Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen.
Though I enjoyed the first movie, it wasn’t as if I was clamoring for a sequel. But hey, not all sequels are inherently bad. I loved it so much that when I got home, my hubby and I actually re-watched the first Paddington. You know what, this sequel actually surpasses the original!
I love that writer/director Paul King gave the ever lovable bear an enchanting backstory and here we’re reminded once again where he came from (Peru) and how he got his genteel manner. “If you’re kind and polite the world will be right,” that’s his mantra, which is something everyone of us should live by. This movie has sooo much heart and the kind of British humor that really tickles my fancy. All the shenanigans he runs into in various jobs are hysterical, the barbershop and window-cleaning scenes had me in stitches. But the best scene is definitely in prison, and Brendan Gleeson is a riot as the fearful prison cook with a fun name, Knuckles McGinty.
But the real scene-stealer here is Hugh Grant who embraces his brilliant comic timing and puts it to good use. He plays Phoenix Buchanan (another fun name!), a has-been theatre actor who’s now relegated to doing dog food commercial. The various disguises are hilarious, hard to pick a favorite though the nun-scene is a particularly memorable one. It makes for some fun AND funny action scenes as Paddington has to retrieve the stolen gift for his aunt Lucy, as well as clear his name.
The Brown family (with Sally Hawkins and Hugh Bonneville reprising their roles as Paddington’s adoptive parents) are fun to watch as well. It’s amusing to see the incredible range of Hawkins’ acting ability in two extremely different performances (the other one is in The Shape of Water) in the span of a single week. I love how no scene is wasted in this movie, even the seemingly-throwaway scene of each family member’s new hobby has a purpose later in the movie. Julie Walters is always a hoot as Mrs. Bird, oh and one of my fave comedians Richard Ayoade also made a cameo!
In the end, the star of the show has always been Paddington himself, voiced brilliantly by Ben Whishaw with his wonderfully soothing voice. It’s a VERY British movie and so of course the Anglophile in me loved every moment. This jolly good fun ride is accompanied by a lively score by Dario Marianelli (whose Pride & Prejudice is my listening staple). A thoroughly joyful experience, this is one franchise I hope will keep on going.
*Yep this one gets a rare perfect score from me, I can’t find a single thing wrong w/ it!
Have you seen Paddington 2? Did you love it as much as I did?
To be honest with you I hadn’t paid much attention to this franchise. Yes I enjoyed the first movie but I wasn’t clamoring to see the sequel. But once I learned that Emma Thompson had written the script, well it changed everything! Her Oscar-winning script results in one of my fave film of all time, the 1995 Ang Lee’s version of Sense & Sensibility. This one also has a Jane Austen connection. Obviously w/ the main male character named after her most famous hero Mr. Darcy, but it’s also got Gemma Jones who played Emma’s mother in S&S as Bridget’s mom.
In any case, we’ve got the bumbling-but-charming heroine back and Bridget is still as endearing as ever. Renée Zellweger remains committed as she was twelve years ago in Bridget Jones: The Edge of Reason, it’s definitely the role she’ll be most remembered for. As the film starts with the song ‘All by myself’ we know immediately what state of mind she’s in, celebrating her birthday all by herself. It’s like a bus, you wait for one for weeks and suddenly two arrive at the same time! So, as luck would have it, within a week Bridget ends up running into a new guy Jack (Patrick Dempsey) and her beloved ex Mark Darcy (Colin Firth) who’s now married to a woman named Camilla. When I said *running into* these two guys, of course it involves more than that as our protagonist got knocked up.
The film pretty much revolves around the question ‘who’s the father?’ Don’t worry, I wouldn’t spoil it for you, though even if you do know who it is, it’s not really going to spoil the movie. The ongoing rivalry between Jack and Mark isn’t as explosive as the ones between Mark and the dastardly charming Daniel (played Hugh Grant), but it’s still pretty fun to watch. It’s interesting how Bridget first saw Mark in this movie at Daniel’s funeral, where they stole glances at each other. Of course Bridget Jones movies has always had a Cinderella fantasy aspect, but they turned it up a notch in this last one. It’s certainly fairy tale territory when you’ve got a hot, rich guy falling for you after witnessing you fall smack dab into a mud, never mind the fact that she wore dainty kitten heels to a Glastonbury music festival!
