FlixChatter Review – 1917 (2020)

When I heard that Sam Mendes, the Oscar winning director of American Beauty and one of my favorite “James Bond” films, Skyfall, was releasing a World War I film, I was beyond intrigued. Centered around the spring of 1917 during the German retreat to the Hindenburg Line during Operation Alberich, Mendes wanted to incorporate a story his grandfather Alfred Mendes told him about a messenger and his heroic task during the war. The film, appropriately titled 1917, is takes place on the front lines in northern France, as the British 2nd Battalion of the Devonshire Regiment is planning to mount an attack on the retreating German forces. The Germans have mounted a retreat to the Hindenburg Line, but are planning to ambush the 2nd Battalion, a company battalion of 1,600 men, in hopes of catching the British forces by surprise.

Colin Firth in 1917

The movie opens on two young British soldiers, Lance Corporal William Schofield (George MacKay) and Lance Corporal Tom Blake (Dean-Charles Chapman) napping underneath a tree at the edge of the British trenches in northern France. Suddenly, Lance Corporal Blake is awaked by his commanding officer, telling him to pick a partner and report for further instructions from British General Erinmore (Colin Firth). General Erinmore tasks the two Lance Corporals to deliver a message to halt a British force of the 2nd Battalion before they walk into a trap laid by the German army. The General informs Blake and Schofield that among the 1,600 men of the 2nd Battalion is also Blake’s own brother, Lieutenant Joseph Blake (Richard Madden), and that they must to do the impossible: cross over No Man’s Land, evade enemy forces, and stay alive long enough to deliver a message to Colonel Mackenzie (Benedict Cumberbatch) at the front line that his 2nd Battalion is walking into a trap, set by the German Army.

Dean-Charles Chapman + George MacKay

After Blake and Schofield cross into No Man’s Land, with some careful instruction from a Lieutenant Leslie (Andrew Scott), they reach the original German front, finding the trenches abandoned. Their worst feelings come true, as they find that the abandoned trenches turn out to be booby-trapped by the Germans in hopes of killing as many British soldiers as possible. Thanks to some (extremely large) rats who set off one of the booby-traps, the ensuing explosion almost kills Schofield. Thankfully, Blake is there to help Schofield out and they manage to run out of the collapsing bunkers just in time. Having to take shelter in ruined buildings, and sidestepping over unseen obstacles, Blake and Schofield arrive at an abandoned farmhouse and witness a dogfight between British and German planes nearby. SPOILER ALERT (highlight to read) – As a German pilot is shot down and crash lands near them, Blake and Schofield try to rescue the pilot from the burning wreckage, but the German soldier turns his knife on Blake and mortally wounds him.

As Schofield is now tasked to deliver the message to Colonel Mackenzie alone, he is picked up by a passing British contingent and dropped off near the bombed-out village of Écoust-Saint-Mein. Dodging snipers and climbing over collapsed bridges, Schofield is injured and gets knocked out by a ricocheting bullet. As he wakes up hours later, it is nightfall and Schofield tries to navigate the bombed out and collapsed buildings of Écoust-Saint-Mein, as the German soldiers set fire to large building, creating a giant blaze in the middle of the night and helping Schofield light the way around the town. Unfortunately, he also becomes the target of numerous German snipers, managing to evade them before he finds shelter in an abandoned basement, where he stumbles into the hiding place of a French woman and an infant. He leaves them some canned food and milk he had found at the abandoned farmhouse that he and Blake had found.

Bound by completing his mission, Schofield leaves the woman and infant, but not before learning that the place he is looking for is just down river from the village he was in. He runs past more German soldiers and snipers, and ends up jumping into the river, going over a waterfall and finding more dead bodies of soldiers from both sides. In the morning, he comes across a part of the British 2nd Battalion, as they wait and prepare to go into battle.

