A trio of brand new trailers: FREE FIRE, LIVE BY NIGHT and THE PROMISE

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Yaaaaaaaaaaaaassss!!!

Sorry ehm, now that I got my giddy enthusiasm out of the way… [well just enough so I can actually do a post, ahah]

Well if you’ve visited my blog long enough you’ll know how much I’ve been crushing madly on Sam Riley… and he deserves every bit of my love… and then some. Anyway, today we’ve got three trailers, two of which has two Batmans AND a Scarecrow too 😀

FREE FIRE

Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

I’ve been waiting for this trailer since the day I heard Sam was cast in it… so that was about a year ago! I mentioned it here, can’t believe it’s been four months since we got its first official photo!

Well, today we didn’t just get ONE but TWO Free Fire trailers… the top one is the official UK trailer and below is the RED BAND trailer… more blood

Some lucky folks got to see this at TIFF Midnight Madness last night w/ the cast and crew… yes including my Sam!!


Well, early reviews have been mostly positive!

The main reason I’ve super excited for FREE FIRE is because Sam Riley‘s in it… but of course the cast is amazing! Besides Sam we’ve got Brie Larson, Cillian Murphy, Armie Hammer, Sharlto Copley, Michael Smiley, Jack Reynor, and Noah Taylor.


I know Sam isn’t in the movie much, heck he’s not even mentioned in the trailer (what a travesty), but he’s been mentioned quite a bit in the early reactions of the movie on Twitter!! I have a feeling he isn’t gonna survive in this movie, and neither is many of the cast, but from the reviews sounds like director Ben Wheatley isn’t killing people off so soon. It’s a game of survival so I guess it wouldn’t be fun if everyone dies in the first act, ahah.

People are saying it’s as violent as the promos made it out to be, but also a lot of fun. Nothing like a good sense of humor to break all the tension of a group of trigger-happy gangsters stuck in a warehouse full of guns! There’ll be gunfire alright!


I’ve actually met Jack Reynor once… now if only I could meet Sam one day!!! [I believe I will!] 😉


I hope we get this one on the big screen, no US release date yet but the lucky UK folks will get this in March 2017.


Live By Night

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A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.

Now this one I’m actually surprised to see a trailer so soon! But hey, I love pretty much everything Ben Affleck‘s directed, especially Gone Baby Gone, so I’m excited on that front. Now that he’s Batfleck, I do keep thinking that his gangster character Joe Coughlin looks as if Bruce Wayne’s dark past prior to him finding a conscience and becoming Batman to save his city from gangsters, ahah. It looks intriguing, though I’m not crazy about Scott Eastwood’s casting. I mean everyone else is great… Brendan Gleeson, Chris Cooper, Zoe Saldana, Elle Fanning, etc. I only wish his screen time is small [I didn’t see him in the trailer but that could be my selective perception, ahah]


The Promise

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Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.

Seriously there’s barely ANY buzz on this movie! Aside from that super boring generic title, it’s got Christian Bale AND Oscar Isaac?? Bale is sporting a similar beard as in The Dark Knight Rises for some reason, and Isaac is doing a Turkish accent? Y’know what, I don’t know what to make of this trailer… it’s a love triangle set in the Ottoman Empire… sounds really juicy but somehow the trailer is just… okay. What was the promise in the title? I must’ve missed it in the trailer. Y’know generally I’m always wary of love triangles, it’s prone to clichès and schmaltziness, which is what I detect here too despite those two great actors. Montréal-based actress Charlotte Le Bon plays the woman in the center of the triangle, I’ve just seen her in Anthropoid. I’m not as impressed w/ her there as I was in The Hundred-Foot Journey. Well, I might go to the press screening if there’s one, otherwise more like a rental.


What are your thoughts on any one of these new trailers?

