FlixChatter Review: La La Land (2016)

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Written/Directed by: Damien Chazelle
Runtime: 128 minutes

Rarely did I respond so strongly to a film’s tagline. In fact, I mostly barely notice them. Here’s to the fools who dream… well, La La Land‘s tagline speaks to me in a profound way, as essentially, I am one of those fools. Unabashedly.

Emma Stone plays Mia, an aspiring actress who works at Warner Brothers lot, serving lattes to movie stars with googly eyes. Any free time she gets she spends it on auditions. And like many other aspiring actresses like her, she gets constant rejections, and treated like dirt by casting directors. Meanwhile, there’s Ryan Gosling‘s Sebastian, a jazz musician who scrapes by playing gigs at dingy bars and Hollywood pool parties. Whilst Mia dreams of movie star greatness, Sebastian dreams of opening his own jazz club that celebrates the kind of jazz music he thinks is a dying music genre. These *fools* meet serendipitously, during a rousing opening number that harkens back to classic musicals where the actors burst into song and start singing and dancing in the midst of L.A.’s traffic jam.

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With a title like La La Land, this musical dramedy is unabashedly dreamy and stylish. It’s hard not to smile during these energetic musical numbers, though I have to admit at times my mind did wander off and my heart craved for something meaty to hold on to. Well, Damien Chazelle did give us some moments with deep emotional resonance, but it’s not necessarily from the romance. Despite the dreamy-ness of the Mia/Sebastian love story, I think the musical numbers actually take place of the emotional weight. I just didn’t quite feel the oomph of their romance, that intense longing to be together a la Romeo & Juliet or Jack & Rose (hmmm, I just realized these two stars Leo DiCaprio, I guess the guy can really sell romance!) In any case, the moment that truly got me is the audition scene where Mia sang ‘fools who dream.’ I will definitely do a Music Break of this film, though the only song I remember most is this one. I was practically sobbing watching that scene, and Emma Stone deserves all the kudos for her performance just on this scene alone. Perhaps because she identified so well with Mia’s journey, having moved to L.A. at 15 to pursue acting, that her emotion in the film feels authentic.

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As for Gosling, I think many of my blog regulars know I’m not fond of the guy. This film doesn’t exactly change my mind about him. I do think he’s good, though not nearly as strong as Stone as his co-star. I just think Gosling’s face isn’t the least bit expressive and devoid of emotion, and so to this day I still don’t get what the fuss is about him. This is the third time Emma/Ryan are paired together as lovers, and I suppose they do have chemistry, though not quite the Bogey/Bacall variety.

The movie consist of pretty much the two of them from start to finish, J.K. Simmons and singer John Legend both had small roles that are basically cameos. The talented Rosemarie DeWitt is grossly underused as well as Sebastian’s sister. Some critics point out the lack of Black characters in the movie, which as a non-White person I think it’s not always fair to expect every race is represented in every film.

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As for that ending…  SPOILER ALERT (highlight to read) It’s clever for Chazelle to have his cake and eat it too. The last 20 minute or so of the movie happens about 5 years after Mia and Sebastian parted ways. Essentially they achieved their dreams, at the cost of their romance. But it ends with a dreamy sequence of the two getting together and living happily ever after, which is what the audience would hope to happen. But for me, I’m glad they didn’t end up together, just like Roman Holiday, sometimes a bittersweet ending is one you remember most.

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The critics went wild for this movie, and I agree with some who thinks this film is way overrated. I’ve had people ask me what I think of it, as I have the poster hanging outside my office at work. I’d say it’s a frothy romance with a moving story about chasing your dreams. Emotionally speaking, it’s not exactly profound and it doesn’t quite reach the poignancy of Moonlight, but there are plenty of things Chazelle did here that deserve praise. It’s stylish and beautifully-shot, with a dreamy-like quality to it that sweeps your feet away.

The music by Justin Hurwitz is certainly one of the strongest aspects of the film, one I’d remember for years to come. Some sequences, especially that opening number, is truly lovely. I also love the creative use of props for locations such as Paris, which enhances the fantastical nature of the story. It’s also nice to see such a gorgeous film that is not just style over substance.

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Have you seen La La Land? What did you think?

Daniel Day Lewis’ new musical NINE

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Daniel Day Lewis and his band of babes (click on the image to see a larger version)

Nine seems to be the lucky number in Hollywood this year. There’s that recent sci-fi indie-blockbuster set in South Africa, the animated feature film voiced by Elijah Wood and Jennifer Connelly set in post-apocalyptic world, and just in time for Thanksgiving, there’s NINE the musical!

The description on Apple trailers’ page says: NINE is a vibrant and provocative musical that follows the life of world famous film director Guido Contini (Daniel Day-Lewis) as he reaches a creative and personal crisis of epic proportion, while balancing the numerous women in his life including his wife (Marion Cotillard), his mistress (Penelope Cruz), his film star muse (Nicole Kidman), his confidant and costume designer (Judi Dench), an American fashion journalist (Kate Hudson), the whore from his youth (Fergie) and his mother (Sophia Loren).

Rob Marshall, who got an Oscar nomination for Chicago, directed and co-choreographed  the film, and the late Anthony Minghella (The English Patient) co-wrote the screenplay. The story is based on Arthur Kopit’s book of the same name, which was derived from an Italian play by Mario Fratti inspired by Federico Fellini’s autobiographical film . The original 1982 Broadway production with music and lyrics by Maury Yeston, won five Tony Awards including Best Musical.

Taking over from fellow Oscar winner Javier Bardem (No Country for Old Men), who dropped out of the project, this looks like every actor’s dream role. I don’t think I’ve seen this many famous actresses involved in one movie, many of which have bagged at least one Oscar. Judging from the trailer, it looks mah-velous! It’s the kind of movie to escape to and just be lost in the music and dancing. Daniel looks great as usual, you can throw this guy into pretty much any genre and he’ll dazzle you, that’s just how talented this guy is. I’m not a huge musical fan per se, but with a cast like this, it’s definitely a must-see for me!