From them, he learns that they are actually a part of the second wave, and that while attack has already begun and Blake’s brother is among the first wave to go over the top, he still has time to reach Colonel Mackenzie before it’s too late. He sprints across the trenches and actually climbs onto the battlefield to reach Colonel Mackenzie, who is at first reluctant to call off the attack, but ends up relenting and follows General Erinmore and British Command’s instructions. Schofield is left to find Lieutenant Joseph Blake, SPOILER (highlight to read): and to inform him of his brother’s death. Lieutenant Blake thanks Schofield for his efforts and leaves Schofield to sit by a tree, finally able to rest after successfully completing his mission.

 

For 1917, Mendes collaborates again with award-winning cinematographer Roger Deakins, award-winning composer Thomas Newman and co-wrote the screenplay with Krysty Wilson-Cairns. Mendes and Deakins decided to shoot the movie as one long take, without cutting between scenes. Since it’s told from the point of view of Blake and Schofield, Mendes and Deakins rely on lead actors George MacKay and Dean-Charles Chapman to take the audience from the trenches, to the battlefields and abandoned farmhouses and other building. Both MacKay and Chapman tackle this challenge with much success, but it is really MacKay that makes the emotional connection needed to make his character relatable yet resilient. Chapman plays on the youth and inexperience of Lance Corporal Blake to make it seem like he needs Lance Corporal Schofield to succeed.

Even though we don’t see much of Benedict Cumberbatch, Andrew Scott, Richard Madden or Colin Firth, they each fulfill their roles to advance the plot line and bring the notion of familiarity and comfort to the audience, who has been carrying along with the two relatively-unknown lead actors. Not knowing the fates of the two lead British soldiers was a clever tactic used by Mendes, and losing one or both soldiers in battle would not be as big of a setback to the viewers if their message would somehow end up reaching its destination. Had Mendes cast household recognizable actors in those roles, it would have been much harder for the story to develop in the direction that it did. Thomas Newman’s score is also very memorable and fits perfectly into the wartime arc of the movie.

This is one my top-10 movies of the year and I’d be surprised if it didn’t get nominated for multiple Academy Awards. It just won the Golden Globe Award for Best Drama this past Sunday, and Sam Mendes won the Golden Globe for Best Director. I’d also like to see nominations for Thomas Newman’s score, Mendes and Krysty Wilson-Cairns’ screenplay and perhaps most of all, Roger Deakins’ cinematography.

This is a deeply memorable film that will be remembered as one of the best World War I movies of all time, and it ranks as perhaps one of the best war movies ever made. It is not to be missed, especially in an IMAX theater and I give it my wholehearted, unabridged endorsement.

– Review by Vitali Gueron


Have you seen 1917? Well, what did you think? 

FlixChatter Review: SPECTRE (2015)

SPECTRE_poster

I wonder if the way I feel about the Bond song somehow impacts how I feel about the film itself. Some of my least favorite Bond songs are The Man with the Golden Gun, Die Another Day, and Quantum of Solace, and those are also my least favorite Bond films. I already mentioned in this post how much I abhorred Sam Smith’s latest, Writing’s on the Wall which sounds more like fingernails on a chalk board. Unfortunately for me, during the press screening, I had to endure that song not once but twice as they played Sam Smith’s music video before the movie, so I had to suffer through THAT song once again during the opening title [sigh]

Of course it’s ludicrous to judge a Bond movie from the song, so I was prepared for an awesome Bond film. To be fair, the melody of the song itself is actually not bad, with Thomas Newman back scoring this again after Skyfall. Well, the first 15 minutes is certainly promising. It’s tradition that Bond films open with a bang and this one is no different, starting with a foot chase through a throng of huge crowd during the Day of the Dead festival in Mexico City. It’s followed by a spectacular fight scene aboard a helicopter flying above the main square. If we’re to judge a movie by cinematography alone, Spectre is excellent, thanks to Hoyte van Hoytema whose done amazing work in Her and Interstellar recently.

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Plot-wise, Spectre has a lot going for it, at least on paper. The parallel conflicts that Bond and M are facing in the film also promises an extra layer of intrigue, in addition to the personal vendetta that runs through the vein of Daniel Craig‘s Bond films. A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization and somehow he ends up going rogue. Meanwhile, his boss M (Ralph Fiennes) is dealing with a crisis of his own as the head of Joint Intelligence Service (which merged MI5 and MI6) threatened to shut down the double-O section. It’s an intriguing set up and as a massive Bond fan, I expect once again to be bowled over.