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FlixChatter Review: CHAPPIE (2015)

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Neill Blomkamp burst into Hollywood fame with his film debut District 9, a film that was well-received by both critics and audiences alike; although I’m not a fan of it myself. Then he hit a sophomore slump with Elysium, it wasn’t a great movie but I enjoyed it more than District 9. For his newest outing, he went back to his hometown and made a smaller scale sci-fi action thriller. Unfortunately it’s one of worst movies I’ve seen this year so far.

Set in just a year from now, the city of Johannesburg is control by robotic police force known as Scouts. An opening that’s similar to District 9, a news TV crew is interviewing people at a company that build these robots. One of them is the designer of the Scouts, Deon Wilson (Dev Patel), he’s a very smart engineer who wants to make these robots into more than just policing the streets. He wants to make them more human, after cracking codes on how this could be achieved; he pitched the idea to his boss Michelle Bradley (Sigourney Weaver). She didn’t think it would benefit the company’s interests and refused to finance it. We also get to know Wilson’s rival at the company, Vincent Moore (Hugh Jackman, sporting an awful mullet from the 80s). He’s been trying to get funding for his own robot project but Bradley wouldn’t give him the money because the Scouts are doing fine protecting the city. Later we see the Scouts in action; they got into a shootout with some thugs, two of them turned out to be the main human leads of the movie, South African rappers Ninja and Yolandi. The two thugs and one of their crew members Yankie (Jose Cantillo) were able to escape and we learned that they owe the city’s crime lord lots of money. They came up with a plan of kidnapping the Scouts’ designer Wilson and force him to “turn off” the robots so they can commit their crimes and pay back the crime lord Hippo (the very over acting Brandon Auret).

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Wilson is still upset from the news that his boss won’t finance his new pitch to her, decided to steal one of the Scouts that was inline for decommissioned and take it home to build his more human robot. However on his way home, Ninja’s gang ambushed him. They saw the robot in his van and ordered him to build them a Scout that would help them commit crimes. Wilson agreed but warned them that this new robot is not like the others and it needs to learn things before it can function normally, it’s basically a child and they named it CHAPPIE. For most of the movie, we had to sit through excruciating scenes of Yolandi and Ninja teaching Chappie to become human and act like a thug, I’m not kidding you. The promos for this movie made it appear that it’s about Chappie becoming some sort of savior for the human race but that never happened in the movie.

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I’ve never heard of rappers Ninja and Yolandi (Die Antwoord) and I assume they’re quite popular in South Africa and Europe. Now the only reason why Blomkamp decided to cast them as leads was maybe because he’s a big fan of them, that’s my assumption anyway. They cannot act and I cringed every time they’re on the screen teaching Chappie how to be human. Apparently we’re supposed to care about these thugs even though their plan is to commit crimes in order to pay off their debts. The rival between Wilson and Moore became a subplot and I just don’t care about any of these characters. Sigourney Weaver has now become that once-famous actress whom director will only use sparingly and she’s on the screen for maybe 5 minutes. The main star of course is Chappie, voiced by Sharley Copley and unfortunately he’s quite annoying. We’re supposed to care about his growth of becoming more human but I just didn’t care for any of that.

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The script by Blomkamp and his wife Terri Tatchell was amateurish. They came up with some good ideas but threw all that away by focusing story on thugs teaching Chappie to be human and included too many clichés that we’ve seen many times before. There’s no doubt that Blomkamp knows how to shoot movies, his previous two pictures looked great and this one is no exception. It’s a good example of how good digitally-shot movie could look. But his storytelling skill is questionable, he tried to juggle so many things in this movie and they all just fell flat. I actually wanted to walk out halfway through but I didn’t because I knew there’s going to be a big action scene at the end. Well he delivered in that department, the climatic shootout was well-staged and very exciting but by then I didn’t care about any of the characters and just wanted the movie to end. The only other positive thing I can say about the movie was Hans Zimmer’s pulse-pounding score. As usual his music shines, especially in action scenes. But scores alone can’t save a crappy movie.

I didn’t have any expectations going into this movie because I don’t think Blomkamp is as talented as Hollywood thinks he is and here’s a proof of it. The movie feels like it’s a film student project that he somehow conned a big studio to finance it. It’s a trifecta of bad acting, writing and directing.