I think the funniest bits involve Emma Thompson as Bridget’s OB/GYN, especially when she realized Bridget didn’t know who the baby daddy is. I wish she had more screen time as she’s always a hoot to watch. Whilst Thompson is new to the franchise, director Sharon Maguire is back again after directing the first Bridget Jones movie. I’d say this movie still delivers (pardon the pun) the laugh from start to finish, even if the movie itself might be uneven and some of the jokes feel past its sell-by date (Gangnam style? Hitler cats??) It’s ironic given the character actually says those exact words in the movie. But when the jokes are spot on, it’s thigh-slappingly hilarious. From the scene in the birthing class to the moment the two guys have to take turns carrying her to the hospital, they had me in stitches. The slapstick comedy involving a heavily pregnant Bridget and a revolving door is a moment of comedic gold. There’s also an amusing bit when Bridget and her anchor friend Miranda (Sarah Solemani) ended up bringing the wrong guest on the air for their cable news program. I certainly find myself laughing much more watching this than another female-centered British comedy Absolutely Fabulous.
Zellweger’s still fun to watch as Bridget, even though her looks has changed so much since the last movie. It’s not a criticism of how Reneé looks at all. It’s just an observation that she might’ve done something to her face, and a testament of the pressure for actresses in Hollywood to defy aging. Dempsey as the new guy is quite a pleasant surprise to me, as I’m not his biggest fan of McDreamy. He’s actually got some comedic chops and his Jack is quite a contrast to the stiff-upper-lip Mark. Firth’s certainly got that perpetually-exasperated expression down pat ever since he played Mr. Darcy in 1995! He’s still Bridget’s ‘knight in shining armor.’ There’s even a scene of him coming through the fog in his long overcoat to *rescue* the damsel in distress, well it’s just Bridget being locked out of her own apartment. It’s so ridiculously over-the-top but in a cheeky kind of way.
The supporting cast is great all around, from Bridget’s parents (Jim Broadbent and Gemma Jones), and her trio of friends (Sally Phillips, Shirley Henderson and James Callis) are all back albeit briefly. There’s a funny cameo in the beginning of Ed Sheeran but I actually didn’t recognize him as I don’t really listen to current pop music.
I laughed quite a bit watching this, so all things considered, this sequel is still riotously entertaining. The cast look like they’re having fun with this, especially Zellweger herself who’s still fun to watch as Bridget. I still think sequels are generally extraneous, but if you’re gonna do one anyway, better make it worth your while. I actually don’t mind watching this again when it’s out on rental, it’ll make for a fun girls’ movie night 😉
Have you seen ‘Bridget Jones’ Baby’? Well, what did YOU think?
I have to admit that I didn’t know this film was in the works until I saw it on the press screening list. I had listened to Kenneth Turan’s review of the French film Marguerite on NPR, which is also a biopic of a wealthy woman who loves music and the opera but is delusional about her singing ability. In this film, the title role Florence Foster Jenkins (Meryl Streep) is a New York heiress who’s always dreamed to play in Carnegie Hall.
In the press screening I attended, there were quite a few members of the MN Opera, and so the audience responded very well to the movie right from the start. It begins with Hugh Grant‘s character, St Clair Bayfield, acting on stage. Then suddenly we see Jenkins descending from the ceiling, suspended on a rope, decked out as a naughty Valkyrie. She goes home with her husband Bayfield, who lulls her to sleep with a poem, but their marriage is more like an act, as they live separate lives. Bayfield lives with his beautiful mistress Kathleen (Rebecca Ferguson) who tolerates this arrangement to some degree. But it’s clear that Bayfield genuinely cares for his wealthy wife and he dotes on her. He’s the one who protects her reputation and sustains her life in a bubble so to speak.
The film’s funniest moments involves Jenkins’ accompanying pianist, Cosmé McMoon (Simon Helberg), whom she hired on the spot. The shy young man couldn’t believe his luck, earning $150 a week is more than he’d ever expect. But soon he finds out what it actually entails to work for miss Jenkins. Helberg’s expressions the first time he heard Jenkins sing (if you could even call it that) is simply priceless!! He did whatever he could not to burst into uproarious laughter and it was a hoot to watch.
The rest of the movie is pretty much an elaborate scheme to shield Jenkins from criticism. The Carnegie Hall is closed to the public, as Bayfield goes out of his way to only invite friends and those he could bribe. No doubt critics aren’t allowed to attend, as he knew an honest review would crush Jenkins. British filmmaker Stephen Frears is no stranger to directing biopics starring seasoned actresses (The Queen, Philomena) and he did a splendid job once again. This film is definitely more comedic than the two I mentioned, and the laughs just keep on coming. The humor doesn’t simply rely on an elderly woman singing off key, but I’m fully invested in the whole ruse of keeping Jenkins inside her bubble. It’s funny but also a poignant and heart-warming drama, boasted by a terrific performance by the three main cast.
Streep is an acting virtuoso, and she did all her own singing here, which must have been a challenge as she’s actually a pretty good singer. Helberg is quite the scene stealer, as he’s in all of the funniest bits in this movie. I’ve never seen him before but he’s definitely a gifted comedian. But it’s Grant who’s quite a revelation here with his heartfelt and understated performance. He made me believe that Bayfield’s love for Jenkins is genuine and that he’s not just a gold digger taking advantage of a wealthy senior citizen. All the quiet moments of him and Streep pack an emotional punch.