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Alas, after that spectacular opening, the film seems to lose momentum and never quite claim it back. All the high-octane action didn’t have quite the adrenaline rush I expected from a Bond movie. Even the car chase through the streets of Rome feels rather stale, it’s like I’ve seen a far more exciting car chase scene in previous Bond movies and recently in its rival franchise, Mission Impossible 5. Then there’s the unintentional humor that makes it hard to take the film seriously. The two times Bond wooed two of the beautiful Bond girls, Monica Bellucci and Léa Seydoux, the scenes elicit laughter from the audience. It feels so obligatory and cringe-worthy, a far cry from the intriguing AND sexy love affair between Bond and Vesper in Casino Royale. Vesper was a complex character with a compelling story arc, but here the two Bond girls aren’t given the same courtesy. It’s sad to see an actress of Bellucci’s stature be utterly wasted here.
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The film also promises a massive super villain, the mother lode of all villains Bond has encountered in his past, “I’m the source of all your pain,” Oberhauser tells him once Bond gets to his lair. So it’s quite a let down that this supposedly fearsome, ultra-powerful mastermind turns out to be not so menacing at all. Remember how sinister Christoph Waltz was in Inglourious Basterds? Well, here he’s nothing more than a clichéd psychopath throwing tantrums at Bond because of… a childhood feud. Huh? No less than FOUR screenwriters credited here, three of whom also worked on Skyfall, and all they could come up with is THIS half-baked story? [spoiler alert] I find it hard to believe that Mads Mikkelsen’s Le Chifre, who was effortlessly menacing AND intriguing in Casino Royale, actually worked for this lame, petulant nutjob.

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Sam Mendes and his team of writers seems to have recycled a lot of what’s been done in previous Bond films with nothing new to add to the franchise. In fact, in terms of the treatment of the Bond girls, it’s a step backward. The film seems to aim for a darker story but the execution feels light and even unintentionally comical. I realize that Bond films aren’t expected to be too deep or poignant, but even the fun, escapism factor seems to be missing in this one as Mendes can’t decide what kind of Bond movie he wants this to be. At times it harkens back to the Roger Moore era, which is a jarring contrast to the more pensive and grittier tone established in Craig’s films.

The returning characters from Skyfall are still good in their roles. I do like Ralph Fiennes as M but yet he still can’t hold a candle to how fantastic Judi Dench was in the role. Moneypenny and Q (Naomie Harris and Ben Whishaw) have bit more to do in supporting 007, though not so much that would make any real impact in the movie. Andrew Scott, who’s excellent in the Sherlock series, is just serviceable here, but Dave Bautista certainly lives up to other big, burly but taciturn henchmen of Bond’s past. The fight scene on the train is certainly an homage to From Russia With Love and The Spy Who Loved Me with my favorite henchman, Jaws.

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As for the titular hero, I still like Craig as Bond, but more often than not he looks bored in this movie. It’s as if he’s weary of the same old types of shenanigans and hollow sexual escapades in various exotic locations. Yes I know Bond’s supposed to have this devil-may-care attitude but I think there’s a sense of fatigue that the actor can’t quite conceal. Perhaps it’s telling when Craig said in an interview recently how he’d rather slash his wrist than play James Bond again. It’s tacky to bite the hand that feeds you, but I can’t say I blame him for feeling that way.

It’s a pity because this could’ve been a truly great swan song for Craig if he were to retire as Bond (though I think he’d be back for at least one more). I like the fact that four of his films are connected in some way, though the constant throwback to his previous films also invites the inevitable comparison. If I were to rank Craig’s Bond films now, Spectre is just slightly more watchable than Quantum of Solace, but falls far short of the greatness of Casino Royale and Skyfall.