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Have you seen Chappie? Well, what did you think?

Weekend Roundup & Review of Disney’s Maleficent

Hi everyone! Hope you had a lovely weekend. Well it’s sort of the calm before the storm as Twin Citians are bracing for the first snow storm of the year. We’re supposed to get anywhere between 6-12 inches, ugh! I ran a bunch of errands today just so I don’t have to go anywhere besides to and from work, though even THAT is gonna be quite an adventure tomorrow.

In any case, well it’s been quite a busy week for me movie-watching wise. Like many of you, I saw Interstellar on Saturday night in the AMC IMAX theatre. I’m still trying to process it, but I’m gonna try to review it this week, along with Big Hero 6. Y’know what, this time I’m agreeing w/ the critics in placing the Disney animated feature ahead of Christopher Nolan’s big space drama (91% for Big Hero Six vs 73% for Interstellar)

Friday night, my hubby and I opted for a fairy-tale reimagining that we’ve been wanting to see for some time. Boy it took forever for this movie to be available on iTunes, who knows why Disney delayed the rental release for SO long as the movie was released back in May. So here’s my review:

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As a huge fan of Sleeping Beauty, which is my favorite Disney fairy tale, I’m curious to see the backstory of Maleficent, which is also one of my fave Disney villains. The twist of the story itself is a hit and miss. I thought that the unlikely relationship between Maleficent and Aurora is interesting and also kind of hilarious. I mean before Maleficent curses Aurora to die on her 16th birthday upon pricking her finger on a spinning wheel, she also confirms one of the three good fairies’ blessing that she will grow in grace and beauty and that she’ll be loved by ALL who meets her. Well I guess that includes Maleficent herself as she can’t help to also grow to love Aurora in the end. Therein lies the issue I have w/ the plot – Maleficent isn’t so much an evil sorceress we expect from the animated version, as she never really did anything evil at all despite her vengeful quest. She’s portrayed more like a victim of the ambitious Stefan who betrays her to become King and he’s definitely the malevolent one in the story.

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That said, there are quite a few enjoyable moments to be had and Angelina Jolie is mesmerizing as Maleficent. I really can’t imagine anyone else in the role and she handles the dramatic as well as the mischievous moments brilliantly. The scene when she discovers her wings are cut off is quite heart-wrenching, but she also seems to be having fun with the more whimsical moments in the movie. The rest of the casting doesn’t fare as well, I’m so baffled why Sam Riley agrees to do the role of Diaval, Maleficent’s shape-shifting crow as it’s such a thankless role. I really thought there’ll be more to that character later on, but it never happened. Seems that all the guys in this movie are either evil or pointless, including Prince Philip, Aurora’s supposed suitor. Sharlto Copley’s plays Stefan with a sheer madness about him, consumed by paranoia and contempt against Maleficent that he seemingly forgot about his own family. I wasn’t crazy w/ Elle Fanning as Aurora, as she’s more cute than beautiful, but I guess they’re going for more an innocent girl so I warm up to her as the movie progresses. Given this is Maleficent’s story, all three gifted actresses (Imelda Staunton, Lesley Manville and Juno Temple) weren’t given much to do here.

The visuals are basically a CGI extravaganza, which is not surprising given first-time director Robert Stromberg worked extensively in the visual effects department most of his career. The flying sequences are great to look at and there are some beautiful scenery and set pieces. That said, I’m still partial to the animated version from 1959 with its hand-drawn illustrations. Even by today’s standards, I’m still in awe how lush and beautiful it is. I like that the movie pays homage to the original in some ways though. Per IMDb, Jolie apparently insisted that the dialogue in Aurora’s christening sequence has to be written word-by-word and based exactly from the original animated film because she feels that it was the main core and setup of the entire film.