It’s hard not to root for Jenkins despite her delusion of grandeur. I found myself being swept away by her and this movie. I love the look of this movie too, with beautiful 40s set pieces and costumes. It’s a lovely crowd pleaser that will make you want to get up and cheer. I saw this the day after Suicide Squad, oh what a perfect palate cleanser this turns out to be! The protagonist may be off key but the film certainly is not.
Have you seen ‘Florence Foster Jenkins’? Let me know what you think!
Well there goes the weekend… it seems to fly by so fast as it always does. I’m super excited for my upcoming trip to Montréal next week, we’ll be there for four nights and then three nights in Québec City. The Airbnb flats we’ll be staying at are gorgeous and they’re both right downtown too! I’ll be doing a Canada-related post next week just before my temporary blogging hiatus.
Well, this weekend I ended up watching quite a bit of movies! Two of them are ones I thought I had seen before, but when I saw it I realize I had not seen them. Have that ever happened to you? Maybe it’s my hapless memory playing tricks on me, as I remember some scenes vividly but maybe I just saw clips of them a long time ago. Anyway, here’s my quick thoughts on those films.
Great Expectations (1998)
Somehow I didn’t realize this Charles Dickens’ modern adaptation was directed by Alfonso Cuarón. Believe it or not but I’ve never read Dickens’ novel but I knew they had made a ton of liberties with this adaptation, even changing the protagonist’s name from Pip to Finn and instead of becoming a wealthy Gentleman, he became a successful artist. But the essence of the story remains, as was the plot about unrequited love between Finn and Estella (Ethan Hawke & Gwyneth Paltrow).
I think both are perfectly cast. Hawke’s got that pinning look down pat every time he looks at Paltrow, and she definitely captured that ‘icy rich girl’ aura. The entire ensemble is stellar, with Chris Cooper, Anne Bancroft, Robert De Niro rounding up the cast. The cinematography was gorgeous and of course when I looked it up it was done by the genius Emmanuel Lubezki. My favorite part is definitely the music by Patrick Doyle which I have highlighted in this post.
I think the film itself was good but not as great as I had hoped considering the talents involved. It does make me want to see the more conventional adaptation set in the same era as it is in the book, thankfully there’s the 2012 BBC version with Ralph Fiennes and Helena Bonham Carter on Netflix!
About A Boy (2002)
I seem to have a distinct memory of having seen this one so I might have a long while ago but my memory of it is scant so it feels like I had just seen it for the first time. This is a coming-of-age story with a twist as the 12-year-old Marcus is the one who helped 38-year-old Will grow up.
Hugh Grant is wonderful as Will, a cynical, immature young man who holds no job whatsoever and is living off of the royalty of her dad’s famous Christmas song. It’s so cute to see Nicholas Hoult as a dorky kid back then, as he’s now grown up to be a tall and good looking young man. I love the two female cast here too, Toni Collette as Marcus’ unstable hippie mom and Rachel Weisz as Will’s love interest.
Based on a novel by Nick Hornby and directed by brothers Chris & Paul Weitz, I really enjoyed this one. Yes there are predictable moments throughout, but it’s got genuine humor and a big, big heart.
Under the Cherry Moon (1986)
Now, I saw this one simply because Prince had directed AND starred in it. My pal Becky (Prairiegirl) lent me the dvd she rented from Netflix and though the movie’s *won* a bunch of Razzies, I simply had to see it out of sheer curiosity.
Gigolo Christopher Tracy (Prince) and Tricky (Prince’s real-life pal Jerome Benton) are two friends from Miami who’s scamming rich women in the French Riviera. But of course Christopher and Mary, one of the girls he was supposed to scam end up falling in love. The story is so cheesy and inherently silly, but it’s still amusing to watch simply because it’s Prince!
As a huge fan of Kristin Scott Thomas, it’s also fun to see her in big screen debut at the age of 26. She looked so gorgeous and fresh, and though she and Prince didn’t really have a good chemistry together, the moment the two characters saw each other for the first time was quite a hoot. She was draped in a bath towel in the middle of her own lavish birthday party and Prince was dressed in one of his extravagant suits that shows his lower back.
Though I can’t say it’s a good movie, I still think it’s quite watchable and you could even say this is one of those so-bad-it’s-good variety. There are scenes of Prince playing piano, singing and dancing, so it’s definitely well-worth a watch for his fans. Though he did direct another feature film after this one (the sequel to Purple Rain), I’d say filmmaking wasn’t really his forte. Even Kristin herself didn’t speak kindly of this movie (per IMDb trivia) and I can’t say I blamed her. Oh, apparently Terrence Stamp was going to play Kristin’s dad but he was replaced by Steven Berkoff (Bond nerds like me would know him as a Bond villain in Octopussy).