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Spectre might’ve topped the box office, but it’s nowhere near the top of the best Bond films for me. So I guess that awful theme song is sort of a warning about the movie. Bond’s most personal mission barely evoke any emotional response as the protagonist himself didn’t even seem to care. There’s just no compelling human drama here in this largely soulless affair. Overall the payoff just doesn’t live up to all that build-up and frankly, the film is just forgettable. I saw it four days ago yet I barely remember anything about it. It’s such a bummer really, this movie even made this loyal Bond fan think that perhaps I’ve outgrown this franchise a bit.

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Well, what did you think of Spectre? Did you like it more or less than I did?

Trailer Spotlight: SPECTRE first teaser is here!

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I normally hate the adverts for a trailer, but at least it’s not an actual trailer for a trailer. But when I saw a tweet from @007, I gotta say I couldn’t wait to see it!

As a longtime Bond fan, I’m always excited when a new Bond movie came out, well except for the last two Brosnan movies as they look as dumb even in the trailers. Daniel Craig‘s Bond films not only brought back the grit and fortitude lost in Brosnan era, it’s also got that real sense of mystery and mystique, which is what one would expect in an espionage genre.

This teaser captured that sensibility perfectly:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

With Bond 24, I love that the filmmakers brought back the enigmatic nefarious organization we’ve seen in the earlier Sean Connery movies. Yet there’s still that continuity of storyline from Casino Royale, the fact that we see Mr. White once again, still as cryptic and ominous as ever despite looking like he might’ve lost his eyesight.

“You’re a kite dancing in a hurricane Mr. Bond.”

Then of course we’ve got Christoph Waltz there towards the end. I’ve mentioned in my Spectre post here that he’s not playing Blofeld, but he’s obviously a powerful figure that might’ve had a key tie to Bond’s past as well. Can’t wait to see him going toe to toe w/ Bond.

SPECTRE_ChristophWaltz

Glad to see Sam Mendes back for directing duties. He shared on 007 official site a bit more about the plot of SPECTRE:

“The reasons I’m doing the second Bond movie are the reasons I would do any movie, really, which is all to do with the story. And in this movie, SPECTRE, what you have is a movie entirely driven by Bond. He is on a mission from the very beginning,” he says. “It’s about whether or not to pursue the life he’s always pursued, whether he matters and is he going to continue or not. And you’re going to have to come to see the movie to find out whether he does.”

Even from this teaser, we can expect to see an amazing cinematography from Hoyte Van Hoytema whose impressive work you can see in Her and Interstellar. Nice to see Thomas Newman scoring this too. Wish we didn’t have to wait until November to see it!


Well, what do you think of this teaser so far? Are you excited for SPECTRE?

007 Chatter: BOND 24 is now called SPECTRE

Boy it’s been a while since I posted anything about Bond and this morning a press release came to my email that I simply had to do a post! “Welcome back commander!” 

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[you can see the motion poster over on 007 Facebook]

LONDON, UK, December 4, 2014 – 007 Soundstage, Pinewood Studios, London. James Bond Producers, Michael G. Wilson and Barbara Broccoli today released the title of the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film as Ian Fleming’s James Bond 007. SPECTRE begins principal photography on Monday, December 8, and is set for global release on November 6, 2015.

The launch of SPECTRE was streamed live on 007.com and Facebook.com/JamesBond007, and here’s the video if you missed it:

Along with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz, Léa Seydoux, Dave Bautista, Monica Bellucci and Andrew Scott. Mendes also revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for the movie.

BondSPECTRE_FullCast
Click to enlarge

Official synopsis:

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Bond’s going back to the classic Aston Martin too, which is by far one of my favorite of all Bond’s fantastic rides. Man, the DB10 is going to be specifically built for the film and it’s absolutely drool-worthy!! Heck, I’d rather take his car home than Bond himself, ahah.

BondSPECTRE_DB10
click to enlarge

The 007 production will be based at Pinewood Studios, and on location in London, Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the snow once again, this time in Sölden, along with other Austrian locations, Obertilliach, and Lake Altaussee.