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So overall I think this is a decent film if you’re willing to accept the reimagining of the fairy tale classic for what it is. The ending is kind of predictable and the ‘true love’ aspect seems to be borrowing from Frozen from a year before. But if you want to see this for Jolie’s performance as Maleficent, she certainly doesn’t disappoint.

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Have you seen Maleficent, well what did you think?

Weekend Roundup & Europa Report review

It’s a pretty uneventful weekend after a busy one of last. Hubby and I opted for home cinema as I’ve already seen two of this weekend’s new releases: The Monuments Men and The LEGO movie. Click on the title to read my review of it, I actually agree with the critics on both films. It’s no wonder the latter is a big hit at the box office with nearly $70 mil, there’s really no competition for  a family movie and it’s an awesome one for all ages!

I did see two very good older films I’ve missed out on: Europa Report and Pirate Radio [review coming next week]. I saw the latter partly as my attempt to see as many films of Philip Seymour Hoffman that I’ve missed out on. It can’t be more different in terms of tone and subject matter but I quite like both in varying degrees. Here’s my review of …

EUROPA REPORT

An international crew of astronauts undertakes a privately funded mission to search for life on Jupiter’s fourth largest moon called Europa.

EuropaReportPosterThis is not an action-packed kind of sci-fi movie like Elysium, so if you’re expecting that you’re probably not going to like this movie. It does start pretty slow but I quite like the realism style of filmmaking here, making it look more like a documentary that makes it look as if we’re watching real NASA footage. CEO of Europa Ventures Dr. Unger (Embeth Davitz) serves as a *talking head* of sort, explaining what happened with what’s happened in the Europa mission. The narrative switches back and forth between current time and flashback of the team of six astronauts who’re privately funded to explore one of Jupiter’s moons to see if there’s any potential sources of life.

The date on the screen shows that the crew has been on that ship for a long time, as weeks turns to months and even year. It’s fascinating to see the mood shift from the earlier time of the mission to the increasingly-dire time of their last days. There are barely any movie stars on this film, in fact there’s practically no leading role here as the ensemble cast seem to get equal screen time. I’ve loved Sharlto Copley from District-9, and there’s also Swedish actor Michael Nyqvist from the original Dragon Tattoo trilogy, plus Davitz who impressed me in Junebug and Mansfield Park. Those three are the only names I recognized in the film, but they as well as the entire International cast (Daniel Wu, Anamaria Marinca, Christian Camargo, and Karolina Wydra), did a nice job here.

There’s genuine tension throughout, which continues building as the ship lands somewhere and the crew start collecting Europa samples. One by one, each crew member is dealt a nasty blow, and the whole sequence felt all too real. In fact, one of the scenario of two space engineers Copley and Nyqvist, doing repair to the ship look so similar to an early scene in Gravity. This is definitely one of the most suspenseful and heart-wrenching scenes to watch, beautifully-acted by both actors. Props to director Sebastián Cordero for his effort considering this is only his fifth feature film.

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Now, I’d have given this film a higher score if it weren’t for the rather clichéd ending that kind of make me roll my eyes. I was expecting something a bit more um, intelligent and realistic as that’s what the build-up seems to suggest. [SPOILER ALERT – highlight text if you want to read] I think if they’d go with some kind of natural gas/chemical substance that’s native to Europa but toxic to mankind and would also disrupt the ship’s electrical system, it’d have given the story a bit more weight. The whole ALIEN killing machine has been done to death and it makes the finale less impactful somehow.

My hubby said that as if the filmmakers were running out of ideas to end the film and just threw something together at the last minute. It’s a bummer as I think a bit more originality would’ve made this an excellent slow-burn sci-fi thriller. Still, it’s got enough going for it for me to recommend it if you’re a fan of the genre. I appreciate the performances and that it’s made in the true spirit of the sci-fi genre (see Conor’s article on this topic). The production values and effects are pretty good as well for its low budget of $10 mil.

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3 out of 5 reels


What did YOU see this weekend? Any thoughts on Europa Report?

