FlixChatter Review: Immortals

Every once in a while, there’s a movie that comes along that’s critics-proof. This is one of those movies. I love swords and sandals genre and I went in with the expectation for Tarsem’s visuals and Henry Cavill’s performance to wow me and it delivered on both counts.

Apparently I’m not the only one who didn’t heed the critics as the Greek mythology visual feast reigned supreme at the box office with $32 million. Now, with that in mind, let me give you a rundown of what works and what doesn’t with this film.

The good

• Well obviously the visuals — the world Tarsem built is pure eye candy material. It’s artistic, bold, imaginative, which is what I had hoped from the first time I saw the first trailer. Given that this film shares the same producers as 300, the comparison is inevitable. At the same time, it’s got a pretty distinguished visual flair and style that’s entirely Tarsem’s. For one, Tarsem’s use of color is more vivid and rich, it’s like seeing a fine art painting, albeit a very bloody one, come to life.

There’s obviously painstaking details invested into building the sets and the costumes. The get-ups the gods wear as they watch mortals from way above the clouds are over the top but that’s the stuff of a fantasy flick. Apparently everyone has a Gold Gym membership up there in Zeus country.

• Henry Cavill’s on-screen charisma. Though I’ve followed his career for the past few years, this is the first time I’ve seen Henry carry a movie and I have to say he did a great job. It’s no doubt he looks the part as a peasant mortal chosen by Zeus to fight against the ruthless King Hyperion, but fortunately he’s got the confidence and gravitas to match those chiseled muscles.

• Mickey Rourke actually makes for a pretty brutal and vicious villain as Hyperion. The kind of enemy that makes your skin crawl with his sadistic shenanigans, especially to one traitor who comes to him and actually offered to help. He’s certainly more effective than Rodrigo Santoro’s Xerxes with all his gold body piercing. Hyperion is evil through and through and the relentless mano-a-mano fight between him and Theseus is quite rousing at the end.

• The special effects are definitely cool. Whenever the gods came down to earth, there’s a certain slo-mo technique used to illustrate just how much faster they move compared to humans, kind of like how in The Matrix, Neo is often shown as being able to move at lightning speed. I think it’s quite efficient and there are no annoying quick-cutting between scenes seemingly employed by every action directors. All the fight scenes involving Zeus and co. are incredibly bloody, but like 300, the stylized way they’re done makes ’em a bit more bearable to watch. I still cover my eyes a few times though.

The not-so-good

• The supporting cast is quite lame, to be honest. Even British thespian John Hurt wasn’t really given much to do, but my biggest quibble is with Stephen Dorff. He tried to be this wisecracking sidekick, but I find him to be irritating and silly. Kellan Lutz and Isabel Lucas barely had any lines or anything worth writing about. Compared to the compelling actors who fought alongside Gerry Butler in 300: Michael Fassbender, Vincent Regan, Dominic West, and David Wenham, these pretty young things just pale by comparison.

• Freida Pinto is beautiful but forgettable… she did have more to do here than in Rise of the Planet of the Apes, but that’s not saying much. So yeah, she’s no Lena Heady. Even the sex scene is pretty ho-hum, it lacks passion and least of all, heart. Though guys surely remember Pinto’s body double’s derrière 😉

• Weak script — Tarsem’s story-telling skills doesn’t quite match his visual flair. The Fall was quite a disconcerting in terms of narrative, but there’s at least a strong connection between the two main characters. There’s not much going on between Theseus and Paedra, nor between him and any of the crews. Speaking of 300 again, the bond King Leo had with his soldiers make the nonstop battles mean more to the viewers than simply artistic amusements. I feel like there’s really not a whole lot at stake in Immortals. Of course the story tells us there is but we just didn’t feel it.

In my pal Scarlet Sp1der’s review, he mentioned that the stirring speech rounding up the troops pales in comparison to King Leo’s. I definitely agree with that, Butler’s certainly got that commanding presence that’s tough to beat. But to be fair, Leo has been a king for a long time, thus his troops were all ready to die for him, whilst Theseus is practically a stranger.

• Oh, and what’s with the Epirus Bow? I feel that for something so integral in the story, I find it odd that it somehow felt ‘forgotten’ by the end. The archery scenes are pretty cool though, I just wish they’d show more of those.

The Verdict?

Immortals is more style than substance, but at least Tarsem did deliver on his promise of Caravaggio meets Fight Club, complete with the ‘what the heck is going on’ ending. So yeah, despite the flaws I’ve mentioned, it’s still well worth-seeing for pure escapism’s sake. It’s a well-crafted production that’s sure to please anyone who appreciates fine workmanship and classic design. A quick note about the 3D: I saw this in 3D and though it didn’t really add much to it, it didn’t detract from it either. I’d say you probably won’t go wrong seeing this in 2D but the showtimes for those are much less than the 3D ones.


Anybody else seen this one? Do share your thoughts on Immortals in the comments.

FlixChatter Review: Clash of the Titans

Critics be darned once again! Clash of the Titans defied the dismal review (31% Tomatometer) to soar past $60 million to capture the number 1 box office spot (it’s already earned over 100 mil worldwide). WOW, it surely is kraken-ka-ching for honchos at Warner Bros, as it’ll make up its $125 million production cost quicker than you can say “RELEASE THE KRAKEN!”