Commenting on the announcement, Wilson and Broccoli said, “We’re excited to announce Daniel’s fourth installment in the series and thrilled that Sam has taken on the challenge of following on the success of SKYFALL with SPECTRE.”.

Per EMPIRE, the evil organization has not had a presence in the Bond universe thanks to a long-running copyright battle between MGM and the estate of Kevin McClory, the producer of Thunderball and the unofficial Connery Bond, Never Say Never Again. That, however, was resolved in 2013, paving the way for SPECTRE to return to the Bond movies. People have been speculating that Christoph Waltz will be playing Spectre’s leader, Ernst Stavro Blofeld, but according to the UK mag, his character’s name is Oberhauser [??]

Man, I’m super excited for this!! What a cast, too, woo hoo!!! I LOVE Christophe Waltz, the Austrian thespian really impressed me in Inglourious Basterds and he has been working steadily in Hollywood ever since. He’d be great as the villain, with Bautista as his henchmen I presume. Not sure who Andrew Scott is playing, but he’s playing another baddie named Denbigh. They’re playing it *safe* this time in casting actors who’ve won accolades playing bad guys previously, as Scott won BAFTA for portraying Sherlock‘s nemesis Moriarty in the BBC series.

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I’m loving the female cast, too! I have always been a big fan of Naomie Harris as Money Penny, but now we’ve got gorgeous Italian and French beauties Monica Bellucci & Léa Seydoux. I’m actually surprised they haven’t cast Monica in previous Bond films, but she still looks stunning at 50 so it’s cool to see they don’t just cast young actresses as Bond girls!

SPECTRE is set for a October 23, 2015 release in the UK and a November 6, 2015 release in the US. Can’t friggin’ wait for this!!


So, what do you think of this announcement? Would love to hear your thoughts, folks!

Everybody’s Chattin’ … and Timothy Dalton Casting news & rumor I’m super excited about

Happy Friday everyone! Those of you in the US, hurray for long Labor Day Weekend! 😀

It’s been quite a hectic week for me at work, but fortunately there’s no press screenings I’m interested in all week so that actually helps a lot. Allow me lament a bit though about how this Summer’s put quite a dent on the hits and comments on the blog 😦 I guess I chalk it up to people being away on a break and what not, but still it’s kind of a bummer.

Ah well, enough complainin’. There ARE those of use who are still bloggin’ away in the Summer months, churning great posts on a daily/weekly basis. So I’m going to highlight those who’ve been particularly supportive to FlixChatter in their readership and comments. I REALLY appreciate it folks, I know we’re all busy people so I’m grateful that you not only took the time to visit, even if the movie(s) being posted aren’t necessarily your cup of tea.

EverybodysChattin

Firstly, have you heard about this new movie site Cinema Axis? It’s a film blog based in Toronto, Canada with contributors hailing from various parts of Canada and the United States, spawned from the blog Big Thoughts from a Small Mind. One of the contributors is Steven Flores from Surrender to The Void blog. So pay them a visit and take part in the August edition of I Have Scene it Before, one of their monthly series.

Now that Summer is officially over, we’re all gearing up for Fall movies (well I am anyways). So check out Keith’s list on which movies to Flaunt or Flush. Thanks for the warning Keith!

Oh, and speaking of what to flush, in case you’re thinking of Ethan Hawke’s action flick The Gateaway, well, you might want to think again. Check out Terrence’s warning er review and watch at your own risk!

Most of you already tired of me saying this but yes, I’m still kicking myself that I missed the film fest screening of this film last April due to a snow storm!! Well, Mark’s review of MUD certainly makes me more eager to finally rent it!

Michael recently posted his Top 10 Greatest Sci-fi Films circa 2000-2013, and I absolutely LOVE his list, especially since he’s got Wall•E and District 9 on there! Saunter over there and see which ones of YOUR favorite made his list.

Since I mentioned Surrender to The Void blog, Steven has been spotlighting Woody Allen of late. Check out his latest post on the New York auteur, Part 4: The Wilderness Years (2004-2013)

You might’ve read Fernando’s post from Comic-con where he met the cast of Kick-Ass (SO jealous. Aaron Johnson is gorgeous!). Well, what did he think of the sequel? Read his review of Kick-Ass 2.