Breaking Emotions Blogathon: HATE + LOVE

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This is the last set of emotions from Mettel Ray‘s BREAKING EMOTIONS blogathon. Check out my entry on the previous two sets of emotions: Tears & Surprise and Smiles & Thrills.

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Here’s what Mettel had in mind about the set of emotions:

Finishing up the emotions are two of the most ultimate emotional states one could imagine, HATE is up first in this case because I wanted the good stuff to be the last thing everybody will read when it comes to the Breaking Emotions Blogathon. It is quite obvious that we all have those scenes that just bring up all the bad feelings and it’s not even awkward, it is just plain bad! Most of my hate is towards romantic comedies but I’m sure there are some serious scenes that have caused some of you some inner turmoil and this is the time and place to let all those emotions run wild.

And the last one, the very last emotion I’m asking you guys to break is LOVE – it doesn’t have to be a scene about love, hell no, it can be a sci-fi scenery, it can be the ending of a drama and yes, it can be a scene from Notebook as well but it’s not mandatory. I’m looking for scenes that you love and adore until the end of time, scenes that just pop up in your mind while walking to the store and are just simply awesome. What are the scenes that you love the most?

Check out Mettel Ray’s post on Breaking Emotions: HATE + LOVE


It should be obvious for posts like these, but just in case, if you haven’t seen any of these, BEWARE OF SPOILERS!

Ok, so here are my picks:

HATE

Schindler’s ListThe Balcony Scene

There are many, many instances where Amon Goeth (played with chilling realism by Ralph Fiennes) does absolutely revolting acts that makes your blood turn cold. But this is one that particularly stands out. The bloated second lieutenant just wakes up and goes to his balcony of his villa in Kraków, he nonchalantly grabs his rifle and starts shooting Jewish people at random, whoever happens to enter his eye-shot.

I so hated Goeth, but more than that, I hated Hitler and the Nazi party for corrupting people to such a degree that they lost their souls. I mean, they’re worse than alien body snatchers (if there were such a thing) as they’re SOUL snatchers, making humans worse than animals.

District 9 –  Test weapon scene

This is one of the most harrowing scene that made me so sad and so angry. I hated that the people at the lab forced Wikus to do this, it’s one of those sci-fi films that REALLY made me abhor the humans in it. I couldn’t bear watching this scene at the theater, and hearing Wikus’ pleading that he doesn’t want to shoot the aliens is so gut-wrenching. If you’ve seen the film, you’ll see the obvious allegory to racism and how the Prawns are treated like second or even third class citizens with nowhere to go. At this point, Wikus’ has been infected with the alien DNA and that’s why he’s the only one who could operate the extra-terrestrial weaponry. So he’s forced to shoot the Prawns who hasn’t done anything wrong. It’s infuriating how quickly the people at the military company turn on their fellow human being as Wikus’ been infected. On top of that, they have no qualms in manipulating him for their own gain. I hated this scene so much and it’s one that lingers with me most after the film’s over.

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Bel Ami – Robert Pattinson’s mis-casting

I’ve already made a post on this a while back on good/bad casting choices of 2012. Well I’m going to mention it again here as I really hated his performance here as R-Patz is so terribly mis-cast. Ok so teeny-boppers may think he’s like THE most beautiful man vampire in the planet in those abhorrent Twilight movies, but seeing him with the likes of the great Kristin Scott Thomas, Uma Thurman, and even Christina Ricci who’s closer to his age just highlights how ill-advised his casting was. On top of that, his character is so utterly unlikable, unsympathetic and just a plain douche bag. Now, a charismatic actor could make me like him or at least enjoy his performance but R-Patz just makes me want to punch him and kick myself for renting this [it’s on Netflix so at least I didn’t have to pay extra for it, but still!].

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The character of George Duroy from Guy de Maupassant’s classic novel is supposed to be seductive and manipulative [which is a juicy role for any actor methinks], but Pattinson’s portrayal is neither, he’s just annoying and lame. I hated what his character did to those women who loved him, but most of all, I just hated his sub-par acting that’s completely devoid of charm.

