FlixChatter Review: HOUSE OF GUCCI (2021)

House of Gucci is scandalous family feud set in the world of haute couture… a sensational story ripe for a cinematic adaptation. Apparently Ridley Scott has been wanting to film this since the book of the same name by Sara Gay Forden was released in 2000, which centers on the brutal murder of the heir of the Gucci fortune, Maurizio Gucci, by his ex-wife, Patrizia Reggiani. 

The film opens with a shot of Maurizio (Adam Driver), the heir of the Gucci fortune, looking dapper in a gray wool suit and oversized Aviators sitting at a Roman cafe. He rides a bicycle on cobblestone streets to his office and about to climb up the steps … well, the story then rewinds back as to the pivotal moment where it all began. You could say Maurizio and Patrizia’s romance began with a ‘meet cute’ at a costume party … I really think it wasn’t so much Maurizio’s looks that attracted her, but her eyes lights up when he said his name… ‘it was a name that sounded so sweet…’ indeed, Gucci is synonymous with wealth, style and power. The whirlwind romance doesn’t begin immediately, but after a bit of stalking, even down to the library where Maurizio was doing his research for his law degree, he finally falls for her… hook line and sinker.

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The first act establishes the two contrasting backgrounds of the two doomed lovers. Though not exactly poor (her stepfather actually owns a pretty successful trucking business), Patrizia always dreams of living the high life. Maurizio on the other hand, who’s been a Gucci all his life, seems unfazed by it all and was set on becoming a lawyer. In fact, he’s content with working at Patrizia’s trucking company when his snobbish, former silent-actor father Rodolfo (Jeremy Irons) cuts him out of the family for wanting to marry someone he deems unworthy and a gold digger. There’s a scene in the car with Patrizia where Maurizio scoffs at his dad for living in the past and that his grandpa Guccio Gucci who first started the company in Florence, started out as a bellhop London’s Savoy Hotel.

It’s Maurizio’s uncle Aldo (Al Pacino) who actually courts Maurizio into the family business, preferring his favorite nephew over his ‘idiot’ son Paolo (Jared Leto) who just never measures up to his father’s standards. The two brothers own half of the Gucci shares each but they clearly have differing visions for the company. In one of the meet ups, Rodolfo insists on quality-over-quantity and adamantly refuses the lucrative globalization approach Aldo is keen on. ‘No malls’ Rodolfo says to Aldo who really just wants to milk the business for all its worth.

Scott captures the lavish lifestyle and glamour of the ultra rich family… the set pieces, clothes, etc. were meticulously designed and they’re fun to watch. At one point, Aldo throws a lavish party on the patio of his 16th Century historical palazzo overlooking Lake Como. It’s enough to get one intoxicated by the glam, glitzy, decadent life of the ultra rich… Patrizia is practically tipsy over being a part of the Gucci family.

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The first act starts out quite well-paced, with a good sense of intrigue and fun. There’s even hilarious moments such as the loud wham-bam, jack-hammer style sex scene in a cramped office… the full-on campiness is quite amusing as it transitions to an elegant wedding in a church set to George Michael’s FAITH. I don’t mind the anachronism style, though those songs got me somewhat nostalgic and took me out of the movie a bit.

The fairy-tale life of being a Gucci queen seems to be within reach for Patrizia, especially after Maurizio inherits his father’s fortune following his death. I think the film would’ve been more effective if it knows just exactly which Gucci tale it wants to tell. Screenwriters Becky Johnston and Roberto Bentivegna starts out as focusing on the Maurizio/Patricia romance and their rise to power, which eventually tears them apart. As the film progresses, it concerns itself too much with the business side of the fashion label.

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It loses its narrative focus about midway through, thanks to its kitchen-sink storytelling approach, trying to cram as many intersecting storylines from how the cheap fake products are devaluing the Gucci brand to Paolo’s grand ambition to start his own label. The film glaringly forgets about Patrizia early in the third act during its repeated narrative detours, as it was too preoccupied with the battle between father-vs-son-vs-cousin subplot in the race to lead the company. ‘It’s time to take out the trash…’ Patrizia says at one point. If only that’d be applied to the film itself, which could use a much tighter editing scissor to trim its fat.