Fans of Breaking Bad, I suggest you check out Sati’s commentary in her Open Letter to Anna Gun. Though I don’t watch the show, I find that the discussion about Skyler White quite interesting.

Last but not least…

Chris T. has returned from his London vacation (where he non-nonchalantly bumped into RICHARD ARMITAGE outside of Harrod’s!!). I’ll be working on my post for his DEBUTS Blogathon starting next week. Check out which sites are participating in this exclusive blog event 😉


Now, about that casting news…

Well, I’m thrilled that my longtime crush TIMOTHY DALTON is joining SHOWTIME’s psycho-horror thriller series Penny Dreadful!

There are FOUR Bond connections on this one as the creator of the series is John Logan (Hugo, The Aviator, Gladiator) who also wrote Skyfall AND he’s producing the series with Skyfall director Sam Mendes! Now of course you already know Dalton is my favorite Bond, so it’s a thrill to see one of my favorite Bond girls Eva Green is also part of the cast!

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Darn it, it’s about time Dalton’s back on the spotlight again. I’m always so perplexed that super talented thespian like him don’t get more work! I mean he could’ve easily done every role offered to his British peers like Anthony Hopkins, Patrick Stewart or Jeremy Irons! Per THR, Dalton, who joins Eva Green and Josh Hartnett, will play Sir Malcolm, a hardened African explorer on a deeply personal quest. Here’s the premise per IMDb:

Some of literature’s most famously terrifying characters, including Dr. Frankenstein and his creature, Dorian Gray and iconic figures from the novel Dracula. become embroiled in Victorian London.

Production is set to begin in October in London for its debut in spring 2014. I just might have to get cable for this!

Now, this one is just a rumor for now, but it’s enough to send me into a frenzy when I first heard about it (just ask my husband, I was practically hyperventilating!) 😀

Last week, I was lamenting on the Batman casting on Man of Steel sequel, but this week, THIS is a rumor I can get behind:

In response to that I tweeted this:

OH MY! I sooooo hoping this isn’t JUST a rumor. Please make it happen people, pretty please! I just so want Dalton to be in something so HUGE which hopefully propels him to get even more roles! I’ve always loved Alfred Pennyworth and with the likes of Michael Caine in Nolan’s Batman trilogy, we definitely could use another British thespian this time around. (I just realized it’d be cool that Dalton signed up for TWO projects with Penny in them, ahah)

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Of course I always envision that Dalton as the older Bruce Wayne type, a la Batman Beyond where he’s retired and a recluse who ends up being a mentor to a young Batman. If you’ve seen the TV series, you’d see how Dalton is so perfect in that role. He’s still a pretty lean guy at 69, certainly he can still be bad ass!

In any case, fingers crossed Dalton is indeed cast! That’d just be THE best news of the year for me 😀


Well, what do you think of this casting?

Have a great weekend all! Hope you see some good movies! 😀

THIS JUST IN! Skyfall teaser trailer debuts

As you loyal readers know by now, there’s not a lot of movies we anticipate more than Skyfall here at FlixChatter. My pal Ted and I even started a 007 Chatter series as a countdown to the movie in November.

There’s a lot to be excited for here apart from Daniel Craig returning, there’s Oscar-winning director Sam Mendes directing, flanked by a slew of Oscar winning actors, and now we’ve got this tantalizing new trailer. Check it out:

Ok, this definitely amp up my excitement tenfold. I love that first shot of Bond overlooking the London skyline with the Big Ben looming in the background. There’s something foreboding and eerie in that majestic shot, and that shot of a row of coffins draped in British flags is disquieting.

The whole word association game starts out with Bond looking unperturbed but his mood abruptly changes with the mere mention of Skyfall…

Country: London
Gun: Shot
Agent: Provocateur
Murder: Employment
Skyfall: [pause]
Skyfall: Done!