All in all I didn’t regret watching this one. The retro costumes and Mediterranean scenery are beautiful. Apparently it was shot in color but presented in black & white.
Besides these three films, I also rewatched Captain America: Civil War again in IMAX 3D and I actually like it even more. I appreciate the stuff I enjoyed from the first viewing even more so this time around, and I wasn’t as bothered by the slow start.
So what did YOU watch this weekend? Anything good?
I saw this at a very early press screening three weeks ago but there was an embargo to even tweet about it. By now I could barely remember much about Guy Ritchie’s movie, but if I were to describe it in one word, it’d be frothy. Just like Mission Impossible, this movie is based on a 1960s TV series of the same name. I actually never watched it, but basically U.N.C.L.E. is an international counter espionage agency, and the acronym stands for United Network Command for Law and Enforcement.
Ritchie certainly got the retro look right for The Man from U.N.C.L.E., just as he did with Sherlock Holmes‘ Victorian London in the 1800s. In fact, the style is the only thing going for this movie – from the exotic Mediterranian locales to the extremely good looking actors wearing those stunning 60s clothing. Henry Cavill and Armie Hammer play enemies-cum-partners, CIA agent Napoleon Solo and KGB operative Illya Kuryakin, respectively. They reluctantly have to work together on a mission against a mysterious criminal organization. It’s set during the Cold War so naturally the [clichéd] plot has to involve nuclear weapons proliferation. It only seems alarming on paper but given the humorous tone of the movie, you’re not supposed to take any of it seriously. The movie has a deliberate Bond vibe but perhaps more in line with the mischievous spirit of Roger Moore’s era.
Ritchie has experience with bromances, pretty much every film he’s done from Lock, Stock and Two Smoking Barrels, Rocknrolla to his latest Sherlock Holmes with Jude Law & Robert Downey Jr. has bromance elements. I think Hammer and Cavill have a decent chemistry, though not as effortless as Law and RDJ, and neither has quite the star power. As much as the two male mannequins are gorgeous to look at, unfortunately they’re as bland as a Minnesota hot dish. [Actually, it’d be an insult to my home state’s cuisine as I actually think tater tot hot dish is pretty tasty!]. I suppose there’s not much the actors can do when their characters are only as deep as a cardboard cutout. They give each of them a backstory of sort, i.e. Solo was a criminal before he was a spy, but still the characters are pretty much one dimensional.
Ritchie assembled an International cast for this movie which results in an amusing hodgepodge of accents. We’ve got a Brit playing American (Cavill), an American playing Russian (Hammer), a Swede playing German (Alicia Vikander) and an Aussie playing Italian (Elizabeth Debicki). Not to mention Irish actor Jared Harris (son of the late Richard Harris) doing his best Texan drawl as Cavill’s CIA boss. Overall the actors did okay with the accents, though Hammer’s Russian accent is quite hilarious and rather distracting. I guess I find Russian accent even coming from Russian actors as amusing because it always sounds so exaggerated. Thankfully Hugh Grant as the leader of U.N.C.L.E. sticks with his own British accent.
I really want to love this movie and I have to admit there are some fun moments and the setting and costumes are fun to look at. But overall, no matter how pretty the package is, it can’t really fix a hollow story. I think Ritchie aims for cool escapism from the dreaded Summer heat, but really, it wouldn’t hurt to inject just a teeny bit of substance into the whole glamorous affair. It feels like watching a two-hour retro fashion commercial, with ocassional gadgetry and gun play that never feels even the least bit threatening. The quota of beautiful people is off the charts, even David Beckham has a cameo and we’ve got Italian model Luca Calvani as Debicki’s sidekick.
I was impressed with Debicki in The Great Gatsby but she’s barely given anything to do here, I think Vikander’s character fares a bit better but barely scratching the surface of her talent considering what she could do in Ex Machina. I have to mention that even though Cavill is a beautiful man built like a Greek god [I mean he IS Superman], I find him lacking in virility on screen. He doesn’t quite have that sparkle in his eye that make him belieavable as a ladiesman, to me anyway, I have a feeling a lot of ladies would disagree.
One thing I find distracting is the music that’s overused or used in an overblown way that it becomes a sensory overload with all the frenetic CGI action. There is one particularly funny scene when Solo nonchallantly watches Kuryakin fights for his life in a speedboat chase whilst he snack on a sandwich he found on a parked truck. But for the most part, all the action is forgettable as you could barely invest in the story. I’m not saying The Man from U.N.C.L.E. is a bad movie, but it’s the quintessential style over substance. There’s a not-so-subtle hint of a sequel at the end but I don’t think there’s enough going for it even for a single movie.