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The performances did keep me engaged though it’s pretty uneven. Even from its trailer, you know it’s Lady Gaga‘s movie. She totally owns it with her undeniable screen presence, there’s a gleam of madness in her eyes right from the moment she meets Maurizio and wants him all to herself. It helps that her character has the strongest arc in the film… she’s a driven woman who knows exactly what she wants and her narcissistic & overbearing personality clearly drives her husband away.

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Adam Driver is mesmerizing as Maurizio, displaying a disquieting restlessness in a subtle yet effective performance. Despite Maurizio being underwritten, Driver manages to elevate the character and makes him more than one-dimensional. Plus he looks like a bazillion dollars in those sharp suits and the way he carries himself. There’s a hint of ruthless ambition seething underneath his calm demeanor, but there’s almost no transition from the mild-mannered, passive guy to a callous, spendthrift, power-hungry douchebag. Even the romance between him and his mistress Paola Franchi (Camille Cottin) has zero sparks and seems inconsequential despite its actual impact in the real story. Having seen how fiery Cottin is in the Call My Agent! series, this role is such a waste of her talents.

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I was hoping for something indelible when Patrizia, in a blood-red ski outfit, sits down next to Paola and delivers threatening lines like ‘I subscribe to unconventional punishment.’ Disappointingly, the whole thing goes down in an unremarkable way. Same with the ‘Father, Son and House of Gucci’ scene when Paolo asks Patrizia if she can keep a secret… it looks so deliriously juicy in the trailer, but it doesn’t have the same impact in the film.

Speaking of which, Jared Leto in a fat suit and prosthetic makeup is too busy chewing the scenery to portray someone resembling a real person. Don’t get me wrong, I think he’s done a good job here portraying the much-maligned Paolo who never gets to spread his creative wings. I just think he veers way over the top in his boorish performance that the character becomes a complete caricature. I suppose Leto often goes well above and beyond the call of duty whenever he portrays a real person, though I wonder if he does it for the attention more so than a dedication to his craft.

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Interestingly enough, Jeremy Irons and Al Pacino seem to have similar approaches as the actors playing their respective sons… Irons is all sinister sneering with simmering rage like Driver, while Pacino hams it up with exaggerated hand gestures that reminds me a bit of his performance in Scent Of A Woman. Salma Hayek looks like she’s having more fun here than in Eternals in a small role as a a high-society psychic who becomes close friends with Patrizia. It’s quite ironic to see her as the least wealthy character given that Hayek’s husband actually owns the Gucci brand now.

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As for the accents–everyone adopts a quasi Italian accent to varying degrees. I guess it’s to be expected as Scott never really concerns himself with getting the accents right for his characters. I mean, Russell Crowe’s Maximus is supposed to be a Spaniard in Gladiator but he speaks with more of a British accent, same with all the characters in The Last Duel who’re all supposed to be French.

In terms of direction, I have to admit that House of Gucci doesn’t feel like a Ridley Scott movie compared to his last film released this year, The Last of Duel. I’ve mentioned the script’s lack of focus, which leads to scenes feeling disjointed as some scenes get cut short as another 90s song starts again. Despite the fabulous European locations, the cinematography by Dariusz Wolski isn’t all that remarkable… I can’t even name a single one perfect shot from this movie. Neither is the music by Harry Gregson-Williams, all I remember are the 90s songs, I bet much of the large budget goes towards song licensing.

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The style MVP is definitely costume designer Janty Yates in creating the 90s looks befitting of the fashion-centric movie. I enjoy seeing the various suits and outfits worn by the cast, especially Driver who undergoes quite a style transformation from the dweeby sweaters in his college years to the sharp bespoke suits as Maurizio gains more power and drowns in debt.

It’s a testament to this outlandish tale that I still find the movie quite immersive despite its flaws. I was absorbed in the wild, crazy ride throughout its 2 hours 37 min running time. It actually took me a few days to ‘recover’ from this story, as I watched all kinds of YouTube videos about the Gucci family following the film. It is so tragic that the once-unrivaled fashion empire that’s been created three quarter of a century ago ends up being destroyed by its own family rivalry. Truth really is stranger than fiction!