* I almost put his ex Kristen Stewart’s performance in Twilight and Snow White & The Huntsman on here, but you know what, I think I hated R-Patz’ performance here more. And that speaks volumes!


LOVE

Sleepless in Seattle – Finale

“Are you Annie?”

“Yes.”

“You’re Annie?”

“This is my dad… his name is Sam.”

“Hi Jonah… [sigh] Sam…”

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I only love a handful of rom-coms and three of them are by Nora Ephron. Out of the three, I think Sleepless in Seattle my favorite, one that I can watch over and over. I can easily list all the things I love about this movie, but I’ll save that for Valentine’s Day. I picked this finale as this is the only time the two main protagonists actually meets and oh, what a meeting it was. It was such a satisfying ending to all that build-up throughout the film and it was as perfect as a romantic scene can be filmed without resorting to banal over-sentimentality. It’s got just the right amount of sweetness and plenty of adorable things, such as Sam’s son Jonah grinning ear-to-ear when he realized it’s the woman he wrote his letter to (and when the elevator closes). It’s as much a love story between a man and a woman as it’s a love story for a family, whose tragic loss seems too impossible to recover from. Tom Hanks and Meg Ryan at their loveliest, plus the music is just so enchanting!

Beauty & The Beast – There’s something there

There may be something there that wasn’t there before.

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Since I just talked about Disney movies at the last Five for the Fifth, I wanted to include one that always makes my heart soar. The song is lovely and whimsical, and though it may not be the most memorable one of the entire movie, this scene is just adorable. It always puts a smile on my face every time I think of it [so I guess it would fit under the SMILE Breaking Emotions, too!]. It’s the ultimate unlikely friendship that blossomed into well, something more. You could say that Belle and The Beast are the most developed characters amongst other Disney *princess* movies as you really see the gradual progression of their relationship. The ballroom dance scene is perhaps what people remember most, but I picked this one as there’s an irresistible innocence about it and Belle’s expression as she realizes her feelings for the Beast is wonderful to behold. The scenery, song, etc. all make up for one lovely scene.

Superman: The Movie – Superman rescues Lois scene

I know it’s predictable that I put this on here given how much I loved Superman, but we are talking about a scene that I will love and adore until the end of time, so I can’t possibly exclude this one. Every time the rousing theme plays on as Lois quipped, ‘You’ve got me, who’s got you?’ I can’t help feeling nostalgic and giddy as the first time I saw this when I was a kid. This is why the Christopher Reeves will always be Superman in my heart, inimitable and unrivaled to this day.

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There are SO many awesome things about this scene… the set-up, how Supes was introduced, the crowd’s reaction as he saw him fly [as well as the ‘that’s a bad outfit!’ quip the first time he’s seen in the red & blue suit] and of course, that iconic John Williams‘ theme song! It’s just brilliantly done by Richard Donner that is still the scene to beat even three decades later. This is what Man of Steel is lacking… at least one truly memorable scene featuring the Kryptonian hero that even if you remember nothing else about the film, you will always remember the one iconic scene. In the case of this one, it’s one I will always cherish for ever and ever, and one that never fails to fill my heart with joy.


What do you think of my picks? Which scenes would YOU pick for LOVE + HATE?

FlixChatter Review: ELYSIUM

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As a big fan of District 9, I had been looking forward to this for some time. I erroneously thought this was the follow-up to Neill Blomkamp‘s sci-fi thriller set in South Africa when I did this post but by the time the trailer came out, obviously this is an original story that doesn’t involve aliens from another planet.

This sci-fi fantasy takes place in 2154, where the gap between haves and the have-nots have reached astronomical proportion. 99% of humanity’s population are still slumming in a ‘diseased, polluted and vastly overpopulated’ earth, whilst the 1% of the elite and wealthy folks live in the lush and green ELYSIUM. It’s the ultimate ‘gated community’ aboard a lavish space-station where every mansion is complete with robotic servants and magical medical beds that can heal ANY ailments, yes including cancer and a full facial reconstruction surgery in a matter of seconds! Ok, so there’s no superhero in this movie but heck, who needs one when you’ve got a SUPER healing mechanism at your beck and call. Unfortunately, the machine only works if you’re a citizen, and Elysium’s border patrol is equipped with rockets ready to fire at illegal aircrafts entering its airspace.