Have you seen Man from U.N.C.L.E? Well, what did YOU think?
Hello everyone!So I’m kinda back from vacation though I haven’t blogged a single thing since I’m back, well except for this post. I’m hoping to start in the swing of things and write reviews again before I forget how, ahah. I have like five reviews I still have to write hopefully by end of the month. I literally had to write a note on my phone last night which movies I saw in the last three weeks that I haven’t reviewed yet:
The Water Diviner
The Woman in Gold
Far From the Madding Crowd
We’ll see which one I’m in the mood to write next 🙂
Ok so, the Florida trip… well it was a blast!! We pretty much got to everything we set out to do, except for Disney’s Animal Kingdom as the forecast said it might rain that day. So here’s my recap:
We kinda started late in the day and it was about an hour drive from our hotel in Tampa. By the time we got there it was mid afternoon and the place was packed!! We didn’t swim – I’m actually not a big ocean swimmer, if I want to swim I’d hit the pool – but we did walk around barefoot on the soft, white sand beach and dip our feet in the ocean to cool off.
I’m so glad we managed to fit in this small Greek town about 40-min north of Clearwater. It’s such a picturesque little town with a small harbor. The town has the highest percentage of Greek Americans of any city in the US and the historic downtown is lined with Greek restaurants/bars and shops. We had one of the best Greek food for dinner with one of the best views!
Just one of the cute little shops lining up the downtown area
The cute harbor of Tarpon Springs
Time for a selfie
A sponge diving mural
Wish we had caught a trolley whilst we’re there
Lovely breeze by the harbor
Best Greek dinner ever!
NASA Kennedy Space Center
On our way to Orlando from Tampa, we fit in a visit to the Kennedy Space Center. There wasn’t a crowd at all on Sunday so it was perfect.
We took on a bus tour around the vast NASA facilities, including some of the rocket launch sites at Cape Canaveral. We didn’t get inside the VAB building though, just went around it. It didn’t seem THAT big but apparently you could fit three Empire State Buildings comfortably inside this, wow!
My favorite part is the new Atlantis exhibit. I think if you’re a space nut or someone who’s really into sci-fi would get a kick out of this one.
The ATLANTIS program at the Kennedy Space Center was really cool! This trip made want to rewatch Apollo 13 again. pic.twitter.com/VdsGmvKH1D
Universal Studios – Wizarding World of Harry Potter
Monday was Harry Potter day! We could see the Hogwarts Tower from our hotel window as Universal Studios is only about a mile away.
The place was packed and it was well worth getting the Park-to-Park tickets so we could get to both Harry Potter sites: Hogsmeade and Diagon Alley. The latter is no doubt my favorite and it’s a bit cooler in there. We spent the most time at Diagon Alley and we had lunch at Leaky Cauldron in which was a rustic tavern like place with a kind of a communal seating area with long tables and benches.
One of the highlights was definitely riding the Hogwarts Express itself that takes us from Hogsmeade right to Diagon Alley!
Gringotts Bank’s grand marble lobby w/ lifelike goblins
The always busy BUTTERBEER attendant
The lovely & helpful Hogwarts attendant
Diagon Alley Arts Club
Magic wands! Every type of wands you could ever want!
Inside The Leaky Cauldron restaurant
I’m quite impressed with these two parks. Seems that they went to great lengths in creating a fun experience for HP fans and paid attention to the small details from the architecture, down to the food and beverage – those BUTTERBEER seems to be quite a hit! I especially love the architecture of Diagon Alley with all the shops. I’m not as huge a fan of HP to fully appreciate every detail but I still enjoyed them. The only disappointing thing for me was there’s nothing on Snape at all, not a single statue or even Snape-related souvenir item. Trust me, I actually asked a couple of people about that.
Second best part of the HP experience is the Escape from Gringotts ride. It’s my fave ride of the entire Universal Orlando, and we went to about five of them including the Transformers and Spiderman rides. The wait was the longest too, but the inside of the ride was beautifully decorated and as you entered the Gringotts Bank, there were lifelike goblins working at their stations and sometimes they look up from their papers to stare at people waiting in line. Creepy but fun!
If you’re ever in the Universal Walk area, make sure you stop by The Crowfish which is a fusion type bar/restaurant for their awesome sushi and burger fusion dishes. I actually had the delicious Bento box and my hubby had sushi w/ burger meat that’s absolutely smashing! Great ambience too, definitely our favorite restaurants from the entire trip!
On our last day in Orlando, we just spent our time in Downtown Disney. Now that we think about it, we really should’ve gone to Animal Kingdom instead as the rain was kind of sporadic anyway.