My buddies and I saw this in 2D on Saturday afternoon, and glad we only paid 6 bucks for it as it definitely wasn’t worth even a penny more! This is quite disappointing as I’ve been pretty excited about this flick for about a year now, frequently blogging about it, even put it on my Top Ten Most Anticipated 2010 Flicks. Of course I wasn’t expecting an Oscar-caliber flick and knew full well this was going to be a lightweight flick with plenty of action, but still, I was hoping it won’t be THAT vapid and humdrum.

All those visual thrills, loud and bombastic action sequences left me empty, aching for someone, something to actually give a hoot about, but all we get is a reluctant – lackluster is more like it – hero with only two expressions to choose from: anger and despondent, practically nothing in between. Sam Worthington’s performance as Perseus made his Jake Sully character in Avatar look like a worthy Oscar contender! The biggest problem of the movie is definitely the script, so perhaps it’s the fault of the screenwriter to paint such an unsympathetic hero. I mean, if he didn’t seem to give a rat’s ass about fighting the gods (nor saving mankind) in the first place, then why should we?? The only sequence I thought was pretty cool was the Medusa chase and how seamless the special effects was in creating the beautiful but hair-raising (literally!) monster.

If anything though, it certainly sparked a good discussion with my hubby afterwards, we even watched some of the clips of the original on Youtube. So the full review below is courtesy of Ivan, a.k.a Mr. Maramis! 🙂

When it comes to a movie remake – which happens a lot these days with Hollywood’s lack of creativity – you can become a harsher critic, especially when you were quite fond of the original version, no matter how cheesy that movie is (or was). That’s what I experienced when I watched the 2010 Clash of the Titans this past weekend.

I’m not going to elaborate the plot here (that’s what Google is for), but essentially the story centers around Perseus, half man, half god–son of Zeus. The gods have conflict among themselves (that’s what happen when you have more than 1 God), meanwhile human rebels against the gods. Zeus got antsy and eventually decided to RELEASE THE KRAKEN (essentially a humongous godzilla from underwater). Human have the option to either sacrifice Andromeda (a beautiful princess), or kill the Kraken. That’s when Perseus comes in (to kill the Kraken, not to sacrifice Andromeda… just to be clear).

I remember watching the original version as a kid, in awe of the visual effects of all the creatures, Perseus adventure, the occasional humor, and all the action that kept you at the edge of your seat throughout the movie (kid doesn’t really understand storyline, so…). Keep in mind this was all created before CGI era (1981).

Fast forward to 2010. When I saw the trailer, I was so excited. I really had high expectation. After all, with all the technology we have today, fantasy movies like Lord of the Rings can actually be considered as high quality production with excellent story line. Right? And then I saw the movie. 5 minutes, 10 minutes, 15 minutes later… meh. An hour later, I’m getting even antsier than Zeus is. From there on, I was just staring at the screen hoping for some occasional cool CGI, which is not that spectacular anyway.

So by now you know I’m not too crazy about this remake. And maybe I would’ve had a different experience if I had not ever watched the original version. But even when you compare movie like this to the Lord of the Rings series, Chronicles of Narnia or Gladiator, I still feel this movie falls short. I never got attached to any of the characters and the acting were just flat and even felt lazy. Maybe the only character who I could feel empathy for is Perseus’ earth father. And he was only there for 5 minutes (sorry, spoiler).

Zeus to Perseus: I’m your father!

I mean, c’mon… when Perseus finally found out that he was the son of Zeus, he looked somewhat surprised for like 2 seconds. But then after that, he just looks the same, expressionless throughout the movie. There was this scene before he entered the lair of Medusa (a creature whose hair is made up of snakes, and can turn you into stone if you stare at her eyes), where he supposedly gives a speech of encouragement to a half dozen people who’ve been following him faithfully. And the pep talk didn’t really make you want to root for to good guys even more. Maybe because I didn’t believe the characters relationships are that genuine.

Using Lord of the Rings again as a benchmark: I believed Frodo & Sam friendship is genuine, but not on this one. I believed that the willpower of Sam, Aragorn, and all the people who stand behind Frodo to make sure he fulfills his mission is genuine–but in Clash of the Titans, I feel like the majority of the good guys are just there, waiting for their time to die.

The gods convene in Olympus

Now switching focus to the superior beings–the gods: Heck the clearly-CGI-ed lion in Narnia looks much more charismatic and omnipotent than Liam Neeson’s Zeus, who looks just like a really confused guy w/ bad makeup and botox, wearing something made out of aluminum paper in high-school science project. Again, in the LOTR, when you first see Rivendell (where the superior race Elves live), you believe that superior beings live there. But Olympus, where Zeus and the other gods hang out, looks like a cheap white gazebo with lots of reflective materials, and a really bad miniature of earth in the middle of it. Seriously, Zeus lives here?

Perseus then and now

The story of the remake is quite different than that of the original version. Which is fine by me. Obviously the technology used is much better today than the stop-motion technique used back then. When I watch back the original version in YouTube today, I laugh & cringe because of the production quality, Harry Hamlin’s big 80s hairdo, and the inferior editing technology of the old days. But at least I was still curious enough to sit through and follow Perseus’ perilous journey and the dialog – as cheesy as it was  – actually had a plot. It was still entertaining to watch, more than ‘just for old time’s sake’. As for the 2010 version? Let’s just say I’m glad I didn’t pay for the 3D admission fee. I would’ve been even happier if I just waited until it came out in DVD… maybe even in YouTube one day.

1 out of 5 reels