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Elysium VS Earth – It’s definitely better up there!

Matt Damon plays a down-on-his-luck Max, a parolee who’s dreamed of leaving in Elysium ever since he was a little boy living in an orphanage. There’s one comedic moment in the entire movie where Max had to see a mechanized parole officer, as the rest of the law officers and other service workers are in the form of robots. Things just gets bad to worse when Max gets exposed to a lethal dose of radiation at the factory. With only 5 days to live, he’s desperate to get to Elysium. In order to get up there, Max has to somehow download crucial information from an Elysium citizen’s brain straight to his. That’s what those exoskeleton stuff you see on the film posters are for. The surgery scene is brutal, I have to shut my eyes as metals are drilled and screwed into Max’s body as if he’s a car in auto shop. When he finally comes out of it, Max practically looks like a robot with powered metals attached all over his body and a computer implanted into the back of his head.

I enjoyed watching all the fantastical futuristic elements, and Blomkamp surely isn’t lacking imagination and ambition. What this film also lacks is subtlety, just like D-9 was an allegory for apartheid, Elysium’s political and sociological themes on class warfare, healthcare and immigration are sure to divide audiences. He cites that growing up in South Africa is the main inspiration of the class division theme in this film, and despite the seemingly obvious commentary about border security and universal healthcare, he said that there’s no political agenda here. Even the über Liberal and politically vocal star Matt Damon downplays the political overtone. I think how much those stuff bother you depending on your political views and interest. For me, this is just another big Summer thrill ride that gives us a bit more food-for-thought amidst some bombastic (literally) action sequences.

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Speaking of Damon, I think he acquits himself well here though I didn’t really have as big of a emotional connection as I did with D-9’s character Wikus, who I think is a far more tragic character than Max. I also think that though Max is played out like an action hero (Bourne meets Terminator?) instead of a truly desperate and ruthless character hellbent on saving his own life at any cost. I read that Blomkamp originally wanted Eminem in the role, now I’ve never seen him act before but I wonder if he’d actually do a more convincing job. Jodie Foster as Elysium defense secretary Delacourt is distractingly awful here with her robotic acting style and absurd accent. Yes I know that Blomkamp intended the accent of Elysium residents to be an amalgam of different languages but it just makes me laugh! I wonder if having those residents speak multiple languages (like in the underrated sci-fi drama Code 46) instead of with a myriad of accents might’ve been more realistic.

It’s also too bad that Sharlto Copley is reduced to this sadistic special ops agent whose killing method of choice is blowing people up into pieces. His character can’t be more dissimilar than his debut in District 9, which proves he’s a capable actor, but his villainy role is written like a caricature.  I like the International cast here, Brazilians Wagner Moura and Alice Braga, Mexican Diego Luna, Pakistani-descent Faran Tahir, as well as veteran character actor William Fichtner made up the supporting cast.

In terms of special effects and production quality, clearly this film delivers, thanks to a much bigger budget of $100 mil. But having more money and A-list cast don’t always translate to a better film, in fact, D-9 with its uniquely organic style is still more compelling in terms of my the emotional connection I have with the protagonist. Plus, Elysium is decidedly more ‘Hollywood’ in that it’s more predictable and comes with a feel-good and simplistic ending. Yeah as if it were THAT easy to solve such an extreme class warfare. Seems that Blomkamp ends up being preoccupied packing the third half with relentless fight scenes and stuff blowing up that the finale feels rather out of sync with all the sense of realism and intriguing ideas that preceded it. At a relatively brisk 109 minutes, there’s barely room for character development either, the villains are just evil for evil’s sake with no real motivation.