It’s kind of disheartening to see all the bastardization of the Star Wars paraphernalia. I mean, they basically added Mickey Mouse ears to most of the iconic SW characters. Needless to say, we didn’t buy anything at the plethora of Disney stores.
Movies/TV Watched During Vacation
I only had time to watch stuff on the plane or when we’re bat at the hotel.
Nazi/Hitler documentary on American Heroes Channel
It’s a rather dark subject to watch during vacation but my hubby ended up watching a couple of hours worth of Hitler documentary, mostly concentrating on his youth and how he became the monster that he was. It’s more of a re-enactment documentary, not just talking heads. Interesting though that it’s in a channel called American Heroes (??)
I saw this on the plane and mostly because I love Marisa Tomei. It actually turns out to be pretty good for a rom-com. I mean it’s kinda predictable but sweet, and it was rather fun seeing Hugh Grant poking fun at his previous roles as a Jane Austen hero. Not a bad rental if you like this kind of stuff.
I can’t help rewatching this one on the plane ride back. It just always puts me in a good mood. Funny but Let It Go is actually my least fave song of the whole movie! Olaf’s In Summer song however, never fails to put a smile on my face!
SHOWTIME’s Penny Dreadful Season 2 (2 episodes)
I don’t know which episodes they are but since I’ve read a few articles/reviews on the show (yes because of Timothy Dalton’s involvement), I pretty much knew what the show is about. Boy is it ever terrifying, I don’t think I could watch this alone in my basement without my hubby in the room. The violence is really quite brutal and the satanic stuff is REALLY creepy, but the production design is top notch. Seriously they threw money at this show like nobody’s business, they certainly don’t skimp on the set, costumes, ambience, etc.
Hope I didn’t bore you with my recap folks… So how’s your week been, seen anything good lately?
I haven’t done a Music Break post in a while but today I might as well hit two birds with one stone to highlight Richard Curtis. Today the British writer/director turns 57 and his time-travel rom-com About Time starring Domhnall Gleeson & Rachel McAdams opens today in the US as well, so I thought why not highlight some of the music from his films.
You could say Mr. Curtis is the King of British Rom-Com, he’s also the man behind great comedic shows like Blackadder and The Vicars of Dibley (my personal fave). He often works with Rowan Atkinson (Mr. Bean) and Hugh Grant, in fact, all of the films I highlighted here have Grant in them! His films are quintessentially British, filled with wacky British humor and cultural references which I really enjoy, but another thing I love about his movies are the great soundtracks.
Here are five from some of my favorite movies written/produced by Richard Curtis:
She – Notting Hill
I’ve never even heard of Elvis Costello’s music before this one but I LOVE, LOVE this song and I like how it plays in the beginning to sort of introduce Julia Roberts’ movie star character. It has such sweet, melancholic melody that
Ain’t No Sunshine When She Goes Away – Notting Hill
The song choice is just perfect for this scene, it’s as if R&B star Bill Withers knew exactly what broken-hearted William (Hugh Grant) is thinking at this moment as he goes through each season missing his sweetheart Anna. I’m not a huge fan of Hugh Grant generally but too is perfect for this role.
Love is All Around – Four Weddings & A Funeral
I remember playing this song over and over when this film first came out. The song was originally recorded by The Troggs but in this soundtrack it was performed by Scottish band Wet Wet Wet. Apparently it was so popular it remained at number 1 in the British charts for fifteen weeks and was then the ninth biggest selling single of all time in Britain (per Wikipedia). Playful and romantic, just like the movie!
PM Love Theme – Love, Actually
There are a lot of great themes in this film, I also love the Glasgow Theme but this one has such a swooning quality about it but not in an overly sappy way. It has such a rousing and ‘stately’ feel about it too that fits the fact that Hugh Grant’s character is a British state leader.
Have You Met Miss Jones? – Bridget Jones’ Diary
I initially didn’t realize that this song’s part of Bridget Jones’ Diary. I LOVE it, it’s so my kind of music as I was just telling Michael and Jack in this awesome music post. I had no clue that swing jazz is Robbie Williams’ genre, I thought he’s more of a pop star. Originally sung by Sinatra, of course it’s tough to beat the real deal, but still, it’s a lovely song that I can listen to over and over.
Hope you enjoyed the Music Break. Which Richard Curtis’ movie(s) are your favorites?
It is not often that I am invited to opine on a director who makes his films and tells his and others’ stories his own personal and very unique way. Often to the betterment and occasionally to the detriment of the viewing audience.
