Happy almost Friday! It’s TMP time! The Thursday Movie Picks blogathon was spearheaded by Wandering Through the Shelves Blog.
The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… Psychological Thrillers.
This is a very popular sub-genre and I’m actually surprised how many I’ve seen. This time I’m going with a theme-within-a-theme so I’m picking mostly those with a strong female lead, and three out of four leads are nominated for Oscars. Here they are in the order of release:
Sleeping With The Enemy (1991)
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
I saw this the year it was released with my older brother, my cinema buddy at the time as I was still in high school in Jakarta. Given Indonesia didn’t have regulations like MPAA, kids of any age could pretty much see any R-rated movies. I even saw risqué stuff like Basic Instinct, 9-1/2 Weeks, Wild Orchid, etc. in the theater, with my brother, no less!
In any case, I remember this movie being quite suspenseful. I still remember when Julia Roberts‘ character pretended to drown so she could change her identity from her possessive husband. Just a year after Pretty Woman was released, she’s definitely flexing her dramatic muscle and I think she’s pretty good here. Patrick Bergin made for a pretty scary villain who’d stop at nothing to get his wife back.
Primal Fear (1996)
An altar boy is accused of murdering a priest, and the truth is buried several layers deep.
I’m breaking my theme-within-a-theme of movies with a female lead, as I really wanted to include this film!
This might have been the first time I saw Edward Norton on screen, which happens to be his feature film debut. The main draw for me was Richard Gere as the Chicago defense attorney who takes on the case pro bono. It’s a role that fits Gere nicely and I think he’s a more versatile actor than people give him credit for. But the star here is definitely Ed Norton who apparently beat out over 2000+ actors who auditioned for the role of Aaron Stampler, including Matt Damon.
It turns out to be a career-making role that earned him a Best Supporting Actor Oscar nomination and Golden Globe win. I think he was scary good in this role… his shy mannerism, stammer, etc. feels believable and like Gere’s character, you wanted to believe he’s innocent. This movie’s got one of the most chilling ending a la The Usual Suspect.
Pedro Pascal stated in a 2014 interview that his first ever audition was for the role of Aaron Stampler.
Black Swan (2010)
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky’s “Swan Lake”.
I’m a huge fan of ballet and even took some ballet lessons as a kid. I even remember going to see a Russian Ballet performance of Swan Lake in high school and met some of the male ballerinas backstage. There’s something so alluring and mystical about this graceful dance that takes such an insane amount of rigorous training and unrelenting dedication.
It’s a perfect subject matter to exploit for Darren Aronofsky, a filmmaker with a predilection for dark, disturbing films. It’s perhaps one of Natalie Portman’s most memorable roles since Léon: The Professional and V For Vendetta. I think her Oscar win is well-deserved, though I think Vincent Cassel‘s haunting performance is also pretty Oscar-worthy. Barbara Hershey as her dominating mother and Mila Kunis as her rival ballerina are also memorable, I particularly remember Kunis being quite the comic relief in an otherwise somber and unsettling affair.
Natalie Portman met her future husband, choreographer Benjamin Millepied, on the set of this film. Portman herself pointed out the irony that his character in the film scoffs when asked if he’d have sex with Nina, and joked that obviously he was a good actor.
Gone Girl (2014)
With his wife’s disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it’s suspected that he may not be innocent.
I was already familiar with Rosamund Pike as she’s one of the Bond girls in the godawful Die Another Day, Jane in 2015’s Pride & Prejudice, as well as supporting turns in An Education, Jack Reacher, etc. She’s always been good but she’s exceptional here in an Oscar-worthy role. David Fincher + Gillian Flynn colab is certainly the perfect ingredient for a solid thriller, and Fincher was on a streak as most of the actors kept getting nominated for Oscars under his direction. I was rooting for Amy the whole time, even after the reveal of what she did, which is a testament to Pike’s amazing performance as an antiheroine.
The supporting cast is an interesting mix. Ben Affleck‘s casting is perfect here as a handsome, somewhat charming but not-so-bright husband. Then there are Tyler Perry (who I had never seen before on screen at that point) and Neil Patrick Harris. I’m still baffled by Harris’ casting to this day, especially for a scene so sexual and bloody.
Ben Affleck would constantly sing ’80s songs in between takes. Impressed, Tyler Perry decided to start a game that ended up lasting the entire duration of filming. Perry would start to sing the most random song he could think of to see if Affleck would start singing along. According to Perry, Affleck knew all of the words to every single song Perry threw at him, including Broadway showtunes and songs by Barbra Streisand.
What do you think of my picks? What are YOUR favorite psychological thrillers?