Given how sensational this story is, you’d think the film would’ve been more impactful and indelible. If it were a meticulously-tailored bespoke suit, House of Gucci seems to have all the right material to put it together. Alas, the execution (no pun intended) doesn’t quite measure up.

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Have you seen HOUSE OF GUCCI? Well, what did YOU think?

Ranking ADAM DRIVER’s 10-best roles in honor of his birthday!

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Ahhhh… I almost missed Adam Driver‘s 38th birthday on Friday, November 19 if it weren’t for my photography-enthusiast husband pointing it out to me on Instagram. Apparently one of the photographers he follows on IG, Jason Belle, had wished him a happy birthday.

I’ve been crushing on this Indiana-native for some time now… it’s been a steady buildup for a few years but it kind of went into overdrive [no pun intended] after seeing Annette, specifically THIS shot…

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… which is quickly followed by rewatches of the Star Wars movies … I have a thing for dark, wavy, thick hair so when I first saw Kylo took his helmet off for the first time, I remember my heart skipping a beat 😍

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Adam DriverHow do I love thee? Let me count the ways.

Actually no… it’ll be super long blog post if I go into that, ahah… but let me share just a few… I do love that he is a Midwestern boy… from Mishawaka, Indiana specifically (about 8 hours drive from where I live in Minneapolis suburbs… ehm) and clearly he’s still got that small-town charm given his upbringing.

I love how massive his stature is (he describe himself as a Sasquatch in the Peter Travers interview)… he’s easily around 6’3″ with strong postures and perfectly lean muscles… whoever has this idea for this striking Burberry commercial, God bless you!!

I love how he’s equally sexy and adorable in Mister Rogers sweater and in a dapper suit…

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I love his benevolence and philanthropic spirit … creating AITAF (Arts in the Armed Forces) after he had gotten out of the military (yet another reason I love him as very few actors served in the military)… and how passionate he is whenever he gets a chance to talk about it…

I love his deep, masculine voice and the way he can articulate his thoughts carefully… I was watching a bazillion interviews of him on YouTube and it shows so much of his character as a thoughtful and deep thinker, there’s no nonsense about him, not one iota of pretentiousness that you find in so many actors… it’s as if he doesn’t care about impressing anyone and THAT is sexy to me.

I love his incredibly luscious mane… I think even Ridley Scott realizes that, I love his long, beautiful tresses he’s sporting on the two movies he directed, The Last Duel and House of Gucci (review coming next week!)

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But what I love most about him is his phenomenal acting skills… I mean he truly is the most exciting actor working today, someone I would rush to see in whatever movies he’s done. Heck, I took a half day off from work for a morning screening of House of Gucci last Tuesday… and it was so worth it!

So in honor of this ridiculously-talented, Julliard-trained thespian… I’m going to rank 10 of his roles I’ve seen so far, and let me preface that by saying I haven’t seen Silence, This Is Where I Leave You and The Meyerowitz Stories. This ranking is going from my least to top favorite … and to clarify, I’m NOT ranking the movie, but his performance in it, as his performance is often the BEST thing about a movie and makes watching even so-so movie worthwhile. So here goes…

10. JUDE – Hungry Hearts

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The only reason I wanted to see this film is Adam and honestly, I don’t think I could have finished watching it the whole way through if it weren’t for him. The only lighthearted and humorous moment is the meet-cute in a Chinese restaurant bathroom, but the rest of the film was so insufferable and sorry, I simply cannot stand his co-star (Italian actress Alba Rohrwacher). Adam’s performance makes it worthwhile however, which is a testament that a charismatic actor can make people endure even a dreadful film.

9. CLYDE – Logan Lucky

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I saw this ages ago when he wasn’t really on my radar, but I still remember his adorkable performance. I wish he’d do more comedic roles as his deadpan humor is to die for! As Channing Tatum’s brother who’s an Iraq war veteran and an amputee, the role likely resonated with him given his military background. I don’t really like the sound of Southern accents but I could listen to Adam’s West Virginian twang for hours!