With legendary accomplishments to his credit, The Fearless Vampire Killers, Rosemary’s Baby and Chinatown to his credit. And all possessing his own special, sometimes annoying oblique view in key scenes. I would like to steer a bit off course to one of the director’s later films. Medium in budget and length, though filled with romantic and occasionally creepy backdrops of Paris, the city of lights, a Mediterranean cruise to Istanbul, and later, India. Allow me to ask a few moments of your time to introduce:
Roman Polanski at the reins: Bitter Moon (1992)
Which centers around a very prim and proper British couple. Hugh Grant and Kristen Scott Thomas as Nigel and Fiona Dobson. Honeymooning on said Mediterranean cruise. Relishing each others’ company. Meeting other passengers and enjoying their company while dining and dancing. As they meet Mimi. A voluptuous and seductive french woman. Played to the hilt by Emmanuelle Seigner. And her much older American and paraplegic husband, Oscar. Brought creepily to life with an extra sheen of slime to spare, by Peter Coyote.
To say that failed writer, Oscar is not a happy camper would be gross understatement. A lecher of high magnitude. Denied through an accident to pursue his often raunchy proclivities. Blessed or cursed with the gift of reading people instantly. Finding their weak spots and subtly applying pressure to get what he wants is an art. And Oscar is a master. Leaving both Nigel and Fiona off put and glad to be rid of them as the evening wears down.
But. as a bad penny. Oscar and Nigel’s paths cross again. Invited to Oscar and Mini’s cabin for a very enticing, fetish laden “joke”as Oscar proceeds to experience vicariously and through voyeurism, what the accident has taken away.
And there is a story behind that accident. That is relayed to Nigel as Oscar weaves a tale of love at first sight when glimpsing Mimi for the first time on a Paris bus. Mimi leads Oscar on a merry chase through sidewalk cafes, after hour bistros and rather seedy, less than Michelein rates hotel rooms. Where love blossoms and Oscar and Mimi begin experimenting with limits as bondage, sadomasochism and voyeurism are dabbled with. Then plunged deep into. With Mimi being surprisingly imaginative while reveling in her submissive role.
Oscar has discovered his Fountain of Youth. With no bottom to the well of his elegant, sophisticated depravity. Until a sultry post experiment argument ensues inside Oscar’s Peugot parked just outside a busy street. Mini exits onto the sidewalk. And Oscar flings open the right hand, driver’s side door. Steps out. And in a instant worthy of Warner Brothers, Wile E. Coyote and the Road Runner. Is hit by speeding delivery truck.
The tide turns in an instant. With Mimi “taking care” of Oscar and his still strong, though vicarious desires. Paying off in jealousy aimed at Oscar’s impotence as Mimi pursues her new, dominant desires. While Nigel and Fiona are slowly seduced and drawn in.
I’ll leave it right here for spoilers sake.
Now. What Makes This Movie Good?
Experiencing Roman Polanski delving into sensitive areas usually left untouched. Offset and highlighted by the romance of a lush and scenic cruise. While setting inescapable boundaries within the confines of a ship at sea.
Placed in the competent, deft and more than charming when need be hands of Peter Coyote. Who has rarely been better. Watching him work his way under Nigel’s skin in a collage of arrogance, knowing and a tinge of pity near mesmerizes. While Emmanuelle Seigner looks seductively, temptingly gorgeous without saying a word. A heady brew, indeed. In an adult themed film that may not be for everyone.
What Makes This Film Great?
Hugh Grant. Well grounded and just before being “discovered” in the US. Taking on half of an archetype role while underplaying it marvelously with Kristen Scott Thomas.
Was their “chance meeting” with Mimi, chance at all? Why them? Are Oscar and Mimi looking for friends, play mates, or suckers for a long con? One doesn’t really know, because Polanski, being Polanski only lets you see and hear what he wants you to see and hear (The muted, discussion scene from Rosemary’s Baby) what he wants you to see and hear. And this film has more than its share. And is better for it.
All aided by sunny skied and rain damp street on location Cinematography by Tonio Delli Colli. Who makes romantic backdrops and scenery even more romantic. While being aided and reinforced by an original soundtrack from Vangelis.
It’s time for another character spotlight since I slacked off last week. The first one in the series was on the amazing-yet-under-appreciated British actor Rufus Sewell, and this time I’m featuring another Brit, actress Kristin Scott Thomas.
Please note: this post may contain spoilers
This fabulous British rom-com Four Weddings and a Funeral pretty much launched Hugh Grant’s Hollywood career. The floppy-haired, stuttering Londoner became an instant heartthrob and the movie itself garnered critical acclaim, including two Oscar nominations for Best Picture and Best Original Screenplay, and was a hit with audiences the world over. In fact, according to IMDb, it was the highest-grossing British film in cinema history with worldwide box office in excess of $260 million.