With that Bond leaves the room as Dame Judi Dench’s M and Ralph Fiennes’ Mallory watches from behind the glass. Just what the heck is Skyfall? Is that what’s written on his secret mission dossier, kind of like For Your Eyes Only? And who is Mallory? Is he a good or bad guy?

No sign of Javier Bardem as the baddie however, perhaps Mendes is saving him for the full trailer? In any case, the rest of the 40-second teaser shows that all the reasons we go see a Bond movie is present: glamorous locations (filming took place in the UK, Shanghai, and Turkey), sexy Bond girls frolicking with our hero, Bond being chased all over and high-octane action shots such as a train crash, etc. All of those are well and good, but this one promises something *more* which is the most intriguing part of all.

The trailer ends with Bond saying “Some men are coming to kill us. We’ve got to kill them first.” Well, will he? There’s rumor swirling around that an important character might die in this film. I have an inkling who might that be, but I’m sure I’ll still be gasping when that happens. This looks poised to be Craig’s best bond yet. Bring it on, Mr. Mendes!


What do you think folks? Don’t you wish this comes out next week instead of November? 🙂

007 Chatter: Seven directors wishlist for the next Bond movie

In anticipation for Bond 23, a.k.a. Skyfall coming on November 9th, 2012, Ted and I are starting a new monthly series called 007 CHATTER… look for it sometime in the first week of each month.

I’ve also added a new category for this, so click on 007 Chatter on the category drop-down menu for all Bond-related posts.

Ok, so last month we’ve singled out seven actors we think might be a good pick to play Bond. Now, we set our sights to the directors who’d do the franchise some good.

Skyfall‘s director Sam Mendes is quite an unlikely choice to direct a Bond film given his theater background and his films often deal with troubled ordinary people, a far cry from the ultimate action hero. But that fact is what makes Skyfall so promising to me. Some have said that this next Bond flick will be lighter on action but with heavier character development and I welcome that. Now I think we can still expect some high-stunts action sequences, car chases, what have you, but there’s nothing wrong with giving this 50-year-old franchise more depth and profundity.

Well, without further ado, these are seven directors Ted and I think could do the franchise some good:

TED’s and RUTH’s PICKS:

Kenneth Branagh

Ted: Ah now we are finally talking about a director whom the producers might already be considering to direct the next one. He’s a Brit and he’s just made a big budgeted action film, Thor.  Also, he’s already signed on the reboot another espionage franchise, the untitled Jack Ryan film. So not only is he a Brit but he’ll also have the experience of working on a spy flick, so it’s a win-win for the producers. I think Branagh can bring back those classic styles of the Bond flicks from the 60s.

Ruth: The multi-talented Irish thespian maybe known for his Shakespearean work, but he’s far more versatile than than, as proven with the success of the comic-book adaptation of Thor, among others. I’m certainly optimistic about him directing the fifth Jack Ryan spy thriller with Chris Pine. As an accomplished triple threat, actor/writer/director, he’s also got a knack for casting [case in point: then-unknown Tom Hiddleston as Loki in Thor] so perhaps we’d have another star in the making with a yet unknown Bond actor.

TED’s PICKS:

David Fincher

Fincher was actually going to direct another spy franchise back in early 2000s (Mission: Impossible 3). But because of the dispute between him and the studio over the film’s tone, he left the project. With Fincher’s style and flare, his Bond flick could be one of the best ever made, heck he already directed James Bond aka Daniel Craig in The Girl With The Dragon Tattoo so maybe Craig will help convince the producer to hire Fincher for the next Bond flick. We know Fincher can handle big-budgeted films so that won’t be a problem. He’s never done an action film before but some of his films has some great action sequences, for example the foot chase scene in Se7en and the shootout sequence in The Game, so he can definitely stage great action set pieces. Also, his schedule is wide open since Disney put an axe on 20,000 Leagues Under the Sea, he was set to direct the remake of the 1954 film but Disney new chief wanted save some cash. But because he’s American, I don’t think he’ll ever be consider for the gig.