8. TOBY – The Man Who Killed Don Quixote

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What a crazy roller coaster ride this movie was… but then again, it’s by Terry Gilliam, which has been stuck in development hell for nearly two decades. I love Adam’s no-holds-barred performance that displays his comedic chops as well as his sexy leading man prowess. There are moments where former Bond girl Olga Kurylenko relentlessly seduces him to make love to her and he continues to elude her… it makes me think of Adam’s penchant of playing the reluctant-hero that he portrays so brilliantly throughout his career.

Adam is always magnetic in every role and he’s so fun to watch in all the insane adventures his character goes through. I love the sumptuous costumes and production design and he looks magnificent in the ornate 17th century fashion… reason enough to watch this movie.

7. KYLO REN – Star Wars Episode VII, VIII, IX

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Ahhh… the wonderfully meme-able Kylo Ren… I didn’t fully appreciate Adam’s performance initially, I actually thought Kylo is hilarious in his inability to control his rage… I remember laughing out loud watching him bash his helmet to shred that even the storm troopers shudder just even hearing him in another room.

But by the second SW movie, I was in awe of what Adam’s done with the role, a tragic character born out of two heroes who’s lured by the dark side… Watching him portray Kylo’s internal struggles is mesmerizing as unlike his grandpa, the mysterious Darth Vader, Kylo’s human side is palpable and while he’s powerful, he doesn’t quite have it all together. But of course he also looks fantastic in those long black coat showcasing his tall, slender frame… plus, there’s the luscious wavy hair [fan self]

6. JACQUES – The Last Duel

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I nearly gasped when I saw his character’s name as Jacques is the name of the male lead in my script Hearts Want, and at some point I had written him as a Frenchman. Jacques is described as a handsome nobleman and there are moments where women of nobility look upon him as if he were some 14th century French heartthrob… well he certainly looks the part.

No stranger to playing baddies, Jacques is the quintessential villain in that he doesn’t even think of his terrible deeds as something bad… and Jacques remains defiant right up to his final violent death. I mentioned that his despicable character threatens to ‘cure’ me out of my infatuation of him… it kind of did briefly which again is a testament to his astute performance, but of course it doesn’t last long.

5. FLIP – BlacKkKlansman

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It’s the role that nabbed him his first Oscars nomination in a supporting role, along with a Golden Globe, SAG, BAFTA and Independent Spirit noms. It’s definitely a juicy role for any actor and Adam didn’t squander that opportunity. As a Jewish undercover cop named Flip Zimmerman who infiltrates a Colorado chapter of the KKK, it’s a role that requires a delicate balance of comedic and drama that he pulls off with aplomb. There’s an earnest-ness about Flip and a stealthy quality about him that makes him a good spy.

4. MAURIZIO – House of Gucci

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I saw this earlier this week so it’s still fresh in my mind. From a French knight to a member of Italian fashion royalty… Adam is convincing in ANY role. Even the House of Gucci‘s costume designer Janty Yates said he’s a shoe-in as Maurizio Gucci as he’s ‘tall and elegant.’ But it takes more than the physicality for an actor to fully embody the role. The way Adam carries himself as the heir of the Gucci fortune exudes money and power, and a hint of ruthless ambition seething underneath that transforms him from a mild-mannered, passive guy to a callous douchebag.

The movie isn’t perfect but his performance is still a highlight for me…he commands your attention right from the first moment he appears on screen… with the camera panning slowly as he’s sitting in a cafe near his office in Rome with his perfectly tailored suits and oversized Aviators. If people hadn’t been convinced of his sex symbol status by now, I think this role surely cements it.

3. CHARLIE – Marriage Story

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I saw this at the Twin Cities Film Fest and though I haven’t had a chance to fully review it, I included it in my top 10 films of 2019. I was rooting for Noah Baumbach to win Best Screenplay at the Oscars as his shrewdly-written script feels so natural and incredibly immersive. Adam’s Charlie is far from being the perfect husband and he’s got rage issues that he displays in some of the explosive scenes in the movie… some of the fight scenes with Scarlett Johansson are visceral and tough to watch, which is a testament to both of their acting prowess. I’m glad both were nominated for acting Oscars that year.

Of course one of the highlights is him singing Sondheim’s Being Alive... an utterly mesmerizing scene that resonates so emotionally. Having seen some interviews where Adam displays such aversion to singing (you could even see him panicking when he’s asked to sing), it’s incredible that he often sings in his films… further proof that he often lost himself in a role.