Final Thoughts: Now, even though I think Elysium is a bit of a downgrade from D-9, there are still many things to appreciate. As I mentioned before, the futuristic space stuff are fun to watch and the story also gives us something to ponder even if we don’t necessarily subscribe to the idealism being presented on screen. It could’ve been a more in depth and compelling film though, alas the the typical Hollywood happy ending keeps this from being a notch above a cool Summer sci-fi escapism.

Three and a half stars out of Five
3.5 out of 5 reels


UPVOTE please


What are your thoughts on this movie? Did you like this more or less than I did?

Neill Blomkamp’s sci-fi thriller ELYSIUM’s Poster & Trailer Spotlight

Boy oh boy! I’ve been looking forward to this film for quite some time now. In case you didn’t know already, I’m a huge fan of District 9 which was a surprise to me as I didn’t even know much about it when I saw it on the big screen. Well, it’s been over three years since I saw that film and finally, South African director Neill Blomkamp and actor Sharlto Copley are re-teaming for another sci-fi thriller.

I was kind of hoping that Copley would have the leading role this time around, but I understand that with a much-bigger budget, they’d need a movie star. So we’ve got Matt Damon in the lead instead. Check out the awesome poster of him with all that robotic stuff attached all over his body!

ElysiumTeaserPoster

I originally thought this was a follow-up to District 9, as I’ve outlined on my Upcoming Flix Spotlight post a year ago. But now it’s clear that this film has a new storyline that’s not related to D-9 universe, though it still carries a similar social issue theme. Now, this film was first scheduled for release in March before being pushed back to August. I don’t think it’s a sign of trouble though, I think that’d give Blomkamp to release some viral marketing for it like he did for D-9 which was a smart move.

Now finally, a trailer!!


WHOAH!! I’m even more intrigued now after seeing this. I really like the look of this and the apocalyptic story looks very promising and thought provoking, with all the visual and thematic elements every sci-fi lovers would love. Blomkamp is working again with Peter Jackson’s Weta Digital so it’s to be expected that the special effect is going to rock! Even right off the bat, I like the stark contrast between the perfect world of the Elysium space station and the left-behind slum that is the Earth. I read that Blomkamp shot the Earth footage in Mexico City, and everything on Elysium in Vancouver.

Per IGN, like Blomkamp’s previous film, this one has a similarly impoverished and segregated society, but this time along economic lines rather than species. Where District 9 was a sci-fi allegory for racism, Elysium is about economic disparity.

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that if successful will not only save his life, but could bring equality to these polarized worlds.

Here are four more details I learned from this HitFix article, which summarized the SONY press preview event in L.A. with Blomkamp, Copley and producer Simon Kinberg:

  • Damon’s character is Max, an ex-con who’s working a factory job on Earth. A radiation leak prompted him to be cast off by the authoritarian government. He knows the only way to get rid of the toxic radiation is in Elysium, and he has to find a way to get there.
  • The robotic stuff on his body, and that data port on his head is the result of self-modification Max did as a mechanism to hijack security information from an Elysium citizen.
  • Sharlto Copley plays the bad guy, Kruger. He is an Elysium operative who lives on Earth, waiting to be activated. When an attack on an Elysium citizen occurs, he gets the signal.
    CopleyFoster_Elysium
  • Jodie Foster plays a Senator, as Foster herself described in Movieline as “… the person who controls who gets to come in [to Elysium] and who doesn’t. She’s methodical, her antagonism has a point.” She also mentions that Elysium is an international place, as its residents comes from all over the earth.
  • Blomkamp said that 2/3 of the film would take place on earth and 1/3 in Elysium to emphasize further that the space station is truly a fantastical place every human being aspire to live in.

Elysium is out in theaters on August 9, 2013. I can hardly wait!


On a related note, two years ago, I wrote this post-apocalyptic sci-fi drama pitch where some humans live in another planet whilst the remaining earth population struggle to survive.
Check it out and let me know what you think 😀


Are you as stoked as I am about this one? What do you think of the trailer?