I’m not surprised it was such a hit as it really a charming film with the wittiest script and great performances. It’s an unconventional love story between a commitment-phobe Charles and an American woman Carrie (Andie MacDowell) that spans through… well, what the title says. Throughout their journey, Charles is always surrounded by closest group of friends, who – with the exception of the happy gay couple Matthew and Gareth – are all looking for love of their own. Amongst them, one really stood out to me is the quietly-suffering girl with a massive crush: Fiona. Before I get to the character, let me just say that I’ve always admired Kristin Scott Thomas, the 50-year-old actress always delivers top-notch performances in everything I’ve seen her in: The English Patient, The Horse Whisperer, Life as A House, Gosford Park, and Easy Virtue, among others. Most recently she garnered a BAFTA and Golden Globe nominations in the drama I’ve Loved You So Long.
Though the story is focused on the somewhat topsy-turvey romantic journey of Charles and Carrie, it’s the side story of Charles and Fiona that leaves a lasting impression on me. Sure it’s great to see the two main leads finally hooking up, and so Carrie finally gets her man in the end, la di da. But the witty, well-dressed and loyal Fiona only gets to watch the love of her life gets wrapped up in one romantic endeavor after another. Yet, it’s a testament of how great the script is that they never painted her as a victim, in fact, one doesn’t feel sorry for Fiona so much as deep empathy, as we’ve all been there before, you know, who hasn’t had an unrequited love once in their lifetime? The character also has the most memorable lines, especially the one where she had a naughty chat with the bumbling priest Father Gerald (played brilliantly by Rowan Atkinson) when discussing what it feels like to do weddings for the first time.
This scene below is one of my favorites from the movie, it’s not completely unpredictable but it still pinches your heart when you hear Fiona answers his best friend’s question with “You, Charlie.” Just as soon as she said it, she stops, perhaps regretting what she just did but knew there’s no turning back. It’s an exquisite scene, well-directed, well-written and superbly-acted by both Hugh and Kristin. In the middle of a festive, boisterous party, the mood completely shifts into something so quiet and heart-wrenching-ly real that you could almost feel Fiona’s pain and Charles’ astonishment, yet Fiona never loses her cool even as she bares her soul knowing there is no chance they could be together. What a refreshingly un-sugarcoated portrayal of the reality of love.
(Special thanks to Becky a.k.a Prairiegirl for capturing the clip for me)
If there is ever a moment where you want to scream at Charles for: one, being so darn oblivious and two, for not choosing someone as awesome as Fiona, who’s not only wealthy and beautiful but also knows him inside and out and loves him just the same, it’s this scene. But of course, love ain’t that simple, isn’t it? And perhaps, happy ending is overrated. This movie offers such a wonderful study of relationship that the best love story doesn’t always end up the way you expect it to be.
I’ve been having a serious case of Spring fever of late – as practically everybody in my neck of the woods – as we seem to be skipping March and goes directly to May. The Twin Cities have had NO SNOW the entire month, not even any real wind chill to speak off. I mean, the typical temp for this time of year is 47˚F (that’s 8˚C for those outside of USA), but yesterday we hit 73 degrees! Today we may even be flirting with 80˚!! I mean, that’s no doubt tank-top-and-sandals weather, people!! Though on the way to work yesterday morning, I saw a woman pretty much freezing her bums off in her short skirts as the wind still made it feel quite nippy.
Therefore, I thought it’d be fitting to celebrate this definitely welcome the change of season with this scene from Notting Hill. Despite its blatant scmaltzy and lovey-dovey-ness, it’s perhaps one of the better rom-com out there, if not for the terrific all-British supporting cast and charming sidekicks Rhys Ifans and Emma Chambers — as Hugh Grant’s hilarious roommate and googly-eyed sister, respectively.
Set to Bill Withers’ soulful tune Aint No Sunshine When She’s Gone, it follows Grant’s William Thacker walking through the area of Notting Hill during the four seasons: summer, fall, winter and spring, as he mends his broken heart over Julia Roberts’ movie star Anna Scott.
According to IMDb trivia, the long shot was actually four different shots, all filmed the same day. Computer technology morphed the actor seamlessly from one shot to the next. It’s definitely a lovely and clever way to display the shift from one season to the next, a far cry from this ‘imaginative’ way this popular teen vampire flick did to signify the same thing.
I also chose this scene as my hubby and I are planning celebrate our 7th anniversary with a trip to London, yay! Unfortunately, since we’re not US citizens yet, there’s a vigorous UK Visa process we have to go through, including a biometric appointment (where we have to be finger-printed at an immigration office!). God willing everything will go smoothly and within 45 days we’d be walking where Hugh did in the photo above. So pardon the lack of posts in the next few weeks as I’ll be preoccupied with planning our trip, but there might be quite a few of ‘London-themed’ posts from now until mid May! 🙂 …
What do you think of Notting Hill and/or this scene?