Badham’s Whose Life Is It Anyway, Mr. Dreyfuss plays sculptor Ken Harrison. Who’s paralyzed from the neck down after a tragic car accident. One moment, the world is your oyster. And the next, bedridden and immobile. What else does Mr. Harrison have left in his arsenal besides his mordant, sometimes morbid wit to berate doctors, nurses and pass the time. In a film that was asking questions about life and dignity thirty years ago. That are still being struggled with today. Kudos to Mr. Dreyfuss, Badham and a superlative cast for taking on such a project!

Which brings us to Mr. Dreyfuss’ most recent indulgence in jerky pomposity. His role as political, world events bad guy, Alexander Dunning in RED. Playing a medium-sized fish in a very large pool with gusto and elan. Who thinks he’s more clever, smarter and well-protected from those he’d done wrong than he truly is. Arrogant, conceited and always believing he has the upper hand. Until confronted by Bruce Willis, Morgan Freeman and John Malkovich. Mr. Dreyfuss isn’t on the screen for long, but those moments are golden!

Overall Consensus:

The three actors mentioned have exceptional bodies of work. With Mr. Pantoliano and Mr. Buscemi finding comfortable niches in television. Specifically, HBO’s The Sopranos and Boardwalk Empire. Which does not detract from their abilities in earlier and hopefully future roles to be fascinated and repulsed by their characters and performances. One of the reasons we go to films. To be amused, entertained and sometimes shocked. And these three hold that banner high.

With Mr. Dreyfuss leading the pack in consistently make my eyes roll back as I whispered “Aw, Jeez!” at his occasional blatant audacity. Only to make it something of a trademark to look forward to with the passage of time.


Check out Jack’s profile page and links to his other reviews



Well, what do you think of Jack’s picks of pompous jerks in cinema? Do share your thoughts about this list in the comments.

Flix Blog-a-thon: Double Feature Theater

A few weeks ago, my blog pal Marc from Go, See Talk invited a bunch of us to participate in this fun blog-a-thon called “Double Feature Theater”.

The idea here is that we all get to imagine ourselves as bona fide Theater owners. As such we set up our schedule for a week’s worth of Double Features Monday-Saturday, with a Triple Feature on Sunday. The criteria is completely up to you to pair the movies be it actors, directors, a common theme, original/remake, you name it. Start your post beginning what you’d show on Monday, a sentence or two of why or how they’re related and so on for the rest of your fictitious week.

Truthfully, I rarely go see two movies back to back. The only time I’ve actually seen a Double Feature in a theater was when I was 15 with my mother and one of my brothers on New Year’s Eve (it was the last time I went to the movies with my mother as she passed away six months later). The movies? Tango & Cash and Showdown in Little Tokyo! Yes, my mom was pretty cool indeed 😀 I still smile every time I remember that, I actually don’t recall much from either films, but the experience of going to see them with my mom will always be dear to my heart.

With that in mind, I’m going with a bit of nostalgia them for most of my Double Feature Cinema week. Ready? Here we go…

MONDAY – Comedy


Well, what else could beat the Monday blues but a pair of side-splitting comedies! If you haven’t seen The Gods Must be Crazy yet, then you’re in for a treat! I picked this one as a movie that always makes me laugh meme last year, and once you see the trailer you’ll know why. Top Secret is one of my all time guilty pleasure, this spoof of WII spy movies is a brainless, riotous fun in the vein of Naked Gun and Hot Shots. Val Kilmer is a hoot as a rock ‘n roll singer getting caught in a Resistance scheme, oh and Omar Sharif also had a silly cameo!

TUESDAY – Action

Ok, with work piling up and workload mounting, why not get some release by watching some bombastic shoot-em-up? Both Die Hard and Face/Off have some awesome villains (both Hans Gruber & Castor Troy get a mention on my bad boys list), plus the full-on action with quotable one liners make these two fun to watch back to back.

WEDNESDAY – Science Fiction


These two are considered the top of this genre for good reason. I had recently re-watched The Matrix on Blu-ray and it still delivered that ‘whoa’ moment. The thought-provoking ‘what is reality?’ premise as well as the kick-ass action sequences set the bar for sci-fi action movies since. As for Jurassic Park, it’s definitely in my top 3 favorite Spielberg movies. I can never forget the moment the chopper descended on the island with John Williams’ iconic theme song in the background. I still get goosebumps when John Hammond says with utmost glee, “Welcome to Jurassic Park.”

THURSDAY – Crime Thriller


It might be a bit heavy to watch two of the most intense crime thrillers on the same night. But if you can handle Heat and L.A. Confidential combo, I think it would be one helluva time at the movies! The ensemble cast & performances are top notch here, and so are the plot twists and turns that will get you talking about ’em all over again. I think these two films are the best work from director Michael Mann and Curtis Hanson, respectively.

FRIDAY – Romance


Ahhh… Friday is here. Why not take your dates to see a little… ok, a lot of romance 😀 Both Moulin Rouge! and Somewhere in Time are both period dramas that takes place just a couple of decades apart, both are hopelessly romantic, even if they’re a bit on the dismal side. But hey, you’ve got some wonderful music and gorgeous people falling head over heels in love to keep you spellbound for a few hours, what’s not to love?

SATURDAY – Period Dramas


It wouldn’t be a complete week in my theater without some mesmerizing period dramas. It’s no surprise I adore Sense & Sensibility. It’s one of the movies I love with a passion and one that has a bunch of memorable rain scenes. Throw in the best crop of British cast, including one of my all time favorite Alan Rickman, naturally it’s one that I would always recommend.

The second feature, The Age of Innocence takes all that pent-up passion up a few notches, courtesy of Daniel Day-Lewis and Michelle Pfeiffer’s explosive chemistry. The unrequited love story is heartbreaking, and never has the display of unbridled desire coupled with intense anguish be more bewitching to watch. As if that wasn’t enough, you can also marvel at the gorgeous cinematography, oh and the stunning opening sequence.

TRIPLE FEATURE SUNDAY – Superhero movies

Well, after all that romantic stuff, do you think I gonna let my geeky side go by the wayside? Not a chance! 😀 So for the Triple Feature Sunday, I’ll be featuring three of my favorite superhero movies! Trust me, it’s really hard to narrow it down to just 3. I was going to include the first Superman movie which I think is still the best of the franchise, but I decided to go with Bryan Singer’s X-Men and Chris Nolan’s Batman Begins instead. For the third feature, I figure it might be interesting to combine both the Marvel and DC superhero movies with a film that deconstructs the whole superhero mythology altogether: Unbreakable. I admire M. Night Shyamalan’s original concept, an impressively poignant and nuanced film that delves deep into the basic notion of good vs. evil.


Well, I hope you enjoy what I’ve got playing on my theater for the week. Which day(s) would you be stopping by?