2. PATERSON – Paterson

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I love that Adam seeks out roles based on how he feels about the director and he clearly loves and understands Jim Jarmusch. Paterson is not a flashy role but a beautiful, soulful one that showcases Adam’s ability to act with just his facial expressions. The scenes where his poetry are written across the screen as he is doing a mundane job like driving a bus day in and day out have such a hypnotic quality. It’s not a film that concerns itself with endless action to keep people engaged and it’s such a wonderful antidote to mainstream Hollywood movies filled with random chaos. In my brief review in my Hidden Gem post, this film is a sweet celebration of life’s small joys and its oddity… I can’t wait to see this again soon.

1. HENRY – Annette

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An absolute tour de force performance that had me transfixed from start to finish. Even from the moment he appears singing with the Sparks brothers and the cast in the opening sequence, Adam was so committed in this surreal, bizarre musical. As a provocative stand-up comedian Henry McHenry, this is perhaps the most feral performance out of him. It’s also a very physical role where he uses his entire body to portray Henry’s simian characteristic… aptly known on stage as “the Ape of God.” I have to admit I was both entranced and appalled by his character, which is obviously by design.

Annette is not for everyone but if one can get past the weirdness of this sung-through musical, I love how it highlights the force of nature that is Adam Driver and I’m forever grateful. His fearless performance is truly one for the ages.


This appreciation post comes a day late… but hey, instead of having an #AdamDriverDay …. might as well make it an #AdamDriverWeekend as we can enjoy his spectacular work all weekend long!

Let me leave you with this sublime, heartbreaking performance in Marriage Story… easily my favorite scene in the film where all his emotions comes through as he’s singing it… it speaks volumes more than all his monologues and incessant yelling. Simply masterful.


So in celebration of the one and only ADAM DRIVER … what’s YOUR favorite role(s) you’ve seen so far?

This Just In! HOUSE OF GUCCI trailer 2

Ok, I rarely post a movie trailers more than once, but I’ve been quite obsessed with the first trailer of HOUSE OF GUCCI that dropped last July. I think that first trailer shows just how a well-made preview can REALLY make a huge impact. I had forgotten the movie is even coming out this year, but as soon as I saw the trailer, it jumped to my most-anticipated holiday movie!!

I’ve mentioned in the previous trailer post about the plot… but here it is again:

Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

The story is based on a book of the same name by Sara Gay Forden, she has covered the Italian fashion industry from Milan for more than 15 years. Her book centers on the brutal 1995 murder of Maurizio Gucci (Driver), the grandson of the Gucci company founder, by his ex-wife, Patrizia Reggiani.

Given my crushing for Adam Driver, I’m obviously giddy that I’ll be seeing him in another new movie this year… What inspired casting to have the Midwestern-raised actor as Italian royalty, after playing a French knight in The Last Duel, no less. Hey, why not? He looks as perfectly natural riding a horse as he is driving a Lamborghini Countach. Adam can play anything, in any accent, he’s just THAT good.

But even from these trailers, it’s clear this is a Lady Gaga film… her presence is magnetic and undeniable even amongst a throng of mostly-male ensemble cast. I’ve loved her performance in A Star Is Born, but she looks like she’s really having a good time here and it shows. Will there be another Best Actress Oscar nomination coming her way? My gut says yes, I think she’d be competing with Kristen Stewart for her portrayal as Lady Diana in SPENCER.

Glad to see Jack Huston in a small supporting role as well, He’s a terrific actor who’s kind of underrated, so I’m always happy to see him pop up every now and again.

This movie arrives just in time for THANKSGIVING on November 24, it’ll be the perfect movie to watch with your whole family (the more dysfunctional the better, ha!) I’m waiting with bated breath for the press screening, I’d even take a half day off if it’s during the day!!

The ensemble cast is amazing! In the supporting roles we’ve got Al Pacino, Jared Leto, Jeremy Irons, and Salma Hayek. I’m also excited to see Camille Cottin (one of my faves in Call My Agent!), I sure hope this one will be a hit for Ridley Scott, as The Last Duel ends up being a box office dud. For sure this looks like a far more entertaining and fun movie to watch in the more stylish, colorful world of the 80s instead of the morose, titanium-gray Medieval times!