Park Chan-Wook

Another candidate I don’t believe Bond producers will ever consider, but it would be awesome if Park Chan-Wook gets to make a Bond flick. Actually I think the South Korean director should’ve directed Quantum of Solace. Most of his films dealt with vengeance and I think Quantum would’ve been a great film had he directed it. Like Fincher, this man knows how to shoot great looking films, his Vengeance Trilogy are some of the best looking films I’ve ever seen and they’re pretty low budget. So imagine if he has $200mil to shoot a film, it would look spectacular. And with a character like Bond, he could explore the darker side of the character.

Quentin Tarantino

Some may remember right before the producers of the Bond films decided to reboot the franchise, Tarantino was on The Tonight Show and started talking about much he wanted to make Casino Royale (per MI-6 HQ.com). He told Jay Leno, “Just give me $50mil and I can make an awesome Bond flick based on Casino Royale novel.” Well a couple of years after QT made his comments, that movie came out but unfortunately QT didn’t get to direct it. For the next Bond flick, I think the producers should consider QT as their next director and I know it’s very unlikely since they have strict rules against hiring non-European directors. QT is a Bond fanatic so I know he can make a great Bond film but again I don’t think it will ever happen.

Honorable mention:

Kathryn Bigelow – Now here’s a director that I don’t believe the producers will ever consider, she’s an American and well she’s a woman. But look at her resume, she can definitely direct a big action film. Point Break is one of my favorite guilty pleasure action films; she also made another great and very underrated action film, Strange Days. Oh yeah she’s an Oscar winner too. So come on now the Barbara Broccoli and Michael G. Wilson, let’s put her on the list of the next Bond director.

RUTH’s PICKS:

Christopher Nolan

I know Nolan has expressed interest in directing a Bond movie. In fact, he even admitted on several occasions of that the intense action sequence in the snowy mountain area in Inception was inspired by growing up watching Bond films. Well, considering how astounding his Batman films and Inception were, I think the 42-year-old Londoner could potentially do something very intriguing with this franchise. On his IMDb profile, it’s said that Nolan’s films often have ‘obsessive protagonists with a troubled past,’ well then Bond would be a perfect character for him to tackle. Plus, given his huge fan-base, it’d certainly be a good move financially for the studios as well.

Surely rising star Tom Hardy would be very keen on this idea. He’s even said that he’d do the role if Nolan is directing. He told Metro UK, “I’d love to play Bond with Chris Nolan (as a) director or something, it would be awesome.” Yes indeed!

Matthew Vaughn

Here’s another young, talented Londoner who’s expressed interest in directing a Bond movie. He’s said in many interviews that his X-Men: First Class was partly inspired by the 60s Bond films, describing it as “… part Bond flick and part John Frankenheimer political thriller.” Vaughn quite forthright about his desire to do a Bond movie in this Bleeding Cool article:

I sort of want the Brocollis to regret never hiring me. I was very keen to direct Bond. I don?t know if I am any more, to be blunt, now that I?ve done this. I really love Daniel [Craig], though you know, it might be interesting if they one day decide to cast Fassbender as Bond, then maybe I? ll go ?Hey!?

Fassbender’s Magneto was practically Bondian in his quest for personal vendetta, he even had the strut down pat. It’d be great to see these two team up in a Bond film. Maybe his wife Claudia Schiffer could even have a cameo as a Bond girl 😀

Brad Bird

This is the off-the-beaten path pick as Bird is American, but it’d be great if the Broccolis make an exception once in a while. Somehow they don’t seem to mind about the Bond actor not being from the UK, so why not the director?

The critical and box office success of Mission Impossible: Ghost Protocol proves that Bird could tackle live-action flicks as well as he does animated features. He’s obviously able to take a formidable but stale franchise to new heights with innovative and thrilling action sequences. He’s sort of made an homage to Bond movies with The Incredibles, and given his screenwriting track-record, he’d be able to balance the thrills and gadgets with engaging characters and narrative. Oh, perhaps Michael Giacchino could work on the Bond score? Now, that’d be a winning combo!


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Well, those are our choices, folks. Please vote below and if you pick ‘other’ please let us know who it is and why in the comments.