Now, back to Adam… I cannot wait to see him trade those silver armor with luxurious, nicely-cut suits and those fabulous oversized aviator specs. He looks like a million bucks as Maurizio Gucci!!

Whoever cuts these trailers ought to get some awards, I’ve watched the first one countless times and this one is just as great. LOVE the use of another iconic 80s song, this time EurythmicsSweet Dreams (Are Made of This) which perfectly captures the glamor, madness, power and the sweet sound of GUCCI, of course it’s all fun and games until someone decides to ‘take out the trash.’

House of Gucci will be released on November 24.


What do you think of the second trailer? 

This Just In! Ridley Scott’s HOUSE OF GUCCI trailer

Dayum, Sir Ridley Scott is one busy filmmaker!! I feel like I’ve been posting his film just the other day, The Last Duel, and I’m feeling de-ja-vu as we’ve got Adam Driver in the lead role once again. Eccellente! I think Adam should be in EVERY MOVIE, ehm. 

Full synopsis:

Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

Woo wee!! That’s one heck of a stylish trailer, it even starts out like a flashy Gucci commercial. I love Blondie’s Heart Of Glass song and now it’s stuck in my brain all over again. These fashion houses sure have real-life drama as intricate and juicy as their haute couture creations. The story is based on a book of the same name by Sara Gay Forden, she has covered the Italian fashion industry from Milan for more than 15 years. Her book centers on the brutal 1995 murder of Maurizio Gucci (Driver), the grandson of the Gucci company founder, by his ex-wife.

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Truth is stranger than fiction. I was actually just reading about what happened to Maurizio Gucci not too long ago, and his former wife Patrizia Reggiani (Lady Gaga) who served in jail for 18 years for hiring the hitman to kill him. Can’t say I have much sympathy for Maurizio though, as reportedly he left Patricia for a much younger woman, Paola Franchi (Camille Cottin) and lied that he was going on a business trip. Interesting to see Driver being cast as a narcissistic, cheating husband once again as he seems like a real nice bloke in real life. Clearly acting as someone opposite from you is far more fun.

I’ve been doing an Adam Driver marathon lately (which I’ll blog about in a couple of days!) so I’m super excited to see more of him in two highly-anticipated movies later this year! I love how he continually switch things up, this role can’t be more different from the one he’s doing in The Last Duel.

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I almost didn’t recognize Jared Leto and Jeremy Irons if it weren’t for the character posters, wow! Gaga is chewing the scenery as Patrizia, that last part of the trailer… ‘Father, Son and House of Gucci’ is a hoot! Per IMDb trivia, a slew of actresses the likes of Angelina Jolie, Anne Hathaway, Marion Cotillard, Penélope Cruz, Margot Robbie and Natalie Portman were considered for the role before Gaga was cast. I was really impressed with her in A Star Is Born, and this looks like a role she’s born to play. 

The star-studded cast also includes Al Pacino as the patriarch of the fashion empire, as well as Salma Hayek as Pina Auriemma, the clairvoyant friend of Patrizia who helped organized the hit on Maurizio. It’s inspired casting given Hayek is the wife of François-Henri Pinault, the billionaire Kering CEO who now owns the the Gucci brand.

I think since the on-set photos were circulating on social media back in Spring, practically everyone just became obsessed w/ this movie. I tried not to look at too many set photos and keep my enthusiasm in check until we actually see a trailer. Well now I am officially intrigued, I’ve seen this trailer a bazillion times in under two hours, ahah! 

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But apparently not everyone is enthused about this movie, according to AP News, the Gucci family isn’t keen on the movie, one of Maurizio’s cousins was quoted as saying that it was “… stealing the identity of a family to make a profit, to increase the income of the Hollywood system.” It’s always tricky to portray such a larger-than-life story based on a real family, though given the notoriety surrounding Maurizio’s murder, this is certainly the kind of twisted, glittering tale made for Tinseltown. Surely we can expect glamorous European locations, glitzy parties, fabulous fashion in this movie to go along with the wild and dark side of life in excess.

House of Gucci will be released on November 24.


What do you think of the trailer?